My Music Collection Update Daily! (Dance, Trance, Rock, Pop, Electronic, Jazz,..)

[vandtal]

[Only registered and activated users can see links] Blakaut
Title: Συσκότιση
Year Of Release: 2018
Label: Blakaut
Genre: Electronic, Synthwave, Darkwave, Minimal Synth
Quality: 320 Kbps
Total Time: 44:19 min
Total Size: 105 MB

Tracklist:
01. Μπλακ Άουτ (Intro)
02. Εξομολογήσεις
03. Μόνος
04. Χαμένοι Στη Μετάφραση
05. Οι Άνθρωποι Με Τα Μαύρα
06. Ζάναξ
07. Κανένας Δεν Μπορεί Να Ξεφύγει Από Τον Εαυτό Του
08. Κώστας Καρυωτάκης
09. Προσεχώς
10. Αυτή Η Γαμημένη Στιγμή
11. Ήρθες Όταν Εγώ Δεν Σε Περίμενα
12. Κίνδυνος Για Νέο Μπλακ Άουτ (Outro)


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[vandtal]

[Only registered and activated users can see links] Blood Room & TANS
Title: LENZ
Year Of Release: 2018
Label: Seagrave
Genre: Electronic
Quality: FLAC (tracks)
Total Time: 30:25 min
Total Size: 151 MB

Tracklist:
01. G-rhymes Jnr (Intro Vrsn) 02:05
02. Second Avenue 03:38
03. Shinto Tiff 01:57
04. Hour 11 02:26
05. Eggs Salted (Live) 04:30
06. My Own Master 02:12
07. Lenz 05:27
08. The Plus One 01:04
09. Salt-Fired (Live) 03:28
10. What Happens At The Edge 03:38
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[vandtal]

[Only registered and activated users can see links] Blues Eaters
Title: Night Ridin' Daddy
Year Of Release: 2018
Label: LME Recordz
Genre: Rockin' Blues, Swinging Blues
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 51:25
Total Size: 316 MB
121 MB

Tracklist:
1. Stompin' Stuff (3:32)
2. Wandering Soul (4:01)
3. Still The Same (5:33)
4. Outcast (6:08)
5. Nurse Radio (2:53)
6. Killin' Groove (2:40)
7. One Night In New Orleans (3:32)
8. Just A Shadow (5:38)
9. Never Surrender (4:13)
10. Taken Lives (5:36)
11. She's Back (3:08)
12. Beauty & The Bounder (4:26)


This combo founded in July 2008, consists of 4 seasoned musicians. They roam the French and European scenes for 15 years. On the road of the blues, they shared the stage with Bill Perry, Tommy Castro, Loonie Brooks, Junior Watson, John Primer, MAGIC SLIM, Louisianna Red, Sean Costello, Johnny WINTER, and many others ...
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Norman ROSAIA (sing, guitar, harmonica), Thomas HIRSCH (guitar), Thomas FAYE (contrebass, bass),Sébastien COURTI (drums) (and occasionaly Patrick Parain, (Tenor Sax & Bariton)), they offer a journey toward the West coast of the 40s '/ 50' to Chicago...
They are strongly influenced by T-Bone Walker, Magic Sam, Eddie Jones, Bobby Blue Bland, Hollywood Fats, Muddy Waters and CHESS artists, the gang will make you vibrate and dance through the night.
Swings of the frenzied atmosphere of smoky jazz clubs in the wind city, you will discover or rediscover the music that make wiggle crowds for decades.

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[vandtal]

[Only registered and activated users can see links] Bombers
Title: M/W
Year Of Release: 2018
Label: Vitesse Records
Genre: Electronic, Indie, Pop, Rock, Synthwave
Quality: V0 Kbps
Total Time: 42:47 min
Total Size: 81 MB

Tracklist:
1. Fills Call In
2. M/W
3. L'Hippocampe
4. Overblowing Conversations
5. Good Colors, Bad Shapes
6. Overtones
7. Sarcophage
8. Take Your Time


Welcome to the year 3000. After Honey For Petzi and Larytta Christian Pahud and Michel Blanc present their latest project: Bombers. On "M \ W" they explore the infinite possibilities of the synthesizer from prog rock to pop to techno. A soundtrack like the jukebox in alien nightclubs and for the journey there - "M \ W" is amazing first album with many layers.



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[vandtal]

[Only registered and activated users can see links] Strange Machines
Title: Voice of Color
Year Of Release: 2017
Label: Strange Machines
Genre: Rock
Quality: FLAC (tracks)
Total Time: 01:16:46
Total Size: 566 MB

Tracklist:
1. Motion Potion (05:16)
2. Golden Rule (09:46)
3. Voice of Color (09:26)
4. The In-Between (10:22)
5. Juxtaposed (06:35)
6. Enter the Interceptor (02:57)
7. Squid (08:00)
8. Little Monster (06:28)
9. Cause & Effect (07:05)
10. The Shape of Things (04:57)
11. Amorphous (05:54)
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[vandtal]

[Only registered and activated users can see links] James Payne
Title: Love Talk
Year Of Release: 2018
Label: Snake Free Records
Genre: Blues Soul, R&B
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 50:52
Total Size: 318 MB
119 MB

Tracklist:
1. Dance Party (3:58)
2. Party Time (3:58)
3. Love Talk (4:19)
4. (If You Like Fishing) You Better Know Your Hole From Mine (4:38)
5. I'm A Nibble Man (4:33)
6. I Ain't Gonna Cry No More (4:19)
7. If It Feels Good (4:35)
8. Two Good Women (4:12)
9. My Outside Woman (4:04)
10. I Never Take A Day Off (4:14)
11. Ease On Down (7:57)


The James Payne story begins in Theoddore, Alabama were at the age of 9 his father handed him his first bass guitar that he started fumbling with. In 1982 Little Milton called him Little Luther Vandross of Mobile, Alabama. He came up singing gospel at the age of 13 with a small group called The Sensational Five. Then he moved on to other groups like the Perryman Brother, Sunset Jubilee, and the Mobile soul stirrers along with Singing Sons, all of which where from Mobile, Alabama; and also The Dynamic Couselors of Detroit, Michigan. In 1984 he started a group called U-Can't Touch This out of Pensacola, Florida, and then later moved to Mobile, Alabama and started performing with Apollo Blues Band of Mobile. Helater moved on to perform with a very outstanding group know to the public as The Fabulous Tip Top, also of Mobile, Alabama. By 1999 after leaving this group, he started touring with Blues Unlimited that was founded by James Payne and Clay Knight while on the road touring with his good friend Mr. David Brinston. By 2001 at this time he was a artist of Mr. Tee Record Company, performing with his own band know to the public as Justice Show Band. He then journeyed on to Jacksonville, Florida and started recording in 2001 his first hit single, "Fat Woman" and then went on to release a full-length CD.

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[vandtal]

[Only registered and activated users can see links] Hippie Tendencies
Title: Identity
Year Of Release: 2014
Label: Alfa Music
Genre: Pop, Jazz Pop, Vocal Jazz, R&B, Soul Jazz
Quality: FLAC (tracks) [24 Bit/96 kHz]
Total Time: 52:36
Total Size: 1,12 GB (d.booklet)



Gli Hippie Tendencies nascono nel 2006 dall'incontro tra quattro strumentisti italiani ovvero Marco Cremaschini (tastiere, pianoforte), Cesare Valbusa (batteria), Massimo Saviola (basso elettrico e acustico), Christian Codenotti (chitarra acustica), e la cantante americana Lisa Marie Simmons, i quali dopo aver maturato una intensa esperienza dal vivo, hanno deciso di lavorare su composizioni originali. Pur partendo da un background musicale e culturale differente, questi talentuosi musicisti hanno trovato il loro comun denominatore in un eclettico intreccio tra jazz, funk, e musica pop colta, che nell'evocare a tratti ora agli Steely Dan ora a Joe Jackson, si caratterizza per il timbro caldo ed avvolgente della voce della Simmons. Dopo aver raccolto consensi e successo in Europa e in America con il loro disco di debutto, gli Hippie Tendencies tornano a deliziare il loro pubblico con il secondo album "Identity", che raccoglie tredici brani, i cui testi sono stati firmati dalla cantante americana, mentre delle musiche a farsi carico è stato principalmente Cremaschi in collaborazione con altri strumentisti. Registrato mixato e masterizzato presso Ritmo & Blu Studios di Pozzolengo (Bs), con l'aggiunta di altre registrazioni presso i DigiTUBE di Mantova, il disco vede la partecipazione di numerosi ospiti tra cui Simone Guiducci (chitarra elettrica), Simone Boffa (chitarra elettrica), Mauro Ottolini (tuba, trombone, flugelhorn, sousaphone, tromba), Fulvio Sigurta (tromba, flughelhorn), Maurizio Giannone (percussion), che contribuiscono in modo determinante ad arricchire le tessiture sonore dei vari brani. Se l'ascolto rivela sin da subito un sound sinuoso ed accattivante, andando più a fondo scopriamo testi dalle liriche profonde, intense, che abbracciano tematiche differenti dall'amore all'introspezione, passando per i problemi di rilievo sociale come l'immigrazione e gli abusi sui minori. Ad aprire il disco è la splendida "Woke Up", in cui sono racchiuse le motivazioni che sono alla base della scelta del nome del gruppo, e che nel fraseggio evoca nell'ispirazione James Taylor. Si prosegue con la canzone d'amore "Beside Me (Italian Town", mentre la successiva "Borderline" si fa notare per la sua originale struttura melodica. Le sonoritÃ* da big band old time di "Giggin' Around" ci conducono verso la divagazione in chiave world della percussiva di "Wana Wa Africa", ma è con "Immigrant" che affronta il duro tema dell'immigrazione. Sul versante delle cover se diverte la bella versione di "Time After Time" di Cyndi Lauper, commuovono "Blowin' In The Wind" di Bob Dylan e "Here's To You" di Joan Baez, dedicata agli anarchici Sacco e Vanzetti. Le tematiche sociali ritornano prepotenti con gli abusi sui minori cantati in "Beat", mentre "She's Got It" e "Can You Tell" si segnalano per l'eccellente groove che le caratterizza. La conclusiva "Done" sugella un disco senza dubbio coinvolgente che mette in luce tutta la passione e l'energia degli Hippie Tendencies, caratteristiche che si ritrovano poi intatte anche sul palco con le loro sempre apprezzatissime performance.

Salvatore Esposito
Tracklist:
01 Woke Up 5:09
02 Beside Me 3:29
03 Borderline 4:12
04 Giggin' Around 2:46
05 Wana Wa Africa 1:31
06 Immigrant 5:23
07 Time After Time 4:49
08 Beat 5:04
09 She's Got It 3:58
10 Can You Tell 4:30
11 Blowin' in the Wind 3:23
12 Here's to You 5:05
13 Done 3:13
***************************
Marco Cremaschini - Piano, Keybords
Cesare Valbusa - Drums
Massimo Saviola - Bass
Christian Codenotti - Acoustic Guitar
Lisa Marie Simmons - Vocal
Guest:
Simone Boffa, Simone Guiducci - Electric Guitar
Maurizio Giannone - Percussions
Mauro Ottolini - Tuba, Trombone, Flugelhorn, Trumpets Sousaphone
Fulvio Sigurta - Trumpet, Flugelhorn
Lisa Bell, Miles Simmons, Alan Farrigton - Background Vocals
The Daisy Choir: Grey Harrison, Emma Dillon, Terina Kate Patrick, Greta Koenig, Sloan Menendez, Maxwell Story - Background Vocals
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[vandtal]

[Only registered and activated users can see links] Bonitarebel
Title: Bonita Season
Year Of Release: 2018
Label: Bonitarebel
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:25:10
Total Size: 47 mb

Tracklist:
01. Bonita Speech
02. Blessed
03. Are You Okay
04. Get Out My Way
05. Saucin' (Interlude)
06. Black Out
07. Hold Up (Interlude)
08. Bonita Speech, Pt. 2
09. Diamond (Interlude)


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[vandtal]

[Only registered and activated users can see links] Bonsai Universe
Title: Moonstream
Year Of Release: 2018
Label: Bonsai Universe
Genre: Pop, Rock
Quality: 320 Kbps
Total Time: 53:26 min
Total Size: 122 MB

Tracklist:
01. Moonstream 5:22
02. Am I Good Enough 3:47
03. Walking with My Eyes Closed 4:20
04. Summertime 1:57
05. Why Are My Dreams 3:16
06. Sweet Exaggeration 5:08
07. Should I Believe You 4:18
08. A Lot of Nerve 4:18
09. Once Upon a Dream 4:28
10. Too Real 5:30
11. Everything 2:09
12. Astrotonic 3:17
13. Starstream 5:42
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[vandtal]

[Only registered and activated users can see links] Boris McCutcheon
Title: I'm Here, Let Me In
Year Of Release: 2017
Label: Boris McCutcheon
Genre: Folk-Rock, Country, Americana, Singer-Songwriter
Quality: MP3 320 Kbps
Total Time: 44:00
Total Size: 114 Mb

Tracklist:
01. I Blew It (04:35)
02. It's Her Turn Now (04:42)
03. A Week Before The 4th of July (04:25)
04. Golden Days (03:15)
05. Poor Tired Hands (03:25)
06. Shake It Up (04:14)
07. Magpies (04:29)
08. Lazy With You (03:09)
09. Piece Of Mama (03:37)
10. Godzilla Vs. King Kong (04:06)
11. Cherry Lane (04:05)
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[vandtal]

[Only registered and activated users can see links] Ace Spectrum
Title: Just Like In The Movies
Year Of Release: 1976/2018
Label: Rhino Atlantic
Genre: R&B, Funk, Soul
Quality: flac lossless
Total Time: 00:39:13
Total Size: 270 mb

Tracklist
---------
01. Live and Learn
02. Magic Touch
03. Sooner or Later
04. Sweet Sugar Daddy
05. Sweet Music Soft Lights and You
06. Just Like In The Movies
07. I Can't Keep Holding On
08. Live and Learn (Reprise)
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[vandtal]

[Only registered and activated users can see links] Borrachero
Title: Borrachero
Year Of Release: 2018
Label: Borrachero
Genre: Progressive Rock
Quality: FLAC (tracks) [Hi-Res, 24/48]
Total Time: 36:26
Total Size: 431 MB

Tracklist:
01. Ode (5:43)
02. The Ocean (7:26)
03. Trigger Happy (5:32)
04. Braindead (7:45)
05. Kingdom (10:00)
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[vandtal]

[Only registered and activated users can see links] Bow Church
Title: Canon
Year Of Release: 2018
Label: thewit.ch
Genre: Electronic, Darkwave, Witch House
Quality: 320 Kbps
Total Time: 45:11 min
Total Size: 103 MB

Tracklist:
01. Vox Dei
02. Remedy
03. Sulfur
04. Apparition
05. Sanctuary
06. Immolate
07. Flood
08. Oath
09. Transgression
10. Requiem
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[vandtal]

[Only registered and activated users can see links] Brad Jerkins
Title: Worth Fighting For (Original Motion Picture Soundtrack)
Year Of Release: 2018
Label: AMC Records
Genre: Soundtrack
Quality: AAC 256 Kbps
Total Time: 57:55 min
Total Size: 113 MB

Tracklist:
01. The Locker Room
02. What We Do Here
03. Promotion
04. Alley Confrontation
05. Make Him Pay
06. He Stays Down
07. Isaac's Fight
08. Alex (Main Theme)
09. Saying Goodnight
10. His Name Was Isaac
11. Broken Mirror
12. You Have a Choice
13. On the Run
14. The Chase
15. One More Fight
16. The Final Fight
17. This Is My Church
18. End Credits
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[vandtal]

[Only registered and activated users can see links] Brand New Sinclairs
Title: Great Decade
Year Of Release: 2018
Label: Clifford Records
Genre: Rock & Roll
Quality: FLAC (tracks+.cue)
Total Time: 17:06
Total Size: 112 MB

Tracklist:
1. Don't Go Back (02:31)
2. I'm Leaving (03:28)
3. Parrot Twist (02:15)
4. Broken Bones (03:14)
5. Missing Fun (02:27)
6. Bird Doggin' (03:11)
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[vandtal]

[Only registered and activated users can see links] Brooke Eden
Title: Welcome to the Weekend
Year Of Release: 2016
Label: Red Bow
Genre: Country
Quality: FLAC (tracks)
Total Time: 13:06
Total Size: 94 MB

Tracklist:
1. Diamonds (2:55)
2. Act Like You Don't (3:53)
3. Silence Speaks (2:59)
4. Sunday Mornin' (3:18)
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[vandtal]

[Only registered and activated users can see links] One St. Stephen
Title: One St. Stephen
Year Of Release: 1969/2005
Label: Radioactive [RRCD113]
Genre: Heavy Psych Acid Rock
Quality: FLAC (image + cue,scans)
Total Time: 00:33:59
Total Size: 231mb(+5%)



"Don L. Patterson was the mastermind behind One St. Stephen. Interestingly, Patterson's original artistic focus wasn't music, rather film. Accordingly, the mid-'70s found him working on a film project tentatively entitled "The Devil's Reservation". As part of the project in 1975 he went into Cincinnati's Owl Studios, writing and recording an album's worth of material (he also handled lead vocals, lead guitar, produced and designed the album cover). Word of mouth interest led Patterson to finish the project and finance a limited pressing (reportedly some 2,000 copies) for friends and acquaintances. Patterson's subsequently claimed that he made his money back within three months.
So tell us about this sought after classic ... First off, lots of reference works draw comparisons between Patterson and Jim Morrison and the Doors. Unfortunately, if you're looking for The Doors, "One St. Stephen" probably won't do much for you. True, on a couple of tracks ("November" and "Nightly Drift"). Patterson's mannered vocals bore a mild comparison to Morrison, but that was pretty much where the comparison stopped. Exemplified by original material such as "November Edgar", "Without You" and "In Your Mind" most of the album had a fairly mainstream rock sound. Blessed with an attractive and versatile voice (check out the second side where he displays his versatility), Patterson also proved an impressive guitarist and synth player. Personal favorites, the proto-punkish "You Maybe Religious" and the psych-influenced ballad "Silver Children". Unlike many rarities, this one clearly lives up to the hype (though you may not want to shell out $600-$700 for an original copy). Consistently appealing, the album also exhibits a level of production that is far above most contemporary independent sets. The album achieved considerable attention throughout Ohio and the Midwest leading to a contract offer from at least one major label. Interested in painting and film, Patterson reportedly turned the offer down." (Bad Cat Records)



[Only registered and activated users can see links] Edgar - 7:32
2.November - 2:37
3.You May Be Religous - 2:19
4.Nightly Drift - 6:03
5.Old Man - 2:14
6.Junkie's Lament - 2:01
7.Twelth St. Shuffle (Don L. Patterson - Bill Blechschmid) - 3:26
8.Richer You Get - 3:01
9.Dash In The Rocks - 4:41
Personnel:
------
One St. Stephens (aka Don L. Patterson) - Vocals, Guitar
Bill Blechschmid
Terry Finneran
Danny Lawson
David Pierce
Franklin Reynolds
Bruce Roberts
Charles Squires
All thanks to original releaser
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[vandtal]

[Only registered and activated users can see links] Buck Owens
Title: Above And Beyond
Year Of Release: 1996
Label: Desperado
Genre: Country
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 38:24
Total Size: 199 MB

Tracklist:
01. Above And Beyond (2:31)
02. Under The Influence Of Love (2:22)
03. Buck Owens Excuse Me (2:21)
04. Foolin' Around (2:38)
05. Leavin' Dirty Tracks (3:59)
06. After The Dance (2:00)
07. Blue Love (1:21)
08. That Ain't Right Baby (1:43)
09. Down On The Corner Of Love (1:38)
10. Why Don't Mommy Stay With Daddy And Me (2:01)
11. House Down The Block (2:15)
12. It Don't Show On Me (2:04)
13. Loose Talk (2:39)
14. Please Don't Take Her From Me (1:42)
15. Rhythm And Booze (2:04)
16. There Goes My Love (2:11)
17. Three Dimension Love (1:18)
18. You're For Me (1:37)
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[vandtal]

[Only registered and activated users can see links] Buddy Flett
Title: Rough Edges
Year Of Release: 2013
Label: Buddy Flett
Genre: Blues, Delta Blues
Quality: Mp3 320 / Flac (tracks)
Total Time: 51:25
Total Size: 126/304 Mb (scans)


[Only registered and activated users can see links] Train (04:05)
2. Third House on the Left (04:36)
3. Honky Tonk (04:47)
4. Teneha (04:36)
5. Born in Mississippi (Mr. Hubert) (05:27)
6. First You Cry (04:19)
7. Good to Ya Baby (05:33)
8. Dance for Me Girl (03:03)
9. Lil Martha (03:56)
10. Nothin Easy (03:36)
11. Bad Luck and Trouble (05:11)
12. Sylvie (02:18)
Buddy Flett: guitar, vocals, bass drum
Brady Blade: drums
Chris Michaels: bass
Billy Gibson: harmonica


"The Louisiana Bluesman is back with 9 originals and 3 covers of classics all performed in a raw, emotional style all his own."-- cdbaby
"It's all in a name. Some names and occupations just go together, especially in sports. Harmon Killebrew, Orlando Cepeda, and Catfish Hunter are all baseball names. Blues musicians have similar iconic names. The Ur-Blues has Eddie "Son" House, Nehemiah "Skip" James, Tommy Johnson, and Charlie Patton. The generation after has Muddy Waters (McKinley Morganfield), Howlin' Wolf (Chester Burnett) and Elmore James. Today, we have Joe Bonamassa, Ronnie Earl, and Kenny Wayne Shepherd. Add to this latter group the Southern-fried, bona fide name of Shreveport-native Buddy Flett. He emerges as a compelling answer to Delbert McClinton and Roy G. Rogers, perhaps more authentic with his feet firmly planted in the musical myth of northwest Louisiana.
Flett appeared on digital media in as part of the journeyman Louisiana band The Bluebirds, led by his brother, Bruce and himself. Flett struck out solo with his recording Mississippi Sea (Out of The Past, 2007), a perfectly serviceable acoustic/electric blues outing that rang truer than the majority of similar recordings of the surrounding period. What Mississippi Sea revealed was Flett's modest but compelling guitar skills, a superb writing facility, and, above all, a blues voice full of Dixie dirt and grace.
In 2007, while on a blues cruise with mentor Hubert Sumlin, Flett contracted a viral encephalitis requiring a medically- induced coma and a month in the hospital followed by extensive rehabilitation. What appears in Rough Edges, is first recording since recovery, is a Buddy Flett transformed by the experience. What began with a competent and capable blues musician on Mississippi Sea emerges a fully formed artist (from the liner notes), one where a superior blues voice passes into the sublime.
All twelve selections on Rough Edges were recorded live in various small venues in Little Rock, AR, Shreveport, LA, and Waterman, MS. Since his recovery, Flett has remained close to home, but that should not be for long. This is a talent not to remain beneath a basket. These songs, save one, have Flett playing guitar while keeping the beat on a bass drum, making him a light- traveling minstrel in the truest sense. The is no flash here, only honest, sometimes corrosive music making of an intensity and white- hot nature that the listen can expect a sunburn is too close.
Flett favors open-tuned slide guitar playing for sure, but incorporates derivations such as his percussive "Train" and a most beautifully and strangely transformed "Lil Martha" (Duane Allman) on record. Flett does not require roman-candle guitar technique. He uses his conservative and informed talent to seek out only what is necessary in his play to convey his blues universe. Buddy Flett is brand new fresh air in a genre long locked in reverent worship and stagnant strict constructionism. A superb recording by any measure."

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[vandtal]

[Only registered and activated users can see links] Buddy Holly & The Crickets
Title: The Rough Guide To Buddy Holly & The Crickets
Year Of Release: 2017
Label: World Music Network
Genre: Rock, Rock & Roll
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 59:22
Total Size: 325 MB
142 MB

Tracklist:
1. Rave On (1:47)
2. Not Fade Away (2:22)
3. Everyday (2:06)
4. Peggy Sue (2:28)
5. That'll Be The Day (2:14)
6. It Doesn't Matter Anymore (2:04)
7. It's So Easy (2:10)
8. Oh Boy! (2:06)
9. Heartbeat (2:07)
10. Learning The Game (2:01)
11. Crying Waiting Hoping (2:09)
12. Maybe Baby (2:00)
13. Blue Days Black Nights (2:02)
14. Ting A Ling (2:38)
15. Rock Me My Baby (1:48)
16. Well All Right (2:12)
17. Words Of Love (1:53)
18. Think It Over (1:44)
19. Peggy Sue Got Married (2:05)
20. True Love Ways (2:59)
21. Listen To Me (2:19)
22. Moondreams (2:38)
23. Modern Don Juan (2:37)
24. Raining In My Heart (2:45)
25. Love Me (2:03)
26. You Are My One Desire (2:19)
27. You're So Square (Baby I Don't Care) (1:34)


Buddy Holly's influence was as profound and eternal as his career was brief and tragic. Over little more than two years between 1956 and 1958, he wrote and recorded some of the most perfect rock'n'roll records of all time. Half a dozen years later when the Beatles appeared on The Ed Sullivan Show, the first question John Lennon asked was, 'Is this the stage Buddy Holly played on?' Born Charles Hardin Holley in Lubbock, Texas on September 7, 1936, he began singing country and bluegrass as a duet with his childhood friend Bob Montgomery. But all that changed when he heard Elvis Presley for the first time. He borrowed the money for a Fender Stratocaster and his recording career began in early 1956 when he travelled to Nashville to cut several sides for Decca. Released under the name Buddy Holly after the label had misspelt his name, from those sessions 'Blue Days, Black Nights', 'Love Me', 'Modern Don Juan' and 'You Are My One Desire' are included here. When these early releases failed to chart and his contract was not renewed, he teamed up with producer Norman Petty at his studio in Clovis, New Mexico, where they cut a demo of 'That'll be The Day'. After the tape had been sent to Brunswick, the label was so impressed they didn't bother re-cutting the song but released the demo as a single in May 1957. It took Holly to number one on both sides of the Atlantic and over the next 18 months an unstoppable flood of great songs followed. Those released on Brunswick ? including 'Peggy Sue', 'Everyday', 'Oh Boy', 'Not Fade Away' and 'It's So Easy' ? were credited to The Crickets, the group Holly fronted and which featured Jerry Allison on drums and Joe B Mauldin on double bass. Others, released on the Coral label, were credited to Holly alone, including 'Words Of Love', 'Rave On' and 'Heartbeat'. In reality, the distinction meant little, although the recordings credited to the Crickets were perhaps a little tougher and the solo releases displayed a softer and more vulnerable style. Holly's final session in October 1958 in New York, without the Crickets, produced 'It Doesn't Matter Anymore', 'Raining in My Heart', 'Moondreams', and 'True Love Ways', all of which are included here. Four months later on February 3, 1959, after a concert in Clear Lake, Iowa, he took a small charter flight en route to the next show. When the plane crashed minutes after take-off, Holly, Richie Valens, The Big Bopper and the pilot, were all killed instantly in a tragedy commemorated by Don McLean as 'the day the music died'. Thankfully, it didn't, for although Holly was only 22 when he lost his life, his songs remain destined never to fade away.

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[vandtal]

[Only registered and activated users can see links] Burdens Within
Title: Burdens Within
Year Of Release: 2018
Label: Pavement Music
Genre: Alternative Rock, Hard Rock
Quality: 320 Kbps
Total Time: 50:19 min
Total Size: 115 MB

Tracklist:
01. Bruised
02. Dead End Town
03. Devils Due
04. Great Deceiver
05. Let's Party
06. How Would You Feel
07. Illusion
08. You Could Have Listened
09. Re Animate Me
10. How Would You Feel
11. What It's Worth


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[vandtal]

[Only registered and activated users can see links] Capella Prolationum, Ensemble La Danserye
Title: Fernandes: Chanzonetas
Year Of Release: 2018
Label: IBS Classical
Genre: Classical
Quality: flac lossless +booklet
Total Time: 01:09:06
Total Size: 357 mb

Tracklist
---------
01. Si a Belén Carillo vas
02. Virgen, a parir te atreves
03. Oh, qué gozo tan profundo
04. Sabes, Bras, cómo entre el heno
05. Si de amor la viva fragua (Arr. for Chamber Ensemble)
06. Aunque por extraños modos
07. Corramos, Gil, tras de aquel
08. Señor, si el alma os agrada
09. A San Pedro (Arr. for Chamber Ensemble)
10. Si es que a adorarme os provoco
11. En tres casas de ajedrez
12. Quién es la iglesia romana
13. Hoy a la reina en su dÃ*a
14. De San Pedro (Arr. for Chamber Ensemble)
15. Verbo en carne soberano
16. De estas ovejas de acá
17. Qué juzgas tú, Juan pastor
18. Cenemos, que es Nochebuena
19. Un domingo de mañana (Arr. for Chamber Ensemble)
20. Algún bocado de pan
21. Cual es la comida
22. Hombre, no estés descuidado
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[vandtal]

[Only registered and activated users can see links] Ace Spectrum
Title: Low Rent Rendezvous
Year Of Release: 1975/2018
Label: Rhino Atlantic
Genre: R&B, Funk, Soul
Quality: flac lossless
Total Time: 00:38:24
Total Size: 245 mb

Tracklist
---------
01. Third Rate Romance (Low Rent Rendezvous)
02. You Ain't No Match For Me
03. Without You
04. Keep Holding On
05. Beautiful Love
06. Trust Me
07. I Just Want to Spend the Night With You
08. Laughter in the Rain
09. Do You Remember Yesterday?
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[vandtal]

[Only registered and activated users can see links] Captain Cook Und Seine Singenden Saxophone
Title: Die grose Schlagerparty
Year Of Release: 2017
Label: Electrola
Genre: Schlager, Pop, Soundtracks
Quality: Mp3 320 kbps
Total Time: 47:32
Total Size: 113 MB

Tracklist:
1. Du schaffst das schon
2. Atemlos durch die Nacht
3. Eine neue Liebe ist wie ein neues Leben
4. Die Gefuhle haben Schweigepflicht
5. Ein Bett im Kornfeld
6. Rivers Of Babylon
7. Die Hande zum Himmel
8. Adios Amor
9. Ich war noch niemals in New York
10. I sing a Liad fur di
11. Wann liegen wir uns wieder in den Armen, Barbara
12. Agadou
13. Ich mochte der Knopf an deiner Bluse sein
14. Ein Stern, der deinen Namen tragt
15. Sierra Madre


Was auf dem neuen Album »Die große Schlagerparty« von Captain Cook u. s. singenden Saxophonen zu hören ist, ist das A und O der Schlagermusik. »Du schaffst das schon«, der Tophit von Klubbb3 oder »Atemlos durch die Nacht« von Helene Fischer. Dazu Höhepunkte wie »Eine neue Liebe ist wie ein neues Leben« (Jürgen Marcus), »Die Gefühle haben Schweigepflicht« (Andrea Berg), »Ein Bett im Kornfeld«(Jürgen Drews) und viele andere Stimmungshits. Alles Ohrwürmer, die eine Schlagerparty zum Highlight werden lassen. Mal was Neues für und mit Captain Cook.



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[Only registered and activated users can see links] Carolin Fortenbacher & Lutz Krajenski Trio
Title: Fortenbacher Singt Streisand
Year Of Release: 2018
Label: Forore
Genre: Jazz/Pop Vocals
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 76:41
Total Size: 412 MB
179 MB

Tracklist:
1. Starting Here, Starting Now (Live) ( 3:01)
2. It Had To Be You (Live) ( 5:29)
3. Somewhere (Live) ( 5:38)
4. Evergreen (Live) ( 3:45)
5. The Way We Were (Live) ( 3:42)
6. What Kind Of Fool (Live) ( 5:52)
7. Don't Rain On My Parade (Live) ( 3:13)
8. Woman In Love (Live) ( 4:27)
9. Happy Days Are Here Again (Live) ( 3:43)
10. Pavane - Avinu Malkeinu - Papa, Can You Hear Me (Live) (13:45)
11. Not While I'm Around (Live) ( 3:47)
12. Second Hand Rose (Live) ( 5:51)
13. People (Live) ( 3:46)
14. Send In The Clowns (Live) ( 5:18)
15. Guilty (Live) ( 5:26)


Carolin Fortenbacher (born 26 June 1963 in Hamburg) is a German Musical actress and singer. She has had a leading role for five years in the musical Mamma Mia! in Hamburg.
Fortenbacher's different musical styles include soul, jazz, pop and rock, and also opera. Audiences know her both for her musical roles and for classical parts. In the Hamburg performance of The Magic Flute she played the Queen of the Night. Musical commitments followed such as Rosalina in West Side Story, Lucy in the musical Charlie Brown, Audrey in the Little Shop of Horrors or Anne in La Cage aux Folles. She took part in the Rock Opera Jimmy Dean in the Theater Casa Nova in Essen. She took on the roles of Mabel and Kate in the musical The Pirates of Penzance.
In September 1994 she played Aldonza in Der Mann von La Mancha, and she received the Image Award Germany.
She won the Publikumspreis des Theater des Westens, Berlin. There she had a commitment in Zustände wie im alten Rom.
In Oberhausen she played the role of the spider in the musical Tabaluga & Lilli. From November 2002 until September 2007 Fortenbacher played the leading role of Donna in the musical Mamma Mia! in the Operettenhaus Hamburg.
For this she was selected by the readers of the Bildzeitung as second place in the Top Women of Hamburg 2005, behind Hannelore Schmidt.

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[Only registered and activated users can see links] Charlie Musselwhite Band
Title: Rough Dried
Year Of Release: 2008
Label: Henrietta Records
Genre: Chicago Blues, Harmonica Blues
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 71:44
Total Size: 460 MB
170 MB

Tracklist:
01. River Hip Mama (4:25)
02. If I Should Have Bad Luck (5:10)
03. Strange Land (5:38)
04. Rough Dried Woman (3:56)
05. Blues Overtook Me (5:28)
06. Feel It In Your Heart (5:16)
07. Wild Wild Woman (6:11)
08. She May Be Your Woman (8:04)
09. Long Lean Lanky Mama (5:18)
10. Movin' And Groovin' (6:42)
11. Drop Down Baby (7:36)
12. Cristo Redentor (7:55)


Blues harpist Charlie Musselwhite is often compared with his contemporary Paul Butterfield, both artists blowing through the mid-1960s Chicago blues scene like a hurricane. Whereas the Chicago-born Butterfield's chops mimicked those of his Windy City heroes, masters like Little Walter and Junior Wells, Musselwhite came to town after making his bones studying with Memphis blues legends like Furry Lewis and Will Shine, a distinction that always lent a certain amount of Delta grit to Musselwhite's recordings.
Musselwhite relocated to the San Francisco area during the late-1960s, and through the years that have followed, has earned a reputation as a soulful vocalist, trailblazing harmonica player, and dynamic live performer. Over the course of four decades and close to two dozen albums, though, Musselwhite's reputation as a live performer has been ill-served on album. With the release of Rough Dried: Live At The Triple Door, Musselwhite delivers an impressive live document that should satisfy his long-suffering fans.

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[Only registered and activated users can see links] Order Of The Muffin
Title: City Of The Moon
Year Of Release: 2017
Label: Bass Agenda
Genre: Techno, Electro
Quality: 320 kbps / lossless (tracks)
Total Time: 54:11
Total Size: 125 mb / 390 mb

Tracklist
1. My Soul (05:23)
2. Independent (05:34)
3. Muffins (05:38)
4. City Of The Moon (06:55)
5. Let's Work Together (04:49)
6. Thron (04:59)
7. Triangle (06:10)
8. Miss You (05:08)
9. Miss You (Nuklear Prophet remix) (04:01)
10. Thron (Alavux Dubby remix) (05:39)


Macedonian artist Order Of The Muffin returns to Bass Agenda Recordings for a second outing with 'City Of The Moon'. He prides himself on doing his own thing, experimenting with sound combinations, and ignoring trends and genre sensibilities.
'City Of The Moon' is a diverse place to visit and your senses are sparked at every turn. Industrial areas where heavy, mechanical, distorted sounds dominate; areas of beauty and serenity; hi-tech regions where lasers dance in front of your eyes; vibrant Techno clubs; and many parts where these areas blend together - there is no place like it.
Visiting the city and giving their own take on the experience are fellow Macedonian sonic solider Alavux with an infectious Techno take on 'Thron' and the USA's Nuklear Prophet's downtempo Electro remix of 'Miss You'.

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[vandtal]

[Only registered and activated users can see links] Cherokee Christ
Title: Cherokee Christ
Year Of Release: 2018
Label: 787373 Records DK
Genre: Hard Rock, Classic Rock, Stoner Rock
Quality: 320 Kbps
Total Time: 40:17 min
Total Size: 95 MB

Tracklist:
1. So Many Years 08:31
2. Hey Lady 03:16
3. Losing Time 05:13
4. Hangover 03:09
5. Night Habits 04:09
6. Traveler in Time 06:12
7. Third Eye 09:47


Influenced by mythical groups of the 70's, such as Black Sabbath, Led Zeppelin & Deep Purple, Cherokee Christ was born from the project of the Posse brothers, willing to play music that resembles them. They were joined by Fred to bring the rhythmic structure. They later found Dani, who gave his voice to the compositions. The perfect alchemy thus created, the group was ready to pace the scenes.

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[vandtal]

[Only registered and activated users can see links] Cherubin
Title: Our Sunrise
Year Of Release: 1974/1995
Label: Germanofon
Genre: Krautrock, Country Rock, Psychedelic Rock, Prog Rock, Funk Rock
Quality: Flac (image, .cue, log)
Total Time: 39:07
Total Size: 234 Mb (scans)


[Only registered and activated users can see links] Funky Beat 8:01
2. East Wind Blowin' 4:01
3. Cracy 3:15
4. Sunrise 3:15
5. Sunday Child 3:11
6. The Letter 2:46
7. Bikini Panties And White Lipstick 1:17
8. One Way Ticket 3:55
9. Lost Lession In Time 3:11
10. Feel Is Real 6:13
Andy Marx - Guitars, vocals
Bo Born - Keyboards, vocals
Wolf Graf - Bass
Pit Trojer - Percussion, vocals
Hardy Wilhelm - Drums, vocals


(1968 - 70) lived guitarist Andreas "Andy" Marx in London and played in that time with the group "Creepy John Thomas". In 1971 he joined Doldinger Passport. Soon after he left the jazz-rock band with drummer Udo Lindenberg and they played a his first solo album in Hamburg. That same year, Andy Marx took his first solo album "The Circle" on. But without other musicians did not stay Andy Marx. "Tired of being alone" (Marx) he founded in early 1973 with drummer Eberhard Wilhelm, whose previous stops Amos Key, were called Germany and cataract, a band. A year later, with Wolfgang Graf (bass), Peter Bornkessel called Bo Born (Orgal) and Peter "Pit" Troy Cherubin the band perfectly.

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[Only registered and activated users can see links] Hot Blooded
Title: The Foreigner Experience
Year Of Release: 2018
Label: Creative and Dreams Music Network
Genre: Classic Rock
Quality: 320 Kbps
Total Time: 50:53 min
Total Size: 116 MB

Tracklist:
01. Double Vision 03:43
02. Long, Long Way From Home 02:55
03. Waiting For A Girl Like You 05:00
04. Say You Will 04:01
05. Cold As Ice 03:38
06. Blue Morning, Blue Day 03:52
07. Midnight Blue 03:54
08. Urgent 05:48
09. Feels Like The First Time 04:17
10. I Want To Know What Love Is 04:32
11. Juke Box Hero 04:32
12. Hot Blooded 04:42


Now you can experience the music of Foreigner as never before! "HOT BLOODED - The Foreigner Experience" is a Tribute show designed to deliver the experience of a live Foreigner performance so close to the original that you will be amazed!
Foreigner is arguably one of the greatest bands in the history of Rock music. With iconic hits like "I Want To Know What Love Is," "Feels Like the First Time," "Jukebox Hero," and "Cold As Ice," the music of Foreigner has been part of our lives for over 40 years.
With stunning ability to emulate the incredible vocals of Lou Gramm, lead singer, Matt Newton delivers a powerful performance from the very first note of the show all the way to the last note of the final encore! And with each member adding their own strong vocal talent, it is no wonder that HOT BLOODED is able to duplicate Foreigner's multi-layered harmonies night after night!

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[vandtal]

[Only registered and activated users can see links] Chet Baker
Title: But Not for Me
Year Of Release: 2003
Label: Random Chance
Genre: Jazz, Cool, West Coast Jazz
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 40:59
Total Size: 194.5 MB

Tracklist:
01. Lament (Trad.) (6:55)
02. Four (Davis) (4:36)
03. Line for Lyons (Mulligan) (6:32)
04. Ellen David (Haden) (8:35)
05. But Not for Me (Gershwin-Gershwin) (6:26)
06. Prayer for the Newborn (Luxion) (7:55)
Chet Baker - trumpet, vocals (#2)
Kenny Barron - piano (#1,2,4-6)
Charlie Haden - bass
Ben Riley - drums
James Newton - flute (#1,4)
Howard Johnson - tuba (#2-5)
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[vandtal]

[Only registered and activated users can see links] Chris Connor
Title: The Complete Atlantic Singles 1956-1960 (Remastered)
Year Of Release: 2017
Label: Blue Moon
Genre: Jazz/Pop Vocals
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 60:23
Total Size: 333 MB
142 MB

Tracklist:
1. Go 'Way From My Window (2:50)
2. Past The Age Of Innocence (2:35)
3. My Heart Is So Full Of You (2:17)
4. I Miss You So (2:21)
5. Time Out For Tears (2:39)
6. Trust In Me (2:14)
7. Mixed Emotions (2:48)
8. I Love You, Yes I Do (2:36)
9. Under Paris Skies (2:38)
10. Moon Ride (2:45)
11. Circus (2:00)
12. Flying Home (2:34)
13. Hallelujah, I Love Him So (2:24)
14. I Won't Cry Anymore (2:23)
15. Señor Blues (2:54)
16. Misty (2:50)
17. Invitation (2:38)
18. I Sold My Heart To The Junkman (2:05)
19. Heard A Bluebird (2:17)
20. Fortune Cookies (2:13)
21. That's My Desire (1:59)
22. I Only Want Some (2:47)
23. 'S Wonderful (2:31)
24. Love Walked In (2:55)


Chris Connor (1927-2009) developed her jazz style while singing with Stan Kenton in 1953. The way she put it, Singing with Kenton was the most exciting thing that happened to me. And, believe me, it trained my ear. After leaving Kenton, she began building her reputation as a single working intimate, jazz-clubs on the Eastern circuit. But she had never thought herself a jazz singer and made this clear when she first began singing for Bethlehem later that year: I don t know why I began singing jazz, instead of commercial things. But I always sang off the melody when I was a kid, so I guess that s it. I don t really want to stick to only one kind of singing. The only reason I m in this business is because I like to sing. I m not happy doing anything else.
Her fleeting doubts gradually disappeared as she became more secure in her own rhythmic conception, and after signing for Atlantic in 1956, she became one of the label s best sellers, selling 500,000 LPs during her five-year tenure, and thousands of jazz and pop singles; all of the latter are included here. Her near-vibratoless singing style and distinctive charm, as warm on ballads as it is coolly relaxed on uptempos, and her innate jazz phrasing emerging at unguarded moments triumph over more commercial approach of some of the tunes.

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[Only registered and activated users can see links] Cicada Sings
Title: Lousy Private Fuzz
Year Of Release: Long Play
Label: 1994
Genre: Pop rock
Quality: FLAC (tracks+.cue)
Total Time: 00:45:43
Total Size: 258 MB

Tracklist:
01. Voodoo
02. No Fun Intended
03. Take a Walk
04. Niagara
05. Lousy Private Fuzz
06. Instrumental for Hips
07. Like Someone in Love
08. Variation on a Theme
09. Young Lovers
10. Misfortunate
11. Solitude
12. Always Listen to a Threat
13. Out of My Head
14. In the Mood
15. Instrumental for Butts
16. Slickers in the Sun
17. Submissive Friend


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[Only registered and activated users can see links] Classical M
Title: The Complete Collection
Year Of Release: 1967-70/2005
Label: Lion [LION 603]
Genre: Psych Rock, Baroque Pop
Quality: FLAC (image + cue,log,scans)
Total Time: 01:19:19
Total Size: 424mb(+5%)



1967/1970 French band
Freedom fries' idiocy aside, the country of France and the genre of psychedelia are usually thought of as 'mutually exclusive'. We humbly present a glorious exception. Deftly combining lilting vocal harmonies and lush studio production, to say the brothers Maruani (Guy and Andre) and Henri Bratler were the 'Gallic Fab Three' is a claim ably backed up by the sheer brilliance of their two English language 7"s released by EMI-Odeon in 1969. Fortunately for us, and despite the machinations of the Robert Stigwood Orginasation (a management decision they would soon regret), they had a bit more to say and so we give you all four single sides, seventeen unreleased compositions (most in finished form with superb studio fidelity) and three tracks sourced from the 1970 appearance on the French TV show 'Pop Club' (also easy on the ears fidelity-wise). Rounding up this package are track-by-track liner notes by the ever-sardonic Guy Maruani, complete lyrics and a multitude of photos from the era. C'est si bon!'...
Classical M could have made a great album if given the chance. As it is, the songs contained on this disc make for a stunning collection, with the band's psychedelic flourishes, outrageous melodies, and fantastic attention to production detail evident throughout.
This profoundly original music was made in three short years (1967-1970): twenty-four delirious and provocative songs that establish Classical M as perhaps the best, and certainly the most intriguing French band of all time.
Their offbeat sense of rhythm and harmony, the complex intertwining of voices, and perhaps more than anything, their unusual practice of trying to play all sorts of instruments-be they electronic or traditional-these elements make the music of this odd French trio unique and very special.
by Vincent Tornatore.



[Only registered and activated users can see links] Love, Love Is There - 2:42
2. Gog Demagog (Pipo, G. Maruani, A. Maruani) - 2:53
3. Bad Guy - 4:02
4. The Way I Do Love You - 2:50
5. Such a Lovely Voice - 5:49
6. Once in a While (Demo Version) (G. Maruani, A. Maruani, H. Bratter) - 2:35
7. Music of the Rain (A.K.A. Mélodie de La Pluie) - 3:08
8. Decomplexion (Classical M) - 9:03
9. Ugly Room - 1:51
10.Ever Be My Friend? - 2:29
11.Paris Est une Ville d'Alcooliques - 4:39
12.J'Ai Décidé - 3:02
13.Le Romancier Tchèque - 3:10
14.J'Entends Les Étoiles (G. Maruani, A. Maruani, H. Bratter) - 4:06
15.Sisyphe - 2:06
16.C'est La Guerre (G. Maruani, A. Maruani, H. Bratter) - 2:16
17.Pauvre Cobaye (A.K.A. Cow-Boy) (G. Maruani, H. Bratter) - 1:40
18.Une Rivière Qui S'Égare (G. Maruani, H. Bratter) - 2:43
19.Un Jour de Chance (Demo Version) - 2:29
20.Love You One Another (G. Maruani, A. Maruani, H. Bratter) - 3:11
21.Marouanabab (Classical M) - 3:15
22.Love, Love Is There (Live) - 3:34
23.Le Métro (Live) - 2:17
24.Pop Club Session (Live) - 3:17
Personnel:
---------
Guy Maruani - Lead Vocals, Flute, Harmonica, Percussion
Andre Maruani - 12 string Guitar, Oud, Violin, Keyboards, Vocals
Henri Bratter - Lead Guitar, Percussion
All thanks to original releaser
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[Only registered and activated users can see links] Adam Fisher, Hadleigh Adams, Bruce Vilanch, Nancy Maultsby, Delaram Kamareh, Timur Bekbosunov, Los Angeles Percussion Quartet, Los Angeles Philharmonic New Music Group, Marc Lowenstein
Title: Harrison: Young Caesar (Live)
Year Of Release: 2018
Label: Industry Records, The
Genre: Classical, Opera
Quality: flac lossless +booklet
Total Time: 01:43:46
Total Size: 573 mb

Tracklist
---------
01. Young Caesar: Prelude (Live)
02. Young Caesar, Act I: Overture (Live)
03. Young Caesar, Act I: The Day of the Ceremony (Live)
04. Young Caesar, Act I: What Is So Fine About Becoming a Man? (Live)
05. Young Caesar, Act I: Ceremony and Processional (Live)
06. Young Caesar, Act I: Death of Caesar's Father (Live)
07. Young Caesar, Act I: Yesterday His Eyes Were Bright (Live)
08. Young Caesar, Act I: Introduction (Live)
09. Young Caesar, Act I: The Living Must Live (Live)
10. Young Caesar, Act I: Campus Martius (Live)
11. Young Caesar, Act I: Cossutia's Despair (Live)
12. Young Caesar, Act I: Gaius and Cornelia (Live)
13. Young Caesar, Act I: Now Grasp Your Daughter (Live)
14. Young Caesar, Act I: Caesar Wandering (Live)
15. Young Caesar, Act I: In Mitylene (Live)
16. Young Caesar, Act I: Caesar and Dionysus (Live)
17. Young Caesar, Act II: Overture (Live)
18. Young Caesar, Act II: Procession (Live)
19. Young Caesar, Act II: The Throne Room (Live)
20. Young Caesar, Act II: Caesar in the Royal Chamber (Live)
21. Young Caesar, Act II: And That Crown of His (Live)
22. Young Caesar, Act II: Banquet (Live)
23. Young Caesar, Act II: Entertainment and Eroticon (Live)
24. Young Caesar, Act II: Bed Scene (Live)
25. Young Caesar, Act II: Take Your Chances, Gaius (Live)
26. Young Caesar, Act II: Fuming Romans (Live)
27. Young Caesar, Act II: The Voyage (Live)
28. Young Caesar, Act II: One Year We Lose in Battle (Live)
29. Young Caesar, Act II: It Is Very Strange (Live)
30. Young Caesar, Act II: Good Priapus of the Harbour (Live)
31. Young Caesar, Act II: Caesar's Departure (Live)
32. Young Caesar, Act II: Hail Gaius, and Pity Nicomedes (Live)
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[Only registered and activated users can see links] Claudi Arimany
Title: F. & K. Doppler: The Complete Flute Music, Vol. 6
Year Of Release: 2018
Label: CapriccioNR
Genre: Classical
Quality: flac lossless
Total Time: 01:10:00
Total Size: 264 mb

Tracklist
---------
01. Valse di bravura, Op. 33 (Version for 2 Flutes & Piano)
02. Chanson d'amour, Op. 20
03. L'oiseau des bois, Op. 21 (Version for Flute & 4 Horns)
04. Morceaux favoris sur Der Freischütz de C.M. von Weber (Version for Flute & Piano)
05. Potpourri on F. Erkel's Bánk-Bán
06. Potpourri on Auber's La muette de Portici (Version for 2 Flutes)
07. Moderato for Flute & Piano
08. Fantaisie sur des motifs hongroises, Op. 35 (Version for 2 Flutes & Orchestra)
The Doppler brothers played a dominant role in the Imperial-Royal Monarchy's musical life as composers, conductors, musicians and orchestral soloists. They were on good terms with acknowledged artists of the era, such as Ferenc Liszt and Ferenc Erkel, as well as Jozsef Bajza, director of the Budapest National Theatre.
This is the sixth release in a set of 10 CDs comprising the Dopplers' complete music for flute(s), including various arrangements. Flautist Claudi Arimany spent decades researching this project, inspiring many famous musicians to become involved in its realisation.
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[Only registered and activated users can see links] Oscar Brown Jr
Title: Live Every Minute
Year Of Release: 1998
Label: Minor Music
Genre: Jazz / Vocal Jazz
Quality: Mp3 / 320kbps
Total Time: 47:19 min
Total Size: 108 MB

Tracklist
------------
01. Long As You're Living
02. Dat Dere
03. The Snake
04. It's October
05. Mr. Kicks
06. World Full Of Grey
07. Haven't I Loved You Somewhere
08. A Column Of Birds
09. Hazel's Hips
10. Billie's Bounce
11. Old Lovers Song


Oscar Brown, Jr. was 71 when, in June 1998, the veteran jazz vocalist traveled to Hamburg, Germany and recorded Live Every Minute for Minor Music, a German label. By that age, some singers will lose a lot of their vocal power -- Frank Sinatra, Peggy Lee, and Ella Fitzgerald are three examples of once-great singers whose voices had deteriorated considerably by the time they reached their late sixties or early seventies. On the other hand, Carmen McRae and Jimmy Scott still sounded great at 70; so it varies from singer to singer. Thankfully, Brown's voice is holding up nicely on Live Every Minute, which finds him revisiting the lyrics that he wrote for Bobby Timmons' "Dat Dere," Stanley Turrentine's "Long As You're Living, " and Charlie Parker's "Billie's Bounce" in his younger days. These 1998 versions aren't definitive, but they're enjoyably swinging -- and they demonstrate that Brown still had a lot of soul at 71. Although the Chicago native is famous for writing lyrics to familiar bop tunes that started out as instrumentals, most of the melodies that he embraces on this CD are his own -- melodies that range from playfully funky ("Mr. Kicks") to reflective ("It's October") to melancholy ("World Full of Gray"). The latter is about growing older and coming to the realization that the world usually isn't black and white but rather, a shade of gray. So why is the song melancholy? Because seeing two sides of the story (political, romantic, or whatever) when you're 35 or 40 is tougher, harder, and more challenging than seeing things in black and white when you're 19 and mindlessly idealistic; ignorance is bliss, after all. Live Every Minute isn't among Brown's essential releases, but it's a solid, pleasing effort that the singer's diehard fans will appreciate. ~Alex Henderson

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[vandtal]

[Only registered and activated users can see links] Collieman
Title: Jungle Code
Year Of Release: 2018
Label: Collieman
Genre: Reggae
Quality: 320 Kbps
Total Time: 44:44 min
Total Size: 102 MB

Tracklist:
01. Jungle Code 4:04
02. Show Must Go On 5:18
03. Still Standing 4:23
04. Political Syndrome 4:52
05. Standing Firm 3:21
06. Keep the Vibes Alive 3:47
07. Lovelight 5:15
08. Honey Bunny 4:47
09. Vanilla Ice 4:32
10. Gimme Likkle Lovin 4:28


Jungle Code, Collieman's second full album in collaboration with Dubshelter Recordings will please any reggaelover. Collieman's powerful lyrics combine perfectly with Dubshelter's riddims. A modern twist with subtle hints to early reggae masters.



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[vandtal]

[Only registered and activated users can see links] Colours / Christian
Title: Voluptuous Doom / Good vs. Evil
Year Of Release: 1968-70/2009
Label: Frantic Records
Genre: Psychedelic Rock
Quality: Flac (tracks)
Total Time: 01:18:55 + 41:07
Total Size: 793 Mb (scans)


[Only registered and activated users can see links] 1: Colours - Voluptuous Doom
1. Picture Windows - 4:35
2. Dreams - 3:49
3. Voluptuous Doom - 2:44
4. Thoughts Of Love - 5:08
5. Who's Been Sleeping - 2:41
6. Memories - 3:34
7. Ferdinand Smash-Me-Toe - 3:29
8. Candy Coloured Lover - 8:06
9. Communicate - 3:45
10. Are You Free - 5:16
11. Candy Coloured Lover (instrumental) - 13:41
12. Wood For Sale (live) - 3:46
13. Candy Coloured Lover (live) - 10:50
14. Wood For Sale (instrumental) - 4:03
15. Alan Lau Introduction - 3:22
Disc 2: Christian - Good Vs. Evil
1. Mary The Wither - 3:11
2. Charlie And Fred (Alan Clarke, G. Nash) - 3:29
3. Don't Worry - 4:15
4. Are You Free - 5:35
5. American '69 - 3:21
6. Good Vs. Evil - 5:25
7. Hope That You Survive - 2:28
8. Stand Naked - 3:56
9. Another Day (Marc Kellett) - 1:55
10. With A Little Help From My Friends (J. Lennon, P. McCartney) - 7:28
Chuck Edwards - Vocals, Guitars
Bob Brien - Guitar, Vocals
John Healy - Drums
Mark Cipolla - Bass, Keyboards, Vocals
Ed Seymour - Keyboards


(2-CD set) For fans of over-orchestrated Anglophilic pop-psych, it doesn't get much better than this. Hailing from Chico, California, and not to be confused with the inferior group of the same name on Dot Records, Colours sprang from the loins of '60s punk legends the Boy Blues in 1967 and crafted an album's worth of quirky, baroque-infused material, laden with luscious harmonies, tantalizing textures and an intriguing lyrical bent. The band journeyed to L.A. in 1968 and recorded for Johnny Rivers' Soul City label, produced by Armin Steiner with arrangements by Marty Paich. Comparisons to the Bee Gees' Odessa, Love's Forever Changes or the Beach Boys' Smile only partly describe the rich sonic tapestry Colours wove. But cruelly, the album was never released, and the band broke up shortly afterward. Now with Voluptuous Doom, we can revel in the full glory of Colours. Boasting superb sound, bonus live tracks recorded at SF's famed Matrix, and lengthy liner notes by expert Alec Palao, it's a stupendous package. But wait -- in customary Frantic Records style, you also get a full second disc of 1970 material by successor band Christian, stripped down but equally tuneful. Prepare to gorge on the sonic feast that is Voluptuous Doom and Colours

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[vandtal]

[Only registered and activated users can see links] Creation
Title: Creation / Pure Electric Soul
Year Of Release: 1975-77/2005
Label: Mason
Genre: Rock, Blues Rock
Quality: Flac (tracks, .cue, log)
Total Time: 01:19:57
Total Size: 485 Mb (scans)


[Only registered and activated users can see links] You Better Find Out
2. A Magic Lady
3. Lonely Night
4. Tobacco Road
5. Fairy Tale
6. Pretty Sue
7. Got To Get Together
8. Watch'n Chain
9. Feelin' Blue
10. Blues From The Yellow
Pure Electric Soul:
11. Electric Soul Man
12. Tokyo Sally
13. Step Into The Light
14. All I Can Do Is Play The Blues
15. Spinning Toe-Hold
16. I'm A Rambler
17. Frankie And Johnny
18. See You In The Night And Leave You At Dawn
19. Happenings Ten Years Time Ago
Kazuo Takeda - Lead Vocals, Guitars, Keyboards, Harp, Percussion
Yoshiaki Iijim - Guitar
Shigeru Matsumoto - Bass, Vocals, Percussion
Masayuki Higuchi - Drums


Blues Creation was the brainchild of guitarist/singer Kazuo Takeda. They were known as Blues Creation from 1969-1972 and after a three year hiatus returned as just Creation in 1975, not to be confused with the mid-60's British Blues Pop band known as The Creation.
In 1969 Blues Creation made a self-titled album of American blues covers, featuring songs written by Sonny Boy Williamson, Memphis Slim, Chester Burnett, J. Mayall-E. Clapton, Blind Willie Johnson, Willie Dixon and Otis Rush. In August 1971 they released the all original Demon & Eleven Children. This album was heavily influenced by Cream, Deep Purple and Black Sabbath and oddly enough; released the same day as Carmen Maki & Blues Creation, which had the band fronted by young female pop star Carmen Maki. Each Blues Creation album other than their debut features songs written by Takeda and consists of a constantly shifting lineup. In late 1971 Blues Creation released their final album, Blues Creation Live. In 2000 and 2001 Germany's Black Rose Records reissued all 4 Blues Creation albums on CD.
Next was the 1975 self-titled Creation, featuring a new stable lineup and a cover photo of a dozen nude boys full-frontal peeing. Creation toured Japan with American hard rock band Mountain. Mountain broke up soon after their Japanese tour, and partly due to hearing loss from playing so loud, bassist Felix Pappalardi focused on producing other bands.
Pappalardi decided to help Creation work on their next album and invited the band to his Nantucket, Massachusetts home for two months of rehearsals. Over that time the project transformed into a musical collaboration with songs being written mostly by Pappalardi, his wife Gail Collins Pappalardi and Takeda. The album recorded at at New York's Bearsville Studios was released in April 1976 as Creation with Felix Pappalardi. Creation released a final live album Pure Electric Soul in 1977, once again featuring a cover with nude boys at the front of a bus.
Kazuo Takeda has released more than 20 solo albums including 1978's Super Rock in the Highest Voltage. He now works as a session guitarist in Los Angeles. Takeda attributes his further musical development to his friendship with Pappalardi who encouraged him to branch out into Jazz and other styles. He occasionally still plays live in Asia with former Creation drummer Masayuki Higuchi, and most recently produced Hong Kong's premier bluesman Tommy Chung's album Play My Blues (2006).

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[vandtal]

[Only registered and activated users can see links] Crozet
Title: Running Time
Year Of Release: 2018
Label: Crozet
Genre: Electronic, Chillwave
Quality: FLAC (tracks)
Total Time: 44:12
Total Size: 287 MB

Tracklist:
1. You and I (4:37)
2. Running Time (5:32)
3. Seven-Segment Display (6:03)
4. Moment of Nostalgia (feat. Carl Cox) (4:16)
5. Are You There? (1:52)
6. Harbor (5:23)
7. You're All Around Me (4:06)
8. How to Disappear (4:06)
9. Way Out (2:16)
10. The Universe in You (5:56)
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[vandtal]

[Only registered and activated users can see links] Curly Strings
Title: Hoolima
Year Of Release: 2017
Label: Curly Strings
Genre: Country, Folk, Bluegrass
Quality: FLAC (tracks)
Total Time: 39:20
Total Size: 217 MB

Tracklist:
1. Miks Sa Murrad Mind (03:15)
2. Aastapäev (03:00)
3. Avarus (03:43)
4. Kuu (03:37)
5. Firebird/Kribu-kribu polka (05:41)
6. Edasi Anda (02:58)
7. Hoolima (03:19)
8. Teisipäeval (04:11)
9. Turia Masurka (03:52)
10. Unne Peitu Homseni (05:44)


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[vandtal]

[Only registered and activated users can see links] Cutting Crew
Title: (I Just) Died In Your Arms
Year Of Release: 1988
Label: Virgin
Genre: Pop Rock
Quality: FLAC (image+.cue,log,scans)
Total Time: 18:44
Total Size: 145 Mb

Tracklist:
1. (I Just) Died In Your Arms (Remix 12" Version) - 4:41
2. One For The Mockingbird (The Shelly Yakus US Remix) - 4:23
3. Any Colour (Just For You) (Live Recording) - 4:57
4. (I Just) Died In Your Arms (7" Version) - 4:38
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[vandtal]

[Only registered and activated users can see links] Czech Philharmonic Quartet
Title: Janácek: On an Overgrown Path & in the Mists
Year Of Release: 2018
Label: ArcoDiva
Genre: Classical
Quality: flac lossless
Total Time: 01:11:19
Total Size: 358 mb

Tracklist
---------
01. On The Overgrown Path, Book 1, Jw VIII/17 (Arr. J. Burghauser For String Quartet): No. 1, Our Evenings
02. On The Overgrown Path, Book 1, Jw VIII/17 (Arr. J. Burghauser For String Quartet): No. 2, A Blown Away Leaf
03. On The Overgrown Path, Book 1, Jw VIII/17 (Arr. J. Burghauser For String Quartet): No. 3, Come With Us!
04. On The Overgrown Path, Book 1, Jw VIII/17 (Arr. J. Burghauser For String Quartet): No. 4, The Madonna Of Frydek
05. On The Overgrown Path, Book 1, Jw VIII/17 (Arr. J. Burghauser For String Quartet): No. 5, They Chattered Like Swallows
06. On The Overgrown Path, Book 1, Jw VIII/17 (Arr. J. Burghauser For String Quartet): No. 6, Words Fail!
07. On The Overgrown Path, Book 1, Jw VIII/17 (Arr. J. Burghauser For String Quartet): No. 7, Good Night!
08. On The Overgrown Path, Book 1, Jw VIII/17 (Arr. J. Burghauser For String Quartet): No. 8, Unutterable Anguish
09. On The Overgrown Path, Book 1, Jw VIII/17 (Arr. J. Burghauser For String Quartet): No. 9, In Tears
10. On The Overgrown Path, Book 1, Jw VIII/17 (Arr. J. Burghauser For String Quartet): No. 10, The Barn Owl Has Not Flown Away!
11. On The Overgrown Path, Book 2, Jw VIII/17 (Arr. T. Ille For String Quartet): No. 11, Andante
12. On The Overgrown Path, Book 2, Jw VIII/17 (Arr. T. Ille For String Quartet): No. 12, Allegretto
13. On The Overgrown Path, Book 2, Jw VIII/17 (Arr. T. Ille For String Quartet): No. 13, Più Mosso
14. On The Overgrown Path, Book 2, Jw VIII/17 (Arr. T. Ille For String Quartet): No. 14, Allegro
15. On The Overgrown Path, Book 2, Jw VIII/17 (Arr. T. Ille For String Quartet): No. 15, Vivo
16. In The Mists, Jw VIII/22 (Arr. T. Ille For String Quartet): I. Andante
17. In The Mists, Jw VIII/22 (Arr. T. Ille For String Quartet): II. Molto Adagio
18. In The Mists, Jw VIII/22 (Arr. T. Ille For String Quartet): III. Andantino
19. In The Mists, Jw VIII/22 (Arr. T. Ille For String Quartet): IV. Con Moto. Presto
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[vandtal]

[Only registered and activated users can see links] D.O.G.M.A.
Title: #Kathedrale der Arbeit
Year Of Release: 2018
Label: Spinnup
Genre: Dance, Electronic
Quality: Mp3 320 kbps
Total Time: 01:32:05
Total Size: 211 MB

Tracklist:
1. D.O.G.M.A. - Dunkle Kraft
2. D.O.G.M.A. - 3-45am
3. D.O.G.M.A. - Kathedrale der Arbeit
4. D.O.G.M.A. - Birg dein Herz
5. D.O.G.M.A. - Aufstadt
6. D.O.G.M.A. - Gruselclown
7. D.O.G.M.A. - Schweres Blut
8. D.O.G.M.A. - Ostpassage
9. D.O.G.M.A. - Zeitscheide
10. D.O.G.M.A. - Funk Vacation
11. D.O.G.M.A. - Zur Feier des Tags
12. D.O.G.M.A. - Tiefe Kraft


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[vandtal]

[Only registered and activated users can see links] Damon Eliza Palermo
Title: Beacon of Maraicabo
Year Of Release: 2018
Label: Johnkôôl Records
Genre: Electronic, Ambient
Quality: FLAC (tracks)
Total Time: 32:07 min
Total Size: 157 MB

Tracklist:
1. Delacorta 05:36
2. Beacon Of Maracaibo (featuring Earthen Sea) 10:18
3. Zoa Peak 07:43
4. Man Is Wild 08:30


After a great party, a meditative walk home. The grey morning. Fog, birds, a welcome silence after the last kick drum.
The music Damon Eliza Palermo makes under his birth name is for these contemplative moments, to reflect while walking, at home, or in a solitary dance floor zone. This meditative yen has always coursed through Palermo's music. It was there in his dubby, tom-heavy drumming for Mi Ami, and in the propulsive kraut-house exuberance of his early Magic Touch singles for 100% Silk, but now, other elements fall by the wayside in a search for clarity.
Older and (hopefully) wiser, Palermo's interested in making sense of his peripatetic existence through naturalistic loops and great swaths of sound. Damon trawls through the meditative side of house on his monthly NTS show, Inner Realm, along with the ambient and new age masters whose work he's avidly studied. He too, succeeds in making music to get lost in, sound that acts calming salve as you float in and out of consciousness and towards your bliss.

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[vandtal]

[Only registered and activated users can see links] Overloud
Title: Loud Machine
Year Of Release: 2018
Label: Overloud
Genre: Hard Rock
Quality: 320 Kbps
Total Time: 50:57 min
Total Size: 117 MB

Tracklist:
01. Loud Machine
02. Brand New Flame
03. The Way of Sorrow
04. Time
05. Falling Star
06. Bad Dog
07. Hell of a Day
08. Wherever You Are
09. Living Dead
10. Wet
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[vandtal]

[Only registered and activated users can see links] Al Di Meola Project
Title: Soaring Through A Dream
Year Of Release: 1985
Label: Manhattan Records
Genre: Fusion, Jazz-Rock, Latin Jazz
Quality: FLAC (tracks) [24/96] [Vinyl, LP]
Total Time: 46:11
Total Size: 941 MB

Tracklist:
A1. Capoeira (9:17)
A2. Traces (Of A Tear) (8:57)
A3. Ballad (6:16)
B1. July (5:18)
B2. Marina (4:50)
B3. Soaring Through A Dream (12:23)
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[vandtal]

[Only registered and activated users can see links] Dara Tucker
Title: Dara Tucker Live
Year Of Release: 2013/2018
Label: Watchman Music Group
Genre: Jazz Vocals
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 39:38
Total Size: 252 MB
101 MB

Tracklist:
1. Intro (Live) (0:24)
2. On The Sunny Side Of The Street (Feat. Mason Embry) (Live) (2:38)
3. The Shadow Of Your Smile (Live) (2:39)
4. The Days Of Wine And Roses (Feat. Mason Embry) (Live) (2:17)
5. The Way I Am (Feat. Greg Bryant) (Live) (2:58)
6. I Can't Give You Anything But Love (Feat. Josh Hunt) (Live) (2:13)
7. Annie's Song (Feat. James Dasilva) (Live) (2:54)
8. I See Your Face Before Me (Feat. Greg Bryant) (Live) (4:37)
9. Until The Real Thing Comes Along (Live) (4:26)
10. Almost Like Being In Love (Feat. Mason Embry) (Live) (2:35)
11. Just In Time (Feat. James Dasilva & Mason Embry) (Live) (3:30)
12. But Beautiful (Live) (2:49)
13. Walk With Me (Live) (5:32)


Dara Tucker is an American jazz singer and composer. Tucker has released four studio albums; "All Right Now" (2009), "Soul Said Yes" (2011) "The Sun Season" (2014) and "Oklahoma Rain" (2017), as well as a limited-release, live performance album, "Dara Tucker Live" in 2013. Dara was named, "Jazz Vocalist of the Year" at the 2016 and 2017 Nashville Industry Music Awards. In 2017, the second single from "Oklahoma Rain, "Radio," was named, "Song of the Year" at Nashville Industry Music Awards, and "Oklahoma Rain" won "Jazz Album of the Year." Tucker has performed internationally with her jazz ensemble since 2009. Dara was featured on the Tavis Smiley Show in 2015, and opened for Gregory Porter in 2016. She won the silver medal in the "American Traditions Vocal Competition" in 2017.[3] She has shared the stage with jazz musicians such as organist Dr. Lonnie Smith,[4] 7-string guitarist Charlie Hunter, and pianist Johnny O'Neal at The Blue Note in New York City, The San Jose Jazz Festival, Smoke Jazz and Supper Club in NYC, Sculler's in Boston, MA, The Oklahoma Jazz Hall of Fame, and Snug Harbor in New Orleans, LA. In November 2016, she shared the stage with Vince Gill and the Time Jumpers. She has recorded with guitarist Peter Bernstein, guitarist Charlie Hunter, pianist Helen Sung, trombonist Alan Ferber, saxophonist John Ellis and drummer Donald Edwards.

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[vandtal]

[Only registered and activated users can see links] David Desimpelaere, Erik Desimpelaere
Title: Smile
Year Of Release: 2018
Label: Dynamic
Genre: Classical, Piano, Double Bass
Quality: flac lossless
Total Time: 00:59:21
Total Size: 247 mb

Tracklist
---------
01. Benvenuta Suite: I. Dream
02. Benvenuta Suite: II. Habanera
03. Benvenuta Suite: III. Waltz
04. Benvenuta Suite: IV. Tango
05. 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 1. El pano moruno
06. 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5. Nana
07. 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 7. Polo
08. 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 3. Asturiana
09. 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 6. Cancion
10. 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 4. Jota
11. 4 Flemish Songs: No. 1. Ter nagedachtenis
12. 4 Flemish Songs: No. 2. La harpe
13. 4 Flemish Songs: No. 3. Heldengraven
14. 4 Flemish Songs: No. 4. Eenzaamheid
15. Romanian Folk Dances, Sz. 56 (Arr. E. Desimpelaere for Double Bass & Piano): No. 1. Bot tánc (Stick Dance)
16. Romanian Folk Dances, Sz. 56 (Arr. E. Desimpelaere for Double Bass & Piano): No. 2. Brâul
17. Romanian Folk Dances, Sz. 56 (Arr. E. Desimpelaere for Double Bass & Piano): No. 3. Topogó (The Stomper)
18. Romanian Folk Dances, Sz. 56 (Arr. E. Desimpelaere for Double Bass & Piano): No. 4. Bucsumi tánc (Bucsumi Dance)
19. Romanian Folk Dances, Sz. 56 (Arr. E. Desimpelaere for Double Bass & Piano): No. 5. Román polka (Romanian Polka)
20. Romanian Folk Dances, Sz. 56 (Arr. E. Desimpelaere for Double Bass & Piano): No. 6. Aprózó (Quick Dance)
21. Gershwin Selection: I Got Rythm
22. Gershwin Selection: Summertime
23. Gershwin Selection: Liza
24. Gershwin Selection: Bess, You Is My Woman Now
25. Gershwin Selection: 'S Wonderful
26. Modern Times: Smile (arr. E. Desimpelaere for double bass and piano)
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[vandtal]

[Only registered and activated users can see links] Hubert Hoffmann
Title: Ferdinand Fischer: From Heaven on Earth
Year Of Release: 2016
Label: Challenge Records
Northstar Recordings
Genre: Classical, Lute
Quality: FLAC (tracks) [24Bit/352,8kHz]
Total Time: 01:01:32
Total Size: 3,82 GB (d.booklet)

Recording location: Galaxy Studio, Mol, Belgium.
Recording dates: 24-25 November 2015.


Hubert Hoffmann: When I visited the Benedictine Abbey of Kremsmünster in Upper Austria some years ago to look at the lutes stored in the abbey archives, I could not guess that this visit would radically change my life as a lutenist. I learnt that the writer of tablatures I discovered was a member of the abbey named Pater Ferdinando (Fischer). It soon turned out that much of the music set down by this scribe was not to be found in the numberless lute manuscripts from this period scattered around the world. These were unique manuscripts. Moreover they contained quite extraordinary works of striking compositional quality: new lute music in the form of cyclical poems of a lute enthusiast - a padre - at the turn of the 17th/18th centuries.
In one of the quietest recording studios in all of Europe - the Galaxy studios in Mol, Belgium - we finally brought the long since faded lute-poems of Pater Ferdinando back to life. Through the wonderfully delicate sound of my lute, Bert's immeasurable sensitivity and the most advanced recording technology that I have ever had the privilege of using, the lutenist-pater began speaking to us once more.
Contextually Fischer's putative original compositions are only distinguishable from the other anonymous works through their stylistic features. The first clue is to be found in the considerable proportion of previously completely unknown cycles, whose exquisite quality, high degree of originality and compositional autonomy, together with the considerable technical demands they make upon the player, lead us to assume a common authorship.

Tracklist:
P. Ferdinand Fischer (1652-1725)
Partita in D Minor
[01] Prelude 2:00
[02] Aria 1:27
[03] Aria 1:46
[04] Aria 2:41
[05] Passagio 0:54
[06] Aria 1:15
[07] Sarabande 1:52
[08] Gigue 1:51
[09] Retirada 3:55
Partita in C Major
[10] Allemande 3:48
[11] Double 3:38
[12] Gavotte 0:37
[13] Menuette 0:41
[14] Canarie 2:28
[15] Chaccogne 7:39
Partita in C Minor
[16] Prelude 1:26
[17] Allemande 3:39
[18] Courante 1:56
[19] Passagaglia 14:19
[20] Retirada 3:30
*************************
Hubert Hoffmann, lute
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[Only registered and activated users can see links] David Linx
Title: 7000 Miles
Year Of Release: 2018
Label: Sound Surveyor Music
Genre: Jazz Vocals
Quality: 320 kbps
Total Time: 45:47
Total Size: 109 MB

Tracklist:
1. Poses (5:23)
2. From One Family To Another (3:22)
3. 7000 Miles (6:05)
4. America (5:32)
5. A Fool To Never Know (4:55)
6. Sitting On The Dock Of The Bay (4:45)
7. Night And Day (3:15)
8. Distortions (2:32)
9. The Promise Of You (4:53)
10. Out On A Limb (5:02)


Personnel:
David Linx, chant
André Ceccarelli, drums
Pierre-Alain Goualch, piano
Diego Imbert, double bass
David Linx (1965) is a Belgian singer of jazz and chansons, composer and lyricist. He studied percussion and worked as a drummer with the American jazz singer Mark Murphy, which motivated him to take up singing himself.
In 1996, together with a group of musicians, including Pierre Van Dormael and Slide Hampton, he made a recording with the American writer and activist James Baldwin, who recites poetry on this album.
With pianist Diederik Wissels David Linx recorded various duo albums over the years. Additionally, he recorded with among others Toots Thielemans, the quartet of guitarist Tam De Villiers, the quartet of pianist Ivan Paduart and the Brussels Jazz Orchestra.
David is also active as a singer of the French chanson. He recorded an album with chansons and collaborated with the singer Maurane. Addtionally, he composes music for film and dance theatre. In 2005, he was awarded the Prix Bobby Jaspar by the Académie du Jazz in Paris.
David Linx has been a jazz voice teacher at the Royal Conservatory in Brussels since 1993 and is a regular guest teacher at the Conservatorium van Amsterdam.

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[vandtal]

[Only registered and activated users can see links] Daysee
Title: Airbag
Year Of Release: 2018
Label: Daysee
Genre: Indie Pop, Indie Rock, Dream Pop, Noise Pop
Quality: 320 Kbps
Total Time: 32:53 min
Total Size: 75 MB

Tracklist:
01. You Decide 5:13
02. Indigo 2:51
03. Dizzy 3:57
04. Day's End 4:27
05. Everybody's Morning 4:59
06. Bloom 2:57
07. I Am 2:22
08. Coin Laundry 3:02
09. Bali 3:07
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[vandtal]

[Only registered and activated users can see links] Dead Astropilots
Title: New Control
Year Of Release: 2018
Label: Manic Depression
Genre: Electronic, Synthpop, New Wave, Post-Punk
Quality: 320 Kbps
Total Time: 41:14 min
Total Size: 94 MB

Tracklist:
01. Giallo
02. Libertine Patrol
03. Cities
04. Soul Beats (Live)
05. Inside a Dream
06. Wild Fever
07. Gimme Some
08. You Should Know
09. Go Home
10. Quiet Nights Are Gone
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[vandtal]

[Only registered and activated users can see links] Delta Generators
Title: Live At The Spire
Year Of Release: 2018
Label: Self Released
Genre: Electric Blues, Blues Rock
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 51:11
Total Size: 322 MB
121 MB

Tracklist:
1. The Devil Gun (8:55)
2. Strike The Bells (3:15)
3. Evil Love (3:44)
4. Something Good (5:34)
5. Can't Keep A Good Man Down (4:41)
6. Night Of The Johnstown Flood (9:57)
7. Somebody In My Home (4:40)
8. Jam (3:58)
9. Straw Dog Strut (6:23)


Split between Connecticut, New Hampshire, and Massachusetts, Delta Generators blend the fine line between rhythm and blues and Americana in a way that makes them anything but average. In 2017, the band recorded the audio for their sold out show at The Spire Center in Plymouth, MA, which they then used to release their first live album, "Delta Generators Live At The Spire." This release followed in the footsteps of their four studio albums, "Devil In The Rhythm" (2008), "Hard River To Row" (2009), "Get On The Horse" (2014), and "Hipshakers and Heartbreakers" (2016).
Delta Generators sees Brian Templeton (formerly of The Radio Kings) on vocals and harmonica, Charlie O'Neal on guitar, Rick O'Neal on bass, and Jeff Armstrong on drums. "Delta Generators Live At The Spire" is the band's first album with Templeton, who joined the group in 2016. The album features originals written by both Templeton and Delta Generators, as well as a few cover songs, and was recorded by Gary Sjolin and Kevin Marshall, mixed by David Minehan of Woolly Mammoth Studios and mastered by Dana White of Specialized Mastering.
Since forming in 2008, Delta Generators have won several awards including the Boston Blues Society Blues Challenge in 2008 and have placed in the top ten at The International Blues Challenge in 2009. In the last couple of years, the band have shared the stage with such acts as Robert Cray, Dirty Dozen Brass Band, Three Dog Night, Jimmie Vaughn, and Sonny Landreth, among others.

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[vandtal]

[Only registered and activated users can see links] Djelimady Tounkara
Title: Djely Blues
Year Of Release: 2015
Label: Indigo
Genre: Blues, African
Quality: FLAC (tracks+.cue)
Total Time: 48:33
Total Size: 270 MB

Tracklist:
01. Ankaben (4:12)
02. Diamana Mara Manssa (5:24)
03. Dianamogo (4:13)
04. Sansénésougoro (4:43)
05. Mansa (5:48)
06. Dénibarika (4:21)
07. Djely Blues (3:51)
08. Alloumasson Dianfama (4:00)
09. Sory Mankanbora (3:23)
10. Denandiya (4:23)
11. Niméra Syla (4:16)
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[vandtal]

[Only registered and activated users can see links] Paradise Programme
Title: Paradise Programme
Year Of Release: 1991
Label: Dance Pool
Genre: Breakbeat, House
Quality: mp3 / Flac (tracks+.cue) scans
Total Time: 01:12:52
Total Size: 183 / 570,2 Mb


Tracklist
01. Welcome To The Paradise Programme (0:39)
02. New Jerusalem (7'' Mix) (4:21)
03. The Rain (7'') (4:28)
04. Deep Green (LP-Edit) (4:40)
05. Praying To The Virus (Moody Mix) (6:27)
06. Paradise Programme (12'' Cut) (6:17)
07. Get Into The Grid (Album Mix) (5:39)
08. Total War (12'' Vocal) (6:24)
09. Paradise Infinity (...Everybody Needs A Friend) (7'' Version) (5:18)
10. Power Ending (0:19)
11. The Rain (12'') (8:46)
12. Praying To The Virus (Club Mix) (6:42)
13. Get Into The Grid (12'' Dub) (6:22)
14. Total War (12'' Bonus Snares) (6:28)

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[vandtal]

[Only registered and activated users can see links] Drench Pilots
Title: Eternal Tourist
Year Of Release: 2018
Label: Drench Pilots
Genre: Alternative Rock, Hard Rock
Quality: 320 Kbps
Total Time: 53:07 min
Total Size: 122 MB

Tracklist:
01. Bullin
02. Another Day
03. Enough
04. Stolen Generation
05. Cover Up
06. Gotta Feel
07. Haze
08. Journey
09. Hell
10. Nine Years
11. Eternity Junction
12. Moonbase
13. Wanna Know
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[vandtal]

[Only registered and activated users can see links] Dry River
Title: 2038
Year Of Release: 2018
Label: Rock Estatal Records
Genre: Progressive Rock
Quality: 320 Kbps
Total Time: 60:19 min
Total Size: 138 MB

Tracklist:
01. Perder el Norte 7:34
02. Fundido a Negro 5:29
03. Rómpelo 5:18
04. Me Va a Faltar el Aire 5:27
05. Me Pone a Cien 4:46
06. Camino 6:38
07. Al Otro Lado 6:08
08. Cautivos 3:29
09. Peán 10:41
10. Con la Música a Otra Parte 4:49


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[vandtal]

[Only registered and activated users can see links] Alan Bergman
Title: Lyrically, Alan Bergman
Year Of Release: 2007
Label: Verve
Genre: Pop, Vocal Jazz
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 49:27
Total Size: 380 Mb

Tracklist:
01. The Windmills of Your Mind (Michel Legrand) 03:41
02. Nice 'N' Easy (Lew Spence) 03:02
03. The Summer Knows (Michel Legrand) 04:30
04. It Might Be You (Dave Grusin) 03:32
05. What Are You Doing the Rest of Your Life (Michel Legrand) 04:37
06. That Face (Lew Spence) 03:41
07. Love like Ours (Dave Grusin) 03:47
08. You Don't Bring Me Flowers (Neil Diamond) 03:02
09. Where Do You Start (Johnny Mandel) 04:43
10. How Do You Keep the Music Playing (Michel Legrand) 04:04
11. And I'll Be There (Dave Grusin) 03:49
12. The Way We Were (Marvin Hamlisch) 04:36
13. What Matters Most (Dave Grusin) 02:24


Listening to an Alan Bergman album where he sings his own songs will force listeners to realize that the same man was responsible for writing one of Frank Sinatra's breeziest finger-snappers, "Nice 'n' Easy," as well as the metaphysical cypher "The Windmills of Your Mind." What the songs of Bergman and his wife, Marilyn, have in common is a bittersweet wistfulness, an autumnal nostalgia at life passing by as we watch it go (or ignore it until our twilight years). Their songs speak to promise but also regret. In the notes, Marilyn tells the story of "What Are You Doing the Rest of Your Life?," which was the result when film director Richard Brooks requested a song that could be played over the beginning of a relationship and also, with lyric and music unchanged, after the relationship had been broken. Like virtually all great songwriters, Bergman has excellent interpretive skills when he turns to singing the song, but his voice is noticeably weak. The arrangements of Jörg Keller and Jeremy Lubbock tend to make a virtue of his faults, and occasionally, Bergman himself turns it to his advantage; the naked beginning of "The Windmills of Your Mind" couldn't be any more spine-tingling -- except if the lyrics made any earthly sense.

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[vandtal]

[Only registered and activated users can see links] Dubby & Brooks
Title: Birdwatchers
Year Of Release: 2018
Label: Dubby
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:15:30
Total Size: 30 mb

Tracklist:
01. Early Birdie
02. White Owl
03. Hen
04. Red Robin


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[vandtal]

[Only registered and activated users can see links] Earth Quake
Title: Leveled
Year Of Release: 1977
Label: Beserkley
Genre: Rock, Hard Rock, Rock & Roll
Quality: Flac (tracks, 16/44,1)
Total Time: 31:39
Total Size: 253 Mb (scans)


[Only registered and activated users can see links] Lovin' Up (K. Laguna, Earth Quake) - 2:53
2. Emma (Er. Brown, T. Wilson) - 4:10
3. Kicks (B. Mann, C. Weil) - 3:46
4. Trainride (J. Doukas, R. Dunbar, R. Bimler) - 5:58
5. Nothing Personal (J. Doukas, R. Dunbar, R. Bimler) - 3:36
6. Street Fever (G. Phillips, R. Bimler) - 4:14
7. Julie Anne (S. Miller, K. Laguna) - 2:59
8. Upstairs (J. Doukas, R. Dunbar) - 4:07
John Doukas - Lead Vocals
Robbie Dunbar - Guitar, Vocals
Stan Miller - Bass, Vocals
Steve Nelson - Drums
Gary Phillips - Guitar, Vocals


Originally Purple Earthquake, the band drew its influences from rock and blues bands of the 1950s and 1960s, such as The Kinks, Muddy Waters and the Yardbirds, and played clubs and ballrooms in California in the late 1960s. They were managed by Matthew King Kaufman, who got them a recording contract with A&M Records, where they released two albums, Earth Quake (1971) and Why Don't You Try Me? (1972) but with little commercial success.
After experiencing frustration at what he saw as A&M's incompetence in handling the band, and winning some compensation for the unauthorized use of their music in the movie The Getaway,] Kaufman set up Beserkley Records in 1973. Earth Quake released four albums on Beserkley between 1975 and 1979, as well as working with other musicians including Jonathan Richman (who they backed on his 1974 recording of "Roadrunner"), Greg Kihn (who sang backing vocals on some of their records), and guitarist Gary Phillipet (aka Gary Phillips - previously of John Cipollina's Copperhead).The band split up in the early 1980s, although a compilation album, Sittin in the Middle of Madness, was issued in 2000.
The first two albums, Earth Quake (1971) and Why Don't You Try Me (1972), were remastered and rereleased December 27, 2004 on Acadia Records.
Gary Phillips died in 2007 at the age of 59. John Doukas died on March 19, 2011, in South Africa, at the age of 62.

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[vandtal]

[Only registered and activated users can see links] Hudson And Ford
Title: Worlds Collide
Year Of Release: 1975
Label: A&M Records
Genre: Folk Rock, Soft Rock, Pub Rock
Quality: Flac (tracks, 16/44,1)
Total Time: 38:27
Total Size: 290 Mb (scans)


[Only registered and activated users can see links] Did Worlds Collide? - 5:52
2. Mechanics - 3:28
3. When Love Has Overgrown - 3:48
4. As Hours Go By - 3:01
5. Bootleg - 3:11
6. Jesus Said - 3:42
7. Day Without Love - 4:44
8. Petro Rock - 3:20
9. Mile High City - 3:37
10. Keep Me Rolling - 4:07
Richard Hudson - Vocals, Accoustic Guitar
John Ford - Vocals, Bass
Micky Keene - Electric Guitar
Chris Parren - All Keyboards
Ken Laws - Drums, Percussion
Johnny Mealing - Bass, Strings Arrangement
Dick Morrissey - Saxophone
Tom Allom - Organ


Though best known for their membership in The Strawbs, the rhythm section of John Ford (bass) and Richard Husdon (drums) worked together both before and after their '70 - '73 stint with the folk-prog band. Previously with Elmer Gantry's Velvet Opera, and then The Velvet Opera, the duo moved on from the songwriting disputes of The Strawbs to form Hudson Ford in 1975. The two are well matched: in The Strawbs, Hudson would play low in the mix, often leaving the kit for entire songs to sing or play sitar, while Ford danced into the gap by playing a strongly precussive style of bass guitar. Their sound for Hudson Ford, though, ranged from McCartney-esque soft rock to glam, with a occasional nod to their electric folk past. Their roles broadened as well, with Hudson leaving the drums to others in order to focus on singing and lead guitar, and Ford expanding his vocal and acoustic guitar duties. The debut album "Nickolodeon" was bolstered by by the presence of Rick Wakeman and other studio sharpshooters, and the band scored a hit in the U.K. with the single "Pick Up the Pieces." Each successive album saw a dampening of their impact, though, and the two called it a day in 1977. Soon afterwards, though, the formed two more bands together: The Monks, and High Society.

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[vandtal]

[Only registered and activated users can see links] Eela Craig
Title: Virgin Oiland
Year Of Release: 1980/2017
Label: Garden of Delights
Genre: Progressive Rock, Art Rock, Jazz-Rock/Fusion, Soft Rock
Quality: Flac (tracks, .cue, log)
Total Time: 46:58
Total Size: 337 Mb (scans)


[Only registered and activated users can see links] The First Minute (0:44)
2. Beecher's Brook (6:42)
3. How It Started (3:57)
4. Carry On (4:03)
5. Birds of a Feather (4:10)
6. Still (4:01)
7. Pig City (3:34)
8. Lions Covering the Beaches (3:22)
9. Love to Hate You, Baby (4:38)
10. The Seven Minutes (5:12)
Bonus Track:
11. We Found Daddy Hangin' on the Xmastree (3:28)
12. Mo-bike Jive (3:01)
Gerhard Englisch / bass, synthesizer
Alois Janetschko / live mixing
Will Orthofer / drums, vocals
Fritz Riedelberger / guitar, piano, vocals
Hubert Schnauer / keyboards, flute, guitar
Harald Zuschrader / keyboards, flute , guitar


Eela Craig from Linz are known for their symphonic art rock with lots of organ and Mellotron. An original copy of their first album from 1971 is today a collectors' item that's hardly affordable. After releasing three more CDs and throwing out Hubert Bognermayr, they set up a sinfully expensive sound studio in a former farm, which also became their home. The recordings for "Virgin oiland" were thus made unhurriedly in a relaxed environment during two months of intensive work. The Schlote concert agency from Salzburg took over the marketing and granted the licences to the Ariola-Eurodisc GmbH, where the LP was released with a high circulation in June 1980. And now the first CD edition of "Virgin oiland", with two bonus tracks, namely 7" single tracks which are not to be found on any LP as yet.

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[vandtal]

[Only registered and activated users can see links] Egoprisme
Title: Among Noise
Year Of Release: 2018
Label: Manic Depression
Genre: Electronic, Synthpop, Darkwave, Coldwave, New Wave
Quality: 320 Kbps
Total Time: 52:25 min
Total Size: 120 MB

Tracklist:
01. En secret
02. Étendard
03. Le vertige
04. Call of Duty
05. I Am the Sun
06. The Dark One
07. Among Noise
08. Fast Fashion
09. Only Remains
10. Twisting
11. La plage
12. Nothing at All
13. À tour de rôle
14. Here for the Thrills
15. Back from an Endless Night
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[vandtal]

[Only registered and activated users can see links] Elifantree
Title: Time Out
Year Of Release: 2012
Label: Eclipse Music
Genre: Contemporary Jazz
Quality: FLAC (tracks)
Total Time: 43:51
Total Size: 247 MB

Tracklist:
01. Tic Toc
02. That Girl
03. Where's Your Courage
04. The Eye
05. She's Changed
06. Waiting
07. Puppet Show
08. How About A Little Love
09. Time Out
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[vandtal]

[Only registered and activated users can see links] Paris Wilds
Title: Naked Lunch
Year Of Release: 2018
Label: Studio 2C Multimedia
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:38:44
Total Size: 101 mb

Tracklist:
01. No Tails
02. Bragging Rights
03. Uber
04. People Like Us
05. TwoC
06. Evol
07. Uninvited
08. Audition
09. Strangers (feat. Alive & Unxknxwn)
10. Naked Lunch


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[vandtal]

[Only registered and activated users can see links] Elina Vähälä, Niek De Groot
Title: Duos for Violin & Double Bass
Year Of Release: 2018
Label: audite Musikproduktion
Genre: Classical
Quality: flac lossless +booklet
Total Time: 01:03:23
Total Size: 261 mb

Tracklist
---------
01. Duo concertante per violino e contrabasso
02. Together for Violin and Double Bass: I. -
03. Together for Violin and Double Bass: II. -
04. Miniö, Op. 23
05. Symbiosis
06. (Re)Actio, Op. 18: I. Krieg
07. (Re)Actio, Op. 18: II. Frieden
08. Virág az ember (for Miyako)
09. Dyade for Violin and Double Bass
For this recording, Finnish violinist Elina Vähälä and Dutch double bass player Niek de Groot have chosen and performed seven pieces. When a violin and a double bass perform chamber music together, it is a case of two instruments encountering each other when normally they are poles apart and play together only alongside additional parts and colours. This is where the composers who have come forward for this adventure: should contrasts be accentuated, or should the two parts be united to form one "superinstrument", as Erkki-Sven Tüür had in mind? Should the two instruments be protagonists in a "narrative", or do they appear as representatives of fundamental principles of human nature - as in the yin and yang, as drawn upon by the Korean composer Isang Yun? Whichever path is chosen, pairing the violin and the double bass is so fascinating that even busy composers such as Krzysztof Penderecki and Wolfgang Rihm have written magnificent and highly individual pieces for this combination.
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[vandtal]

[Only registered and activated users can see links] Eliza Gilkyson
Title: Pilgrims
Year Of Release: 1987
Label: Musical Transformations
Genre: Folk, Folk Rock, Singer-Songwriter
Quality: WavPack (image, .cue, log)
Total Time: 33:51
Total Size: 209 Mb (scans)


[Only registered and activated users can see links] Calling All Angels
2. Shadows And Footprints
3. Material Man
4. Foolish Heart
5. Mister Mystery
6. Pilgrims
7. My Baby Is A Universe
8. One Heart In Time
9. Closer


Folk singer/songwriter Eliza Gilkyson was born in Hollywood, CA, the daughter of folk-pop singer/songwriter Terry Gilkyson (1916-1999). Her father wrote and recorded "The Cry of the Wild Goose," which Frankie Laine covered for a number one hit in 1950, as well as the 1953 Top Ten hit "Tell Me a Story" recorded by Jimmy Boyd and Laine. As a performer, he was co-credited with the Weavers on the 1951 Top Ten hit "On Top of Old Smoky." With Richard Dehr and Frank Miller, he was a member of the Easy Riders. The three wrote the 1953 Top Ten hit "Mister Tap Toe" recorded by Doris Day, and they wrote and provided backing vocals on the 1957 number one hit "Memories Are Made of This" recorded by Dean Martin. The same year, as Terry Gilkyson and the Easy Riders, they scored their own Top Ten hit with the self-written "Marianne," and they wrote Laine's Top Ten hit "Love Is a Golden Ring." They also wrote the 1960 Top Ten hit "Greenfields" recorded by the Brothers Four. Terry later was employed by the Walt Disney company to write songs for and sing in its films and television programs, and his composition "The Bare Necessities" from the 1967 movie The Jungle Book earned him an Academy Award nomination.
Growing up in Hollywood, Eliza sometimes sang on her father's demos and soundtracks along with her brother Tony Gilkyson, who later became a member of the rock bands Lone Justice and X and performed on her records. Though uncredited, she can be heard singing with her father in the Disney TV movies The Secret of Romney Marsh (1964) and The Legend of Young Dick Turpin (1965). (She also had a sister, Nancy Gilkyson, who became an executive at Warner Bros. Records and sang on her records.) In her late teens, she moved to Santa Fe, NM, where she raised a family and released her first album, Eliza '69, on Mont Clare Records. (Her son Cisco Gilliland [aka Cisco Ryder and Cisco Gilkyson] later became the percussionist in her backup band, and she also had a daughter, Cordelia Castillo [aka Delia Gilkyson], who later sang on her records.) Her second foray into recording was her 1979 LP Love from the Heart, released under the name Lisa Gilkyson by Helios Records. Over the next several years, she moved to Austin, TX, then back to Los Angeles, then to Taos, NM. Again as Eliza Gilkyson, she signed to Gold Castle Records and released Pilgrims in 1987. The label marketed the album as a new age recording, a tag Gilkyson later rejected. She followed Pilgrims with Legends of Rainmaker (1989), which featured her cover of "Greenfields" and a duet with Bonnie Raitt on her own composition "Rosie Strike Back," a rock & roll song decrying spousal abuse, which had already been recorded by Rosanne Cash on her 1987 album King's Record Shop. Unfortunately, Gold Castle went bankrupt, and Gilkyson was without a record label for several years. In 1993, she was signed to Private Music, which issued Through the Looking Glass that summer. She next co-wrote eight of 14 songs and sang and played on harpist Andreas Vollenweider's album Eolian Minstrel, released in November, then toured with him. She moved to Europe and got divorced from her husband of 14 years, leaving her American career behind. In 1994, she released an album called Undressed overseas on Revelizations Records. She returned to the U.S., settling again in Austin, and reintroduced herself to her homeland with Redemption Road, released in September 1997 on Silver Ware. "Prayer 2000," a song from the album that she co-wrote with Mark Andes (formerly of Spirit, Jo Jo Gunne, Firefall, and Heart), was later covered by Priscilla Herdman. In 1999, Gilkyson formed her own Realiza label and issued Misfits, a collection of previously unreleased archival recordings. She then signed to the independent folk label Red House Records for a new album, Hard Times in Babylon, released in October 2000. The opening song, "The Beauty Way," co-written with Andes, was later covered by Ray Wylie Hubbard. Lost and Found followed in April 2002. Three months later, she teamed up with Ian Matthews and Ad Vanderveen for the trio album More Than a Song, released by Perfect Pitch. Her next Red House solo album was the politically oriented Land of Milk and Honey (March 2004), featuring the previously unrecorded Woody Guthrie song "Peace Call," with backup vocals by Mary Chapin Carpenter, Patty Griffin, and Iris DeMent, which earned a Grammy nomination for Best Contemporary Folk Album. In July 2005, she self-released RetroSpecto, a collection of rare and out of print material. Paradise Hotel, her fourth Red House release, appeared the following month. Your Town Tonight, Gilkyson's first live disc, was released two years later. Beautiful World, an all new collection of material, arrived in May, 2008. -- William Ruhlmann (AMG)
A reissue of Eliza's 1987 solo debut, and a precursor to the floaty singer-songwriter style that's been turned into an art form by the likes of Enya. Gilkyson comes from a background that mixes up folk songs and unrepentantly melodic pop music, the mixture of which shows rather well in this gently engrossing album. If one goes by the interesting use of Tarot as part of the album's overall concept, and by the low-key, mixed acoustic and synthesizer production, it's easy to see why this particular record ended up being adopted by the new age crowd -- apparently much to the distress of Gilkyson, who would, it seems, rather be appealing to rock crowds. It's interesting, however, that the album is now being pitched on the basis of the popular "Calling All Angels" at a time when fascination with the idea of angels has reached an all-time peak. Pilgrims is an album of well done, pleasant songs vaguely built on the story of Tristan and Isolde and less vaguely built on ideas to do with the concept of love in a variety of forms. The album packaging, by the way, is beautiful stuff. -- Steven McDonald (AMG)

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[vandtal]

[Only registered and activated users can see links] Eric Chevalier
Title: The Swell Orchestra
Year Of Release: 2018
Label: Universal Publishing Production Music
Genre: Electronic, Ambient, New Age, Instrumental
Quality: 320 Kbps
Total Time: 36:51 min
Total Size: 85 MB

Tracklist:
01. Marvelous Skies 2:11
02. Never Ending Day Light 2:08
03. Rotating Planet 2:18
04. Factual World 2:26
05. Beginning of a New Day 2:15
06. Proud Future 1:44
07. Life Choices 2:56
08. Knowledge Path 2:06
09. Perception Moments 2:34
10. Suspended Mystery 2:13
11. Observation & Facts 2:50
12. Cold Investigation 2:17
13. Facing the Truth 2:05
14. Positive State of Mind 2:20
15. Controlled Process 1:59
16. Work & Dignity 2:36
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[Only registered and activated users can see links] Esse
Title: Essere Esse
Year Of Release: 2018
Label: Esse
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:40:36
Total Size: 102 mb

Tracklist:
01. Caligola
02. Fuggire dai guai
03. Come il Campari
04. Spostati
05. Qui la droga non c'è
06. Callas
07. Stanco di te
08. Overload (feat. Adrena)
09. Se tanto mi da tanto
10. Non basta (Una vita)
11. B&S (Remix) [Bonus Track]


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[Only registered and activated users can see links] Etta Baker
Title: One-Dime Blues
Year Of Release: 1991
Label: Rounder Records
Genre: Blues, Folk, Country
Quality: FLAC (tracks+.cue)
Total Time: 53:17
Total Size: 270 MB

Tracklist:
1. Never Let Your Deal Go Down (03:00)
2. One-Dime Blues (02:32)
3. Knoxville Rag (01:55)
4. Broken-Hearted Blues (04:50)
5. Lost John (02:48)
6. Dew Drop (02:16)
7. Going Down The Road Feeling Bad (02:17)
8. Near The Cross I Watch And Pray (02:01)
9. Spanish Fandango (02:14)
10. Round My Back Door Selling Coal (02:50)
11. But On The Other Hand Baby (03:00)
12. Crow Jane (01:56)
13. John Henry (05:12)
14. Alabama Wagonwheel (01:48)
15. Bully Of The Town (02:53)
16. Going To The Racetrack (01:41)
17. Police Dog Blues (02:28)
18. Marching Jaybird (02:24)
19. Railroad Bill (02:25)
20. Carolina Breakdown (02:47)
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[Only registered and activated users can see links] Hypnoskull
Title: Live at Maschinenfest 2016
Year Of Release: 2018
Label: Raubbau
Genre: Electronic, Industrial, Rhythmic Noise, Breakcore
Quality: 320 Kbps / FLAC to soon...
Total Time: 53:01 min
Total Size: 121 MB

Tracklist:
01. Welcome to the Global Anti-Music Conspiracy Network (First Try, Fire Alarm) (Live) 5:10
02. Welcome to the Global Anti-Music Conspiracy Network (Second Try) (Live) 2:57
03. Seerauber Jenny (Live) 3:57
04. Die Angst (findet nicht mehr statt) (Live) 6:47
05. Phantomschmerz (Live) 3:45
06. Immer Wieder Nein (Live) 5:15
07. Alles Schwarz (Live) 5:07
08. Kleine dunkle Vorahnung (Live) 2:37
09. Die 23 Augen des Dr.(Hyp)No (Live) 3:02
10. Soho (Die Nacht findet nicht mehr statt) (Live) 3:44
11. Krank vor Wut (Live) 5:04
12. Black Db (Live) 4:02
13. An die Nachgeborenen (Live) 1:41


Better play it hard! somewhere between bertolt brecht and a firealarm lies the pulse of hypnoskull. raw, merciless beats with a touch of poetry blossomed into the most beautiful form of powerful industrial music. with his experience gathered from more than two decades of generating sounds, patrick stevens has evolved into a class of its own-artist and so has his musical style. not limiting himself to a certain subgenre of industrial, every new release is always good for a surprise - just like the performance at maschinenfest 2016.
feed your mind and body on intellectual industrial noise at its best while dancing the entire night and beyond. what starts with a more quiet and welcoming introductory part soon turns into a tsunami. straight forward or broken beats won't let you escape until you hear the voice of bertolt brecht himself. especially the collaborative tracks with jan deboom stand for more experimental structures that complete the work of immense diversity and creativity, endless like the dark deep sea.

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[vandtal]

[Only registered and activated users can see links] Ian McNabb
Title: How We Live (At The Philharmonic)
Year Of Release: 2007
Label: Fairfield Records
Genre: Rock, Pop-Rock
Quality: MP3 320 Kbps
Total Time: 55:37
Total Size: 147 Mb

Tracklist:
01. They Settled For Less Than They Wanted (04:25)
02. The Absentee (05:32)
03. Believer Of Me (03:58)
04. Picture Of The Moon (02:39)
05. Hope Street Rag (03:37)
06. The Lonely Ones (04:03)
07. Steel And Glass (04:20)
08. A Secret Everybody Knows (03:30)
09. Little Princess (06:25)
10. Hurricane Elaine (04:23)
11. You Stone My Soul (08:27)
12. May You Always (04:23)
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[vandtal]

[Only registered and activated users can see links] Ian McNabb
Title: Star Smile Strong
Year Of Release: 2017
Label: Fairfield Records
Genre: Rock, Pop-Rock
Quality: MP3 320 Kbps
Total Time: 59:16
Total Size: 150 Mb

Tracklist:
01. Mystic Age (08:02)
02. Can't Get What I Want (03:13)
03. How She Moves (02:59)
04. Waitin' For A Streetcar (02:49)
05. Enabler (04:25)
06. Lazy Water (04:27)
07. I Kinda Like It Without You (05:02)
08. Hotter Than The Sun (04:44)
09. Women Love A Bastard (Men Love A Bitch) (03:39)
10. Wanna Change My Plea To Guilty (03:56)
11. This Love I Feel For You (03:18)
12. Clarabella (Come To The Window) (12:43)
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[vandtal]

[Only registered and activated users can see links] Irene Grandi
Title: Alle porte del sogno
Year Of Release: 2010
Label: Atlantic
Genre: Pop Rock
Quality: MP3 320 Kbps
Total Time: 47:31
Total Size: 121 Mb

Tracklist:
01. La cometa di Halley (3:52)
02. Tutti più felici (4:06)
03. Alle porte del sogno (3:44)
04. Mi manca (3:13)
05. Strada sterrata (3:49)
06. Onde nere (4:31)
07. Greensburg (5:04)
08. L'amore che viene e che va (3:16)
09. Intendevi (3:50)
10. Ma (4:15)
11. Stai ferma (4:24)
12. Messaggera di Giove (3:18)
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[vandtal]

[Only registered and activated users can see links] Irene Grandi
Title: Indelebile
Year Of Release: 2005
Label: Atlantic
Genre: Pop Rock
Quality: MP3 320 Kbps
Total Time: 56:03
Total Size: 142 Mb

Tracklist:
01. Lasciala andare (3:58)
02. La mia teoria (4:08)
03. La danza del sole (4:04)
04. Non resisto (3:42)
05. Mille volte (4:19)
06. È in te (5:16)
07. Buongiorno blu (3:14)
08. Lady Picche (3:38)
09. Pensami (4:43)
10. Sciò (3:37)
11. Santissima Janis (5:50)
12. Resist You (feat. James Reid) (9:27)
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[vandtal]

[Only registered and activated users can see links] Pavlos Hatzopoulos
Title: Beethoven & Bach
Year Of Release: 2018
Label: haenssler CLASSIC
Genre: Classical, Piano
Quality: flac lossless
Total Time: 01:02:16
Total Size: 202 mb

Tracklist
---------
01. Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai
02. Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": II. Andante con moto
03. Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": III. Allegro ma non troppo
04. Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
05. Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": II. Allegretto
06. Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": III. Presto agitato
07. 18 Chorales "Leipziger": Nun komm der Heiden Heiland, BWV 659 (Arr. W. Kempff for Piano)
08. Herz und Mund und Tat und Leben, BWV 147: Jesus bleibet meine Freude (Arr. W. Kempff for Piano)
09. Toccata in D Major, BWV 912: I. Presto-Allegro
10. Toccata in D Major, BWV 912: II. Adagio-Presto
11. Toccata in D Major, BWV 912: III. Allegro
Pavlos Hatzopoulos was born the son of Greek immigrants near Stuttgart, Germany, in 1964 and started to learn the piano at three years of age. He made his first public solo appearance at ten years of age. He studied the piano at the music colleges in Stuttgart and Würzburg from 1982 onwards. In 1984, a fracture in his right index finger seemed to have ended his prospects of a solo career. After two and a half years' recuperation, though, he resumed and successfully completed his studies, attaining the master class diploma for soloists. During his studies he took a close interest in the background story and interpretation of musical works. On this basis, he developed a form of lecture-concerts in which he takes his audience on a musical journey of discovery, giving them new insights into classical works and using the music to communicate ethical values and other messages. The ideas he explains and the combination of accomplished elocution with expressive and virtuosic piano-playing distinguish him as one of the most extraordinary pianists of our time.
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[vandtal]

[Only registered and activated users can see links] Irene Grandi
Title: Prima di partire
Year Of Release: 2003
Label: CGD East West
Genre: Pop Rock
Quality: MP3 320 Kbps
Total Time: 44:02
Total Size: 112 Mb

Tracklist:
01. Prima di partire per un lungo viaggio (3:52)
02. È solo un sogno (4:42)
03. Oltre (3:30)
04. Buon Compleanno (4:03)
05. Domenica 69 (3:40)
06. Il tuo cuore è il mio letto (3:58)
07. Voglio una ninna nanna (3:46)
08. Io bucolico (4:38)
09. Matra Simca Rosa (4:28)
10. Una nuvola bianca (7:18)
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[vandtal]

[Only registered and activated users can see links] Allan Holdsworth
Title: Sand
Year Of Release: 1987
Label: Relativity
Genre: Jazz, Space-Age, Fusion
Quality: FLAC (tracks) [24/96] [Vinyl, LP]
Total Time: 35:16
Total Size: 776.9 MB

Tracklist:
01. Sand (5:26)
02. Distance vs. Desire (5:17)
03. Pud Wud (6:46)
04. Clown (5:16)
05. The 4.15 Bradford Executive (8:28)
06. Mac Man (4:03)
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[vandtal]

[Only registered and activated users can see links] Jackson Height
Title: Ragamuffins Fool
Year Of Release: 1972/1993
Label: DMR
Genre: Folk Rock, Art Rock, Prog Rock
Quality: Flac (image, .cue, log)
Total Time: 38:25
Total Size: 236 Mb (scans)


[Only registered and activated users can see links] Maureen
2. Oh You Beauty
3. As She Starts
4. BeBop
5. Catch A Thief
6. Ragamuffin's Fool
7. Chorale (Five Bridges Suite)
8. Chips And Chicken
9. Poor Peter
10. Bellyfull Of Water
Brian Chatton / keyboards, vocals
Michael Giles / brums
John McBurnie / guitar, keyboards, vocals
Lee Jackson / bass, guitar, vocals


Jackson Heights' third album (issued as Ragamuffin's Fool by Vertigo in the U.K. and Jackson Heights by Verve in the U.S.) was an improvement over its predecessor (The 5th Avenue Bus), but still an indication that leader Lee Jackson would have relatively little exciting to offer in his post-Nice career. While 5th Avenue Bus had at times leaned toward an American west coast soft rock sound (particularly in its vocal harmonies), Ragamuffin's Fool went for a somewhat harder, artier, and more diverse approach. "Maureen" had almost, but not quite, enough straightforward rock hooks to have had a chance as a single. The gloomy ballads "Oh You Beauty" and "Chorale," more than anything on The 5th Avenue Bus, reached back a little toward the slightly classical-tinged, keyboard-anchored melodic scope of the Nice, though the flavor on the first tune is as much Todd Rundgren as Keith Emerson. "As She Starts" is a kind of nice, slightly eccentric waltz with good vocal harmonies, and "Bebop" again nods in the art rock direction with its fusion of classical piano and dynamic rock rhythm. However, just when you're thinking it's not a half-bad record in its slightly peculiar mix of melancholy pop, mild art rock, and more of those west coast-influenced harmonies, it sputters to a close with a few mediocre good-time and country-rock numbers that are wholly at odds with the mood of the rest of the LP.

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[vandtal]

[Only registered and activated users can see links] Jai
Title: Heaven
Year Of Release: 1997
Label: BMG
Genre: Pop, Synth-pop
Quality: APE (image+.cue,log,scans) / MP3 320 Kbps
Total Time: 48:48
Total Size: 344 Mb / 124 Mb

Tracklist:
01. I Believe 4:51
02. I Need Love 4:08
03. Let Me In 3:44
04. Cry Me a River 3:44
05. Wishing the Ran Away 4:49
06. Don't Give Me Away 4:41
07. Heaven 4:00
08. You Split Me 2:56
09. Magnolia 3:48
10. Something On Your Mind 3:37
11. Open 4:39
12. I Believe (Acoustic Reprise) 3:52
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[vandtal]

[Only registered and activated users can see links] James Rhodes
Title: Fire On All Sides
Year Of Release: 2018
Label: Fire On All Sides
Genre: Classical, Piano
Quality: flac lossless / flac 24bits - 192.0kHz
Total Time: 01:14:58
Total Size: 263 mb / 2.54 gb

Tracklist
---------
01. Das wohltemperierte Klavier I: No. 1, Prelude in C Major, BWV 846
02. Fantasie in F Minor, Op. 49
03. Polonaise-fantaisie in A-Flat Major, Op. 61
04. Piano Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile molto espressivo
05. Piano Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto
06. Piano Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio ma non troppo-Allegro ma non troppo
07. Nocturnes, Op. 62: No. 1, Andante in B Major
08. Nocturnes, Op. 48: No. 1, Lento in C Minor
09. Etudes-tableaux, Op. 39: No. 5, Appassionato in E-Flat Minor
10. 13 Preludes, Op. 32: No. 13, Grave in D-Flat Minor
11. Gianni Schicchi, SC 88: "O mio babbino caro" (Arr. Yvar Mikhashoff)
Released in conjunction with his new book 'Fire on all sides' (published by Quercus), this is the soundtrack to James Rhodes' intimate exploration of what it's like to be a celebrated pianist embarking on a world tour, when you have multiple voices jostling in your head, sabotaging your happiness and sapping your confidence.
James Rhodes writes:
"So in 2016 I did an extensive tour of around twenty cities in a few short weeks. I wrote a book about it called Fire on All Sides and this recording is the soundtrack to that book. Like every other area of my life it's heavily based on fantasy. A huge thanks for all of those who came to the gigs and to these immense composers for supplying the meds and tools required to put out the fire."
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[vandtal]

[Only registered and activated users can see links] Fearing The Hill
Title: Titan
Year Of Release: 2018
Label: Stefan Soc
Genre: Progressive Rock, Instrumental
Quality: 320 Kbps
Total Time: 51:45 min
Total Size: 118 MB

Tracklist:
1. Downpour (5:48)
2. Daybreak (8:31)
3. Farlands (9:26)
4. Fearing the Hill (6:29)
5. Titan (21:31)
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[vandtal]

[Only registered and activated users can see links] Jason Roebke Quartet
Title: Shimmering
Year Of Release: 2016 (2012)
Label: International Phonograph
Genre: Jazz, Modern Jazz, Contemporary Jazz
Quality: DSD128 (*dsf) 5.64MHz
FLAC (tracks) [24Bit/176,4kHz]
Total Time: 32:38
Total Size: 1,61 GB
1,05 GB (d.booklet)

Recorded: March 2012, Chicago, IL.


Performed on December 18th of 2012 in Chicago, this performance was recorded directly to an 8 track Studer recorder. This great ensemble of world class players features Chicago-style modern jazz at its best (Jason Roebke, bass; Mike Reed, drums; Jason Adasiewicz, vibes; and Keefe Jackson, tenor sax.) Although the jazz is avant, it is also quite lyrical and captivating to listen to on tape. One customer said he had never heard better sounding vibes than on this tape. A handmade stereo mic was used on the vibes; and a hand assembled Telefunken 251e was used on the tenor sax.

Tracklist:
1. Shimmering II 06:41
2. Sleep Over 05:54
3. Remember 04:26
4. Slow 06:00
5. No. 5 04:33
6. Ballad II 05:40
********************
Jason Roebke, bass
Mike Reed, drums
Jason Adasiewicz, vibes
Keefe Jackson, tenor sax
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[vandtal]

[Only registered and activated users can see links] Jeff Baker
Title: Phrases
Year Of Release: 2018
Label: OA2 Records
Genre: Vocal Jazz
Quality: FLAC (tracks+.cue)
Total Time: 75:07
Total Size: 417 MB

Tracklist:
1. Neruda (6:00)
2. And So It Goes (8:54)
3. People Of Paper (5:36)
4. Ballad Of The Sad Young Men (7:36)
5. Harbor (8:04)
6. Lost (7:46)
7. A Hundred Less One (5:56)
8. Salinger (5:46)
9. Not 'Cause I Wanted To (6:55)
10. Stay Alive (6:19)
11. Don't Worry 'bout Me (5:56)


After a seven-year absence, vocalist/composer/arranger/educator and foremost fan of the Boise State Broncos, Jeff Baker has returned to the studio to add to his already impressive discography, which includes: Baker Sings Chet (OA2, 2004); Monologue (OA2, 2005); Shopping for Your Heart (OA2, 2007); Of Things Not Seen (OA2, 2009).
The distance between the earthy, basic Of Things Not Seen and the present airy and ethereal Phrases is a vast one. Baker increases his instrumentation dramatically, from a quintet on the former to a septet, adding an additional four as a string quartet for several selections. He also pulls all the stops on his composing, having written the majority of the 11 selections included. Foremost of the original compositions are those based on the writings of Pablo Neruda ("Neruda"), JD Salinger ("Salinger"), and Salvador Plascencia ("People of Paper"). Baker's melodies are lofty and light and his voice, solid with a rich hint of androgyny, meld well with the lyrics garnered.
"Ballad of the Sad Young Men" is nearly perfect in its adaptation to the surrounding material. Pianist Darrell Grant does an admirable job keeping this recording's light-as-air approach aloft and moving forward. It is a recognition of Baker's talent that he attracts bassist Clark Sommers and alto saxophonist Steve Wilson into his creative fray. Baker arrived years ago. It is now time for us to pay attention.
Personnel: Jeff Baker, voc; Marquis Hill, tpt; Geof Bradfield, ts; Steve Wilson, as; Gregory Uhlmann, g; Clark Sommers, b; Brian Blade, d.; plus Blaise Magniere, violin; Marie Wang, violin; Anthony Devroye, viola; Cheng-Hou Lee, cello.

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[vandtal]

[Only registered and activated users can see links] Jeff Beck
Title: Flash Back In Field
Year Of Release: 1986
Label: Scarecrow
Genre: Rock, Hard Rock, Instrumental Rock, Fusion
Quality: FLAC (image+.cue,log,scans) / 320 kbps
Total Time: 0:50:46 + 0:48:34
Total Size: 663/231 MB

Tracklist:
01) Opening
02) Star Cycle
03) Love Will
04) Ambitious
05) Goodbye Port Pie Hat
06) Stop, Look And Listen
07) The Pump
08) Miami Vice Theme
09) Cause We've Ended As Lovers
10) Escape
11) Blue Wind
01) Get Us All In The End
02) Wild Thing
03) Freeway Jam
04) Going Down
05) Super Jam
06) People Get Ready
07) Johnny 'B' Good


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[vandtal]

[Only registered and activated users can see links] Joe Beard Featuring Duke Robillard And Friends
Title: Dealin'
Year Of Release: 2000
Label: AudioQuest Music
Genre: Blues, Modern Electric Blues
Quality: Flac (image, .cue, log)
Total Time: 54:28
Total Size: 306 Mb (scans)


[Only registered and activated users can see links] The Bitter Seed
02. You Don't Love Me Anymore
03. Just Like a Fish
04. Life without Parole
05. My Eyes Keep Me in Trouble
06. Holding a Losing Hand
07. Give Up and Let Me Go
08. Three Day Love Affair
09. Making a Fool Out of Me
10. Long Tall Shorty
11. That So-called Friend of Mine
12. You'd Better Be Sure
13. If I Get Lucky
Joe Beard (vocals, guitar)
Duke Robillard (guitar)
Bruce Katz (piano, Hammond B3)
Rod Carey (bass)
Per Hanson (drums)
Jerry Portnoy (Harmonica)


In the blues world it's OK to be a late bloomer, and when it came to recording, Joe Beard was exactly that. The charismatic singer/guitarist, whose influences range from Jimmy Reed to Lightnin' Hopkins, worked "day gigs" when his kids were growing up and didn't start to build a catalog until he was in his fifties. Blues lovers who heard Beard's AudioQuest dates of the '90s found themselves saying, "Hey, this guy is very talented; why haven't I heard of him until now?" And, of course, the answer to that question is that his nine-to-fives and family life had kept him from being a full-time bluesman. But when his kids reached adulthood, the Mississippi native turned Rochester, NY, resident had more time to devote to music. Recorded in April 2000 (when he was 62), Dealin' is Beard's third CD for AudioQuest and underscores his ability to handle a variety of electric blues styles. Beard's appreciation of Reed and the Chicago blues is evident on gutsy, rough-and-tumble tracks like "Give Me Up and Let Me Go," "My Eyes Keep Me in Trouble," and "The Bitter Seed," a Jimmy Reed classic. Like Reed, Beard favors a gentle and laid-back style of singing but still has plenty of grit and doesn't mind having a tough, hard-driving band behind him. Meanwhile, "Holding a Losing Hand" and "If I Get Lucky" (both Beard originals) go for the sort of moody, shadowy, haunting ambiance that often worked so well for Hopkins and John Lee Hooker. This isn't to say that Beard is going out of his way to emulate Reed, Hopkins, Hooker, or anyone else. Dealin' shows who some of his influences are, but it also reminds you that Beard is an appealing bluesman in his own right.

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[vandtal]

[Only registered and activated users can see links] John Morgan Askew
Title: What Lies Upstream (Original Motion Picture Soundtrack)
Year Of Release: 2018
Label: Scenic Burrows LLC
Genre: Soundtrack
Quality: AAC 256 Kbps
Total Time: 58:58 min
Total Size: 110 MB

Tracklist:
01. Surface Tension
02. Freedumb
03. Carbon
04. Tanked
05. Socratic Science
06. Lies Upstream
07. De-Regulator
08. Containment
09. Lethal Dose
10. Material Safety
11. Understudy
12. The Source
13. Biosolid
14. Backyard Blues
15. Methylcyclohexanemethanol
16. Secondary Containment
17. Bad Rats
18. Unleaded
19. Activated Carbon
20. Cricks Holler
21. Springs Eternal
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[vandtal]

[Only registered and activated users can see links] John Storgårds, Lapland Chamber Orchestra
Title: Karlsson: 7 Songs & Clarinet Concerto
Year Of Release: 2018
Label: BIS
Genre: Classical
Quality: flac lossless +booklet
Total Time: 00:54:43
Total Size: 214 mb

Tracklist
---------
01. Sju sånger till text av Pär Lagerkvist: No. 1, Ångest, ångest är min arvedel
02. Sju sånger till text av Pär Lagerkvist: No. 2, Ingenting är som du
03. Sju sånger till text av Pär Lagerkvist: No. 3, Det är vackrast när det skymmer
04. Sju sånger till text av Pär Lagerkvist: No. 4, Som ett brinnande skepp min själ sökte hamn
05. Sju sånger till text av Pär Lagerkvist: No. 5, Som en våg, sköljd upp mot stranden
06. Sju sånger till text av Pär Lagerkvist: No. 6, Du är min Afrodite
07. Sju sånger till text av Pär Lagerkvist: No. 7, Mitt träd är pinjen
08. Clarinet Concerto: I. Lento-Allegretto
09. Clarinet Concerto: II. Andante
10. Clarinet Concerto: III. Presto
Lars Karlsson was born in 1953 on Åland, an archipelago in the Baltic Sea which forms part of Finland although its population is Swedish-speaking. He soon moved to Helsinki, however, in order to study at the Sibelius Academy, where his teachers included Einar Englund and Einojuhani Rautavaara. Since 1976, he has himself been teaching at the Academy. Following his own distinctive route on the Finnish contemporary music scene, Karlsson composes in a neotonal vein and has been called a 'romantic modernist' - as well as a 'modern romanticist'. His work list includes all genres from chamber music and solo works to orchestral works, and he has also composed extensively for voices. Two of his later works are recorded here, in performances conducted by John Storgårds with whom Karlsson has collaborated extensively, both as conductor and violinist. Storgårds and his Lapland Chamber Orchestra have previously recorded four discs with music by Kalevi Aho for BIS - discs which have received critical acclaim and international distinctions such as the prestigious German ECHO Klassik award. Here they are joined by Gabriel Suovanen and Christoffer Sundqvist, the soloists for whom Lars Karlsson composed his Songs to texts by Lagerkvist and Clarinet Concerto. The song cycle charts what the composer calls 'a life-journey', setting texts by the Swedish poet and Nobel Prize laureate Pär Lagerkvist. In the Concerto, Karlsson instead revisits his own production, exploring an interest for fourths and fifths which was particularly strong during the early part of his career, but also reusing themes from other works, for instance in the folksong-like second movement.
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[vandtal]

[Only registered and activated users can see links] Johnny Tucker
Title: Seven Day Blues
Year Of Release: 2018
Label: High John Records
Genre: West Coast Blues
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 57:11
Total Size: 319 MB
134 MB

Tracklist:
1. Talkin Bout You Baby (2:16)
2. Tired Of Doing Nothing (4:04)
3. Why Do You Let Me Down So Hard (4:14)
4. Love And Appreciation (To Georgia) (2:36)
5. Seven Day Blues (3:56)
6. Come On Home With Me (3:01)
7. Tell You All (3:31)
8. Something I Want To Tell You (3:53)
9. Gonna Give You One More Chance (4:19)
10. I Want To Do It (3:38)
11. Do Right Man (3:40)
12. One Of These Days (5:19)
13. I Can't Wait (3:21)
14. Listen Everybody (3:35)
15. You Can Leave My House (5:38)


It is something of a mystery why Johnny Tucker isn't better known. He has been making music professionally since he first moved to Los Angeles back in 1964, singing in a James Brown tribute act before joining Philip Walker's band as the drummer before moving on to play with the likes of Johnny Otis, Floyd Dixon and Robert Cray. His first album for HighJohn Records, Why You Lookin' At Me?, was released in 2006, the same year as the wonderful Floyd Dixon Celebration, Time Brings About A Change. Tucker turns in engaging performances on both the CD and the DVD recordings of the two-night gig held to honour the legendary pianist and singer. He is a talented singer, with a warm, rough-hewn voice that straddles the border of blues and soul, as well as being a sharp-witted songwriter - all 15 tracks on Seven Day Blues were composed by him.
For his long-overdue second album on HighJohn, label chief Bob Auerbach put the singer together with Big Jon Atkinson and a hand-selected band of musicians. The tactic of pairing a veteran singer with younger acolytes doesn't always work, especially when the backing musicians overwhelm the singer they are meant to support (viz, The Howlin' Wolf Album). But when it does work, on albums like Nappy Brown's 2007 Long Time Coming (with superb support from Sean Costello) or on Muddy's 1977 Hard Again, the results are magical, with the authority and maturity of the older singer given a shot of the energy and excitement of youth. Seven Day Blues is very much in this latter category.
The core band comprises Atkinson and Scott Smart (who play both guitars and bass on different tracks), Troy Sandow on harmonica and bass, and Malachi Johnson and Marty Dodson and drums. Bob Welch contributes organ to the Sam Cooke-styled soul of "Love And Appreciation (To Georgia)" and the jump blues of "Tell You All", which also features the guitar talents of Kid Ramos. Bob Corritore also contributes harp to five tracks. From the opening Howlin' Wolf-esque, "Talkin' About You Baby", it's obvious that the musicians understand how to bring the best out of Tucker's voice. They know when to step forwards for their solo spots, but they never get in the way of the song.
Each song on the album was recorded live at Atkinson's BigTone Studio in Hayward, CA, with all the players in one room, playing vintage gear and recorded on vintage equipment, and this commitment to authenticity comes through on every track. From the uptown Chicago shuffle of "Tired Of Doing Nothing" to the aching slow blues of the closing "You Can Leave My House", via the primeval funk of the title track and the echo-drenched slide of "Do-Right Man", each song reeks of deep emotion and well as a true understanding and appreciation of the way music used to be made.
Packing 15 songs into 57 minutes, there is no room for filler or fat on Seven Day Blues. Indeed, whilst it is dangerously presumptive to make predictions in January, it is not foolhardy to suggest that Seven Day Blues is an early contender for one of the albums of the year. ~by Rhys Williams

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[vandtal]

[Only registered and activated users can see links] Jolliver Arkansaw
Title: Home
Year Of Release: 1969/2015
Label: Hifly Sound Anstalt
Genre: Psychedelic Rock
Quality: Flac (tracks, .cue, log)
Total Time: 33:00
Total Size: 212 Mb (scans)


[Only registered and activated users can see links] Frou Frou (2:29)
02. Mr. Brennan (2:24)
03. Bright As Fire (3:15)
04. The Eye (3:05)
05. A Girl Like Mary (2:22)
06. Hatred Sun (2:17)
07. Lisa My Love (2:47)
08. Migrant Fowl (2:13)
09. King Chaos (3:36)
10. You Keep Me Satisfied (2:47)
11. St. Justina (2:35)
12. Gray Afternoon (3:10)


Bo Grumpus (this is what hooked me on this read, as I've also had the Bo Grumpus Before The War album, issued on Atco Records, since back in the 70s, but never knew anything about them let alone their connection with Jolliver Arkansaw) was formed in Boston in 1967 and are not to be confused with the group using the name in the 1990s-2000s. N.D. Smart and Jim Colegrove traveled from Ohio to team up with guitarists, Eddie Mottau and Joe Hutchinson. Eddie and Joe had performed as a duo in the mid-sixties called Two Guys From Boston.
They had done some recording with Noel "Paul" Stookey as their producer but had only one single released on the Scepter label. N.D. had met the Two Guys when they performed in Dayton, Ohio at the local folk club, The Lemon Tree. N.D. then both recorded and performed with them. When they asked him to join them to make a band he was prompt to say yes. N.D. asked Jim Colegrove to join them on bass. The group first performed at The Loft on Charles Street in Boston using the name The Bait Shop. It wasn't long before Eddie and Joe called their friend Felix Pappalardi in New York to come to Boston to hear the group play. Felix had played bass with The Two Guys on their recordings. At the time, Felix had already produced The Youngbloods records for RCA and was in the midst of recording Cream for their upcoming 1967 Disraeli Gears LP. Felix came to Boston and heard the group. He and his partner, Bud Prager, liked the band and set about to secure a recording/publishing deal for them. The Bait Shop moved to New York City in June, 1967 and prepared to record.
The first of many changes occurred when Felix asked the band to change their name. His suggestion was a name that his wife, Gail Collins, came up with. Gail was an artist and had a drawing that hung on their living room wall she called Bo Grumpus. It was a strange-looking creature with other equally strange-looking creatures crawling out of a hole in its stomach. Felix thought the name was so unusual that it would be defined by the style of music that the group recorded. Felix was quoted as saying, "It's a good name that means nothing." The band made its New York debut at the Gaslight Café on MacDougal Street. In the autumn of 1967 they began working at The Café Wha?. The group still hadn't completed an LP. By the end of the year N.D. decided to leave the group to join John Hall's band, Kangaroo. The former Hello People drummer, Ronnie Blake, replaced N.D. Music at The Wha? worked in two shifts. The bands on the night shift when Bo Grumpus started were Cat Mother and the All-Night Newsboys and the Peepl.
Cat Mother went on to have a big hit with Good Old Rock and Roll on Polydor. Two of the guys in the Peepl, Joey DeJesus and Peter Alongi, went on to record with a group called Banchee on Atlantic and Polydor. Comedian David Frye appeared there that summer. Other bands that worked there during this time were the Raves, the Cherry People, the Roman Numerals, Kangaroo, the Hello People, the Turnkeys, Meat (with Rob Stoner), The Castilles (with Bruce Springsteen), Watertower West (with Alan Merrill) and Jessie's First Carnival (with Jeff Gutcheon). In the spring of 1968, Before The War was issued on the Atco label. A couple of tracks were engineered by Chris Houston, former member of The Undertakers. Felix said that the roots to his rock group, Mountain, can be traced to this recording. When Bell Records approached Felix with an offer for him to produce a record, he wanted Bo Grumpus to be the band. The problem was, The Richmond Organization (the group's publishing company) owned the rights to the name Bo Grumpus being used for a musical group. That meant another name change.
At the suggestion of Eddie Mottau, the group changed its name to Jolliver Arkansaw. They went into the studio early in 1969 to record. On one of the tracks, Gray Afternoon, they were joined by guitarist Leslie West. The solo that Leslie played on this track convinced Felix to start a band with him. That band became known as Mountain. Jolliver Arkansaw's LP, titled Home, was issued on Bell in 1969. Gray Afternoon has also been reissued on a Sound Stories compilation CD. It still gets played on cable music channels. By August, 1969, Jolliver Arkansaw had come to its end and the group's members went their separate ways.
Jim Colegrove joined Ian & Sylvia's band Great Speckled Bird and reunited with N.D. Smart. Eddie Mottau became Noel Stookey's producer, recorded and performed with John Lennon then started his own solo career. Joe Hutchinson headed back to Pennsylvania to start a new life. In the 1970s he would reunite with Colegrove in a band called Jook. It is a strange twist of fate that in this day and age some characterize the original Bo Grumpus as "the psychedelic band from Boston" or "anti-war band" when in fact they were a ragtime group in their formative years performing tunes such as Sister Kate, Gimme A Pigfoot, The Preacher and The Bear, Big Fat Woman, Charlie Green (Trombone Charlie), and many others in that style. They were steered in another direction as is evidenced on Before The War. Additionally, the name Jolliver Arkansaw is often spelled "Arkansas" on many Web sites. This seems to indicate that the writer was not familiar with the spelling of the name or else figured the group hadn't enough sense to spell it correctly. Of course, the name Jolliver Arkansaw did not refer to the state and, in fact, had no meaning.

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[vandtal]

[Only registered and activated users can see links] Figure Walking
Title: The Big One
Year Of Release: 2017
Label: Disintegration Records
Genre: Alternative Rock, Post-Punk
Quality: FLAC (tracks)
Total Time: 38:50 min
Total Size: 257 MB

Tracklist:
01. Sounds 04:25
02. Submarine 03:03
03. The Country 02:40
04. Summer Haze 04:44
05. Blue World 05:00
06. Victorious 04:48
07. Singapore 02:37
08. Spring Thaw 03:42
09. Funeral 03:27
10. Call Me Up 04:24
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[vandtal]

[Only registered and activated users can see links] Joseph Kelemen
Title: J.S. Bach: Famous Organ Works
Year Of Release: 2018
Label: Oehms Classics
Genre: Classical
Quality: flac lossless +booklet
Total Time: 01:10:21
Total Size: 309 mb

Tracklist
---------
01. Prelude & Fugue in C Minor, BWV 546: Prelude
02. Prelude & Fugue in C Minor, BWV 546: Fugue
03. Chorale Preludes: No. 4, Allein Gott in der Höh sei Ehr, BWV 717
04. Fantasia & Fugue in C Minor, BWV 562: Fantasia
05. Organ Concerto No. 4 in C Major, BWV 595 (After Johann Ernst Prinz von Sachsen-Weimar)
06. Prelude and Fugue in F Minor, BWV 534: Prelude
07. Prelude and Fugue in F Minor, BWV 534: Fugue
08. Die Kunst der Fuge, BWV 1080: Contrapunctus I
09. Chorale Preludes: No. 25, Valet will ich dir geben, BWV 736
10. 18 Chorales "Leipziger Choräle": Trio super Allein Gott in der Höh sei Ehr, BWV 664
11. Fugue in C Minor, BWV 575
12. Passacaglia & Fugue in C Minor, BWV 582: Passacaglia
13. Passacaglia & Fugue in C Minor, BWV 582: Fugue
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[vandtal]

[Only registered and activated users can see links] Judah & The Lion
Title: Kids These Days
Year Of Release: 2014
Label: Good Time Records
Genre: Folk-Rock
Quality: MP3 320 Kbps
Total Time: 40:35
Total Size: 102 Mb

Tracklist:
01. Kickin' da Leaves
02. Hold On
03. Everything Changes
04. Twenty-Somethings
05. Scared
06. Mason-Dixon Line
07. Rich Kids
08. Sing Me Your Song
09. Love in Me
10. Water
11. Somewhere In-Between
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[vandtal]

[Only registered and activated users can see links] Phil Meadows Group
Title: Engines of Creation
Year Of Release: 2013
Label: Boom Better Records
Genre: Jazz
Quality: Mp3 / 320kbps
Total Time: 37:06 min
Total Size: 101 MB

Tracklist
----------
01. Fin 04:32
02. Moving On 03:55
03. Runner 04:58
04. Engines of Creation 03:47
05. Flamingos 08:08
06. The Dragon of George 03:20
07. Captain Kirk 08:26


Debut album from the Phil Meadows Group:
Phil Meadows (alto and soprano saxophones); Laura Jurd (trumpet); Elliot Galvin (piano and rhodes); Conor Chaplin (upright and electric bass); Simon Roth (drums)
"Special thanks go to my grandparents Bet and Ken Meadows, I hope they would be proud to know that without their support this record wouldn't have been possible. Thanks to my parents Clive and Margaret, my brother, sister in law and nephew - James, Steph and Reuben - and to my wonderful girlfriend Jessamy Holder for their continued support throughout this project and beyond. Final thanks go to Jazz Services for supporting the tour, my band and favourite musicians in the world, and everybody else who has helped to make this record possible."

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[vandtal]

[Only registered and activated users can see links] Julien Bouclier, Dimitri Bouclier
Title: Révélation
Year Of Release: 2018
Label: Klarthe
Genre: Classical
Quality: flac lossless / flac 24bits - 88.2kHz +booklet
Total Time: 00:56:08
Total Size: 286 / 975 mb

Tracklist
---------
01. Chaconne en Sol Mineur (Arr. pour Violon & Accordéon)
02. Violentango
03. Ave Maria (Arr. pour Violon & Accordéon)
04. Meditango
05. Rondo Capriccioso
06. Goulag pour accordéon seul: I. A Zone
07. Goulag pour accordéon seul: II. Prisoner's walking
08. Goulag pour accordéon seul/ III. Criminels
09. Goulag pour accordéon seul/ IV. Forest cutting
10. Goulag pour accordéon seul/ V. The boss and his slave
11. Révélation
12. Hiver
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[vandtal]

[Only registered and activated users can see links] Jörg-Michael Schwarz
Title: Rebel: Tombeau - The Complete Trio Sonatas
Year Of Release: 2008
Label: Duetsche Harmonia Mundi
Genre: Classical chamber
Quality: FLAC (image+.cue,log,scans)
Total Time: 61'39
Total Size: 329 MB

Tracklist:
1. La Flore, Trio Sonata in A major
2. La Junon, Trio Sonata in E minor
3. La Venus, Trio Sonata in F major
4. Le Tombeau de Monsieur de Lully, Trio Sonata in C minor
5. La Pallas, Trio Sonata in D major
6. L'Immortelle, Trio Sonata in G minor
7. L'Apollon, Trio Sonata in B flat major


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[vandtal]

[Only registered and activated users can see links] Kalevala
Title: Abraham's Blue Refrain
Year Of Release: 1977/2010
Label: Rocket Records
Genre: Prog Rock
Quality: Flac (image, .cue, log)
Total Time: 35:45
Total Size: 263 Mb (scans)


[Only registered and activated users can see links] Silver Fish
2. Lighthouse
3. Forever Train
4. Abraham's Blue Refrain (Parts I & II)
5. Brown'll Might Suit You
6. Highland Temple
7. Playground
8. Marketbox Street
9. Panamanian Red
Juha Salonen / guitar, keyboards
"Limousine" Leppanen / vocals, percussion
Ari Vaahtera / bass guitar
"Beaver" Aitto-Oja / drums
Jim Pembroke / backing vocals, piano (4), lyrics


Abraham's Blue Refrain on Kalevalan kolmas studioalbumi. Yhtye oli tuolloin uudelleennimennyt itsensä Kalevala Orchestraksi. Levyä markkinoitiin useisiin Euroopan maihin (tähän vaikutti ranskalainen Ange-yhtye, joka piti yhtyeen musiikista). Levyn julkaisi 1977 Hi-Hat Records. Levy on julkaistu remasteroituna 2004 Anthology -kokoelmalevyllä sekä erillisenä cd-julkaisuna vuonna 2010
The progressive scene of Finland in the early 70s was not rich in names and events. When rare stars flashed, they burned not for long, but brightly. KALEVALA is one of such half-forgotten legends, legends whose musical heritage deserves a better part than oblivion.
The group was assembled in late 1969 by bassist Juha "Lido" Salonen. Originally the team was called VIETNAM, but during one of the concert performances the organizers demanded to change it. So appeared KALEVALA (which is translated as "land Kale"), a name derived from a collection of national legends about a hero named Kale. The musicians immediately stressed the proximity of folk traditions.
The first few years the composition was not stable, at different times there played Albert Jarvinen - guitar, Remu Aaltonen - drums. Music was progressive rock, with an abundance of aggressive guitar. The appearance of guitarist and composer in the group (the author of all the songs on the first plate) Matti Kurkinen seriously strengthened the position of KALEVALA on the local stage. The debut album, recorded in early 72, showed the audience a real masterpiece. "People no names" demonstrated an organic fusion of folk motifs (Waves, Tamed Indians) with more dynamic and hard material. Genuine pearls turned out the title track, with incredible transitions from the "hard face" into a melancholy detachment, and an instrumental play Escape from the storm. "Escape ..." strikes not only the original melody, but also Kurkinen's brilliant guitar part. It is impossible not to mention the voice of Harri Saksala, quite unusual, but attracting with every minute more and more. If you draw analogies, you can recall FOCUS and the closer in style Norwegians KEBNEKAJSE (although KALEVALA is not as hard-rock oriented as the latter).
Complete indifference from the listeners led to the rapid disintegration of the group. The only one who showed the greatest musical activity was Harry. Experience before KALEVALA with such groups as TOPMOST, SOULSET, APOLLO helped him to get settled from the beginning to PUNAISE LANGA, and then to MANIFEST. The latter also played Hasse Walli - guitar and Jukka Linkola - keyboards.
In 1974, Salonen and Kurkinen reformed the team, in a completely renewed composition. In addition to this pair of guitarists (Salonen switched from the bass guitar to the leading one, thus creating a magnificent tandem with Kirkinen) appeared - Limousine Leppanen - vocal, Ari Vaahtera - bass, Beaver Aitto-Oja - drums. Recorded in 75m plate "Boogie jungle" turned out much weaker than its predecessor. Instead of the original mix of prog and folk, the musicians presented to the listeners a typical hard time for their time. Quite exquisite, draughty, but uninteresting. Nevertheless, the participation in the recording of two veterans of another legendary Finnish band WIGWAM - Jukka Gustavson, Jim Pembroke - led to more attention from the listeners. So I want to say, "where were you in the 72m, when the real masterpiece was recorded?".
For the next couple of years the musicians of KALEVALA continued to tour (sometimes speaking under the name KALEVALA ORCHESTRA), at 77m they released a new disc ("Abraham's blue refrain") and soon after it broke up. The last years of life of the group are almost not covered in rock encyclopedias. Yes, and music, we must assume, they played quite differently than in their younger years. It should be added that literally before the recording of the third disc of the group Kurkinen tragically died in a car accident, therefore all the guitar parts on "Abraham's blue refrain" belong to Salonen.

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[vandtal]

[Only registered and activated users can see links] Kei Fukui, Anthonello
Title: Amarilli, mia bella
Year Of Release: 2018
Label: OMF
Genre: Classical
Quality: flac lossless
Total Time: 01:00:39
Total Size: 286 mb

Tracklist
---------
01. Cosi mi disprezzate "Aria di passacaglia"
02. O bellissimi capelli
03. L'innamorato, a lieta vita (Balletto)
04. Amarilli mia bella
05. L'Orfeo, SV 318: Rosa del ciel
06. L'Orfeo, SV 318: Vi ricorda, o boschi amorosi
07. Usurpator tiranno
08. Tu ch'hai le penne, Amore
09. Damigella, tutta bella
10. M'uccidete, begl'occhi
11. Stabat Mater
12. Si dolce e'l tormento, SV 332
13. Love Theme "A Time for Us" (From "Romeo & Juliet")
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[vandtal]

[Only registered and activated users can see links] Angry Waters
Title: None the Wiser
Year Of Release: 2018
Label: Iiwii Records
Genre: Hard Rock
Quality: 320 Kbps
Total Time: 40:52 min
Total Size: 93 MB

Tracklist:
01. Intro
02. Parasite
03. Troubled Vine
04. Enchanted Madness
05. Bleak
06. High Noon Darkness
07. Send Angels
08. The Grave
09. Rain Down on Candles
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[vandtal]

[Only registered and activated users can see links] Kerry Walker, Prometheus Piano Quartet
Title: American Chamber Works for Flute
Year Of Release: 2018
Label: Centaur Records, Inc.
Genre: Classical
Quality: flac lossless
Total Time: 01:02:17
Total Size: 252 mb

Tracklist
---------
01. Poem (Arr. A. Granata)
02. 4 Minutes-20 Seconds (Arr. A. Granata)
03. 3 Pièces, Op, 31b: No. 1, Aubade villageoise
04. 3 Pièces, Op, 31b: No. 2, Mélodies
05. 3 Pièces, Op, 31b: No. 3, Pastorale
06. Nocturne & Scherzo: Nocturne. Andantino languido
07. Nocturne & Scherzo: Scherzo. Vivace
08. Theme & Variations, Op. 80: Theme. Lento di molto, sempre espressivo
09. Theme & Variations, Op. 80: Var. 1, L'istesso tempo
10. Theme & Variations, Op. 80: Var. 2, Allegro giusto
11. Theme & Variations, Op. 80: Var. 3, Andantino con morbidezza (Quasi valzer lento)
12. Theme & Variations, Op. 80: Var. 4, Presto leggiero
13. Theme & Variations, Op. 80: Var. 5, Largo di molto, con grand espressione
14. Theme & Variations, Op. 80: Var. 6, Allegro giocoso
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[vandtal]

[Only registered and activated users can see links] Firedrop
Title: To The Bone
Year Of Release: 2018
Label: NG Hammer
Genre: Electronic, Ambient, Downtempo
Quality: 320 Kbps
Total Time: 52:40 min
Total Size: 120 MB

Tracklist:
01. London Eye 4:52
02. Kraut 5:17
03. Wet Elevation 4:51
04. Zero Visual 3:52
05. Burning Skies 4:27
06. I Stumble On 6:40
07. Reflexions 5:44
08. Sunday Bird 6:28
09. Guilt 5:03
10. Streetwise 5:28
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[vandtal]

[Only registered and activated users can see links] Kirschhofer
Title: Du
Year Of Release: 2017
Label: Sowiesound
Genre: Folk, Pop
Quality: Mp3 320 kbps
Total Time: 52:53
Total Size: 121 MB

Tracklist:
01. Du 04:44
02. Des Wissen 03:18
03. Der durstige Fisch 04:53
04. Little sweet Death 03:26
05. Amor rumort 04:27
06. Suendenfall 03:12
07. Dreamed up 04:40
08. Woat auf mi 04:31
09. Geht dahi 04:14
10. Nachtstrand 05:05
11. Tschecharant 03:31
12. Grosgrean 02:53
13. Winterwind 02:46
14. Juchitza 00:49


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[vandtal]

[Only registered and activated users can see links] Klaada
Title: Breaking The Cycle
Year Of Release: 2018
Label: Mindspring Music
Genre: Electronic, Ambient, Downtempo, Psychill
Quality: 320 Kbps
Total Time: 85:48 min
Total Size: 196 MB

Tracklist:
01. Ice (11:00)
02. The Dream (8:05)
03. Full Moon (7:19)
04. Intention (2:09)
05. Shifting Stream of Emotions (12:12)
06. Water (7:06)
07. Inner Peace (9:55)
08. Inner Strength (9:12)
09. Infinite Sun (10:42)
10. Spring Lullaby (8:08)


"Breaking the Cycle" is a concept album which revolves about finding emotions in yourself that you never knew existed. It's a deeply spiritual quest of finding and dissolving so many layers inside you, going ever deeper, to the essence of your being.
As emotional beings, we belong to never ending Cycles that determine the amplitude of the frequency we emit to the world around us and in us. This is a story about breaking the Cycle of frozen emotions, melting all the "Ice" that's inside you, in an attempt to bring warmth and Infinite Sun in your being, to regenerate, to fill your heart with every colour you like. Relaxing and psychedelic, melodic and deep, ambient and experimental - this album takes you on a magical journey through the Shifting Stream of Emotions.

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[vandtal]

[Only registered and activated users can see links] Susan Cattaneo
Title: Haunted Heart
Year Of Release: 2014
Label: Jersey Girl Music
Genre: Country, Contemporary Folk
Quality: FLAC (tracks)
Total Time: 54:32
Total Size: 300 MB

Tracklist:
1. Haunted Heart Prelude (00:45)
2. Abide (03:36)
3. Lorelei (02:57)
4. Worth the Whiskey (04:27)
5. Revival (03:57)
6. Lies Between Lovers (04:07)
7. Memory of the Light (03:39)
8. Queen of the Dancehall (04:31)
9. Barn Burning (05:31)
10. Haunted Heart (03:15)
11. Done Better (04:51)
12. Ingenue (03:58)
13. John Brown (03:49)
14. How a Cowboy Says Goodbye (03:13)
15. Hidden Heart (01:56)
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[vandtal]

[Only registered and activated users can see links] Pierre Terrasse, La Griffe, Justyna Kelley
Title: Doo Wop The Terrasses
Year Of Release: 2018
Label: Uppm / Galerie
Genre: Soul
Quality: flac lossless
Total Time: 00:50:48
Total Size: 310 mb

Tracklist
---------
01. My Angel
02. Do You Remember
03. Kiss Me Tonight
04. A Little Bird
05. My Sweetie Pie
06. So Lonely
07. Don't Put the Blame on Me
08. Sunshine Rainbow
09. I've Got You
10. Holding On Tonight
11. My Girl
12. Doo Wop Song
13. How Can I Get By
14. First Kiss
15. Special Moment
16. On the Beach
17. My Guy
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[vandtal]

[Only registered and activated users can see links] Kyoto
Title: Destiny Child
Year Of Release: 2018
Label: AstroPilot Music
Genre: Electronic, Ambient, Downtempo, Psychill
Quality: 320 Kbps
Total Time: 69:14 min
Total Size: 158 MB

Tracklist:
01. Rebirth 04:24
02. Have a nice trip 07:36
03. Evoldica 07:44
04. Outsider 07:10
05. Spirals 09:04
06. Destiny Child 07:26
07. Tails 08:00
08. Vortex 09:08
09. Blowkiss 08:42


The album Destiny Child is a symbiosis of retro-wave and modern electronic sound. Kyoto's music contains atmospheric and dynamics vibrations, feeling of flight. Conceptually the album is dedicated to the birth of a son. A new birth was the start of new ideas and new perceptions.

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[vandtal]

[Only registered and activated users can see links] Kárpátia
Title: Legio
Year Of Release: 2013
Label: Exkluziv Music
Genre: Hard Rock, Folk Rock
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 01:05:30
Total Size: 565 Mb

Tracklist:
01. Légiós Dal (Új Felvétel - en. New Song) 2:42
02. Abból A Fából 4:19
03. A Haza Minden Előtt 4:10
04. Hol Vagytok Székelyek? 3:45
05. Piszkos Fred 2:23
06. Egy Az Isten Egy A Nemzet 3:59
07. Egy Nap Az Élet 2:56
08. Az Én Hitem 4:14
09. Barátom Mondd Merre Vagy 3:20
10. Ballada 4:09
11. Pálinka 2:34
12. Mesélj Még Nekem 3:53
13. Neveket Akarok Hallani 4:07
14. Magyarország Katonái 4:08
15. Mézeskalács 3:36
16. Civitas Fortissima 3:24
17. Bizalmam Az Ősi Erényben 3:48
18. Gyermekáldás 4:04
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[vandtal]

[Only registered and activated users can see links] L (Raphaële Lannadère)
Title: Initiale (Deluxe Edition)
Year Of Release: 2011
Label: tôt Ou tard / VF Musiques
Genre: French Pop, Chanson
Quality: flac lossless
Total Time: 00:59:16
Total Size: 337 mb

Tracklist
---------
01. Mes lèvres
02. Jalouse
03. Mon frère
04. Petite
05. Château Rouge
06. Pareil
07. Mescaline
08. Initiale
09. Je fume
10. Romance et série noire
11. Les corbeaux
12. El Djazaïr
13. Cocaïne
14. Wishes Tree
15. Pas de ciné
16. La Pluie
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[vandtal]

[Only registered and activated users can see links] Lapa
Title: Meeting of the Waters
Year Of Release: 2015
Label: Loci Records
Genre: Electronic, Ambient, Downtempo
Quality: FLAC (tracks+.cue,log)
Total Time: 56:50 min
Total Size: 360 MB

Tracklist:
01. Waves 05:51
02. Oneno 06:45
03. Meeting Of The Waters feat. DreamyQ & 9 Theory 06:02
04. The Origin 05:56
05. Open Book 06:05
06. Roadwalk 04:41
07. Rainsong 05:41
08. Cetacean 05:40
09. Waking Life 05:57
10. Eventide feat. Sage C 04:12


A culmination of his musical knowledge and experiences performing in both the classical and contemporary worlds, Lapa's (a.k.a. Ilya Goldberg) debut album is an introspective explosion of expression reflecting a diverse range of influences which includes J.S. Bach, LTJ Bukem, Notorious B.I.G. and Tom Waits. Simultaneously diverse and cohesive, Meeting of the Waters is the map which charts Goldberg's transformation into Lapa.

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[vandtal]

[Only registered and activated users can see links] Larry Coryell, Steve Khan
Title: Two For The Road
Year Of Release: 1977
Label: Arista
Genre: Contemporary Jazz
Quality: FLAC (tracks+.cue) [24/96] [Vinyl, LP]
Total Time: 38:11
Total Size: 779.5 MB

Tracklist:
A1. Spain (5:30)
A2. Bouquet (5:50)
A3. Son Of Stiff Neck (5:45)
A4. JuJu (3:17)
B1. St. Gallen (7:31)
B2. Footprints (5:55)
B3. General Moto's Well Laid Plan (4:22)
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[vandtal]

[Only registered and activated users can see links] Ani DiFranco
Title: Out of Range
Year Of Release: 1994
Label: Righteous Babe Records
Genre: Folk-Rock
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 47:58
Total Size: 376 Mb

Tracklist:
01. Buildings and Bridges (4:05)
02. Out of Range (Acoustic) (3:46)
03. Letter to a John (3:48)
04. Hell Yeah (5:02)
05. How Have You Been (4:29)
06. Overlap (3:45)
07. Face Up and Sing (2:53)
08. Falling is Like This (3:01)
09. Out of Range (Electric) (3:26)
10. You had Time (5:49)
11. If He Tries Anything (3:15)
12. The Diner (4:39)
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[vandtal]

[Only registered and activated users can see links] Folkdove
Title: Folkdove
Year Of Release: 1975/2003
Label: Amber Soundroom
Genre: French Folk, Irish Folk, Breton Folk, English Folk
Quality: Flac (tracks, .cue, log)
Total Time: 41:33
Total Size: 254 Mb (scans)


[Only registered and activated users can see links] Willow Song (anonime XVe) 3:26
2. Niebelung I (Folkdove) 0:53
3. Dark Eyed Sailor (traditionnel) 4:19
4. Reverdie (anonime XIIIe) 5:35
5. The Wind And The Rain (anonime XVe) 2:28
6. Dit Le Bourguignon (anonime XVe) 1:53
7. Loibere Risen (Wizlaw XIIIe) 2:28
8. Borogove (Folkdove) 1:20
9. Pretty Sarah (traditionnel) 4:13
10. Niebelung II (Folkdove) 0:53
11. Sylvie (traditionnel) 6:49
12. Lord Franklin (traditionnel) 3:55
13. O My Hart (Henry VIII XVIe) 0:53
14. Lord Of The Dance (Sydney Carter) 2:28
Jean Luc Creff : vocals, guitar, banjo, crumhorn
Marsine : vocals, psaltery
Daniel Creff : vocals, guitar, spinet, dulcimer
Henri Creff : guitar, mandolin
Pierre Abgall : electric bass, percussion
Mylene : violin


There are many French folk pearls of which still little is known outside France. Only some limited reissues, like the 2 items from Mormos, or some compilations from Mallicorne. Folkdove from Brittany (Bretagne) is also such a pearl, which was originally only pressed in 400-600. This is now reissued on CD from a "with no noise system remastered vinyl recording", with perfect sound. It doesn't really sound too different from the best UK examples which have medieval inspirations, subtle original and inspired arrangements, and beautiful vocals (items like Midwinter, Mourning Phase,..). What confirmed this original sound were some old instruments which were especially built for the group, like psalter, spinet, and medieval dulcimer. A couple of songs have very beautiful vocal arrangements. Often the six-piece group arrangements are sparse and rich at the same time. The female vocals for instance have a rich coloured sound too, which are already a blessing to hear. A must-have.

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[vandtal]

[Only registered and activated users can see links] Laura Medisky
Title: Personalities: 21st Century American Music for Oboe
Year Of Release: 2018
Label: Centaur Records, Inc.
Genre: Classical
Quality: flac lossless
Total Time: 01:00:29
Total Size: 291 mb

Tracklist
---------
01. 4 Personalities: No. 1. Yellow
02. 4 Personalities: No. 2. White
03. 4 Personalities: No. 3. Blue
04. 4 Personalities: No. 4. Red
05. 3 Desert Fables: No. 1. The Joshua Tree and the Mode-A Desert Fable of Love and Survival
06. 3 Desert Fables: No. 2. The Rock and the Chuckwalla-Basking in the Sun
07. 3 Desert Fables: No. 3. The Ocotillo and the Bee-A Desert Waltz
08. Dialogues: I. Muse
09. Dialogues: II. Banter
10. Dialogues: III. Bane
11. Dialogues: IV. Soliloquy
12. Dialogues: V. Chatter
13. Speechwalls: Speechwalls
14. Sonata No. 3 "Mass": I. NewtonTodd Hammes
15. Sonata No. 3 "Mass": II. HollistonTodd Hammes
16. Sonata No. 3 "Mass": III. BrightonTodd Hammes
17. Still Life (Naturaleza Muerta): Still Life (Naturaleza Muerta)
18. Mandatus: Mandatus
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[vandtal]

[Only registered and activated users can see links] Janae Schirle
Title: Ruined (For Good)
Year Of Release: 2017
Label: Janae Schirle
Genre: Indie Pop, Indie Rock
Quality: 320 Kbps
Total Time: 42:03 min
Total Size: 96 MB

Tracklist:
1. Good Shepherd
2. Ruined [For Good]
3. You're Endless
4. Intimacy Song
5. See You Rightly
6. Please Don't Go
7. Made For You
8. King Jesus
9. Out Of Zion
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[vandtal]

[Only registered and activated users can see links] Lines in the Sky
Title: Beacon
Year Of Release: 2018
Label: Faster Steps Records
Genre: Alternative Rock, Progressive Rock
Quality: 320 Kbps
Total Time: 39:41 min
Total Size: 91 MB

Tracklist:
01. Not About You 3:55
02. A Great Deal 5:36
03. Teeth 3:51
04. Judith 5:16
05. Beacon 4:45
06. Library 6:49
07. Ancient Insult 5:33
08. The Crawl 3:56
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[vandtal]

[Only registered and activated users can see links] Little Milton
Title: I'm A Gambler
Year Of Release: 1994
Label: Malaco Records
Genre: Modern Electric, Soul-Blues
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 00:47:54
Total Size: 342 MB

Tracklist:
01. Casino Blues (5:41)
02. I've Got The Blues (5:01)
03. Poke Salad Annie (4:23)
04. Like A Rooster Or A Hen (4:22)
05. Pledging My Love (4:35)
06. Love Is A Gamble (3:44)
07. That's All Right (3:17)
08. Baby Please (3:51)
09. You've Been Gone Too Long (4:46)
10. A Man Needs A Woman (3:54)
11. That's What A Good Woman Can Do (4:20)


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[vandtal]

[Only registered and activated users can see links] Loise Forestier
Title: Forestier Сhante Louise
Year Of Release: 1997
Label: Les Disques Star Records
Genre: Pop
Quality: FLAC (image+.cue,log) / MP3 320 Kbps
Total Time: 48:46
Total Size: 330 Mb / 122 Mb

Tracklist:
01. Chaque amour а son heure
02. Motel Desert Inn
03. Ma vie ne te regarde plus
04. Le repos
05. Le signe
06. La peur d'aimer
07. Tu peux t'en aller
08. Quand j'aime un homme
09. Tu me manques
10. Ruptures
11. Jusqu'au petit matin
12. Desesperee mais gaie
13. Quelle mouche l'a pique
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[vandtal]

[Only registered and activated users can see links] Lone Star
Title: Vuelve el Rock
Year Of Release: 1968/1996
Label: EMI Gold
Genre: Rock'n'Roll
Quality: APE (image, .cue, log)
Total Time: 30:00
Total Size: 168 Mb (scans)


[Only registered and activated users can see links] Lucille
02. Hoy he llorado por ti
03. El baile empieza a las 6
04. Aleluya, ella es mi amor
05. Lo eres todo para mÃ*
06. La conquista
07. I got a woman
08. Long Tall Sally
09. Trouble
10. Hello, Josephine
11. Something else
12. Mean woman blues


1968 is the year Lone Star and perhaps more than any other because it is the date the Barcelona quartet all the luxuries of the world is allowed and two albums is labeled case just before and after the publication of his most famous song : " My street " . The first one , the one that concerns us, is dedicated to the classic rock and roll without blends or additives.
For your stretch marks parade Little Richard , Ray Charles , Neil Sedaka , Fats Domino, Eddie Cochran and , of course , Elvis. Versions of good cheer with instrumental support from a horn section and no other desire than that very healthy to do what they want at that time . Work is born with a clear vocation collector , with an average run it without removing any small disk . Today is a pleasant rarity in history and discography of this set.
We illustrate this brief commentary with " Lucille " by Little Richard and two classic rockers issues versioneados very little Spanish. "The dance begins at 6" Jerry Lee Lewis and " Hello Josephine" by Fats Domino.

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[vandtal]

[Only registered and activated users can see links] Lordchain
Title: Cracked Reborn
Year Of Release: 2018
Label: Corduroy Boy Productions
Genre: Hard Rock
Quality: 320 Kbps
Total Time: 41:45 min
Total Size: 95 MB

Tracklist:
01. Cracked 3:28
02. Memorial 4:38
03. When I Sleep 5:06
04. 9th of June 5:37
05. As I Am 3:44
06. Dead Man's Bones 3:34
07. Undone 4:31
08. Stare Me Down 3:52
09. Diffuse 3:21
10. Lint 3:54
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[vandtal]

[Only registered and activated users can see links] Los Catzos
Title: Sin Patas Ni Cabeza
Year Of Release: 2018
Label: Los Catzos
Genre: Hard Rock
Quality: 320 Kbps
Total Time: 51:32 min
Total Size: 118 MB

Tracklist:
01. Sur&roll
02. Intermitente
03. Pacto
04. Esta Noche
05. 1590
06. Una Vez Mas
07. Luz Mas Luz
08. Locura
09. Calaca
10. Dudas
11. Cenizas


LOS CATZOS es un grupo de Quito de Rock&Roll y Hard Rock formado en el 2014, con influencias de bandas de los 60's y 70's, plasmado con un animal de Ecuador, un escarabajo o criollamente llamado catzo. Entre las curiosidades de la banda tenemos el orgullo de poseer grandes músicos y personajes como el luchador Maxx Viper de la empresa ecuatoriana de Lucha Libre WAR y protagonista de la pelÃ*cula La Rompecuellos estrenada en cines a nivel nacional en Ecuador; otro plus a la banda es el espectáculo de magia que nos regala el Mago Rommel, que además de ser un excelente guitarrista es un buen representante de la magia ecuatoriana. Con la fusión de la música y las personalidades distintas de los integrantes damos un toque especial a nuestros shows forjando el emblema de la banda Destrucción, Magia & Rock'n'Roll.

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[vandtal]

[Only registered and activated users can see links] Luigi Palombi
Title: Cinema
Year Of Release: 2018
Label: Dynamic
Genre: Classical, Piano
Quality: flac lossless
Total Time: 01:18:49
Total Size: 215 mb

Tracklist
---------
01. Comedy Scene
02. Garden Love Scene
03. Intensely Dramatic Scene
04. Indian Music
05. Goodbye Music
06. Relâche: Entr'acte (Arr. for Piano)
07. 3 Valses, Op. 128c: No. 1, -
08. 3 Valses, Op. 128c: No. 2, -
09. 3 Valses, Op. 128c: No. 3, -
10. 3 Morceaux: No. 1, Ländler
11. 3 Morceaux: No. 2, Élégie
12. 3 Morceaux: No. 3, La lettre de Puck-Romance sans paroles
13. Souvenir de Chopin
14. Une petite phrase
15. L'innocente
16. Theme (From "Amanti)
17. Theme (From "Una breve vacanza")
18. Theme (From "Il giardino dei Finzi Contini")
19. Blues for Allan Felix (From "Play It Again, Sam")
20. Main Title (From "The Firm")
21. Mitch and Abby (From "The Firm")
22. Memphis Stomp (From "The Firm")
23. Blues "The Death of Love and Trust" (From "The Firm")
24. The Plan (From "The Firm")
25. How Could You Lose Me?-End Title (From "The Firm")
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[vandtal]

[Only registered and activated users can see links] Food Brain
Title: Bansan (Social Gathering)
Year Of Release: 1970/2001
Label: Black Rose Records
Genre: Psychedelic Rock, Prog Rock
Quality: Flac (image, .cue, log)
Total Time: 39:46
Total Size: 256 Mb (scans)


[Only registered and activated users can see links] That Will Do (9:12)
2. Naked Mountain (0:32)
3. Waltz For M.P.B. (3:45)
4. Live Juice Vending Machine (3:21)
5. The Conflict Of The Hippo And The Pig (0:31)
6. Clock (5:27)
7. One-Sided Love (0:48)
8. The Hole In A Sausage (15:03)
9. Dedicated To Bach (0:51)
Hiro Tsunoda / drums, percussion
Hiro Yanagida / keyboard & organ
Masayoshi Kabe / bass
Shinki Che / guitars
Michihiro Kimura / clarinet


From the first track this album is awesome! That Will Do is exactly a shining star. Hiro Tsunoda's jazzy drummings, Masayoshi Kabe's striking and loudly noisy bass sounds, and Hiro Yanagida's round-and-round-waved keyboard solo...all are terrific for listeners. Sorry that Shinki Chen's guitar, having mad, funky and freaky flavour in another work, sounds even steady and quiet. What a funny accident! Next an interude Hageyama (Naked Mountain) with spacey bass solo, electric keyboard sound and jazzy rhythm section are very impressing in Mpb No Waltz (Waltz For M.P.B.) Basically Hiro Tsunoda's spacey, strict and speedy drums and percussions are the framework and the foundation of this song. Okay, he should be a serious and skilled drummer (and currently known as a pop singer :-D). What's a Liver Juice No Jido-Hanbaiki (Liver Juice Vending Machine)? Supplement of iron or stamina? I'm sure I can get some stamina (not iron :-P) with listening to this song. Not kidding! The reason can be obvious...Shinki's guitar has lately been exploded with growling, and of course rigidly-framed rhythm sections have not turned at all. What an amazing dunk shot! Kaba To Buta No Tatakai (The Conflict Of The Hippo And The Pig) is not conflict but confusion with unusual zamba style in such a rock supper (Bansan). Wake wake up up!! Swingin' & Smart Sounds Should Start Soon!! Mezamashi Dokei (Clock) has absolutely swing & jazz flavour mimicking an alarm clock. Psychedelic keyboard sounds can remind us the bell of a clock ringing loudly near our ears and let us wake up to ourselves completely, then heavy bass and drum sounds should hit and kick our back out. Kataomoi (One-Sided Love), calm and gentle interlude by keyboard solo, can get us relaxed but suddenly by avantgarde Ana No Aita Sausage (The Hole In A Sausage) we go mad. What does Michihiro Kimura's clarinet sound mean? Hmm...I feel it mean emptiness of their future, but is it correct? Well, God (and some of Food Brain members) only knows. Indeed Food Brain was unstable as a group with serious talents and junkie travelers...this badly organized sections might let their forebodings come true I suppose... Even a funeral march comes here. As everybody has thought, is it natural they would soon be broken out? The last song Bach Ni Sasagu (Dedicated To Bach) sounds like their mischief for me. From beginning to finish, I can't breathe enough...completely knocked away by FOOD BRAIN not BRAIN FOOD.~eview by DamoXt7942

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[vandtal]

[Only registered and activated users can see links] Anna Kuvaja
Title: Fluvial
Year Of Release: 2018
Label: Alba
Genre: Classical
Quality: flac lossless
Total Time: 01:10:51
Total Size: 206 mb

Tracklist
---------
01. 4 Lyric Pieces, Op. 74: No. 1, Ekloge
02. 4 Lyric Pieces, Op. 74: No. 2, Sanfter Westwind
03. 4 Lyric Pieces, Op. 74: No. 3, Auf dem Tanzvergnügen
04. 4 Lyric Pieces, Op. 74: No. 4, Im alten Heim
05. Jeux d'eau, M. 30
06. Air russe variée
07. Piano Sonata No. 20 in A Major, D. 959: I. Allegro
08. Piano Sonata No. 20 in A Major, D. 959: II. Andantino
09. Piano Sonata No. 20 in A Major, D. 959: III. Scherzo. Allegro vivace
10. Piano Sonata No. 20 in A Major, D. 959: IV. Rondo. Allegretto
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[vandtal]

[Only registered and activated users can see links] Lynne Arriale
Title: Convergence
Year Of Release: 2016 (2011)
Label: IN+OUT Records
Genre: Jazz, Post Bop, Piano Jazz
Quality: FLAC (tracks) [24Bit/44,1kHz]
Total Time: 51:45
Total Size: 608 MB

AllMusic Review by Ken Dryden:


Lynne Arriale has made her mark with a number of CDs of her own during her career. This predominantly trio date with bassist Omer Avital and drummer Anthony Pinciotti, adding tenor saxophonist Bill McHenry on several songs, mixes originals and covers of pop songs. Arriale's songwriting skills match her chops at the piano. The driving post-bop vehicle "Elements" provides a solid opener for Arriale's trio, with the pianist's unpredictable blues constantly shifting. Her rambunctious Irish jig "Convergence" features McHenry's powerful tenor and Arriale's furious solo. "The Simple Things" is a low-key, lyrical ballad played by the trio. The infectious "Here and Now" draws from multiple musical influences from around the world, showcasing McHenry's wailing tenor. The Middle Eastern-flavored "Dance of the Rain" includes an unidentified oud player, with Pinciotti presumably being playing the hand percussion. Arriale also shines with her fresh interpretations of the Beatles' "Here Comes the Sun," Sting's "Sister Moon," and the Rolling Stones' "Paint It Black." Only Nine Inch Nails' "Something I Can Never Have" never manages to gain traction.

Tracklist:
01 Elements 3:44
02 Here And Now 6:32
03 Here Comes The Sun 4:25
04 Sister Moon 4:31
05 Call Me 5:11
06 Dance Of The Rain 4:05
07 For Peace 4:41
08 Paint It Black 5:21
09 Something I Can Never Have 4:33
10 Convergence 5:13
11 The Simple Things 3:35
**********************
Lynne Arriale, piano
Omer Avital, double bass, oud
Anthony Pinciotti, drums
Bill McHenry, tenor saxophone
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[Only registered and activated users can see links] Machine Gun Kelly
Title: No Easy Way Out
Year Of Release: 2018
Label: Sliptrick Records
Genre: Hard Rock
Quality: 320 Kbps
Total Time: 38:34 min
Total Size: 89 MB

Tracklist:
01. Intro (Broadcasted Humanity)
02. Broadcast King
03. Aileen
04. Eye of the Storm
05. Nothing Ever Changes
06. Hard Times
07. Stand or Fall
08. No Easy Way Out
09. Take What You Need
10. The Boogeyman


Italian rock group Machine Gun Kelly present their brand new album No Easy Way Out to an unsuspecting world. 10 tracks of outright and punchy hard rock endowed with engaging refrains and classic hard rock'n'roll/metal hooks. No Easy Way Out is the bands 3rd album following the releases of No Place To Hide in 2010 and Lady Prowlerin 2014. Let's take a closer look.
The album opens with the intro Broadcasted Humanity followed by the track Broadcast King, which immediately defines the band's style. Aileen, a melodic mid-tempo ballad that remembers the early Dokken, comes next while a "Desert Rock" intro precedes the Gluecifer-style, fast paced track, Eye Of The Storm. Hot on it's heels, comes the catchy Nothing Ever Changes, followed up by Hard Times, a classic metal ballad having a clean verse and a dashing refrain. Stand Or Fall, endowed with an anthemic, epic refrain, raises the pace into the more cadenced title track No Easy Way Out with it's engaging and memorable chorus. Take What You Need, a fast paced Motorhead-style song, is a hymn to the rock'n'roll lifestyle while Boogeyman, opening with it's killer riff and characterized by it's marching beat, brings the album to a close.

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[vandtal]

[Only registered and activated users can see links] Magnus Rosen
Title: Set Me Free
Year Of Release: 2007
Label: Lazy Babes
Genre: Rock, Jazz Rock, Jazz Funk
Quality: Flac (tracks)
Total Time: 45:37
Total Size: 309 Mb


[Only registered and activated users can see links] Time Machine
02. Law Of The Infinity
03. Funk Out
04. The Globe
05. The Culture Of Life
06. Nordic Circle
07. Waterfall
08. Heptagon
09. Badinerie, Suite 2
10. Exit
11. The Troll Of History
12. Set Me Free


Klas Magnus Rosén is a Swedish musician, born 1963 in Gothenburg, and is best known for being the bassist of the Swedish band HammerFall during the years 1997-2007.
Magnus Rosén started to play bass when he was 15 years old. When he had played bass for three years he went on his first tour with the band Kung Sune. After the tour he moved to Los Angeles, there he played in many bands, like Billionaires Boys Club where future Hammerfall-bandmate Anders Johansson played drums. He became a member of the Swedish heavy metal band Hammerfall in 1997. Magnus is also a jazz bassist, having recorded several albums of solo material. He occasionally does solo tours in South America, where he donates the profits to charity. On 7 March 2007 Magnus left Hammerfall to focus on his own projects.
On 1 November 2009 Magnus joined ex-Stratovarius guitarist Timo Tolkki's new band Revolution Renaissance.
Rosén has recently become involved in former Black Sabbath vocalist Tony Martin's live band, Tony Martin's Headless Cross. The band played their debut show on 27 July 2012 at The Asylum in Birmingham, UK. The show was filmed for a live DVD, and is intended as a warm-up for a full tour in 2013.
In 2015, Magnus was announced as the new bassist for Brazilian heavy metal band Shadowside. In 2017, he also joined Spanish band Avalanch

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[vandtal]

[Only registered and activated users can see links] Malcolm Martineau
Title: The Complete Songs of Fauré, Vol. 3
Year Of Release: 2018
Label: Signum Records
Genre: Classical
Quality: flac lossless
Total Time: 00:58:54
Total Size: 214 mb

Tracklist
---------
01. 3 Songs, Op. 8: No. 3, Ici-bas!
02. 3 Songs, Op. 8: No. 1, Au bord de l'eau
03. 3 Songs, Op. 5: No. 1, Chant d'automne
04. Vocalise 13
05. Tristesse d'Olympio
06. 3 Songs, Op. 18: No. 3, Automne
07. 2 Songs, Op. 46: No. 2, Clair de lune
08. 4 Songs, Op. 51: No. 3, Spleen
09. 4 Songs, Op. 39: No. 4, Les roses d'Ispahan
10. 4 Songs, Op. 51: No. 4, La rose (Ode anacreontique)
11. 2 Songs, Op. 76: No. 1, Le parfum impérissable
12. 2 Songs, Op. 83: No. 2, Soir
13. Pelléas et Mélisande, Op. 80: Chanson de Mélisande
14. Sérénade du Bourgeois gentilhomme, Op. Posth.
15. Ave Maria, Op. 93
16. Vocalise-étude
17. Le don silencieux, Op. 92
18. Chanson, Op. 94
19. Vocalise 24
20. Mirages, Op. 113: No. 1, Cygne sur l'eau
21. Mirages, Op. 113: No. 2, Reflets dans l'eau
22. Mirages, Op. 113: No. 3, Jardin nocturne
23. Mirages, Op. 113: No. 4, Danseuse
Pianist Malcolm Martineau brings together some of the UK's finest singers for the third release in his series charting the complete songs of French composer Gabriel Fauré. This series follows Martineau's well-received 5-CD series of The Complete Songs of Francis Poulenc.
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[vandtal]

[Only registered and activated users can see links] Marcello Melis
Title: Free To Dance
Year Of Release: 1979
Label: Black Saint
Genre: Free Jazz, Avant-Garde Jazz
Quality: FLAC (tracks)
Total Time: 36:15
Total Size: 201 MB

Tracklist:
1. Before The Lights Go On (6:48)
2. Struggle To Be (11:55)
3. Free To Dance (16:43)
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[vandtal]

[Only registered and activated users can see links] Marcello Melis
Title: The New Village On The Left
Year Of Release: 1977
Label: Black Saint
Genre: Free Jazz, Avant-Garde Jazz
Quality: FLAC (tracks+.cue)
Total Time: 37:35
Total Size: 199.3 MB

Tracklist:
1. First House (10:53)
2. Annex A (1:34)
3. Third House (4:41)
4. Second House (6:11)
5. Annex B (2:32)
6. Fourth House (3:24)
7. Fifth House (7:32)
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[vandtal]

[Only registered and activated users can see links] Marcus
Title: From The House Of Trax
Year Of Release: 1979/2002
Label: World In Sound
Genre: Folk Rock, Prog Rock, Psychedelic Rock
Quality: Flac (image, .cue, log)
Total Time: 42:13 + 20:44 + 20:51(video)
Total Size: 806 Mb


[Only registered and activated users can see links] 1:
01. You're Playing With Fire (Part 1)
02. Locked Inside A World
03. A-Trip-In Time
04. The City Of Inbetween
05. Sweet Inspiration
06. Gary's Song
07. Captain Zella Queen
08. I Want To Fly
09. Right Inside Of You Baby
10. Satan
11. You're Playing With Fire (Part 2)
Disc 2: (Live In Louiseville, K.K, U.S.A, 1979)
01. Don't Let The Fire Go Out
02. Burning The Candle From Both Ends
03. The Sun Will Come Up And The Sun Will Come Down
04. Gary's Song
05. Closer In Our Hearts
06. I'm In Your Hands
07. Heart To Heart
+ Video (RealMedia, 720x576, 25.000 FPS, 3 201 kb/s; audio 44.1 kHz, 2 channels, 96.7 kb/s)


Marcus was the psychedelic alias of erstwhile New York folkie/jack-of-all-musical-trades Rusty Evans, born Marcus Uzilevsky in Brooklyn. After graduating from New York's School of Art and Design, in 1958 Evans made his recorded debut, releasing the rockabilly efforts "I Lived, I Loved, I Lost" and "Midnight Special" on Brunswick; a year later, he resurfaced on HIP with "Talkin' from Your Heart." By 1962 Evans was a staple of the Greenwich Village folk circuit, sharing stages with Bob Dylan, David Crosby, and Fred Neil; in 1964, he recorded his first LP, Songs of Our Land, followed later that year by Railroad Songs. After one more stab at folk success with 1965's Live at Gerde's Folk City, Evans discovered the nascent psychedelic scene during a brief stop in Los Angeles, where he also recorded the 1965 Musicor single "1983"; upon returning east, he landed in Philadelphia and formed his own psych band, the Deep, with Mark Barkan, David Bromberg, and others. Signing to Cameo-Parkway, over just two days in August 1966 the Deep recorded their lone official album, Psychedelic Moods of the Deep, one of the more rare and fascinating byproducts of its time; virtually the same lineup later reunited as Freak Scene, releasing 1967's Psychedelic Psoul on CBS. (A series of related CDs culled from the sessions in questions later appeared on Collectables.)
With songwriter and producer Teddy Randazzo, Evans then co-founded Eastern Productions, signing the bands Third Bardo and the Facts of Life -- for the former, Evans and Victoria Pike authored the psych cult classic "I'm Five Years Ahead of My Time." In 1967 he moved to Los Angeles, working as a staff producer for the Take Six label and helming sessions including the Nervous Breakdown's "I Dig Your Mind." After a stint working with producer Matthew Katz, in 1969 Evans reclaimed his birth name to release a self-titled LP on Kinetic as simply Marcus -- a minor classic of richly orchestrated psych-folk, like much of his work it is a fascinating relic of a particular time and place, in this case San Francisco's Haight-Ashbury district in the post-Summer of Love era. Evans then dropped out of sight for about a decade, returning to his folk roots for his 1979 comeback effort, Life's Railway to Heaven; in 1988 the Arlington Symphony Orchestra performed his "Folk Symphony for Sara," and at the dawn of the new decade he later adopted yet another alias, Uzca, to explore world music and ambient on the LPs Slice of Light and Gypsy Dreams. In 2000 Evans truly traveled full-circle, forming the rockabilly combo Ring of Fire with son Danny and releasing a self-titled tribute to Johnny Cash. Under his birth name, he's also enjoyed a measure of fame for his landscape art.

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[vandtal]

[Only registered and activated users can see links] Marian
Title: Second Life
Year Of Release: 2018
Label: Valiant Horizon
Genre: Electronic, House
Quality: 320 Kbps
Total Time: 42:21 min
Total Size: 97 MB

Tracklist:
01. Odysee (Original Mix) 2:57
02. My Friend (Original Mix) (feat. Terry Sartor) 4:23
03. At Night (Original Mix) 5:26
04. Miroir Noir (Original Mix) 4:36
05. Losing My Base (Original Mix) 2:55
06. Second Life (Original Mix) 4:16
07. Orbit (Original Mix) 4:40
08. WeltraumStudio (Original Mix) 3:40
09. Nordic (Extended) (Original Mix) 6:24
10. Last Days (Original Mix) 3:08
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[vandtal]

[Only registered and activated users can see links] Pigeons Playing Ping Pong
Title: Pizazz
Year Of Release: 2017
Label: Independent Label Services
Genre: Funk, Psychedelic Rock, Jam Band
Quality: FLAC (tracks)
Total Time: 56:16
Total Size: 428 MB

Tracklist:
1. Fun In Funk (04:34)
2. Somethin' For Ya (05:30)
3. Ocean Flows (05:08)
4. The Liquid (03:49)
5. Porcupine (07:38)
6. Henrietta (05:35)
7. Too Long (04:23)
8. Doc (03:30)
9. Fox and Toad (05:36)
10. Offshoot (05:10)
11. Poseidon (05:23)
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[Only registered and activated users can see links] Predominance
Title: Dark Stars Unfolding
Year Of Release: 2005
Label: Loki Foundation
Genre: Dark Ambient, Experimental, Industrial
Quality: mp3 / Flac (image+.cue)
Total Time: 01:53:33
Total Size: 277 / 666,6 Mb


Tracklist
CD 1 - Archivum Disc
1-1 Unconscious Ruins (5:14)
1-2 ...After The Holocaustwinds (8:57)
1-3 Nails Of Christ (8:41)
1-4 Dogs Of Doom (7:37)
1-5 Thermonuclear Winter / Final Chants (10:27)
1-6 South Saturn Delta (4:56)
1-7 Quantum Statics (4:29)
1-8 The Polar Stargate (4:41)
CD 2 - Live Disc
2-1 Expanding Universe (7:29)
2-2 Aurora Borealis (3:56)
2-3 Astral Communications (6:36)
2-4 To Tame A Land (5:27)
2-5 Arrival Of The Violet Demons (5:18)
2-6 Vector Equilibrium (7:47)
2-7 Luftschiffe (5:02)
2-8 Under The Blackened Sun (6:10)
2-9 Hellbound (5:03)
2-10 Jesus Slaves (5:39)
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[vandtal]

[Only registered and activated users can see links] R3ss3 M3anc3
Title: The Streets Talk
Year Of Release: 2018
Label: WayneBroz Production
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:30:46
Total Size: 56 mb

Tracklist:
01. The Streets Talk
02. My N****s
03. Wit da Shht
04. LifeTime (feat. Dukattii)
05. Block Love
06. Level up (feat. C.W Young Blood)
07. No Loyalty
08. From da Bottom
09. Cold Game
10. Momma


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[vandtal]

[Only registered and activated users can see links] Radio-Symphonieorchester Wien, Cornelius Meister
Title: Russian Concertos
Year Of Release: 2018
Label: CapriccioNR
Genre: Classical
Quality: flac lossless
Total Time: 01:06:32
Total Size: 256 mb

Tracklist
---------
01. Violin Concerto in G Minor, Op. 67: I. Allegro molto
02. Violin Concerto in G Minor, Op. 67: II. Allegretto
03. Violin Concerto in G Minor, Op. 67: III. Adagio
04. Violin Concerto in G Minor, Op. 67: IV. Allegro risoluto
05. Fantasy in F Minor (After Schubert's Fantasy, D. 940): I. Allegro molto moderato-Più mosso-Tempo I
06. Fantasy in F Minor (After Schubert's Fantasy, D. 940): II. Largo
07. Fantasy in F Minor (After Schubert's Fantasy, D. 940): III. Vivace-Cadenza-Largamente-Allegro marcato
08. Cello Concerto No. 1 in G Minor, Op. 49: I. Allegro
09. Cello Concerto No. 1 in G Minor, Op. 49: II. Largo-Molto espressivo
10. Cello Concerto No. 1 in G Minor, Op. 49: III. Allegro-Allegro molto
Dmitry Kabalevsky - despite the vague name recognition a widely unknown composer of socialist-realist music - has rightly been forgotten, if only because of his actively unsavory, toadying, opportunist politics that netted him three Stalin Prizes and four Orders of Lenin. He was chummy with the Russian Association of Proletarian Musicians when that seemed expedient and later a very active member of the Union of Soviet Composers. Weinberg is the exact opposite of Kabalevsky, politically and musically. He was a life-long victim of the Soviet Union and his music is - some genuine incidences of humor apart - a dense shot of genius that makes breathing difficult, not easy. With this Album Capriccio presents with a famous cast the music of two nearly forgotten Russian Masters their music and biography could not be more different.
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[vandtal]

[Only registered and activated users can see links] Rafael Riqueni
Title: Parque De MarÃ*a Luisa
Year Of Release: 2017
Label: Universal Music
Genre: World, Folk, Flamenco
Quality: FLAC (tracks)
Total Time: 52:23 min
Total Size: 252 MB

Parque de MarÃ*a Luisa es el nuevo disco de Rafael Riqueni, la obra en donde evoca y describe sus recuerdos del emblemático edén sevillano. Se trata del séptimo titulo en su discografÃ*a y primero desde 1996. Parque de MarÃ*a Luisa se convierte asÃ* en el regreso de uno de los mayores genios surgidos del flamenco y la música española. El esperado nuevo capitulo en la evolución musical de Rafael Riqueni, la reinvención que no cesa. Una obra que libera el impresionismo que puede surgir desde raÃ*z flamenca, para con ello protagonizar un camino hacia la suma belleza de lugares y vivencias que permanecÃ*an en la memoria más intima del creador. 1 - Aquel DÃ*a 2 - El Estanque de los Lotos 3 - Monte Gurugú 4 - La Glorieta de Bécquer 5 - Esperándote 6 - La Isleta de los Patos 7 - Tiempos Pasados 8 - El Costurero de la Reina 9 - Los Quintero 10 -BulerÃ*as del Parque 11 - Te Llevé de la Mano 12 - Trinos 13 - La Fuente de las Ranas 14 - Plaza de España 15 - Azahar, JazmÃ*n y Dama de Noche 16 - Revuelo de Palomas.
Tracklist:
01.Rafael Riqueni - Aquel DÃ*a
02.Rafael Riqueni - El Estanque De Los Lotos
03.Rafael Riqueni - Monte Gurugú
04.Rafael Riqueni - La Glorieta De Bécquer
05.Rafael Riqueni - Esperándote
06.Rafael Riqueni - La Isleta De Los Patos
07.Rafael Riqueni - Tiempos Pasados
08.Rafael Riqueni - El Costurero De La Reina
09.Rafael Riqueni - Los Quintero
10.Rafael Riqueni - BulerÃ*as Del Parque
11.Rafael Riqueni - Te Llevé De La Mano
12.Rafael Riqueni - Trinos
13.Rafael Riqueni - La Fuente De Las Ranas
14.Rafael Riqueni - Plaza De España
15.Rafael Riqueni - Azahar, JazÃ*n Y Dama De Noche
16.Rafael Riqueni - Revuelo De Palomas
[Only registered and activated users can see links]Ã*a-Luisa-FLAC.rar.html

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[vandtal]

[Only registered and activated users can see links] Bantu
Title: Agberos International
Year Of Release: 2017
Label: okaymusic
Genre: Funk, World
Quality: MP3 CBR 320 kbps / FLAC (tracks)
Total Time: 51:44 min
Total Size: 119 MB / 349 MB

According to band leader Ade Bantu, the album took about six years to come together. "We said we are not going to write new material until we release this one," Ade Bantu said at an album listening session. Present at the session was the album's producer Aman Junaid and co-producer of the Afropolitan Vibes concert Abby Ogunsanya.
Each track on the album, which is described as an audio-visual narrative, comes with a single-photo commentary. The band will also make limited edition vinyl copies available. The launch of a physical CD with a 16-page booklet will take place in a fortnight in Lagos, Nigeria. "We are going to give you something that is worth your money," said Ade Bantu. "We want people to go back to the album."
Some of the songs on the album will be familiar to frequent attendees of the Afropolitan Vibes concert, for which Bantu is house band. "We locked ourselves up in rehearsal rooms for months without end collectively composing, crafting out ideas and trying out 'works in progress' on the Afropolitan Vibes stage before committing them to 'tape'," reads a statement from the band.
The album sees the 13-piece band work with several artists from several fields. Individual items making up the photo-commentary were taken by Aderemi Adegbite, Uche James Iroha, George Osodi, Abiola Balogun and other photographers. The spoken-word poet Wana Wana contributes vocals. And Afrobeat great Tony Allen plays drums on the album. "It is a strange thing where one person writes, produces, and does album covers," said Ade Bantu. "Prince played all instruments on his albums. But Nigerians take it to the next level."
During the album listening session, a question was asked about the meaning of a song imploring a Lagos Barbie to wave her weave in the air. "It is a tongue in cheek track," said the band leader. "A serious Lagos Barbie won't wave her weave in the air. We just want people to have fun. Just have a good time."
Tracklist:
01.Bantu - Afropunk
02.Bantu - Lagos Barbie
03.Bantu - Ká Máa Dúpẹ́
04.Bantu, Tony Allen - Niger Delta Blues
05.Bantu - Má Kó Bámi
06.Bantu - Ṣe Jẹ́jẹ́
07.Bantu, Wana Wana - Oní Tèmi
08.Bantu - Stori Plenti
09.Bantu - Anything For The Boys
10.Bantu - Ilé (Africa)
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[vandtal]

[Only registered and activated users can see links] Raven Tree
Title: Devil's Red Mistress
Year Of Release: 2017
Label: Raven Tree Ent.
Genre: Hard Rock
Quality: 320 Kbps
Total Time: 36:31 min
Total Size: 84 MB

Tracklist:
01. I Won't
02. Redemption
03. Sweet Release
04. On The Edge
05. False Song
06. Worn To The Bone
07. Superstition
08. Teasin'
09. Faded
10. Devil's Red Mistress
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[vandtal]

[Only registered and activated users can see links] Remi H
Title: Against All Odds 2
Year Of Release: 2018
Label: R.I.L.L. Ent
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:36:12
Total Size: 102 mb

Tracklist:
01. Money *
02. King of the Hunnits
03. Settle It
04. I Be so High
05. Dope Vibes
06. Power *
07. Belly
08. Distance
09. Seduction Pt 2
10. Real S**t Extendo Pt 2
11. Scrilla Day Pt 3
12. Honesty
13. Respect *


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[vandtal]

[Only registered and activated users can see links] Matthew Halsall
Title: Discography
Year Of Release: 2008-2017
Label: Gondwana Records
Genre: Jazz, Contemporary Jazz, Modal
Quality: FLAC (tracks, .cue, .log), WEB
Total Time: 5:48:28
Total Size: 2.75 GB

Matthew Halsall is a Manchester based, DJ, bandleader and trumpeter and is one of the UK's brightest talents. A gifted trumpeter with a beautiful, expressive tone, his music draws on his love of the transcendental, spiritual and modal jazz of Alice and John Coltrane and Pharoah Sanders, as well as the glories of '60s British jazz. His albums 'Sending My Love', 'Colour Yes', 'On The Go', 'Fletcher Moss Park', 'When The World Was One' and 'Into Forever' have won him a legion of fans across the world and acclaim from the likes of Gilles Peterson, DJ Shadow, Mr Scruff and Bonobo.
Albums
2008 Sending My Love FLAC
2009 Colour Yes FLAC
2011 On The Go FLAC 24/96000 Hz
2012 Fletcher Moss Park FLAC
2014 When The World Was One FLAC
2015 Into Forever FLAC
2017 Inspirations FLAC
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[vandtal]

[Only registered and activated users can see links] Barbra Streisand, Kris Kristofferson
Title: A Star Is Born
Year Of Release: 1976/2015
Label: Columbia
Genre: Pop Vocal, Soft Rock
Quality: flac lossless / flac 24bits - 44.1kHz
Total Time: 00:41:42
Total Size: 266 / 472 mb

Tracklist
---------
01. Watch Closely Now
02. Queen Bee
03. Everything
04. Lost Inside of You
05. Hellacious Acres
06. Evergreen (Love Theme from, "A Star Is Born")
07. The Woman in the Moon
08. I Believe in Love
09. Crippled Crow
10. Finale: With One More Look at You / Watch Closely Now
11. Evergreen (Love Theme from, "A Star Is Born") (Reprise)
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[vandtal]

[Only registered and activated users can see links] Bass Clef
Title: (Minimum Wage) [Zero Hours] [Infinite Forest]
Year Of Release: 2018
Label: Open Hand Real Flames
Genre: Electronic
Quality: 320 Kbps
Total Time: 58:27 min
Total Size: 134 MB

Tracklist:
1. minimum wage (zero hours) (infinite forest) 21:27
2. (minimum wage) zero hours (infinite forest) 17:19
3. (minimum wage) (zero hours) infinite forest 19:41


(minimum wage) (zero hours) (infinite forest) is an hour-long 3-track e.p. to kick things off at the label and for Bass Clef in 2018. It allows layers and loops in different time signatures to swirl, overlap and interlock around a central and almost kosmiche-krautrock house beat, of kick and tambourine, and a classic Bass Clef warm subby bassline. The three tracks zone in and out on separate elements, a small rainforest of sounds to explore and inhabit.
Bass Clef has a long and varied career, beginning in 2003 with releases for XL-offshoot label Rex records, tangling in the fringes of dubstep in the mid-200s via Actress' Werk imprint and remixing for Shackleton and Appleblim's Skull Disco label. In the 2010s he has released acclaimed LPs and singles for (deep breath!): PAN, Punch Drunk, Trilogy Tapes, Alter Stock, Public Information, We Can Elude Control, and Mordant Music to name a few. As well as a celebrated and BBC-Radio-3-broadcast live collaboration with CHarles Hayward of This Heat & laura Cannell & Oscilanz, touring with Arthur Russell collaborators as the Peter Zummo 6tet."

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[vandtal]

[Only registered and activated users can see links] Benjimane
Title: Dedication 2 Benjimane
Year Of Release: 2018
Label: BucketBabyEnt.
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:44:04
Total Size: 102 mb

Tracklist:
01. Intro
02. Dirty Money (feat. Drugs)
03. Risk Zone (feat. Hamad)
04. Wonder
05. Ring Ring (feat. Jae G.)
06. Made Me
07. One Night
08. Power
09. Flex'n
10. No No (feat. Jae G)
11. Blessed
12. Outro


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[vandtal]

[Only registered and activated users can see links] Bibi Tanga
Title: Now (Bonus Track Version)
Year Of Release: 2014
Label: Jazz Village
Genre: Afrobeat, Funk, R&B, Soul
Quality: flac lossless / flac 24bits - 44.1kHz +booklet
Total Time: 01:06:14
Total Size: 451 / 780 mb

Tracklist
---------
01. Calling
02. ALa Za i O
03. A I Mveni
04. Love Can Bring You Pain
05. Upset
06. Home Town
07. Now
08. IL Y A
09. Monteguene
10. Ngombe
11. So High
12. War
13. Who's Gonna Be Your Man
14. With You
15. Guigui So (Bonus Track)
16. Money Honey (Bonus Track)
17. Who Can We Trust (Bonus Track)
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[vandtal]

[Only registered and activated users can see links] Bill Evans
Title: Quiet Now: Never Let Me Go
Year Of Release: 1999
Label: Verve Records
Genre: Jazz
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 01:04:30
Total Size: 287 MB

Tracklist:
1. A Time For Love (05:04)
2. Spartacus Love Theme (05:08)
3. Turn Out The Stars (07:34)
4. The Shadow Of Your Smile (08:01)
5. Quiet Now (06:11)
6. 'Round Midnight (06:33)
7. Angel Face (06:33)
8. Emily (04:52)
9. Never Let Me Go (14:34)
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[vandtal]

[Only registered and activated users can see links] Blossom Dearie
Title: Once Upon a Summertime
Year Of Release: September 12, 1958 - September 13, 1958
Label: Verve
Genre: Jazz, Jazz Vocal, Standards, Pop
Quality: Mp3, 320 Kbps
Total Time: 35:39
Total Size: 89.30 MB

Tracks
01. Tea For Two
02. Surrey With The Fringe On Top
03. Moonlight Saving Time
04. It Amazes Me
05. If I Were A Bell
06. We're Together
07. Teach Me Tonight
08. Once Upon A Summertime
09. Down With Love
10. Manhattan (
11. Doop-Doo-De-Doop (A Doodlin' Song)
12. Our Love Is Here To Stay
Personnel
Blossom Dearie - vo, p
Mundell Lowe - g
Ray Brown - b
Ed Thigpen - d
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[vandtal]

[Only registered and activated users can see links] Ricercar Consort
Title: François Couperin: Apothéoses
Year Of Release: 2012
Label: Mirare
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 66:45
Total Size: 364 Mb

Tracklist:
Le Parnasse ou L´Apothéose de Corelli. Grande Sonade, en Trio - François COUPERIN
1. Corelli au piéd du Parnasse prie les Muses de le Recevoir parmi elles
2. Corelli charmé de la bonne réception qu´on lui fait au Parnasse, en
marque Sa joye. Il continuë avec ceux qui L´accompagnent
3. Corelli buvant Ã* la Source D´hypocrêne. Sa Troupe Continuë
4. Enthouziasme de Corelli Causé par les eaux D´hypocrêne
5. Corelli aprés son enthouziasme S´endort; et sa Troupe jouê le
Sommeil suivant
6. Les Muses reveillent Corelli, et le placent auprês d´Apollon
7. Remerciment de Corelli
Tombeau de Monsieur de Lully - Jean Ferry REBEL
8. Gravement
9. Gay
10. Recit
11. Recit
12. Les Regrets. Grave
Concert Instrumental sous le Titre d´Apothéose composé
Ã* la mémoire immortelle de l´incomparable Monsieur de Lulli - François COUPERIN
13. Lulli aux Champs Elisés: Concertant avec les Ombres liriques
14. Air pour les mêmes
15. Vol de Mercure aux Champs Elisés, pour avertir qu´Apollon y va
descendre
16. Descente d´Apollon: qui vient offrir son violon Ã* Lulli; et sa place au
Parnasse
17. Rumeur Souteraine: Causée par les Auteurs Contemporains
de Lulli
18. Plaintes des Mêmes pour des Flûtes ou pour des Violons
tres adoucis
19. Enlévement de Lulli au Parnasse
20. Accüeil entre-Doux, et Agard, fait Ã* Lulli par Corelli et par
les Muses italiénes
21. Remerciment de Lulli: á Apollon
22. Apollon, persuade Lulli, et Corelli Que la réünion des Goûts
François et Italien doit faire la perfection de la Musique.
Essai en forme d´Ouverture.
23. Lulli, joüant le sujet; et Corelli l´acompagnant.
24. Corelli, joüant le sujet Ã* son tour, que Lulli acompagne
25. Corelli, joüant le sujet; et Lulli l´acompagnant.
26. Lulli, joüant le sujet Ã* son tour, que Corelli acompagne
La Paix du Parnasse, faite aux Conditions / sur la
Remontrance des Muses françoises / que lorsqu'on y
parleroient leur langue, on diroit dorénavant Sonade,
Cantade ainsi qu'on prononce, ballade, Sérénade, &
Sonade en trio - François COUPERIN
27. Gravement
28. Saillie Vivement
29. Rondement
30. Vivement
Performers:
Ricercar Consort
Philippe Pierlot, conductor
François FERNANDEZ & Sophie GENT, violon
Marc HANTA� & Georges BARTHEL, traversos
Philippe PIERLOT, basse de viole
Eduardo EGÜEZ, théorbe & guitare
François GUERRIER, clavecin
Avec la participation de François MOREL, récitant


Philippe Pierlot and his superb Ricercar Consort present tributes to both Corelli and Lully with the two Apothéoses by François Couperin, written in the memory of Arcangelo Corelli and Jean-Baptiste Lully respectively. Behind them is an aesthetic programme: they are a plea for the mixture of the Italian and the French style, the so-called goûts réunis. The ensemble consists of Marc Hantaï and Georges Barthel (transverse flutes), François Fernandez and Sophie Gent (violins), Philippe Pierlot (viola da gamba), Eduardo Egüez (theorbo and guitar) and François Guerrier (harpsichord). Both pieces are given lively and expressive interpretations: Couperin's Apothéoses are in the tradition of the tombeau, and therefore the Tombeau de Monsieur de Lully by Jean-Féry Rebel fits well into the programme and is performed in between the two pieces by Couperin.

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[vandtal]

[Only registered and activated users can see links] Swing Out Sister
Title: Almost Persuaded
Year Of Release: 2017
Label: Swing Out Sister
Genre: Jazz / Pop / Soul
Quality: Mp3 / 320kbps
Total Time: 45:43 min
Total Size: 104 MB

Tracklist
------------
01. Don't Give The Game Away
02. Happier Than Sunshine
03. Almost Persuaded
04. Which Wrong Is Right?
05. All In A Heartbeat (Late Night Version)
06. Until Tomorrow Forgets
07. I Wish I Knew
08. Everybody's Here
09. All In A Heartbeat
10. Something Deep In Your Heart
11. Be My Valentine
12. Something Deep (Reprise)


Ben Castle, Mick Foster (Bass Clarinet, Baritone Saxophone); Jody Linscott (Congas, Percussion); Dan Swana (Double Bass); George Hart (Drums); Kate Robertson, Pat Clahar (Flute, Saxophone); Clare Moss, Dave Lee (French Horn); Tim Cansfield (Guitar); Corinne Drewery (Lead Vocals); Andy Connell (Piano, Keyboards, Bass [Fender Bass], Vibraphone); Becky Smith, Pete Beachill (Trombone); Lance Kelly, Noel Langley, Yazz Ahmed (Trumpet, Flugelhorn); Gina Foster (Vocals, Additional Vocals).

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[vandtal]

[Only registered and activated users can see links] Blue Cat Groove
Title: Unconditionial
Year Of Release: 2016
Label: Fever Records
Genre: Electric Blues, Blues Rock
Quality: FLAC (tracks)
Total Time: 29:26
Total Size: 183 MB

Tracklist:
01. Where Does The Heart Go (2:21)
02. Common Ground (4:01)
03. Attraction (2:21)
04. By And By Blues (2:21)
05. I Don't Understand (2:16)
06. Luv (2:55)
07. Oh Darling (3:43)
08. 10,000 Hours (2:54)
09. Safe Harbor (3:19)
10. Unconditional (3:10)


Blue Cat Groove is an award nominated blues rock band from Massachusetts. Unconditional is their third CD of original and two cover tunes, accenting their ability to write catchy hooks and rock the house music.

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[vandtal]

[Only registered and activated users can see links] Blue Feather
Title: Feather Funk
Year Of Release: 1982
Label: Mercury
Genre: Jazz-Funk, Funk, Disco
Quality: FLAC (tracks) [24/96] [Vinyl, LP]
Total Time: 39:15
Total Size: 818 MB

Tracklist:
A1. Call Me Up (06:20)
A2. Baby Don't Say Maybe (03:47)
A3. Let's Funk Tonight (Remix) (09:56)
B1. High Up To The Sky (04:11)
B2. Dance (02:55)
B3. Love Me Tonight (03:44)
B4. It's Love (08:22)
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[vandtal]

[Only registered and activated users can see links] Alex Mincek
Title: Torrent
Year Of Release: 2017
Label: Sound American Publications
Genre: modern classical, experimental
Quality: FLAC (tracks)
Total Time: 1:06:07
Total Size: 281 MB

Each of these fine Alex Mincek pieces written from 2010 ongoing is exquisitely played, and all but sung by Mincek and other instrumentalists as astute as himself, the Yarn/Wire/ & Mivos Quartet as well as the iconic Wet Ink Ensemble conducted by Eric Wubbels. And they explore, in delicately-charged detail, the sonic horizon while seeking what lies beyond in its infinite and comforting darkness.
The five works are also united by the alchemical means Mincek brings to the sounds and silences of poetry in short and long-form composition concerning elemental phenomena that ripple across his unique worldview. As in "Pendulum VII", the "Harmonielehre" pieces and "Torrent", Alex Mincek makes clear the matters of the heart in the resonant opening bars of each piece, in which woodwinds, piano and percussion initiate a high-level deconstructed dialogue and ordered syllogism that culminates in a compelling quod erat demonstrandum in the cathartic silence of each piece.
It is not, of course, that the music is driven by the mathematics of the metronome; rather it is by Mincek's own inductive logic that seems to be propelled by his fascinating algebraic concepts focussed on beauty and barriers, longing, sadness and joy, which are set to musical pieces, each evoking a purer emotional beauty. The impact of all of this can also be felt in the sustained echoes of a crash announced by the brass and heavily pedaled piano in "Pneuma", where the longer pedallings are made possible because the chords played are ideally balanced and phrases uttered by the brass and woodwinds are utterly well-graded and suited, dynamically, to the crescendo of the conversation.
Good pedalling should be almost impossible to notate. It often has more to do with subtle changes of pressure of the foot on the pedal in response to qualities of sound required by the player's musical imagination - often just changing the weight of the dampers on the strings, rather than simply moving the pedal up and down at predetermined points. This is reminiscent of Debussy whose celebrated touch only occasionally allowed the pedal to encroach a tiny fraction from one harmony into the next, as if practising the five-finger exercise C, D, E, F, G legato by lifting one finger just an instant after one plays the next; the used only for the special effects it created with utmost discretion.
Both the two "Harmonielehre" sequences and "Torrent" impact the ear like deeply subjective cycles of great fragility which places the virtuosos who play the works command of pitch and line against some of the most gorgeous writing for violin, viola, cello, pianos and percussion as if in imitation of the quietude before the eruption of a restrained tsunami that crashes in wave after wave in "Torrent" as mallets and dampers strike strings and keys repeatedly while strings con arco echo in the inglorious vanity of absolute destruction.
Tracklist:
01.Alex Mincek - Pendulum VII
02.Alex Mincek - Harmonielehre: I. Chorale I "Sum Difference"
03.Alex Mincek - Harmonielehre: II. Chorale II "Head Against Wall" (For Petr Kotik)
04.Alex Mincek - Harmonielehre: III. Envelopes
05.Alex Mincek - Pneuma
06.Alex Mincek - Harmonielehre: Rendering I - Blue Poles No. 11
07.Alex Mincek - Harmonielehre: Vocalise (For Reiko Fueting)
08.Alex Mincek - Harmonielehre: Rendering II - Oblique
09.Alex Mincek - Torrent
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[vandtal]

[Only registered and activated users can see links] Bluespam
Title: What Is Mojo
Year Of Release: 2017
Label: Fox Music
Genre: Blues Rock
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 43:37
Total Size: 287 MB
104 MB

Tracklist:
1. When I'm Grey And Old (2:48)
2. Let's Talk About It (3:30)
3. Are You Moving On (4:24)
4. Someday (4:54)
5. What Is Mojo (3:38)
6. Star Wars (5:03)
7. Expensive Car (3:30)
8. Nocturnal (4:12)
9. One Of A Kind (2:49)
10. Crossroads (3:32)
11. Worries On My Mind (5:12)


Personnel:
"Alex" Alexander Rosenhof - guit., lead-vocals
"Pappen" Geert Hermann Meyer - bass, vocals)
Heino Sluet - harmonica
Wilfried "Cis" Pötter - drums
Cullen Corley - live-drummer
BLUESPAM is since its foundation in 2009 and by devotion a blues & -rockin' band teasing on top by a sweet-hot liquor buckshot of funk, soul and heavy-rock. Their home region is the shire of Bentheim in Lower Saxony, Germany. The border to The Lowlands and Enschede is only a rock throw away. This town is well known as the domicile of the famous NIX & MEER blues club. Blues-icons like Candye Kane, The Mason Rack Band, The Delta Saints or "Uncle-Boogieman" Michael Katon love or loved to perform there live whilst being on European tour. The stylish venue is also famous for its "Jamsesjuns" (jam sessions). The founding members "Pappen" Geert Hermann Meyer on bass; background-vocals, "Alex" Alexander Rosenhof on guitar; lead-vocals and "Mike" Bosch on drums till his sad death in 2014. They have been regularly and gladly welcomed line-up guests to excite there live. In 2011 their ferocious blues-harp player Heino Sluet was joining in and in 2016 Wilfried "Cis" Pötter was replacing internationally renowned drummer Joel Purkess who persued his intl. career. By so many gigs they have really gained by their energetic and sweaty shows the high reputation as a top blues-rockin' formation. So now you know a bit of history of BLUES P (for Pappen) A (for Alex) and M (for Mike). In 2017 "What Is Mojo" as their debut cdis catching finally the glimpse of light. So get excited, ready to dance as longhorn-torrero and torrera and bang your head!
"When I'M Grey And Old" as red hot opener will hoodoo you from the very first chords by the sensational, extraordinary "Mississippi-Sax"- intro-battle by Heino and stomping drums by "Cis". It is to mélange consecutively into an extravagance jam-session by Alex playing a diabolic slide-axe, also on whiskey-matured canto, the general of rhythms "Pappen" on forceful bass and Heino on harmonica. Play this cracker loud and it will blow your house's roof of and torment your ground! "Let's Talk About It" is by play-style of BLUESPAM by the theme of "Texas Meets British Blues". The U.S. South is famous for its spicy cuisine, so "Eh La Bas" they would say by the interpretation of "Are You Moving On" - the gumbo is chily-ardent by the musical spice-up of funky grooves. After so much heat there is time for a bourbon on ice and some relaxation by the beautiful ballad "Someday" as commemoration to Stevie Ray Vaughan as blues guitar-god. "What Is Mojo" surprises as cd title-song with a kick-ass heavy rocking impact and the axe-shredding solos by "Alex" are in the vein of JoeSatriani and Steve Vai*. The magnificent highlight-song of "What Is Mojo" is "Star Wars" as meditative ballad featuring harp-enchantment in the tradition of the group WAR, warm-hearted and melodic six-string artistry and chant. Close your eyes and dream of a journey to the Milky Way galaxy and back to Earth on a comet. By "One of A Kind" the guys celebrate their modern façon of honky tonkin' rock'n roll. BLUESPAM celebrate the Dixieland hymn "Cross Roads" utmost miraculous by their Spanish Flamenco inspired intro, vocals from perceptive to sinewy and even heavy guitar artistry. Their version will absolutely put a spell on you! Texas struttin' "Worries On My Mind" concludes the cd. It is the song of the low-tone-maestro Meyer on four-string, the sensitive vocals of Rosenhof in the beginning and melting into a concluding hurricane jam the heavy southern-rock-style to boogie your wazoo a final time.
A stunning first energy power blues-rockin' opus! A purchase chef's suggestion for all music enthusiasts and not only genre-specialists. If you are after the first listenings of phenomenal by sound-production by maestro Rosenhof "What Is Mojo" still negotiating BLUESPAM with the word of spam the sympatico guys would not would not mind if you spread a good word as promotion-spam for them to sell millions of copies of "What Is Mojo" as their lucky charm to get rich, haha.
BLUESPAM - The Lord Of The Pandemonium's Flamy, Helluva & Hot-Blooded Royal Blues-Rock Sorcerers!

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[Only registered and activated users can see links] Melissa Plett
Title: Ghost Town
Year Of Release: 2017
Label: Self Produced
Genre: Country/Folk/Americana
Quality: Flac (tracks)
Total Time: 28:29
Total Size: 189 MB

Tracklist:
1. Stay (3:06)
2. Handle Of Whisky (3:50)
3. Ghost Town (3:39)
4. Mexico (3:44)
5. Sideways (3:53)
6. Sunshine And Liquor (3:25)
7. Trigger (3:12)
8. Gone (3:37)


Melissa Plett is a high energy Country Flavored musician. One song you'll be foot stomping with her band, These Guys, and the next soulfully connecting to a simple picked guitar, rich vocals, emotional violin, and bowed bass. In between it all laughing at their banter that keeps you entertained and ready for more!
"She made a strong impression. She is a natural live performer with a strong, beautiful voice. She is totally at home on the stage"
- Jason Ringenberg
(from Jason and the Scorchers)
"Melissa Plett is a singer-songwriter who draws on a wealth of experience and emotion that belies her youth, to craft a soulful, jazzy, country-tinged, roots/folk mélange that is as unique as it gets. Whether it's sad lyrics delivered with happy melodies, aching vocals of heartbreak and longing, or songs of unbounded optimism, Melissa surrenders her songs with a moan or a laugh that reaches deep and makes you feel"
- Bruce Ladan
(The Buzz on FREQ 107)

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[Only registered and activated users can see links] Bobby 'BlackHat' Walters
Title: Accidental Blues
Year Of Release: 2015
Label: Self Released
Genre: Electric Blues, Harmonica Blues
Quality: 320 kbps
Total Time: 65:53
Total Size: 155 MB

Tracklist:
1. Two By Four (4:13)
2. Blues Story (5:41)
3. Accidental Blues (3:43)
4. Happy Go Lucky Man (2:21)
5. Happy Go Lucky Man (Remix) (5:07)
6. It's Not A Good Idea 'til It's Her Idea (5:40)
7. Come Home Blues (5:06)
8. My Cookin' (2:56)
9. My World Did Not End (3:08)
10. Nursery Rhyme Shuffle (4:53)
11. Please Mr. Blackhat (6:46)
12. Feathers & Nails (4:00)
13. Broke My Body Down (3:51)
14. There Is No Sin In The Voice Of God (3:46)
15. H.R.B.T. Blues (4:35)


Bobby Blackhat Walters is originally from Ohio and spent nearly 30 years in the US Coastguard service. Since retirement he has expanded his interest in performing the blues and this is his fifth CD release, he was a finalist in the 2016 IBC's and gigs regularly around the Norfolk, VA area. On this album Bobby wrote all the material with some help on four tracks from band members. Bobby handles lead vocals and harp and all members of the band add backing vocals: Tom Euler, guitar, Brian Eubanks, bass and Michael Behlmar, drums. A lot of other musicians contribute to the CD with keyboard duties shared between Cal Hamlin and Lucy Lawrence Kilpatrick.
Bobby has a clear voice and plays some good harp throughout but the first three tracks probably offer the best snapshot of what the band has to offer. "Two By Four" is a straightforward shuffle with amusing lyrics about the effect of a new love in Bobby's life: "the first time I laid eyes on you I was struck by a two by four. I was caught off-guard, never been struck like that before"; "Blues Story" is a rolling blues with excellent piano and harp in which Bobby states that "everyone has a blues story, from the day you were born till the day you go to Glory"; the title track "Accidental Blues" rockets along, a harp and guitar driven shuffle. "Happy Go Lucky Man" appears in two versions, a shorter acoustic take and a longer 'Remix' which gives the story of taking a relaxed approach to life more of a Caribbean groove. Bobby again shows his humour in "It's Not A Good Idea Till It's Her Idea" as he half-speaks the lyrics over a late-night lounge jazz band performance and on the down-home acoustic "My Cookin'" in which Bobby's talents in the kitchen win over an attractive lady. The moody "Come Home Blues" is the classic tale of the girl having walked out and Bobby's harp and vocals convey his sadness well. In lyrical contrast "My World Did Not End" finds Bobby quietly pleased to be out of this particular relationship on an upbeat shuffle with Cal's piano work to the fore.
Guest vocalist Shonya Carlock sings the slow blues "Please Mr Blackhat" leaving Bobby to "play some blues for me" which Bobby is happy to do, providing an impressive harp solo. Just to demonstrate that he can also sing a slow song effectively "Feathers And Nails" is an introspective number with Bobby backed only by Tom's quiet guitar and his own harp - very different to most of the album. "There Is No Sin In The Voice Of God" takes us to church as Lucy's gospel-tinged piano is the sole accompaniment to Bobby's heartfelt plea for a more tolerant society. From the sacred and serious to the fun and frivolous - the fast-paced "Broke My Body Down" gets the toes tapping as Bobby complains that his latest lover was a bit much for him physically!
With such a generously filled CD there is always the risk of some material that might have better been left off and, as the title suggests, "Nursery Rhyme Shuffle" works in all the old nursery rhymes and is entirely dispensable; the bonus track "HRBT Blues" does not add a lot and, despite repeated listens, I was unable to catch exactly what the initials stand for. However, putting aside those quibbles, there is some good material here and plenty solid harp playing from Bobby who deserves support for an entirely original program of songs. ~by John Mitchell

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[Only registered and activated users can see links] Boncana Maïga
Title: Koyma Hondo
Year Of Release: 2018
Label: Hot Casa Records
Genre: World, Africa, Zouk, Funk
Quality: FLAC (tracks)
Total Time: 15:11
Total Size: 98 MB

Tracklist:
01. Koyma Hondo (4:00)
02. Zourou (4:17)
03. Yala M'Le (4:30)
04. Petroci (2:25)
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[Only registered and activated users can see links] Buster Benton
Title: Blues & Trouble
Year Of Release: 2002
Label: Black And Blue
Genre: Blues, Modern Electric Chicago Blues
Quality: Flac (image, .cue, log)
Total Time: 01:11:32
Total Size: 445 Mb (scans)


[Only registered and activated users can see links] My Lady
02. That's Your Thing
03. Can't Wait To See My Baby's Face
04. Blues & Trouble
05. It's Good In My Neighborhood
06. Loan Me a Dime
07. I Wish il Knew
08. From Missouri
09. Dangerous Woman
10. Honey Bee
11. Hard Luck Blues
12. I Must Have A Hole In My Head
13. Cold Man
14. Money Is The Name Of The Game
Bass - Bob Stroger (tracks: 10-14), J. W. Williams (tracks: 1-9)
Drums - Mose Rutues (tracks: 1-9), Odie Payne (tracks: 10-14)
Guitar - Buster Benton, Carl Weathersby (tracks: 1-9), Joe Beard (tracks: 14), John Littlejohn (tracks: 10-13)
Harmonica - Billy Branch (tracks: 1-9)
Piano - François Rilhac (tracks: 1-9), Lafayette Leake (tracks: 10-14)
Vocals - Buster Benton


Despite the amputation of parts of both his legs during the course of his career, Chicago guitarist Buster Benton never gave up playing his music -- an infectious hybrid of blues and soul that he dubbed at one point "disco blues" (an unfortunate appellation in retrospect, but useful in describing its danceability). In the late '70s, when blues was at low ebb, Benton's waxings for Ronn Records were a breath of fresh air.
Inspired by the music of Sam Cooke and B.B. King, the gospel-bred Benton began playing the blues during the mid-'50s while living in Toledo, Ohio. By 1959, he was leading his own band in Chicago. During the '60s, he cut a series of soul-slanted singles for local concerns (Melloway, Alteen, Sonic, Twinight) before hooking up with the great Willie Dixon in 1971.
Benton was a member of Dixon's Blues All-Stars for a while, and Dixon is credited as songwriter of Benton's best-known song, the agonized slow blues "Spider in My Stew." Its release on Stan Lewis' Shreveport-based Jewel Records gave Benton a taste of fame; its follow-up, "Money Is the Name of the Game," solidified his reputation. A 1979 LP for Jewel's Ronn subsidiary (logically titled Spider in My Stew) stands as one of the most engaging Chicago blues LPs of its era, its contemporary grooves abetting Benton's tasty guitar work and soulful vocals.
Benton cut three albums later on for Ichiban, but compared to his Ronn output, they were disappointing. On the Chicago circuit, Benton's extreme courage in the face of physical adversity will long be cited. He was on kidney dialysis for the last few years of his life as a result of diabetes, and a portion of his right leg was amputated in 1993 due to poor circulation (he had already lost part of the other a decade earlier). Still, he continued to play his brand of uplifting blues until the end

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[Only registered and activated users can see links] Carl Schuricht, Radio-Sinfonieorchester Stuttgart des SWR
Title: Schumann: Manfred - Delius: Sea Drift & Concert Overtures
Year Of Release: 2018
Label: Urania Records
Genre: Classical
Quality: flac lossless
Total Time: 02:29:20
Total Size: 543 mb

Tracklist
---------
CD1
01. Manfred, Op. 115, Act I: Overture
02. Manfred, Op. 115, Act I: Die Nacht kam wiederum
03. Manfred, Op. 115, Act I: Dein Gebot zieht heraus
04. Manfred, Op. 115, Act I: O Gott, ist's so
05. Manfred, Op. 115, Act I: Wenn der Mond auf stiller Welle
06. Manfred, Op. 115, Act I: Horch, den Ton!
07. Manfred, Op. 115, Act II: Interlude
08. Manfred, Op. 115, Act II: Du schöner Geist mit deinem Haar aus Licht
09. Manfred, Op. 115, Act II: Heil unsrem Meister! Herrn der Erd' und Luft!
10. Manfred, Op. 115, Act II: Wirf in den Staub dich, den verdammten Staub
11. Manfred, Op. 115, Act II: Zermalmt den Wurm!
12. Manfred, Op. 115, Act II: Schatten! Geist! Was immer du seist!
13. Manfred, Op. 115, Act II: Oh höre, hör' mich, Asterte!
14. Manfred, Op. 115, Act III: Interlude
15. Manfred, Op. 115, Act III: Du der Natur Idol in ihrer Jugend
16. Manfred, Op. 115, Act III: Blick nur hierher, und sag mir, was du siehst
17. Manfred, Op. 115, Act III: Requiem aeternam dona eis
CD2
01. Richard III, Op. 68: Overture
02. Guntram, Op. 25, TrV 168: Overture
03. Das Käthchen von Heilbronn, Op. 17: Overture
04. In Autumn Overture, Op. 11
05. Sea Drift
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[Only registered and activated users can see links] Carole King
Title: Breaking Up Is Hard To Do
Year Of Release: 2017
Label: X5 Music Group
Genre: Pop/Rock
Quality: MP3 320 Kbps
Total Time: 83:14
Total Size: 193 MB

Tracklist:
1. It Might As Well Rain Until September (2:24)
2. Breaking Up Is Hard To Do (2:12)
3. Crying In The Rain (Single Version) [Remastered] (1:50)
4. It Started All Over Again (2:28)
5. He's A Bad Boy (Remastered) (2:22)
6. I Didn't Have Any Summer Romance (2:47)
7. Little Prince (2:06)
8. One To One (3:16)
9. It's A War (3:08)
10. Golden Man (5:21)
11. Read Between The Lines (2:50)
12. So Ready For Love (5:37)
13. (Love Is Like A) Boomerang (2:32)
14. Goat Annie (4:01)
15. Sacred Heart Of Stone (3:47)
16. Dancing (4:05)
17. Standin' On The Borderline (2:53)
18. Life Without Love (3:48)
19. One Small Voice (2:55)
20. Speeding Time (4:51)
21. Alabaster Lady (5:37)
22. Lookin' Out For Number One (3:13)
23. Computer Eyes (3:08)
24. Someone You Never Met Before (3:13)
25. Chalice Borealis (2:39)


While the landmark Tapestry album earned her superstar status, singer/songwriter Carole King had already firmly established herself as one of pop music's most gifted and successful composers, with work recorded by everyone from the Beatles to Aretha Franklin. Born Carole Klein on February 9, 1942 in Brooklyn, New York, she began playing piano at the age of four, and formed her first band, the vocal quartet the Co-Sines, while in high school. A devotee of the composing team of Jerry Lieber and Mike Stoller (the duo behind numerous hits for Elvis Presley, the Coasters, and Ben E. King), she became a fixture at influential DJ Alan Freed's local rock & roll shows; while attending Queens College, she fell in with budding songwriters Paul Simon and Neil Sedaka as well as Gerry Goffin, with whom she forged a writing partnership.
In 1959, Sedaka scored a hit with "Oh! Carol," written in her honor; King cut an answer record, "Oh! Neil," but it stiffed. She and Goffin, who eventually married, began writing under publishers Don Kirshner and Al Nevins in the famed pop songwriting house the Brill Building, where they worked alongside the likes of Doc Pomus, Mort Shuman, Jeff Barry, Ellie Greenwich, and countless others. In 1961, Goffin and King scored their first hit with the Shirelles' chart-topping "Will You Love Me Tomorrow"; their next effort, Bobby Vee's "Take Good Care of My Baby," also hit number one, as did "The Loco-Motion," recorded by their babysitter, Little Eva. Together, the couple wrote over 100 chart hits in a vast range of styles, including the Chiffons' "One Fine Day," the Monkees' "Pleasant Valley Sunday," the Drifters' "Up on the Roof," the Cookies' "Chains" (later covered by the Beatles), Aretha Franklin's "(You Make Me Feel) Like a Natural Woman," and the Crystals' controversial "He Hit Me (And It Felt Like a Kiss)."
King also continued her attempts to mount a solo career, but scored only one hit, 1962's "It Might as Well Rain Until September." In the mid-'60s she, Goffin, and columnist Al Aronowitz founded their own short-lived label, Tomorrow Records; Charles Larkey, the bassist for the Tomorrow group the Myddle Class, eventually became King's second husband after her marriage to Goffin dissolved. She and Larkey later moved to the West Coast, where in 1968 they founded the City, a trio rounded out by New York musician Danny Kortchmar. The City recorded one LP, Now That Everything's Been Said, but did not tour due to King's stage fright; as a result, the album was a commercial failure, although it did feature songs later popularized by the Byrds ("Wasn't Born to Follow"), Blood, Sweat & Tears ("Hi-De-Ho"), and James Taylor ("You've Got a Friend").
Taylor and King ultimately became close friends, and he encouraged her to pursue a solo career. Released in 1970, Writer proved a false start, but in 1971 she released Tapestry, which stayed on the charts for over six years and was the best-selling album of the era. A quiet, reflective work that proved seminal in the development of the singer/songwriter genre, Tapestry also scored a pair of hit singles, "So Far Away" and the chart-topping "It's Too Late," whose flip side, "I Feel the Earth Move," garnered major airplay as well. Issued in 1971, Music also hit number one, and generated the hit "Sweet Seasons"; 1972's Rhymes & Reasons reached number two on the charts, and 1974's Wrap Around Joy, which featured the hit "Jazzman," hit the number one spot.
In 1975, King and Goffin reunited to write Thoroughbred, which also featured contributions from James Taylor, David Crosby, and Graham Nash. After 1977's Simple Things, she mounted a tour with the backing group Navarro and married her frequent songwriting partner Rick Evers, who died a year later of a heroin overdose. Pearls, a collection of performances of songs written during her partnership with Goffin, was released in 1980 and was her last significant hit, and King soon moved to a tiny mountain village in Idaho, where she became active in the environmental movement. After 1983's Speeding Time, she took a six-year hiatus from recording before releasing City Streets, which featured guest Eric Clapton. In 2001, she returned with Love Makes the World, a self-released disc on her own Rockingale label. Four years passed before her next record, The Living Room Tour, a double-disc set documenting her intimate 2004-2005 tour that found her revisiting songs from throughout her career with only her piano and acoustic guitars as accompaniment.
King joined longtime friend James Taylor for a co-starring show at L.A.'s famed Troubadour venue in 2007, and the pair followed it with several more shows, resulting in the Live at the Troubadour release in 2010. King released her first-ever Christmas album, A Holiday Carole, through the Hear Music/Concord Music Group on November 1, 2011. In 2013, King received a remarkable show business accolade -- her life became the basis for a Broadway musical, Beautiful: The Carole King Musical, which followed her professional and personal life in the '60s and '70s. The show opened on Broadway in January 2014, with a score dominated by King's hit songs, and an original cast album appeared the following May. The next year, King was a Kennedy Center Honoree, and in 2016 she played the entirety of Tapestry at the British Summer Time Festival in Hyde Park. The concert was documented on the 2017 album/DVD set Tapestry: Live in Hyde Park. ~ Jason Ankeny

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[Only registered and activated users can see links] T-Kidd
Title: The Combine
Year Of Release: 2018
Label: Indie
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:23:37
Total Size: 44 mb

Tracklist:
01. Can't Be
02. The Come Up
03. Vindictive
04. Leveled Up
05. Franchise Player
06. State of Mind
07. Combine (Bonus Track)


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[Only registered and activated users can see links] Ché Aimee Dorval
Title: Between The Walls And The Window
Year Of Release: 2017
Label: Not On Label
Genre: Indie Rock, Folk, Dream Pop
Quality: 320 / FLAC (tracks)
Total Time: 34:26
Total Size: 102 / 222 Mb

Tracklist:
1. Afraid (03:54)
2. Buried (04:41)
3. Erupt The Quietus (04:55)
4. Holding In (04:35)
5. I Should Have Worried (04:14)
6. Art Of Dying (04:49)
7. Low (03:45)
8. I Know, I Know (A Broken Heart) (03:30)


Hey! I'm Ché Aimee Dorval, a Canadian singer-songwriter who has been making music for over 10 years as a solo artist. I'm also one half of the ambient old time-y country duo "Casualties of Cool" along with Devin Townsend.
I'm releasing an album of all new originals that I've written throughout the year titled "Between The Walls and The Window"! I've put my blood, sweat, tears and all of my money into this thing and because of that I've been able to do exactly what I want with it.
The magical Shawn F Cole produced it, Bob Rock (!) was kind enough to mix 3 tracks and I got to play with some truly amazing musicians. Paul Rigby, Darren Parris and Daniel Ruiz were the main players in the band and their work is beautiful.
This album would not be what it is if not for my experiences writing and touring with Devin in Casualties of Cool. That experience really lit a fire under my ass this year. It inspired me to put my head down and and really go after what I want and it has pushed me to grow and to change as an artist. Witnessing first hand how incredibly hard Devin works to communicate his vision to all of you is illuminating. I learned that great art is perseverance; through your own insecurities, through the doubt of others and through whatever hiccups that may, and ultimately always do, arise.



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[Only registered and activated users can see links] Coleman Hawkins
Title: Body & Soul Revisited
Year Of Release: 1993
Label: Decca Jazz ‎
Genre: Jazz
Quality: Mp3 / 320kbps
Total Time: 73:54 min
Total Size: 156 MB

Tracklist
-----------
01. (It's No) Sin (Single Version)
02. And So To Sleep Again (Single Version)
03. Spellbound (Single Version)
04. Lost In A Fog (Single Version)
05. Carioca (Single Version)
06. Midnight Sun (Single Version)
07. If I Could Be With You (One Hour Tonight) (Single Version)
08. I Can't Get Started (Single Version)
09. Ruby (Single Version)
10. Song From Moulin Rouge (Where Is Your Heart ) (Single Version)
11. My Blue Heaven
12. Honeysuckle Rose
13. Organ Grinder's Swing
14. Perdido
15. Sweethearts On Parade
16. The Man I Love
17. Foolin' Around
18. Time On My Hands
19. Ornithology
20. Body And Soul
21. Unlisted Blues


Hawkins had been the dominant tenor-saxophonist from the mid-'20s up until 1940, but even though he remained a major force, his influence was waning, due to the emergence of Lester Young and then Charlie Parker. By the early '50s he only recorded on an infrequent basis. Fortunately a few years later (partly due to the rise of Sonny Rollins whose original hero was Hawk), his fortunes were on the rise again. This Decca CD contains quite a variety of music. There are ten selections of melodic "mood" music from 1951-53 in which Hawkins mostly sticks to the melody (an exception is an excellent version of "If I Could Be with You"). Then the great tenor is heard in an occasionally exciting session with Cozy Cole's All-Stars; cornetist Rex Stewart steals the show with a couple of colorful solos. The best music on this CD is taken from a 1955 radio broadcast in which Hawkins plays "Foolin' Around" (based on the chords of "Body and Soul") totally unaccompanied and roars on "The Man I Love." This set concludes with three selections (one previously unissued) from a fine session led by clarinetist Tony Scott. ~Scott Yanow

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[Only registered and activated users can see links] Color Humano
Title: Color Humano
Year Of Release: 1972/2003
Label: Microfon
Genre: Psychedelic Rock, Prog Rock
Quality: Flac (tracks, .cue, log)
Total Time: 34:25
Total Size: 179 Mb (scans)


[Only registered and activated users can see links] Padre Sol, Madre Sal
02. Silbame Oh Cabeza
03. Larga Vida Al Sol
04. El Hachazo
05. Humberto
06. Introduccion Polenta
Edelmiro Molinari - Electric Guitar, Vocals, Chorus
Oscar Moro -
Rinaldo Rafanelli - Bass Guitar, Chorus


The dissolution of Almendra yielded three new outfits. Luis Alberto Spinetta traveled to France and returned with a soloist LP and the intention to start Pescado Rabioso, Emilio Del Guercio and Rodolfo Garcia stayed together and began Aquelarre. Lastly, Edelmiro Molinari would form Color Humano ("Human Colour").
This power trio was a solid rock group, which would in 1972 release their debut album Color Humano, following the Argentine rock etiquette of naming the first studio release after the band.
The record is one of those unusual works that do not feature a hit song, but where the entire set of tracks as a whole become a thoroughly enjoyable listen, a mixture of acoustic rock songs and slightly harder edge ones. David Lebón would leave and be replaced by Oscar Moro.
This change would shift the group's sound to a more progressive aspect. Between March and June 1973, Color Humano recorded enough songs for a double album. Due to business decisions the album was released as two separate LPs on the newly created Talent label, the LPs were again named as Color Humano, and would be known as Color Humano II and Color Humano III respectively. The new set of songs were richer and more elaborate, spanning different rhythms and styles.
The albums would sell well, and included a special participation of Raul Porchetto in several tracks, even as a singer. Yet the band did not do many live performances, which would begin to erode their popular following.
Color Humano's performance at the B.A. Rock Festival would be featured in the movie-documentary on Argentine rock "Rock hasta que se ponga el sol" ("Rock untill the sun goes down"). The band would disband in 1974, with members going on to groups such as Polifemo and La Máquina De Hacer Pájaros. They would celebrate a 20 year reunion in 1995.
Color Humano would have one last reunion in 2009 when Spinetta gathered all the bands borne of Almendra's separation in his legendary concert Spinetta y las Bandas Eternas ("Spinetta and the Eternal Bands")

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[Only registered and activated users can see links] Corniglia
Title: Corniglia
Year Of Release: 2018
Label: Hello Goodbye
Genre: rock, pop, psychedelic, indie
Quality: FLAC (tracks)
Total Time: 40:36 min
Total Size: 246 MB

Hailing from Perth, Australia, Corniglia are Chloe and Matt, creating an ethereal blend of shoegaze-y psychedelic rock, inspired by the likes of Beach House and Cocteau Twins. Their new track 'But It Wasn't That Long Ago' exudes a sorrowful nostalgia, with ambient synth and floating, beautiful vocals over staccato drums. The lush texturing of the guitar layers adds further to the sombre beauty of the track, which is a thematic ambience that perhaps comes from the personal experiences of the duo.
Tracklist:
01.Corniglia - But It Wasn't That Long Ago
02.Corniglia - Strange Desires
03.Corniglia - Oh My Love
04.Corniglia - Reflections
05.Corniglia - Dear Sunday
06.Corniglia - Voices
07.Corniglia - Blue, Purple, Green
08.Corniglia - Horizons
09.Corniglia - Paradise
10.Corniglia - Sleepy Jane
11.Corniglia - Looking Right Through Me
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[Only registered and activated users can see links] Alexander Gadjiev
Title: Literary Fantasies
Year Of Release: 2018
Label: ACOUSENCE Classics
Genre: Classical, Piano
Quality: flac lossless +booklet
Total Time: 01:19:12
Total Size: 216 mb

Tracklist
---------
01. 3 Sonetti di Petrarca, S. 270a (1st Version): No. 2, Benedetto sia 'l giorno [Sonnet No. 47]
02. 3 Sonetti di Petrarca, S. 270a (1st Version): No. 1, Pace non trovo [Sonnet No. 104]
03. 3 Sonetti di Petrarca, S. 270a (1st Version): No. 3, I' vidi in terra angelici costumi [Sonnet No. 123]
04. Kreisleriana, Op. 16: I. Äußerst bewegt
05. Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch
06. Kreisleriana, Op. 16: III. Sehr aufgeregt
07. Kreisleriana, Op. 16: IV. Sehr langsam
08. Kreisleriana, Op. 16: V. Sehr lebhaft
09. Kreisleriana, Op. 16: VI. Sehr langsam
10. Kreisleriana, Op. 16: VII. Sehr rasch
11. Kreisleriana, Op. 16: VIII. Schnell Und Spielend
12. Années de pèlerinage II, Italy, S. 161b: No. 7, Après une lecture du Dante, fantasia quasi sonata
13. 3 Fantasiestücke, Op. 111: No. 2 in A-Flat Major "Ziemlich langsam"
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[vandtal]

[Only registered and activated users can see links] Michael Fennelly
Title: Love Can Change Everything 1967-72
Year Of Release: 2013
Label: Sundazed Music
Genre: Sunshine Pop, Psychedelic Folk, Psychedelic Rock, Singer-Songwriter
Quality: Flac (tracks, .cue)
Total Time: 01:07:27
Total Size: 306 Mb (scans)


[Only registered and activated users can see links] I've Been Found Out - 3:20
2. I Don't Think That I'll See That Time Again - 1:56
3. I Couldn't Find The Words - 3:10
4. Try To Understand - 2:28
5. Dancing Dandelions (Michael Fennelly, Craig Steffanides) - 2:12
6. Breakdown - 2:23
7. Iris Please - 3:38
8. Love Can Change Everything - 2:48
9. Leanna - 3:45
10. I Don't Need A Map - 2:13
11. Under The Trees And Moonlight - 2:13
12. Hunger For Love - 3:45
13. The Other Side - 2:45
14. Some Madness - 2:26
15. Peace By Peace - 3:31
16. How Long Will It Take - 2:16
17. Can't Live My Life Without You - 2:23
18. Never Met A Girl - 2:27
19. Go Back - 3:23
20. Try - 2:20
21. Over My Dead Body - 2:33
22. You're A Good Girl - 2:40
23. Dark Night - 2:49
24. Flyer - 2:47
Michael Fennelly - Vocals, 12 String Guitar
Doug Rhodes - Keyboards
Lee Malory - Guitar
Keith Olsen - Bass
Ron Edgar - Drums
Flaco Falcon - Percussio
Murray Planta - Guitar
Casey Foutz - Moog


In case you were wondering why Michael Fennelly rates an album that collects his demo recordings, here are the chief reasons: he was a founding member and songwriter for the most interesting baroque pop group of the '60s, the Millennium, and he wrote the one hit, "Go Back," for one-hit proto power poppers Crabby Appleton. Most of the other Millennium guys have had collections of their songs released, and it was about time Fennelly got the same treatment. Love Can Change Everything collects songs recorded between 1967 and 1972 and shows off a skilled writer and performer who may have been not quite at the level of his fellow bandmates -- he's not as much an oddball genius as Curt Boettcher was, as hooky a writer as Lee Mallory, or as transcendently poppy as Sandy Salisbury -- but his tender vocals and gentle way with a melody mean that plenty of the songs here are memorable, especially those near the end of the disc that became Crabby Appleton songs. Included on the set are four songs recorded with Boettcher in 1967 that served as something of an audition for entry to the group. It's easy to see why he passed the test, as the tunes are bright and perfectly formed '60s pop. The rest of the disc follows the shifting tides of the era as it gets heavier (the thudding rocker "Breakdown"), then folkier and more introspective on his acoustic guitar demos from summer of 1969, before getting more straightforward on the songs like "Go Back" and "Can't Live My Life Without You" that became Crabby Appleton tracks. The final four songs are pure Laurel Canyon singer/songwriter ballads that show he was definitely plugged into that mood. They are a nice surprise to end the disc and should inspire people to seek out his hard-to-find 1974 solo album Lane Changer (or maybe to pressure Sundazed to reissue it). It may have taken a while for a collection of Fennelly tracks to see the light of day, but Love Can Change Everything shows that his work was definitely worthy of being excavated.

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[Only registered and activated users can see links] Crust
Title: Sag City Bullshit
Year Of Release: 2017
Label: Crust
Genre: Progressive Rock / Psychedelic
Quality: FLAC (tracks)/320 kbps
Total Time: 45:19
Total Size: 296/109 MB

Tracklist:
01. Worried Sag (9:24)
02. Evil Pimp In A Cage (4:34)
03. Radioactive Boars (4:27)
04. Pants/Sag City/Ancient Song (11:15)
05. Do You Feel It Now? (5:49)
06. Brothers And Sisters (4:31)
07. Tip Toeing And Frolicking All Around (5:19)
Line-up / Musicians:
Bobby Shock: Lead Vocals, Bass Guitar, Taurus Pedals, Synthesizers.
Johnny Burns: Drums and Vocals.
Gary Guitar: Electric Guitar and Vocals.
Guest:
Andy Acton: Backing Vocals (7)


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[vandtal]

[Only registered and activated users can see links] Cuarteto Cedrón
Title: Del Gallo Cantor - Suertes (Cantatas)
Year Of Release: 2015
Label: Lucio Alfiz Producciones S.R.L.
Genre: Latin, Folk, World, Tango
Quality: 320 / FLAC (tracks+.cue)
Total Time: 41:22
Total Size: 103 / 257 Mb

Tracklist:
01. Ruidos (3:34)
02. Cambios (9:04)
03. Glorias (6:28)
04. Cartas (2:50)
05. Ruidos (2:15)
06. Sobre la poesÃ*a y el combate (2:48)
07. Sobre un cierto tipo de muerte (3:45)
08. Sobre un cierto tipo de vida (3:56)
09. Sobre la llama que nada el agua frÃ*a (3:13)
10. Médulas que han gloriosamente ardido (1:35)
11. Suertes (1:54)


[Only registered and activated users can see links]ón.320.rar.html

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[vandtal]

[Only registered and activated users can see links] D.A. Money
Title: Stranded Befo Banded
Year Of Release: 2018
Label: GB Ent
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:23:17
Total Size: 38 mb

Tracklist:
01. Go Get It Freestyle
02. Can't Fwu
03. Whole Lyfe
04. Jugg
05. Change
06. In and Out
07. Ima Blow
08. Go Get It


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[vandtal]

[Only registered and activated users can see links] Darien Brockington
Title: Somebody to Love
Year Of Release: 2006
Label: Hall Of Justus
Genre: Funk, Neo Soul, Contemporary R&B
Quality: FLAC (tracks+.cue)
Total Time: 50:55
Total Size: 351 MB

Tracklist:
1. Somebody To Love (Intro)
2. Think It Over
3. More And More (feat. Chaundon)
4. Don't Say Goodbye
5. I Got What You Want
6. Lover And Friend (Interlude)
7. Come On Over
8. I Miss You
9. Crazy
10. I Need You (feat. Little Brother)
11. He Will Break Your Heart
12. Can We Fall In Love Again
13. Thank You
14. All We Ever Need
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[vandtal]

[Only registered and activated users can see links] Tarab, Artificial Memory Trace
Title: Obex
Year Of Release: 2018
Label: Cronica - CRANICA 1362018
Genre: Experimental, Electronic
Quality: 320 kbps / lossless (tracks)
Total Time: 01:04:47
Total Size: 148 mb / 356 mb

Tracklist
1. Artificial Memory Trace - Entimorf (Part 1) 00:06
2. Artificial Memory Trace - Kraparticle (Part 1) 00:17
3. Artificial Memory Trace - Entimorf (Part 2) 00:39
4. Artificial Memory Trace - Kraparticle (Part 2) 00:42
5. Artificial Memory Trace - Entimorf (Part 3) 17:40
6. Artificial Memory Trace - Kraparticle (Part 3) 02:14
7. Tarab - Object (Part 1) 00:57
8. Tarab - Transform (Part 1) 10:18
9. Tarab - Object (Part 2) 01:19
10. Tarab - Exchange/Transform 2A 05:08
11. Tarab - Object (Part 3) 01:51
12. Tarab - Exchange/Transform 2B 04:24
13. Tarab - Object (Part 4) 04:22
14. Artificial Memory Trace - Lampsh 14:50
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[vandtal]

[Only registered and activated users can see links] David Wright & Carys
Title: Prophecy
Year Of Release: 2017
Label: AD Music
Genre: Electronic, Ambient, Berlin School, New Age
Quality: 320 / FLAC (tracks)
Total Time: 78:09 min
Total Size: 183 / 461 MB

Tracklist:
01. Watching for Nephele 3:55
02. Serinus Rising 5:07
03. Night Tide 6:29
04. Diving Skywards 3:44
05. Ocean to Stars, Pt. I 5:47
06. Ocean to Stars, Pt. II 6:59
07. Ocean to Stars, Pt. III 9:36
08. Absolute Zero 2:08
09. Whales Weep Not 4:43
10. Absolute Zero (reprise) 2:37
11. Cosmic Dancer 6:45
12. Quarter to Yesterday 3:31
13. Song of Orcinius 1:25
14. Beyond the Veil 7:25
15. Where the Whales Still Sing 8:03


Muffled sonic waves put our senses in appetite. Without knowing really if we float between the drifts of the cosmos or the depths of the oceans, the tranquility of "Watching for Nephele" shines with azure lines which are illuminated by sibylline harmonies and by panting breaths from a flute of which the origin remains to determine. With felted knockings and even more accentuated misty mood, the abstruse ambiences of "Watching for Nephele" slide towards "Serinus Rising" and its songs of sirens as well as its chirpings of a kind of aquatic animal always to identify which enchant our ears always in appetite. David Wright is unarguably one of the most beautiful composers of contemporary EM. A little snubbed by the hard-liners who worship only the Berlin School style, or the heavy English e-rock, this brilliant English musician signs and persists with an EM always very sophisticated and his English style which flirts profoundly with the New Age. The result turns into some very musical albums where his melodious perfumes surf with the vestiges of his magnificent Walking with Ghosts released in 2002 and of which we still look forward to its re-issue. In fact, this David Wright's key album knew always how to illuminate the harmonious ambiences of his up-coming albums and "Prophecy" is not different except that it's the album which gets the most closer to it. Composed with the collaboration of the English singer Carys, "Prophecy" is a wonderful journey towards this unknown meeting point where the oceans pour towards the cosmos. An intense album and, in my humble opinion, David Wright's most beautiful album since 2002. And, considering the quality of his albums since then, it means that it's an album without flaws where the balance between the moments of ambiences and the big explosive electronic rock of the English style is completely exceptional.
Each title, like most of David Wright's albums by the way, is solidly imbricated one to another, giving a superb musical story which is just impossible to interrupt. "Night Tide" gets loose from the morphic chants of "Serinus Rising" with a delicate movement of sequences which winds up the unknown of its continual comings and goings. The uncountable vocal breezes of Carys are like some kind of anesthetizing perfumes and float behind this hypnotic movement which reveals a splendid approach of a violin for which we have never expected to tears up the moods. Idyllic, this orchestral harmony transports us until the heavy and threatening "Diving Skywards" among whom the effects of staccato of the violin and the atmospheres energised by a storm to come exercise a rise of adrenalin. And it takes off! It explodes with the astonishing saga of Ocean to Stars. "Ocean to Stars, Pt. I" starts things up with a heavy rhythm which unifies techno and the England School. We tap of both feet and we roll of the neck on this very inviting rhythm where David Wright forges some very harmonious synth layers which he harmonizes with synth solos as much catchy. And as usual, the founder of the AD Music label has this gift to throw into his structures strands of melodies which will remain anchored in our ears a very long time after the first listening. And that's the case with the one which unifies the 2 first parts of Ocean to Stars. And if you don't whistle on this melody that David Wright transforms at the whim of his synth, I don't know what to say! Ocean to Stars pours on its 3rd part with a rhythmic always so lively and where the voice of Carys and the synth violin effects sing this melody eater of eardrums in a delicious soundscape of the East. These 22 minutes of "Prophecy" are going to haunt you my friends, and this for a long time. "Absolute Zero" calms things down a little bit with a delicate lunar lullaby which flows towards the morphic atmospheres of "Whales Weep Not" with the voice of Carys which dominates the very melancholic harmonies of the violin in an environment of tranquillity where we find there a little Mind Over Matter's perfumes from Music for Paradise. And if we believed to have reached the nirvana with the trilogy of Ocean to Stars, "Cosmic Dancer" redefines these parameters with a rhythm as lively which swirls with a seraphic slowness in a superb duel between solos and orchestrations of a synth in mode Walking with Ghosts. Impossible here to not draw this parallel because the harmonious approach of "Cosmic Dancer" seems to be weaved in the cave of this epic title of David Wright's catalog. "Quarter to Yesterday" is another delicate lunar cradle song which knots the orchestrations and the murmurs of Carys around a spiral harped by a delicate keyboard. A very beautiful synth solo leads us to "Song of Orcinius" where the celestial voice of Carys takes also the shape of those aerial torsade up until the very lively rhythm of "Beyond the Veil". What else to add? David Wright puts everything on it here with his morphic techno filled of those charms and those harmonies which eat our eardrums. The play of the percussions is as well rich as solid and the synth, always very just, throws harmonies under forms of solo besides weaving orchestrations which fill the airs while the voice of Carys adds even more to a charm as medieval as contemporary. And as all good things must come to an end, "Where the Whales Still Sing" ends "Prophecy" with a very intense and orchestral approach which reminds to us how the music of Vangelis has influenced David Wright's visions.
"Prophecy" is an intense work! From the first second to the last one, David Wright captivates us and enjoys firing us the hairs of the backspine and the sighs of beatitude with an album rich in lively rhythms and in melodies eaters of ears. While adding an element of charm, the voice of Carys doesn't hinder at no moment David Wright's highly melodious signature which is more intense than ever here with rich orchestrations, solos which nail us to our earphones and sound effects which ally the oceans to the cosmos. In brief an album without smudges that I have savoured my ears full to the top and where I was telling myself how beautiful music is. How EM can be wonderful! And if Walking with Ghosts was the reference album when we spoke about David Wright, this "Prophecy" follows it from now on for years to come.

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[vandtal]

[Only registered and activated users can see links] Dolly Parton
Title: The Great Pretender
Year Of Release: 2015
Label: Sony Music
Genre: Country, Folk, Pop, Singer-Songwriter
Quality: FLAC 24 Bit (96 KHz / tracks)
Total Time: 35:31 min
Total Size: 732 MB

Tracklist:
1. Save The Last Dance For Me 3:51
2. I Walk The Line 3:34
3. Turn, Turn, Turn (To Everything There Is A Season) 4:24
4. Downtown 3:20
5. We Had It All 3:51
6. She Don't Love You (Like I Love You) 3:41
7. We'll Sing In The Sunshine 3:25
8. I Can't Help Myself (Sugar Pie, Honey Bunch) 2:50
9. Elusive Butterfly 2:45
10. The Great Pretender 3:43
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[Only registered and activated users can see links] Douglas Fir
Title: Hard Heartsingin'
Year Of Release: 1970/2000
Label: Gear Fab [GF-149]
Genre: Psych Blues Rock
Quality: FLAC (image + cue,scans)
Total Time: 00:32:39
Total Size: 171mb(+5%)



AllMusic Review by Stanton Swihart
By the sound of Hard Heart Singin', Douglas Fir must have been a smoking little blues-rock combo. They may have existed purely as a bar band, but the Pacific Northwest dives where they honed their sound must have been some pretty trippy little establishments, as evidenced by the brooding, ominous, mildly psychedelic (depending on your definition of the genre) nature of their rock & roll. Everything about the music is coated in a dense, smothering atmosphere (in a good way), as if it is all emanating from a small box rather than the band at the front of the room. The recording displays the same ponderous, cloistered, roadhouse blues edge of the Doors, and they share some of the Band's interest in old-time ambience, evident in the wonderful, rolling Ray Charles piano of "Smokey Joe's," and the perfectly placed soul horn charts of "Moratorium Waltz." Richie Moore's guitar work entirely avoids showy ostentation like Robbie Robertson and occasionally matches the sustained tone of Randy California (although it is not generally as distinctive as either guitarist's talent). The songwriting -- nine originals plus a lulling Moody Blues-like cover of Donovan's "Jersey Thursday" -- is solid throughout. The ballads, which make up an uncommon majority of the album, veer into soft psych territory to a greater degree than the more propulsive songs. They are all very much above average -- particularly for an unknown band -- and often have a transfixing power, especially the engrossing title track and "Tom's Song." The rockers are more realistically situated somewhere between revved-up hard rock and progressive blues, all played with rollicking bar band energy and featuring exceptional playing from the trio and the fabulous pipes of drummer Doug Snider. His phrasing is so grounded in the soul aesthetic that the music fairly buzzes with wrenching emotion. His drumming, too, is wondrous, and his dexterous timekeeping spikes the music with a mystical, jazzy vibe on songs such as "I Didn't Try" and "21 Years," while Tim Doyle's Hammond B3 work is never less than sensational. It may be cliché to make such a statement in regard to a little-known band from the era, but Douglas Fir truly deserved a better shake from the music industry. Hard Heart Singin' is plenty resonant to stand next to the B list, if not the top-level hard rock albums of the era.



[Only registered and activated users can see links] Hard Heartsingin (D. T. Jay, D. A. Snider) - 4:23
02. Jersey Thursday (Donovan P. Leitch) - 2:18
03. I Didn't Try (D.T. Jay, R.L. Moore, D.A. Snider) - 3:40
04. Early In The Morning Rain (Jay, Moore, Snider) - 3:51
05. New Orleans Queen (Snider, Bye, Fetsch, Gorsline) - 3:17
06. Moratorium Waltz (Douglas A. Snider) - 3:05
07. Smokey Joe's (Bye/Fetsch, Moore, Snider) - 2:19
08. Comin' Back Home (Douglas A. Snider) - 3:52
09. Tom's Song (Fetsch, Ford, Snider) - 3:01
10. 21 Years (Moore, Snider) - 2:54
Personnel:
---------
Richie Moore - Guitar
Tim Doyle - Keyboards
Douglas A. Snider - Drums, Vocals
Bruce Bye - Bass
All thanks to original releaser
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[Only registered and activated users can see links] Emprah "Tha Great"
Title: Stop Light
Year Of Release: 2018
Label: Thug'z Nation Ent
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:31:01
Total Size: 56 mb

Tracklist:
01. Stop Light (feat. Wolf Deezy "Da Beast")
02. Let's Make a Movie (feat. Desso)
03. Livin' Life
04. My Chick (feat. Wolf Deezy "Da Beast")
05. Bring It Back (feat. Wolf Deezy "Da Beast")
06. Naked (feat. Wolf Deezy "Da Beast")
07. Pain & Pleasure
08. The Pull Up
09. Turn It Up (feat. Wolf Deezy "Da Beast")


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[Only registered and activated users can see links] Aquatic Language & Soft Fit
Title: Dream Plants
Year Of Release: 2017
Label: Ville Nouvelle
Genre: Electronic
Quality: FLAC (tracks)
Total Time: 53:36 min
Total Size: 316 MB

Tracklist:
1. Soft Fit - Lifelike 03:38
2. Soft Fit - Haida 05:54
3. Soft Fit - Emergency Loop 05:06
4. Soft Fit - Water Garden 03:37
5. Soft Fit - North Shore 07:07
6. Aquatic Language - Départ 08:32
7. Aquatic Language - Flutters 06:58
8. Aquatic Language - Relief 06:00
9. Aquatic Language - Year 06:44


Ville Nouvelle's new tape marks the debuts of two exciting projects. Bringing together two Vancouver-based pals, Soft Fit and Precipitation, who both compose Aquatic Language.
With nine ethereal and introspective bits, led by a mutual understanding of marine imagery, layers of mist and vintage FM synthesis, the duo undertakes experiments in electronic dialogue for our listening pleasure. Art from Tylor Macmillan.

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[vandtal]

[Only registered and activated users can see links] Alexei Melnikov
Title: Beethoven, Chopin & Liszt: Piano Works
Year Of Release: 2018
Label: ACOUSENCE Classics
Genre: Classical, Piano
Quality: flac lossless +booklet
Total Time: 01:02:10
Total Size: 186 mb

Tracklist
---------
01. Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai
02. Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": II. Andante con moto
03. Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": III. Allegro ma non troppo
04. Nocturnes, Op. 48: No. 1 in C Minor
05. Piano Sonata in B Minor, S. 178
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[vandtal]

[Only registered and activated users can see links] Esther Hoppe, Florian Birsak
Title: Mozarts Costa-Violine (Live)
Year Of Release: 2018
Label: belvedere edition
Genre: Classical
Quality: flac lossless +booklet
Total Time: 01:07:50
Total Size: 322 mb

Tracklist
---------
01. Violin Sonata in D Major, Op. 137 No. 1, D. 384: I. Allegro molto (Live)
02. Violin Sonata in D Major, Op. 137 No. 1, D. 384: II. Andante (Live)
03. Violin Sonata in D Major, Op. 137 No. 1, D. 384: III. Allegro vivace (Live)
04. Violin Sonata No. 29 in A Major, K. 402: I. Andante, ma un poco adagio (Live)
05. Violin Sonata No. 29 in A Major, K. 402: II. Allegro moderato (Live)
06. Violin Sonata in A Minor, Op. 137 No. 2, D. 385: I. Allegro moderato (Live)
07. Violin Sonata in A Minor, Op. 137 No. 2, D. 385: II. Andante (Live)
08. Violin Sonata in A Minor, Op. 137 No. 2, D. 385: III. Menuetto. Allegro (Live)
09. Violin Sonata in A Minor, Op. 137 No. 2, D. 385: IV. Allegro (Live)
10. Violin Sonata No. 32 in B-Flat Major, K. 454: I. Largo-Allegro (Live)
11. Violin Sonata No. 32 in B-Flat Major, K. 454: II. Andante (Live)
12. Violin Sonata No. 32 in B-Flat Major, K. 454: III. Allegretto (Live)
13. Violin Sonata No. 35 in A Major, K. 526: II. Andante (Live)
In cooperation with the label belvedere edition the Mozarteum Foundation is publishing highlights of the Mozart Week from its beginnings until today. Contemporary history and the history of interpretation become audible on carefully restored sound documents in excellent sound quality. Moreover, the edition will also comprise current recordings from the Mozart Week and concerts throughout the season.
"This violin originates from Mozart's estate and Mozart always played it. I bought it from Mozart's widow", noted publisher and composer Johann Anton André around 1840. And in a diary entry by William Hill written on 11 Nov. 1909 he noted: "Dr. Henkel, who wants to sell his Violin by Petrus della Costa, has sent me the history of the fiddle, it is as follows. His father bought the violin from Hofrath Anton André of Offenbach about 1840 since which time it has been in the family. Henkel's father (Kgl. Musikdirector in Frankfort), was a pupil of André who was one of the first publishers of Mozart's compositions. On this latter's death he purchased from the widow the greater part of his MSS & effects, amongst which was this identical violin. André always spoke of it as 'Mozart's violin' and I see no reason to doubt this statement."
The instrument was kept under lock and key by the company Hill & Sons until its dissolution. During the time Mozart lived and worked in Vienna, he possessed and played the Costa violin. It is quite likely that, now, Mozart's Costa violin resounds again in this public concert after very long time of silence.
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[Only registered and activated users can see links] Ex-Terrestrial
Title: Ex-Terrestrial
Year Of Release: 2017
Label: Temple Records
Genre: Electronic
Quality: FLAC (tracks)
Total Time: 32:38 min
Total Size: 191 MB

Tracklist:
1. Ka Y
2. Bowed Glass
3. Dance Of The Nymph
4. Birds
5. Spacial Dub
6. Light


Nice retro synth music steeped in new age '80s vibes from Adam Feingold aka Ex Terrestrial, following suit with his handful of releases scattered over Apron, 1080p and L.P.C. over the last few years.
One for lazy days and long nights in, Ex Terrestrial floats from avian electronic chirrups and percolated choral synths in Ka Y to involve sax player Emmanuel Thibau on two parts, the shuffling krauty bliss-out Bowed Glass and midnight electro-jazz sway of Birds, whereas Nymphs firms up a genteel sorta proto-house jack and Spacial Dub sounds like something released by Palace Of Lights circa 1982.

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[vandtal]

[Only registered and activated users can see links] Tegan and Sara
Title: This Business of Art
Year Of Release: 2000
Label: Vapor Records
Genre: Alternative Rock, Folk Rock, Indie Rock
Quality: FLAC (tracks+.cue)
Total Time: 35:39
Total Size: 238 MB

Tracklist:
01. The First (3:13)
02. Proud (2:50)
03. Frozen (2:44)
04. Hype (3:30)
05. My Number (4:11)
06. All You Got (3:01)
07. Freedom (2:42)
08. Not With You (3:33)
09. More For Me (3:01)
10. Come On (3:06)
11. Superstar (3:46)
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[vandtal]

[Only registered and activated users can see links] Fausto Papetti
Title: Il sax di Fausto Papetti
Year Of Release: 2011
Label: Replay Music
Genre: Instrumental, Easy Listening, Smooth Jazz
Quality: CBR 320 kbit/s
Total Time: 36 min
Total Size: 103MB

Fausto Papetti was an Italian alto saxophone player. His recordings, sometimes under the pseudonym "Fausto Danieli", are also characterized by album art with sexy women posing half naked. His works have been widely known all over the world for the last six decades. He has played the majority of the most famous pop & jazz songs, in a career spanning 45 years...
Tracklist:
01.Fausto Papetti - Scandalo al sole (A summer place) 02:43
02.Fausto Papetti - Et maintenant 02:23
03.Fausto Papetti - Nessuno al mondo 02:38
04.Fausto Papetti - Ebb tide 02:03
05.Fausto Papetti - Amado mio 02:31
06.Fausto Papetti - Words 02:10
07.Fausto Papetti - Tu che m'hai preso il cuor 02:02
08.Fausto Papetti - Polvere di stelle (Stardust) 02:56
09.Fausto Papetti - Mare incantato 03:00
10.Fausto Papetti - Il faut savoir (Devi sapere) 02:28
11.Fausto Papetti - Tabu 02:43
12.Fausto Papetti - Estate violenta 02:34
13.Fausto Papetti - Legata a un granello di sabbia 02:28
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[Only registered and activated users can see links] Feine Sahne Fischfilet
Title: Bleiben oder gehen
Year Of Release: 2015
Label: Audiolith
Genre: Rock, Punk
Quality: Mp3 320 kbps
Total Time: 44:04
Total Size: 101 MB

Tracklist:
1. Fuer Diese Eine Nacht
2. Wut
3. Glitzer Im Gesicht
4. Lass Uns Gehen
5. 48 Knoten
6. Warten Auf Das Meer
7. Ich Glaube Dir
8. Solange Es Brennt
9. Es Bleibt Beim Alten
10. Nur Applaus
11. Ruhe
12. Am Ende


'Meine ganze Generation, jeder hier kennt die Frage schon. Gehen oder bleiben?' AUDIOLITH präsentiert das vierte Album der momentan wichtigsten Punkband des Landes. Der Blitzstart, den das Sextett aus Mecklenburg-Vorpommern im Herbst 2012 mit 'Scheitern Und Verstehen' hinlegte, ist beispiellos für eine hiesige Punkband. Eine stetig wachsende Welle von Interesse und Anteilnahme brachte die Band von kleinsten Punkfanzines bis hin zu großen bürgerlichen Zeitungen und sogar Fernsehsendungen ins Gespräch. Die pragmatisch-bodenständige und zudem humorvolle Attitüde, mit der die Youngsters aus der Provinzhölle den rechtsreaktionären, fremdenfeindlichen und autoritären Zumutungen ihres Alltags entgegentreten, fasziniert. Wer so viel Polizei, Nazis und Staatsschutz gegen sich hat, dem wird die brennende Wut der eigenen Texte einfach besser abgekauft. Der berechtigte Erfolg des Albums brachte die Band auf ungewohntes mediales Parkett, sorgte für zahlreiche richtige und falsche neue Freunde - und schickte sie auf eine seitdem fast durchgehende Livetour durch immer größer werdende und schneller ausverkaufte Clubs und Hallen. Öffentliches Abbrennen an beiden Enden beschreibt das wohl besser als 'growing up in public'. Wie der trotz allen Anfechtungen stets positiv gestimmte Haufen um Bandpavarotti MONCHI es trotzdem schaffte, ausreichend Material für ein neues Album zusammenzutragen, bleibt ein Rätsel, jedenfalls wurde im Sommer 2014 das Hamburger Clouds Hill Studio geentert und mit TORSTEN OTTO das Nachfolgewerk 'Bleiben Oder Gehen' realisiert. Dieser Titel ist das zentral verbindende Moment der zwölf neuen Songs und beschreibt den Konfl ikt zwischen dem Impuls zu Aufbruch und Veränderung und dem Wunsch zur Kontinuität, zum Beharren. Das drückt sich in den politischen, nach wie vor wütenden Texten genauso aus wie in den Persönlichen, die verlorene Freundschaft, Liebe oder den Tod eines engen Freundes beschreiben - oder die Perspektivlosigkeit des Daseins in der Provinz. Dass FEINE SAHNE FISCHFILET nach hunderten weiteren Konzerten als Musiker mit enormer Souveränität zurückkehren würden, war zu erwarten. Auch das nochmals professionalisierte Klangbild verwundert kaum. Doch es überrascht, wie sehr die Band gleichzeitig ihre Songs in allen Belangen viel perfekter auf den Punkt bringt, ohne die direkt-ruppige Ansprache einzubüßen. Mit dicht stampfenden Punkrockhymnen, die von mitreißenden Bläsermelodien beflügelt werden, eröffnet das Album, um dann mit dem vierten Song 'Lass Uns Gehen' einen überraschend Indie-poppigen Hit zu präsentieren, der entfernt an elegante Mod-Pop-Leichtigkeit á la SUPERPUNK oder DIE AERONAUTEN erinnert. Schon kurz darauf kommt 'Warten Auf Das Meer', eine Gitarrenballade, deren Text erschauern lässt. Gut, dass mit 'Ich Glaube Dir' wieder ein positiver Grundton erklingt. 'Solange Es Brennt', 'Es Bleibt Beim Alten' und 'Nur Applaus' bilden einen dichten Riegel von kompakten, aber hochmelodiösen Punkrock-Krachern, bis mit 'Ruhe' und 'Am Ende' das Album gekonnt ausklingt. FEINE SAHNE FISCHFILET sind noch mitreißender geworden, man kann sich bildlich vorstellen, wie die neuen Songs, vor allem die durchweg bestens mitsingbaren Refrains bei den künftigen Shows von Hunderten angestimmt werden. Dass sie keineswegs an inhaltlicher Schärfe eingebüßt haben und dennoch musikalisch und lyrisch ihre Ausdrucksmöglichkeiten bravourös erweitert haben, macht 'Bleiben Oder Gehen' zu einem echten Highlight. Dieses Album wird ein verdammter Hit!!! Digipack-CD im Pappschuber (2 Frontmotive!) inkl. 16-seitigem 4c-Booklet.



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[Only registered and activated users can see links] Filippo Turri
Title: Wilhelm Friedemann Bach: Complete Organ Music
Year Of Release: 2018
Label: Brilliant Classics
Genre: Classical
Quality: flac lossless +booklet
Total Time: 01:26:54
Total Size: 374 mb

Tracklist
---------
01. Fugue in B-Flat Major, F.34
02. Fugue in F Major, F.33
03. Fugue in C Minor, F.32
04. 8 Fugues sans pédale, F.31: I. Fugue in C Major
05. 8 Fugues sans pédale, F.31: II. Fugue in C Minor
06. 8 Fugues sans pédale, F.31: III. Fugue in D Major
07. 8 Fugues sans pédale, F.31: IV. Fugue in D Minor
08. 8 Fugues sans pédale, F.31: V. Fugue in E-Flat Major
09. 8 Fugues sans pédale, F.31: VI. Fugue in E Minor
10. 8 Fugues sans pédale, F.31: VII. Fugue in B-Flat Major
11. 8 Fugues Sans Pédale, F.31: VIII. Fugue In F Minor
12. Organ Fugue in D Major
13. Organ Fugue in C Minor
14. Organ Fugue in G Minor, F.37
15. Choral Preludes, F.38: I. Nun komm der Heiden Heiland
16. Choral Preludes, F.38: II. Christe, der du bist Tag und Licht
17. Choral Preludes, F.38: III. Jesu, meine Freude
18. Choral Preludes, F.38: IV. Durch Adams Fall is ganz Verderbt
19. Choral Preludes, F.38: V. Wir danken dir, Herr Jesu Christ
20. Choral Preludes, F.38: VI. Wir Christenleut han jetzund Freud
21. Choral Preludes, F.38: VII. Was mein Gott will, das g'scheh Allzeit
22. Fugue in A Minor "Alla Capella"
23. Fugue in C Minor, F.32 (2)
24. Fugue in B-Flat Major
25. Fugue in F Major
Wilhelm Friedemann Bach (1710‐1784) was the first son of Johann Sebastian Bach and Maria Barbara Bach. He was taught by his father and soon he became proficient on several instruments. Although he was an organist for 20 years in Halle, he was one of the first musicians who strived for an independent life, trying to earn his living as a composer, performer and teacher. He struggled all his life, not helped by his difficult character, and he died in poverty in Berlin, totally forgotten.
Wilhelm Friedemann's organ works stand between two worlds: that one of his father in their strict counterpoint and structures, and the world of Sturm und Drang, with their experiments, extravagances and emotional outbursts. In any case the organ works are fascinating creations of a romantic and tormented genius.
This new recording presents his 4 cycles of Fugues, as well as the 6 Choralvorspiele. Played on a Truhenorgel by Patella (1998) and the famous Zanin organ from 2007 by organist Filippo Turri, who is a specialist in the 17th and 18th century organ works from Germany and Italy.
The booklet contains texts in English by the artist, as well as the specifications of the organs.
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[Only registered and activated users can see links] Florian Mitrea
Title: Following the River: Music Along the Danube
Year Of Release: 2018
Label: ACOUSENCE Classics
Genre: Classical, Piano
Quality: Classical, Piano
Total Time: flac lossless +booklet
Total Size: 180 mb

Tracklist
---------
01. Mikrokosmos, BB 105, Vol. 1: Unison Melody No. 1
02. Mikrokosmos, BB 105, Vol. 1: Unison Melody No. 2
03. Mikrokosmos, BB 105, Vol. 1: Unison Melody No. 3
04. Mikrokosmos, BB 105, Vol. 1: Unison Melody No. 4
05. Mikrokosmos, BB 105, Vol. 1: Unison Melody No. 5
06. Mikrokosmos, BB 105, Vol. 1: Unison Melody No. 6
07. 12 Variations on a Romanian Christmas Carol: Passacaglia
08. Ungarische Melodie, D. 817
09. Variations on a Romanian Folksong
10. Toccata "Joc dobrogean"
11. 19 Hungarian Rhapsodies, S. 244: No. 5 in E Minor "Héroïde-élégiaque"
12. Suite of Romanian Songs & Dances: I. -
13. Suite of Romanian Songs & Dances: II. -
14. Suite of Romanian Songs & Dances: III. -
15. Suite of Romanian Songs & Dances: IV. -
16. Suite of Romanian Songs & Dances: V.
17. Suite of Romanian Songs & Dances: VI. -
18. Suite of Romanian Songs & Dances: VII. -
19. Suite Of Romanian Songs & Dances: VIII. -
20. Rondo a capriccio
21. Chorale on God, Have Mercy & Toccata: Chorale on God, Have Mercy
22. Chorale on God, Have Mercy & Toccata: Toccata
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[Only registered and activated users can see links] Follows
Title: Nyctophile
Year Of Release: 2018
Label: Follows
Genre: Indie Rock
Quality: FLAC (tracks)
Total Time: 38:10
Total Size: 265 MB

Tracklist:
1. Alone (04:57)
2. You'll Be Fine (06:40)
3. Soulkeeper (07:16)
4. Sleepwalking (05:28)
5. Sooner or Later (05:07)
6. New Endings (04:16)
7. Whisper (04:26)
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[Only registered and activated users can see links] Food
Title: Forever Is A Dream
Year Of Release: 1969/2007
Label: Fallout [FOCD2025]
Genre: Psychedelic Rock, Pop-Rock
Quality: FLAC (tracks+cue,log,scans)
Total Time: 00:44:05
Total Size: 257mb(+5%)



AllMusic Review by Richie Unterberger
While Food's only album is fairly wide-ranging in its exploration of various modes of lighter, more pop-oriented psychedelic album rock, it's an ordinary record of its kind. It's not so much what's wrong with the album that holds it back, but rather what it lacks in truly strong songs or original takes on the sound of its times. Certainly it's a record of its time, as you can tell from the fluttering distorted violin-ish guitar sustains, insertions of British psych-influenced horn fanfares, tempo changes, occasional probing vaguely trippy lyrics, uptempo soul-rock numbers, high piercing organ, and other such accoutrements. It's pleasant and well-intentioned, as are Steve White's slightly shy-sounding vocals, but doesn't leave much of a trail after it passes through the digestive system.



[Only registered and activated users can see links] Forever Is A Dream (Ashford, White, Wukovich) - 6:51
2. Naive Prayers (Wukovich) - 3:47
3. No (Ashford) - 2:48
4. Lady Miss Ann (White, Wukovich) - 3:09
5. Fountains Of My Mind (Ashford, White) - 3:09
6. Coming Back (White, Wukovich) - 3:03
7. What It Seems To Be (White) - 6:03
8. Inside The Mirror (Wukovich) -
9. Marbled Wings (Wukovich) - 2:22
10.Traveling Light / Leaves (Ashford, White, Wukovich) - 6:23
11.Here We Go Again (White) - 3:23
Personnel:
---------
Steve White - Lead Vocals
Bill Wukovich - Guitars, Vocals
Ted Ashford - Keyboards
Erick Scott Filipowitz - Bass
Barry Mraz - Drums, Percussion
All thanks to original releaser
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[Only registered and activated users can see links] Frank Weber
Title: As The Time Flies
Year Of Release: 1978/2001
Label: Sony Music
Genre: Pop, Rock, Jazz
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 40:19
Total Size: 254 MB
102 MB

Tracklist:
1. '71 (4:07)
2. Regina (4:49)
3. So Many Sides (6:00)
4. As The Time Flies (4:02)
5. Complicated Times (6:27)
6. I Know, You Know (4:08)
7. Straighten Up And Fly Right (3:07)
8. Parents (2:55)
9. Shining In You (4:41)


Frank Weber was a New York-based singer/songwriter/pianist who recorded two wonderful Adult Contemporary albums: "As The Time Flies" (1978) and "Frank Weber" (1980) before disappearing from the music scene. In both his works he successfully uses a dominating jazz/pop oriented pianistic approach, mixing pop melodies, jazzy harmonies and rhythms, all in a typical late seventies East Coast pop/rock vein.

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[Only registered and activated users can see links] Michael Reimann
Title: Eine entspannende Reise
Year Of Release: 2017
Label: Avita Media
Genre: New Age
Quality: FLAC (tracks)
Total Time: 53:10 min
Total Size: 282 MB

Tracklist:
01. Linha Verde Highway Ride
02. Bahia Freedom
03. Firedance
04. Valley of the Gods
05. Curacao Dreaming
06. Odalan
07. Kaleidoskop der Träume
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[Only registered and activated users can see links] Fred Neil
Title: Trav'lin Man: The Early Singles
Year Of Release: 2008
Label: Fallout
Genre: Rock, Pop, Folk, Rockabilly
Quality: FLAC (tracks+.cue)
Total Time: 28:13
Total Size: 163 Mb

Tracklist:
1. You Ain't Treatin' Me Right (02:08)
2. Don't Put The Blame On Me (02:39)
3. Listen Kitten (02:12)
4. Take Me Back Again (02:40)
5. Heartbreak Bound (02:11)
6. Trav'lin Man (02:16)
7. Love's Funny (02:09)
8. Secret, Secret (02:28)
9. Slipping Around (02:03)
10. You Don't Have To Be A Baby To Cry (01:47)
11. Rainbow And A Rose (02:25)
12. Four Chaplains (03:15)


It's hard to imagine the late Fred Neil as a rockabilly singer, given his reputation as a folksinger and deeply influential songwriter who had his tunes recorded by everyone from Tim Buckley ("Dolphins") to Harry Nilsson ("Everybody's Talkin'"), Dion, Bob Dylan, and others. But prior to the Greenwich Village folk scene, Neil wrote for the likes of Buddy Holly, Roy Orbison, and Billy Lee Riley. He was a song hustler: he would demo his tunes and get them shopped to anybody who was hot at the moment. That said, Neil was also a recording artist during this period, if not a terribly prolific one. He recorded six singles between 1957 and 1961 for Epic, Look, Brunswick, and ABC-Paramount. Fallout, the wonderfully idiosyncratic reissue label from the United Kingdom, has assembled all of them in one place for the very first time. Neil wrote seven of these tunes, while Floyd Tillman, Arthur Altman, and the teams of Barry Mann/Joe Shapiro and Roy Alfred/Wally Gold penned the other tracks. This is a compelling historical document to be sure, but more than this, it's also a decent listen for, say, ten of the dozen. The early rockabilly sides include "You Ain't Treatin' Me Right," which was directly influenced by Jerry Lee Lewis, the Big Bopper, and Johnny Burnette. Its flip side is a honky tonk ballad, a real crying-in-your-beer slab inspired in equal parts by Hank Williams and Ray Price. While it's less a novelty number than the A-side, it's more interesting -- especially with the plinking-plunking upright piano and the solo of Neil whistling! "Listen Kitten" is right out of the Buddy Holly book, and may have been written for him and rejected. It was recorded by "Freddie Neil." "Take Me Back Again" was directly influenced by Conway Twitty's "It's Only Make Believe." Its flip is another original penned with Jimmy Krondes called "Heartbreak Bound," which walks a strange line between Elvis, Tennessee Ernie Ford, and Ray Charles! Johnny Cash could have done the country rockabilly in "Trav'lin Man" -- it's got that hard bass swagger and the steady shuffle, and yet slips into contemporary doo wop on the choruses with Nashville production and a Scotty Moore guitar solo. What all these comparisons prove -- with the exception of the two utterly dreadful final cuts written by teen pop songwriting teams of the era -- is that Neil was restlessly trying out different identities and writing as many different kinds of songs as well as recording them. He was -- unlike the reclusive songwriter of later years -- a hustler, a young man of great ability who hadn't quite focused his vision but had plenty of talent. For that reason alone these tracks are worth hearing at the very least.



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[Only registered and activated users can see links] Alfie Silas
Title: Alfie (Bonus Track Version)
Year Of Release: 2014
Label: Legacy Recordings
Genre: Soul, Funk, Disco
Quality: flac 24bits - 96.0kHz
Total Time: 00:49:36
Total Size: 1.01 gb

Tracklist
---------
01. A Puppet to You
02. Put the Freeze On
03. You're a Star
04. Body Heat
05. There I Go
06. Communicate
07. Let Me Be the One
08. Can't We Do It All Again
09. A Puppet to You (12" Mix)
10. A Puppet to You (Instrumental)
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[Only registered and activated users can see links] The Black Market Trust
Title: Just One Of Those Things
Year Of Release: 2017
Label: The Black Market Trust
Genre: Jazz / Swing / Gypsy
Quality: Mp3 / 320kbps
Total Time: 38:13 min
Total Size: 101 MB

Tracklist
-----------
01. Almost Like Being In Love
02. All Of Me
03. It's Only A Paper Moon
04. Just One Of Those Things
05. TAin't That A Kick In The Head
06. That's All
07. Dream Of You
08. Pretty Trix
09. Please Stay
10. The Way You Look Tonight
11. God Only Knows
12. Young At Heart
13. Tonight You Belong To Me


"It was just one of those things, one of those fabulous flings..."
Just like those iconic Cole Porter lyrics manage to perfectly describe the new, exciting and overwhelming emotions that accompany a fresh romance, they also capture the bright, carefree, intense enthusiasm that multi-format chart topping artists The Black Market Trust distill and bottle on their third Pop-inspired Jazz release, Just One Of Those Things.
"We were all aware that we hit a new gear while we were recording this album." said lead vocalist/guitarist Jeffrey Scott Radaich. "It was fun and effortless. Everyone was throwing in ideas at a pretty rapid pace and I think you can hear the energy and joy in the vocals and instrumental performances on each track. I think it's a very optimistic and romantic record."
The Black Market Trust spent the majority 2016 on tour in support of their previous album II, which produced the Top Ten single "Route 66," and the countless hours interacting with each other and audiences across the country helped sharpen their live act and elevate their on-stage band dynamic to exhilarating new heights. "This new record really highlights the time the band has spent touring this past year" says bassist Brian Netzley. "I think you hear a more confident, more skilled and more focused band. You also hear a looser band who sounds like they're having the time of their lives playing and singing this music".
The newfound confidence and focus is immediately noticed as the 13 song playlist opens with a hopeful and hot version of the Loewe/Lerner classic "Almost Like Being in Love." "I think the celebratory and upbeat song list we chose for this album really inspired me to pop the clutch a bit," says drummer Brandon Laws. "That and the combination of this band having a stronger vision- knowing what it is that we do- really inspired me to carefully craft my parts and help make this our best record yet."
Violinist Nick Coventry adds, "We've spent the last year working so hard- touring, building a buzz about the band... we even wrote an original song for the new record- and now we just can't wait for people to hear all of it! We know these timeless songs mean as much to a lot of people as they do to us and we really look forward to sharing that with audiences."
For the recording of Just One Of Those Things, The Black Market Trust decided once again to use famed engineer Eric Uglum and his New Wine Studios. "Eric's skill at capturing the sound of acoustic instruments is pretty much unequaled," says Chris Irwin, rhythm guitarist/vocalist. "His musicality and engineering expertise helps bring that swinging, punchy sound out of our guitars that really is such a meaningful ingredient to our band."
The Black Market Trust's Just One Of Those Things might be "one of those fabulous flings" but from the sound of it, we are all in store for a long, happy committed relationship with this band.

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[Only registered and activated users can see links] Freedom's Children
Title: Astra
Year Of Release: 1970/2010
Label: Shadoks Music
Genre: Prog Rock, Psychedelic Rock
Quality: Flac (image, .cue, log)
Total Time: 40:15
Total Size: 199 Mb (scans)


[Only registered and activated users can see links] Aileen
02. The Homecoming
03. The Kid Came From Hazareth
04. Medals Of Bravery
05. Tribal Fence
06. Gentle Beasts Part 1
07. Gentle Beasts Part 2
08. Slowly Towards The North Part 1
09. Slowly Towards The North Part 2
10. Afterward
Julian Laxton / guitars, black box
Ramsay MacKay / bass
Gerard Nel / piano, Harpsichord, bells
Nic Martens / Organ
Brian Davidson / vocals


Freedom's Children were a South African band who began their journey in the mid 60s. Ramsay McKay (bass guitarist and songwriter) and Colin Pratley (drums) were the core members of this group. Julian Laxton would later be brought in as the group's lead guitarist. They released a handful of singles throughout 1967 and 1968, the best of these being blistering hard rock covers of Satisifaction and Mr. You're a Better Man Than I. Little Games, another 45 effort was comparatively weak when compared to the singles that had come before it and the Yardbirds' original. Freedom's Children were one of South Africa's first psychedelic groups in the apartheid era. Their anti-apartheid stance was dangerous at the time, often preventing the band from obtaining work permits and could only play gigs illegally.
In 1968 the group would release a promising debut album titled Battle Hymn Of The Broken Hearted Horde. The album was produced and released without the group's knowledge and in some ways similar to the Small Faces' Odgen's Nut Gone Flake. Each track was linked by a narration and at the end of each side were Pepsi advertisements. Definitely dated and of its time, the lp still has some great psych pop tracks like Season and Kafkasque. Disappointed with the results McKay added new vocalist Brian Davidson and began working on a second lp.
What they would emerge with in 1970 was one of the great, dark masterpieces of space rock. Astra was unlike anything from South Africa or anywhere else in the world. It feels like a concept album about Jesus Christ but Ramsey McKay goes out of his way to dispell such myths. McKay explained, "You see where Astra really comes from, is we had this flat in West Kensington. When the Americans landed on the moon.we took all our beds and put them in a semicircle around this little black and white TV. Anyway, we took this acid and when they landed on the moon we were tripping. It was such an experience, I shall never forget it and that's what Astra appeared out of." Astra took on challenging themes of religion (The Kid He Came From Hazareth), war (Medals of Bravery - the Vietnam War), and political statements about life in South Africa under apartheid (Tribal Fence and Gentle Beast). The Kid He Came From Hazareth was originally titled Nazareth. In this track McKay wanted to potray Jesus as an outlaw and he explained that the lyrics went something like this: "When he came down from Nazareth he was a hellhound on the run." It's a perfectly realized piece of progressive psychedelia with soaring vocals and intelligent guitar solos via Julian Laxton. For the recording sessions Julian Laxton used/created a special "black box" for a greater variety of guitar echoes. The Homecoming balanced out Laxton's wonderful black box soaked guitar solos with heavily distorted vocals by Davidson and a beautiful, unforgettable acoustic chorus. Another great track, Medals of Bravery has a gentle British pop psych vibe with lots of Hammond organ and a marching band beat. Engineer Nic Marten was responsible for the excellent organ playing throughout Astra and really is one of its underrated contributors. Slowly Towards The North Part 1 & 2 was one of the album's last tracks and one of its very finest. Part 1 was a dark, foreboding progressive piece which evolved into an uplifting organ dominated second half which beared a strong similarity to late 60s Procol Harum. The album as a whole is marvelous and full of studio effects, dive bomb guitar runs, complex arrangements and distorted, mutant vocals.
Anyone searching for a great, lost space rock psychedelic record should really seek out Astra. It's one of the best lps of its kind and has been reissued a few times, most notably by Shadoks Music and Lucky Pig Records. The Lucky Pigs reissue is preferred because it includes some of the early singles. After Astra, Ramsey McKay would quit Freedom's Children and take part in other seminal South African groups the Abstract Truth and Hawk. Freedom's Children went on to release another respectable hard rock effort in 1971 titled Galactic Vibes.

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[Only registered and activated users can see links] Freedom's Children
Title: Galactic Vibes
Year Of Release: 1971/2008
Label: Shadoks Music
Genre: Prog Rock, Psychedelic Rock
Quality: Flac (image, .cue, log)
Total Time: 40:39
Total Size: 232 Mb (scans)


[Only registered and activated users can see links] Sea Horses (4:13)
2. The Homecoming (16:12)
3. That Did It (3:44)
4. Fields and Me (5:57)
5. The Crazy World of Pod (1:43)
6. 1999 (4:02)
7. About the Dove and His King (3:44)
Julian Laxton / guitars
Ramsay MacKay / bass
Gerard Nel / keyboards
Nic Martens / Organ
Brian Davidson / vocals
Colin Pratley / drums


This is the third album by South Africa's Freedom's Children, originally released on the Parlophone label. The year is 1971, but the song is "1999." The group is Freedom's and the vibes are galactic. And now just over 30 years later, we can look back at "1999." This is a many-layered album, almost to the point of being cluttered, but this is what makes it interesting. Each time you listen you can hear something new, be it a tone in Brian Davidson's wailing vocals, a riff from Julian Laxton's screaming guitar, a sequence of notes from Barry Irwin's booming bass, the change from sticks to hands on Colin Pratley's awesome drumming, or merely putting your ear right up against the speaker to feel the presence of Ramsay MacKay on the live version of "The Homecoming." The centerpiece of Galactic Vibes is "The Homecoming," which appeared in a shorter version on Astra, but this live version has to be one of South Africa's epic tracks. Recorded live at the Out of Town Club (which, according to a copy of their flyer in the sleeve notes, advertised as a "steak parlor"), the track features a quite stunning and by all accounts legendary drum solo that lasts for the best part of 8 minutes before those dramatic guitar chords. Aside from this monstrous drumfest, the album features some blistering, fuzz-edged guitars on the thundering "That Did It" as well as the quieter and beautiful "Fields And Me." There is also the experimental keyboard piece, "The Crazy World Of Pod: Electronic Concerto," which is just short enough not to become irritating. The orchestration on "About The Dove And His King" adds a beauty and quality sheen to what is quite a rough rock sound, which is due mainly to the inventive recording methods used. With layers of overdubs and no noise reduction, this method created what the sleeve notes describe as a "musical mystical mist of sound." This is a wonderful way to describe the slightly distorted guitars and vague hissing sounds. These guys were breaking barriers not only in South Africa's rather narrow 1970s rock world, but would have broken through numerous perceived limitations on the world stage, had the world bothered to listen. Galactic Vibes is an album that South Africans can be proud of, even 30 years later. It is a great musical achievement that can be hauled out again and again and simply marvelled at.

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[vandtal]

[Only registered and activated users can see links] Gabrielle
Title: Dreams Can Come True, Greatest Hits Vol. 1
Year Of Release: 2001
Label: Go! Beat
Genre: R&B, Swing
Quality: FLAC (tracks+.cue)
Total Time: 54:58
Total Size: 370 MB

Tracklist:
1. Dreams (3:46)
2. Going Nowhere (3:50)
3. Because Of You (3:49)
4. Give Me A Little More Time (4:56)
5. Forget About The World (4:15)
6. If You Ever (4:15)
7. If You Really Cared (4:52)
8. Sunshine (4:12)
9. Rise (3:40)
10. When A Woman (3:12)
11. Should I Stay (3:56)
12. Out Of Reach (3:18)
13. Don't Need The Sun To Shine (To Make Me Smile) (3:29)
14. If I Walked Away (3:22)
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[vandtal]

[Only registered and activated users can see links] Gavin Bryars
Title: A Man In A Room, Gambling
Year Of Release: 1998
Label: Point Music
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 01:13:42
Total Size: 376 Mb

Tracklist:
1. A Man In A Room, Gambling No. 4
2. A Man In A Room, Gambling No. 8
3. A Man In A Room, Gambling No. 3
4. A Man In A Room, Gambling No. 9
5. A Man In A Room, Gambling No. 10
6. Les Fiançailles
7. The North Shore
8. The South Downs
Performers:
Cello - Sophie Harris
Clarinet, Bass Clarinet - Roger Heaton (tracks: 1 to 5)
Double Bass, Synthesizer [Korg M1] - Gavin Bryars (tracks: 1 to 5)
Electric Guitar, Guitar [Classical] - James Woodrow (tracks: 1 to 5)
Percussion - Gerald Kirby (tracks: 1 to 7), Martin Allen (tracks: 1 to 6)
Viola - Bill Hawkes (tracks: 1 to 5)
Violin - Elizabeth Perry (tracks: 1 to 5), Harriet Davies (tracks: 1 to 5)
Voice [Spoken Word] - Juan Muñoz (tracks: 1 to 5)


The five variations of the title piece find Bryars returning somewhat to the more overtly experimental, not to say whimsical, aspects of his earliest work. They take the form of brief instructions in the fine art of cardsharping, with musical accompaniment, to be broadcast over radio during unoccupied stretches of airtime. A cultured, sometimes drolly amused, Spanish-accented voice announces "good evening" at the beginning of each section, then proceeds to give detailed instructions on dealing from the bottom of the deck, voiding oneself of an unwanted card, and other deceptions. All the while, Bryars' typically moody music rolls along behind him, often with dramatic flourishes investing the instructions with a surreal kind of urgency. The pieces are both effective and wryly humorous, especially if one imagines them suddenly issuing from a car radio late at night. The three works that complete the album are not very dissimilar from Bryars' general output since the mid-80's: somber, hazily romantic ruminations over minimalist derived rhythmic patterns. "Les Fiancailles" does possess a lovely yearning quality very reminiscent of parts of Messiaen's "Quartet for the End of Time" that makes it stand out from the rest.





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[vandtal]

[Only registered and activated users can see links] Gene Page
Title: Close Encounters
Year Of Release: 1978/2014
Label: Legacy Recordings
Genre: Funk, Soul, Disco, R&B
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 00:38:07
Total Size: 256 / 859 mb

Tracklist
---------
01. Close Encounters of the Third Kind
02. Theme from Star Trek
03. Moonglow and Love Theme
04. Dancin' in the Sky
05. I Feel Like I've Been Livin' (On the Dark Side of the Moon)
06. Beyond the Hole in Space
07. When You Wish Upon a Star
08. Sho' Like to Ride on Your Star
09. Saturn
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[vandtal]

[Only registered and activated users can see links] Geronimo Black
Title: Geronimo Black
Year Of Release: 1972/1995
Label: One Way [MCAD 22114]
Genre: Blues Rock, Prog Rock, Jazz fusion
Quality: FLAC (image + cue,log,scans)
Total Time: 00:41:16
Total Size: 237mb(+5%)



AllMusic Review by Lindsay Planer
This is the only LP from the incipient version of Geronimo Black -- a supergroup of sorts featuring contributions from former Mothers of Invention membersJimmy Carl Black (drums/vocals), Buzz Gardner (cornet), his brother Bunk Gardner (flute/trumpet/bassoon/sax/organ/vocals), and Denny Walley (guitar/organ/vocals). Evidence that Frank Zappa initially worked with these musicians for their tremendous instrumental prowess is obvious throughout this self-titled effort. The angular and Baroque progressions of "Quaker's Earthquake" recall Zappa's orchestrations circa the Uncle Meat (1969) project. "Siesta" allows Bunk Gardner to unveil his tremendous versatility on what is undoubtedly the most pleasant surprise for listeners expecting an album of nothing but avant-garde and R&B material. The gentle tune recalls Erik Satie's 3 Gymnopédies (1888), with multiple melodies that diverge and reunite in an effortless interaction. The more introspective performances sit remarkably well beside the hammer-down ethos of "Low Ridin' Man" and the equally gritty "Bullwhip." As a rock & roll band, Geronimo Black foreshadows the sonic attack and verve that informed many of Captain Beefheart's Magic Bands. This is prominent throughout the cut "Other Man," which boasts a rhythmically off-kilter introduction and gallop that is strikingly similar to "Safe as Milk." The horn section takes the combo into the realm of jazz fusion. However, rather than leading the group, as per Chicago or the Loading Zone, they simply augment the arrangement Ã* la the Tower of Power horn section, which adds a bite of brass within the context of R&B and soul. "L.A. County Jail '59 C/S" is an odd blues that invokes the spirit of the Electric Flag's "You Just Don't Realize." The straight-ahead rocker "Let Us Live" is a protest boogie that rises to the occasion with some nifty little horn riffs punctuating the emphatic vocals. The band re-formed in the early '80s on its way to becoming the Grandmothers -- which also incorporated the talents of another ex-MOI, Don Preston. While the initial attraction of Geronimo Black might lie in its Zappa connection, this effort firmly stands on its own merits and equally unique consortium of versatile talents.



[Only registered and activated users can see links] Low Ridin' Man (Black, Contrelli) - 4:15
2. Siesta (Cahan, Contrelli, Gardner) - 4:15
3. Other Man (Leavy, Walley) - 3:01
4. L.A. County Jail '59 C/S (Contrelli) - 4:15
5. Let Us Live (Cahan) - 4:28
6. Bullwhip (Contrelli) - 4:17
7. Quakers Earthquake (Cahan) - 2:50
8. Gone (Walley, Leavy) - 3:10
9. An American National Anthem (Moreno, Black) - 6:54
10.'59 Chevy (Bonus Track) - 3:35
Personnel
---------
Jimmy Carl Black - Drums, Vocals
Andy Cahan - Keyboards
Tjay Contrelli (John Barberis) - Saxophones, Vocals
Tom Leavey - Bass, Vocals
Denny Walley - Guitars, Vocals
Guest
Bunk Gardner (John Leon Guanerra) - Tenor, Alto Flute, Basoon, Piano
Buzz Gardner (Charles Guanerra) - Cornet
Arno Nuefeld - Violin
Samuel Cytron - Violin
Nat Gershman - Cello
Phil Goldberg - Viola
All thanks to original releaser
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[vandtal]

[Only registered and activated users can see links] Grace Jones
Title: Fame
Year Of Release: 1978/2015
Label: Island Records
Genre: Disco, Soul, Pop
Quality: flac 24bits - 192.0kHz
Total Time: 00:40:22
Total Size: 1.76 gb

Tracklist
---------
01. Do Or Die
02. Pride
03. Fame
04. Autumn Leaves
05. All On A Summers Night
06. Am I Ever Gonna Fall In Love In New York City
07. Below The Belt
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[Only registered and activated users can see links] GreaseTime Blues Band
Title: Rides & Rhymes For The Road
Year Of Release: 2017
Label: Housemaster Records
Genre: Rock, Blues Rock
Quality: Flac (tracks)
Total Time: 01:04:00
Total Size: 485 Mb (scans)

Tracklist:
01. MC Riders 03:52
02. Mr. Pityful 05:25
03. Summerrain 03:32
04. Everytime you come around 04:10
05. To look into your eyes 04:16
06. The American Twins 03:47
07. All alone on your own 04:13
08. That lovin'touch 04:40
09. Hot Rod Queen 04:10
10. Maybe 06:51
11. Ollie the muffler 05:06
12. She's got no mercy 03:46
13. Free Eagles MC Germany 04:35
14. 49 Tongues 05:38
Sebastian Schmalz - Voc, Guitars,
Klaus Rettkowski - Voc, Bass
Rolf Buers - Voc, Drums


GREASETIME - three musicians play in good old tradition of the "Power Trio" a successful mixture of own songs and selected classics from the wide field of blues rock.
Fun wit, lots of space for improvisation, honest lyrics about "real" stories from everyday life, presented with electric guitar, drums and bass, plus a polyphonic singing, make their performances unforgettable experiences.
GREASETIME - for a few hours their listeners are kidnapped into another world. Songs by Jimi Hendrix, Stevie Ray Vaughan and the old blues masters like Albert King complement each other superbly with great own compositions, some of which have been waiting for years to be played again on the stages of the Republic.

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[vandtal]

[Only registered and activated users can see links] Michal Svoboda
Title: La búsqueda
Year Of Release: 2017
Label: ArcoDiva
Genre: Classical
Quality: flac lossless
Total Time: 00:51:26
Total Size: 231 mb

Tracklist
---------
01. Oración para todos
02. Mazurka apasionata
03. Danza paraguaya
04. Chôro da saudade
05. Las abejas
06. Medallón antiguo
07. Un sueño en la floresta
08. Romanza
09. 10 Canciónes populares catalanas: No. 1, La nit de Nadal
10. 10 Canciónes populares catalanas: No. 6, Cançó del lladre
11. 10 Canciónes populares catalanas: No. 3, El mestre
12. 10 Canciónes populares catalanas: No. 8, El noi de la mare
13. 10 Canciónes populares catalanas: No. 5, El testament de n'Amèlia
14. 10 Canciónes populares catalanas: No. 4, La filadora
15. Variaciones sobre un tema de Sor, Op. 15
Michal Svoboda was born in Znojmo (Czech Republic) in 1985. He started his guitar studies with Stanislav Jurica at Pardubice conservatory. He studied with Alexander Swete at the University of Music and Performing Arts in Vienna and finished his masters degree with honors in 2011. Then he studied with Tomasz Zawirucha at the conservatory in Feldkirch, Austria. Michal has attended a variety of master courses, for instance with Zoran Dukio, Pablo Marquez and Hopkinson Smith, and has also achieved great success at international guitar competitions, including first place at the International Guitar Competition in Treviso and second place at the International Guitar Festival in Gevelsberg. This is his first recording project, for which he has chosen the works of composers Augustin Barrios (1885-1944) and Miguela Llobet (1878-1938).
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[Only registered and activated users can see links] Guitar Jack Wargo
Title: Keepin It Real
Year Of Release: 2017
Label: Self Released
Genre: Blues Soul, Funky Blues
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 53:33
Total Size: 352 MB
126 MB

Tracklist:
1. You Dont Feel The Same (3:42)
2. Power Of Love (7:41)
3. Keep On Keepin On (4:13)
4. Inventory Blues (4:07)
5. Shipwrecked (4:03)
6. Nobody But You (3:21)
7. No Stranger (3:39)
8. Only-Est One (3:55)
9. Blues Holiday (4:39)
10. Shes Got Soul (3:53)
11. Goin Down The Road Feeling Bad (5:30)
12. Sending Out A Message (4:43)


Jack Wargo, a.k.a. Guitar Jack, is no newcomer to the music scene. He has toured nationally and internationally for years with artists such as Billy Preston and Solomon Burke, and has recorded with Ray Charles and The Jacksons. Guitar Jack was also the house band at BB King's Blues Club at Universal CityWalk in Los Angeles. The Guitar Jack Group has opened shows for Chris Cain, Little Jimmy King and Smokin' Joe Kubek & Bnois King. Guitar Jack's original music is often featured on KKJZ 88.1 FM Nothin' But The Blues. The Guitar Jack Group is now booking dates featuring the original music from Guitar Jack's CDs 'Losin' Hand' and 'Private Tears.'
"There is huge talent in this man that is yet to be fully expressed. With his credentials and his chops, this is a guitar player on the verge of international acclaim." - Gary 'The Wagman' Wagner, award-winning DJ at KKJZ 88.1 FM Nothin' But The Blues

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[vandtal]

[Only registered and activated users can see links] Alluvion
Title: ...Of the One Consciousness
Year Of Release: 2017
Label: Alluvion
Genre: Hard Rock, Stoner Rock, Psychedelic Rock
Quality: 320 Kbps
Total Time: 45:54 min
Total Size: 105 MB

Tracklist:
01. Oblivious
02. Tyrants
03. Incubate & Wait
04. Fight Real Fires
05. Frf2
06. Lush
07. Transcendental
08. Larva
09. Spaces


I first saw/heard/shot Alluvion back in late December 2016 at a fundraiser in Orange, VA. They had their own lights and fog machines going.and then they started playing. Between the strobes, the blue light and that quirky, nuanced sound, it was nothing short of a spectacle.
And truthfully, it's one thing to write great songs but it's quite another to add a level of detail that brazenly says "I'm pouring parts of my soul into this".
...Of the One Consciousness tears it up with "Oblivious" and "Tyrants", both songs thick stews of jangled nerves, tight riffs and bug-in-the-ear, 8-bit urgency exhibiting the band's range as they shuffle gracefully between ferocity and frailty.
"Hold tight you're the one in the dark but you won't see me, won't hear me," John croons on "Oblivious". Stephen shrugs and says that people used to give them grief for being too out of the box for the local scene, whether it was John's singing (the man has both pipes and coherence in spades) or having too many props.
Fortunately, evolution eventually finds a way to win and through seven albums since the late '90s, the very things that made Alluvion stick out like a sore thumb are the very same things that continue to fuel their creative fire.
Making music in a group setting (i.e. rock band) is not quite unlike (pardon the pun)-building walls of sound.
Between John's raw/reassuring vocals, Stephen's soaring/spinning guitars and Brian Carnes' rocksteady bass feeding off each other and drummer Andy Murray who just literally flows-Alluvion has eased away from their emo roots to an albeit industrial-grade sound that borrows liberally from the exacting precision of prog, the experimental flair of psychedelia and the unapologetically danceable nature of shoegaze.
However, as playful as this record gets, the guys never hold back on talking about heavier things with the hard-charging bull vs. matador approach most apparent in the flamenco-laced "Incubate and Wait".
"Crawl inside me, crawl today/Eat your share, eat away/My flesh be the temple for better days/Incubate and wait," John sings in a raspy tone on what could be an indictment on modern life, a meditation on past regressions or the burden of creation.
===
2015 was a particularly difficult year for the band as they dealt with a few things in their personal lives. Out of this tumultuous time came insight and a better understanding what truly mattered.
"We wanted to talk about the monsters we all have to fight inside our heads," Andy told me at one of the last few gigs I saw them play.
"Fight Real Fires" kicks off like a rude awakening of futuristic alarm bells and segues into careful introspection, the primal drum beat dodging around the grit and buzz of the electric strings.
Beyond the neo-futuristic approach, there is a warmth and humanity to this collection that sharply contrasts with the steely cold Alluvion blue, most evident as OTOC winds down with "Transcendental" and "Larva", intriguing melodic reveries and think pieces.
Brian who recorded, mixed and mastered OTOC once asked me what I thought about the album and having seen the band live a few times all over Virginia earlier this year, all I'd really have to say is that this is, *undoubtedly*, Alluvion alright.
-Jay Tamangan of Rogue Crayon

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[vandtal]

[Only registered and activated users can see links] Hespèrion XXI, Jordi Savall
Title: Armenian Spirit
Year Of Release: 2012
Label: Alia Vox
Genre: Classical
Quality: WavPack (image+.cue,log,scans)
Total Time: 76:53
Total Size: 772 Mb

Tracklist:
01. Menk kadj tohmi (Chant de lutte) [3:45]
T. Tchukhadjian (1837-1898)
Haïg Sarikouyoumdjian duduk
Gaguik Mouradian kamantcha
Jordi Savall vièle Ã* archet Ã* 6 cordes
Viva Biancaluna vièle Ã* archet Ã* 5 cordes
David Mayoral tambour
02. Akna krunk (Chant d'exil) [3:31]
Médiéval Anonyme
Haïg Sarikouyoumdjian duduk I
Georgi Minassyan duduk II
03. Kani vur djan im (Chant d'amour) [3:55]
Sayat Nova (1712-1795)
Haïg Sarikouyoumdjian duduk
Jordi Savall rebec
Viva Biancaluna vièle Ã* archet Ã* 5 cordes
David Mayoral doira & darbouka
04. Chant et Danse [3:59]
Traditionnel
Georgi Minassyan duduk I
Haïg Sarikouyoumdjian duduk II
Pedro Estevan percussion
05. O'h intsh anush (Chant d'exil) [5:40]
T. Tchukhadjian
Jordi Savall vièle Ã* archet Ã* 6 cordes
Haïg Sarikouyoumdjian duduk
Viva Biancaluna vièle Ã* archet Ã* 5 cordes
David Mayoral tambour
06. Matshkal (Chant rustique) [3:12]
Anonyme
Georgi Minassyan duduk I
Haïg Sarikouyoumdjian duduk II
07. Dun en glkhen (Supplique au roi avant l'exil) [3:41]
Sayat Nova
Gaguik Mouradian kamantcha
08. Garun a (Chant rustique) [4:03]
Traditionnel, recueilli par Komitas (1869-1935)
Jordi Savall vièle Ã* archet Ã* 6 cordes
Haïg Sarikouyoumdjian duduk
Viva Biancaluna vièle Ã* archet Ã* 5 cordes
David Mayoral tambour
09. Chants de mariage [4:39]
Traditionnel, recueilli par Komitas
Haïg Sarikouyoumdjian duduk I
Georgi Minassyan duduk II
Gaguik Mouradian kamantcha
Armen Badalyan dap
10. Al aylukhs (Ronde rustique : dialogue amoureux) [5:47]
Traditionnel, recueilli par Komitas
Haïg Sarikouyoumdjian duduk
Gaguik Mouradian kamantcha
Jordi Savall vièle Ã* archet Ã* 6 cordes
Viva Biancaluna vièle Ã* archet Ã* 5 cordes
David Mayoral zarb & tombak
11. Plainte : en sarer [3:40]
Gusan Ashot (1907-1989)
Georgi Minassyan duduk I
Haïg Sarikouyoumdjian duduk II
12. Azat astvatsn & Ter kedzo (Ode Ã* la liberté et supplique pour les arméniens) [5:28]
Anonymes
Jordi Savall vièle Ã* archet Ã* 6 cordes
Marc Clos tambour
13. Sirt im sasani [3:19]
Mkhitar Ayrivanetsi (1222-1290)
Georgi Minassyan duduk I
Haïg Sarikouyoumdjian duduk II
14. Hayastan yerkir (Ode Ã* la patrie) [5:40]
G. Yeranian (1827-1862)
Jordi Savall viole de gambe soprano
Haïg Sarikouyoumdjian duduk
Dani Espasa orgue
15. Hey djan (Chant d'amour) [3:25]
Traditionnel, recueilli par D. Ghazarian (1883-1958)
Haïg Sarikouyoumdjian duduk I
Georgi Minassyan duduk II
16. Hov arek (Chant rustique : plainte) [5:18]
Traditionnel, recueilli par Komitas
Haïg Sarikouyoumdjian duduk
Jordi Savall vièle Ã* archet Ã* 6 cordes
Viva Biancaluna vièle Ã* archet Ã* 5 cordes
David Mayoral doira & darbouka
17. Lamento : sev mut amper [2:35]
Traditionnel
Haïg Sarikouyoumdjian duduk I
Georgi Minassyan duduk II
18. Alagyeaz & Khnki tsar (Chants rustiques) [5:16]
Traditionnel, recueilli par Komitas
Haïg Sarikouyoumdjian duduk
Jordi Savall vièle Ã* archet Ã* 6 cordes
Dani Espasa orgue
Marc Clos tambour
Performers:
Musiciens Arméniens
Georgi Minassyan duduk
Haïg Sarikouyoumdjian duduk
Gaguik Mouradian kamantcha
Armen Badalyan dap (pièce 9)
HESPÈRION XXI
Viva Biancaluna Biffi vièle Ã* archet Ã* cinq cordes (la, re, La, Re, LA)
Dani Espasa orgue
David Mayoral tambour (pièce 1, 3, 5, 7, 8, 16)
Marc Clos tambour (pièce 2, 18)
Pedro Estevan percussion (pièce 4)
Jordi Savall
rebec Ã* cinq cordes (si, MI, mi, la, re)
dessus de viole Ã* 6 cordes (Re, sol, do, mi, la, re)
vièle Ã* archet Ã* 6 cordes (LA, mi, LA, la, re, sol)
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[vandtal]

[Only registered and activated users can see links] Ambergris
Title: Ambergris
Year Of Release: 1970
Label: Paramount Records
Genre: Jazz Rock, Brass Rock
Quality: Flac (tracks, 16/48)
Total Time: 39:56
Total Size: 323 Mb (scans)


[Only registered and activated users can see links] Something Happened To Me (Jerry Weiss) - 2:50
2. Play On Player (Calvin Clash, Larry Harlow Kahn) - 3:23
3. Gotta Find Her (Arthur Miller, Jerry Weiss) - 3:54
4. Chocolate Pudding (Arthur Miller) - 4:27
5. Forget It, I Got It (Jimmy Miller, Gary Wright) - 4:20
6. Walking On The Water (Herbert L. Lewis, Fred Lewis) - 5:45
7. Sunday Lady (James Maeulen, Jerry Weiss) - 3:20
8. Home Groan (Jerry Weiss) - 3:14
9. Soul Food (Fred Lewis) - 3:15
10. Endless Night (Jerry Weiss) - 5:27
Larry Harlow - Piano, Organ, Percussion
Jerry Weiss - Fender Bass, Piano
Charlie Camilleri - Lead Trumpet
Harry Max - Trumpet, String Bass,, Violin
Jimmy Maeulen - Vocals, Conga Drum
Billy Shay - Guitar, Harmonica
Lewis Kahn - Trombone, Violin
Glenn John Miller - Trombone
Gil Fields - Drums


The only album of the American jazz-rock band, released in 1970 in the US on "Paramount Records". The group was formed by Jerry Weiss, who was one of the founders of "Blood, Sweat & Tears", who played there on the trumpet and flugelhorne and left the band together with its other founder, El Cooper. It is interesting that in the "Ambergris" trumpeter Weiss turned into a bass player, and also played the piano. In addition, he was the main arranger of the group, and also wrote a good half of the album's songs (three on his own and two in co-authorship). On the cover of the plate is a real "cock called Jim from the farm of old MacDonald". On the envelope, the group carefully explained the meaning of the word Ambergris, without forgetting to indicate its transcription: "AMBERGRIS (n.) - rarely encountered, an opaque substance, usually floating on the surface of the ocean, is used in perfumery." Collins's dictionary defines more precisely: "A waxy substance consisting predominantly of cholesterol secreted by the intestinal tract of the sperm whale and commonly found on the surface of the ocean. Used in the manufacture of perfumes.

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[vandtal]

[Only registered and activated users can see links] HIM$
Title: Trapstar Vol. 1
Year Of Release: 2018
Label: Worldwidehims Records
Genre: French Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:39:10
Total Size: 101 mb

Tracklist:
01. Boss
02. Lion Dans la Fosse (feat. Lowssa)
03. Ok (feat. Yaya D)
04. Illimité
05. Men of the Year (feat. Ormaz)
06. Fast Life (feat. Yaya D)
07. Tu Me Connais
08. Xanax
09. No Love
10. Trapstar (feat. Yaya D)
11. Sentiments (feat. Sidisid)
12. On Me (feat. Ygaddie)


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[vandtal]

[Only registered and activated users can see links] I Fiori Musicali
Title: Couperin: Les concerts royaux
Year Of Release: 2018
Label: Urania Records
Genre: Classical
Quality: flac lossless
Total Time: 00:55:55
Total Size: 338 mb

Tracklist
---------
01. Concert royaux No. 1 in G Major: I. Prelude
02. Concert royaux No. 1 in G Major: II. Allemande
03. Concert royaux No. 1 in G Major: III. Sarabande
04. Concert royaux No. 1 in G Major: IV. Gavotte
05. Concert royaux No. 1 in G Major: V. Gigue
06. Concert royaux No. 1 in G Major: VI. Menuet en Trio
07. Concert royaux No. 2 in D Major: I. Prelude
08. Concert royaux No. 2 in D Major: II. Allemande-Fugue
09. Concert royaux No. 2 in D Major: III. Air tendre
10. Concert royaux No. 2 in D Major: IV. Air Contre fugue
11. Concert royaux No. 2 in D Major: V. Echos
12. Concert royaux No. 3 in A Major: I. Prelude
13. Concert royaux No. 3 in A Major: II. Allemande
14. Concert royaux No. 3 in A Major: III. Courante
15. Concert royaux No. 3 in A Major: IV. Sarabande
16. Concert royaux No. 3 in A Major: V. Gavotte
17. Concert royaux No. 3 in A Major: VI. Muzette
18. Concert royaux No. 3 in A Major: VII. Chaconne
19. Concert royaux No. 4 in E Minor: I. Prelude
20. Concert royaux No. 4 in E Minor: II. Allemande
21. Concert royaux No. 4 in E Minor: III. Courante Francoise
22. Concert royaux No. 4 in E Minor: IV. Courante a l'italienne
23. Concert royaux No. 4 in E Minor: V. Sarabande
24. Concert royaux No. 4 in E Minor: VI. Rigaudon
25. Concert royaux No. 4 in E Minor: VII. Forlane
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[vandtal]

[Only registered and activated users can see links] I.K
Title: Phenix
Year Of Release: 2018
Label: Phenix Music Entertainment
Genre: French Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:19:24
Total Size: 36 mb

Tracklist:
01. Partir en fumée
02. #Backinthedays
03. Hoceima
04. Saluez
05. Blempro
06. Tout ton ozeil


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[vandtal]

[Only registered and activated users can see links] Ian Shaw
Title: Change Partners
Year Of Release: 2013
Label: One Media iP Ltd
Genre: Jazz
Quality: Mp3 / 320kbps
Total Time: 87:20 min
Total Size: 198 MB

Tracklist
-----------
01. Change Partners
02. It Could Happen To You
03. This Can't Be Love
04. The Echo Of A Song
05. I Wish I Were In Love Again
06. Goodnight Angel
07. I'll Be Seeing You
08. Taking A Chance On Love
09. My Heart Is Haunted
10. Time After Time
11. You Stepped Out Of A Dream
12. You Are My Hearts Delight
13. It's Easy To Remember
14. Just Let Me Look At You
15. My Funny Valentine
16. Have You Met Miss Jones
17. Little Girl Blue
18. Where Or When
19. I Concentrate On You
20. With A Song In My Heart


Ian Shaw (born 2 June 1962) is a Welsh jazz singer, record producer, and stand up comedian. Shaw was born in St. Asaph, Wales, and took his music degree at the University of London. His career in performance began in the 1980s on the Alternative Cabaret Circuit, alongside such performers as Julian Clary, Rory Bremner, and Jo Brand. At the same time, he was playing in piano bars and at festivals in London and throughout Europe.
In 1990 he toured Europe and recorded with fellow singer Carol Grimes. Since this time, Shaw has regularly worked in duo settings with other singers, including Claire Martin, Linda Lewis, Liane Carroll, and Sarah Jane Morris. By the mid-1990s, he was regularly performing at the Ronnie Scott's Jazz Club and in 1995 released two albums on the club's Jazzhouse label: Ghosthouse and a tribute to Richard Rodgers and Lorenz Hart Taking It to Hart. In 1996, Shaw led his own 'Very Big Band' on a UK tour, and by the late 1990s he was performing regularly in the U.S. In 1999, he released In a New York Minute, the first of two albums on New York's Milestone Records label. This and Soho Stories, released in 2001, featured American musicians, including Cedar Walton, Lew Soloff, and Eric Alexander. On the album A World Still Turning (2003), he worked with Billy Childs and Peter Washington, and guest vocalist Mark Murphy.

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[vandtal]

[Only registered and activated users can see links] Isabella d'Este
Title: The Faces of Melancholy
Year Of Release: 1994
Label: Symphonia
Genre: Classical
Quality: APE (image+.cue,log,scans)
Total Time: 71:52
Total Size: 300 Mb

Tracklist:
Anthony Holborne
01. Heigh ho holiday (2:17)
02. Decrevi (4:26)
John Adson
03. Adsonns Maske (1:40)
04. William his Love (1:55)
05. The Second of the temple Arstic (1:59)
Anthony Holborne
06. The Funnerals (5:23)
07. The Night-Watch (2:15)
08. The Honie-Suckle (2:22)
09. The Fairie-Round (1:17)
10. Pavan (4:05)
11. Galliard (1:20)
John Adson
12. Ayre a 5 (2:20)
13. Ayre a 6 (2:38)
Anthony Holborne
14. The image of Melancholy (4:56)
15. Galliard (2:29)
16. Pavana Ploravit (4:00)
17. Nec invideo (1:46)
Thomas Simpson
18. Pavan (4:17)
19. Galliard (2:05)
20. Gourant (2:39)
21. Volta (2:13)
Anthony Holborne
22. Pavan (4:47)
23. Galliard (1:42)
John Adson
24. The Bull Masque (1:37)
25. The Second of my Lord of Essex (3:59)
26. The First of the Temple Anticke (1:24)
Performers:
Isabella d'Este
Ariane Maurette, Caroline Howald, Cecilia Knudtsen (viol, recorder)
Friederike Daeublin, Regina Haenni, Lisette Milleret (viol)
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[vandtal]

[Only registered and activated users can see links] Jacques Dutronc
Title: Madame L'Existence
Year Of Release: 2003
Label: Columbia
Genre: Pop, Chanson
Quality: FLAC (image+.cue,log) / MP3 320 Kbps
Total Time: 43:22
Total Size: 289 Mb / 109 Mb

Tracklist:
1. Madame L'Existence 3:55
Lyrics By - Jacques Dutronc , Jacques Lanzmann
Music By - Jacques Dutronc
2. La Vie En Live 3:46
Lyrics By - Jacques Dutronc , Jacques Lanzmann
Music By - Alain Lubrano , Jacques Dutronc
3. Un Jour Tu Verras 3:48
Arranged By, Conductor - Yvan Cassar
Bass - Laurent Vernerey
Drums - Régis Ceccarelli
Guitar - Pierre Jaconelli
Lyrics By - Marcel Mouloudji
Music By - Georges Van Parys
4. Face À La Merde 4:30
Lyrics By - Jacques Dutronc , Jacques Lanzmann
Music By - Jacques Dutronc
5. L'Homme Et L'Enfant 3:32
Arranged By, Conductor [Orchestra] - Marie-Jeanne Séréro
Backing Vocals - Pierre-Yann Messager
Horns - Serge Plume
Lyrics By - Renaud Rouzaud
Music By - Shanklin
Piano, Arranged By [Piano] - Marie-Jeanne Séréro
Programmed By, Arranged By [Orchestra] - Alexandre Azaria
Strings, Violin [1st] - Mark Steylaerts
Vocals [Duet With] - Louise Duval
6. Voulez Vous 4:53
Backing Vocals - Nathalie Berrebi
Lyrics By - Jacques Dutronc , Jacques Lanzmann
Music By - Jacques Dutronc
Violin [1st] - Alain Kouznetzoff
7. L'Ère De Rien 3:15
Lyrics By - Jacques Dutronc , Jacques Lanzmann
Music By - Jacques Dutronc
8. Transat En Solitaire 4:03
Lyrics By - David Mac Neil
Music By - Jacques Dutronc
9. C'Est Peut Être Ça 4:19
Lyrics By - Jacques Dutronc , Jacques Lanzmann
Music By - Jacques Dutronc
10. Sainte Suzanne (Instrumental) 3:51
Cor Anglais [Hautbois] - Claude Maisonneuve
Harp - Jean Claude Dubois
Violin [1st] - Lionel Gali
Written-By - Jacques Dutronc
11. Dou Douce 3:16
Cello - Mathieu Rogué , Philippe Ferret
Lyrics By - Jacques Dutronc , Jacques Lanzmann
Music By - Jacques Dutronc
Piano - Damien Nedonchelle
Violin - Alain Kouznetzoff , Véronique Marcel
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[vandtal]

[Only registered and activated users can see links] Milica Lazovic, Pietro Massa
Title: Serbian Songs
Year Of Release: 2017
Label: Myricae Classics
Genre: Classical, Vocal
Quality: flac lossless +booklet
Total Time: 00:55:02
Total Size: 163 mb

Tracklist
---------
01. Šano Duso, Šano
02. The Autumn Elegy, Op. 5 No. 1 "Jesenja Elegija"
03. Chanson
04. Vece na Školju
05. Šest Soneta
06. Kamena Uspavanka
07. Nestašna Snaša
08. Potonulo
09. Zeleni Vitez
10. Pesmo Moja
11. Vile
12. Šašava Pesma
13. Kao Molitva
14. Voxal
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[vandtal]

[Only registered and activated users can see links] The Chamberdeacons
Title: Gigant 200
Year Of Release: 1998
Label: Blickpunkt Pop
Genre: Indie Rock, Power Pop
Quality: FLAC (tracks)
Total Time: 57:28
Total Size: 401 MB

Tracklist:
1. Gigant 200 (03:35)
2. Second Start (02:29)
3. The Sound Of Silence (Paul Simon) (03:00)
4. Life (03:13)
5. She Moves Slowly (05:57)
6. Gotta Get Away (03:25)
7. Weird (01:58)
8. My Baby Killed Something Deep Inside Me (02:22)
9. Don't You Stop Thinking (04:08)
10. Now Is The Time (03:08)
11. World Of The Lonely People (03:07)
12. Ghettogirl (02:54)
13. Losing My Temper (04:13)
14. Face The Light (03:29)
15. One Of These Days (02:59)
16. In Your Dreams (04:03)
17. Sick (03:30)
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[vandtal]

[Only registered and activated users can see links] Jeff Jensen
Title: Morose Elephant
Year Of Release: 2015
Label: Swingsuit Records
Genre: Blues, Memphis Blues
Quality: Flac (tracks)
Total Time: 45:59
Total Size: 314 Mb

Tracklist:
01. Make it Through
02. Get Along
03. Fall Apart
04. Going Home
05. Paper Walls
06. What�s the Matter with the Mill
07. Ash and Bone
08. Elephant Blue
09. Bad Bad Whiskey
10. I�ll Always Be in Love with You
11. Empty Bottles


With this album, Jeff Jensen has presented a work of art. An examination by the artist of his place along his journey, and within his genre. The album is full of reflective touches, the way its songs relate to each other and previous material, the way the music and lyrics relate, moments when one or the other turns to look inward. This feels like an important work, not only as a milestone of the artist's career, but as an powerful introspective addition that enriches the Blues.
If you've seen The Jeff Jensen Band perform live, you know that Jeff has become one of the most innovative blues guitarists around. On the road, Jeff and his band, Bill Ruffino on bass and Robinson Bridgeforth behind the drums, have developed and honed their musical craft into artwork of sound and energy. With his latest album "Morose Elephant," Jeff has crafted a new intricate musical experience with the help of many musical friends, and also shows us his artistry of fine aural details and powerful lyrical imagery. The album is beautiful music and poetry, blues as art.
The album is presented with two sides like an LP, and side A begins in Memphis, with "Make It Through." The sound reminds us of Stax or Hi Records, and the horns of Marc Franklin and Kirk Smothers set the opening mood. The song seems to reflect on "I'm Thankful," the finale of Jeff's previous album, with perhaps a more seasoned point of view. These lyrics have a wiser tone, less raw hope and more thoughtful, while the music revisits that hope and optimism. The song is an anthem to friendship.
Next, "Get Along" is a 12-bar blues disguised with the electric feedback sound of 60's protest rock. Besides a commentary on the present day, the song presents us with an examination of the core of blues music, with lyrics that might fit comfortably into the repertoire of a bluesman from any era.
"Fall Apart" is gorgeous. The lyrics paint a melancholy picture of the actress in this tale, while the music layers depth and emotion onto the scene. Then in the chorus, as the horns add their voices, Jeff invites us with to re-examine the scene, through other eyes, from a longer point of view. "Too many sunsets change the season/ Everything put together falls apart." With an exquisite musical pun to highlight the point. In the final verse, the organ wells up, and we are again presented with a change of perspective to consider.
"Going Home" is the band's take on a traditional gospel song. It's sometimes been called "Troubles of the World" and sung almost as a dirge. On the road Jeff and his band have developed this song into a charming piece of inspiration. The music begins with almost mournful undertones, reminiscent of the old treatments. But soon the horns join in with a note of celebration, and Jeff begins singing in a voice somewhere in between. Growing with each verse, the song becomes a hymn, with Reba Russel's backing vocals straight out of an old gospel church and angelic musical imagery. In between verses, Jeff's guitar wails out the emotion of the singers soul.
Side A ends with "Paper Walls," a carnival of a song musically and lyrically, with instrumentation that seems simultaneously upsetting and compelling . Chris Stephenson's solo on Toy Piano is one of many treats packed into this song. The listener doesn't simply hear the storms or the singer's anger, they are experienced. This song is wonderful, as is the choice to end the side with it.
Side B begins with a cover of the Memphis Minnie classic "What's the Matter with the Mill," a rollicking duet between Jeff and Victor Wainwright. They have a fun time burning down the mill.
After the mill burns down is "Ash and Bone." Jeff's simple, powerful lyrics and the river created by Anne Harris's fiddle and James Cunningham's percussion combine into a stirring ballad. This song is a particular highlight of the album, poetic.
"Elephant Blue" is an instrumental track that seems to look back and reflect on another earlier song; "Pepper" from Road Worn & Ragged. It's a cool variation on the theme. For the next song, "Bad Bad Whiskey," Eric Hughes joins in with his harmonica, accenting the lamentations of the narrator.
Side B ends joyously back in Memphis with a cover of "I'll Always Be In Love With You," a song celebrating love, and peace with the memory of a lost love.
The last song on the album is a fun acoustic song with Gary Allegretto on harmonica called "Empty Bottles," presented as a bonus tack. Depending on whether one tends toward pessimism or optimism, the song seems a sequel or prequel to "Bad Bad Whiskey." With the refrain, "It's hard to stand for something when you can't stand at all," the song is a clever double entendre, with context from the title opposing the plaintive protests of the narrator.
"Morose Elephant" is a musical treat from front to back, and an important album in its own right, to be enjoyed over and over. This is blues music as fine art.

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[vandtal]

[Only registered and activated users can see links] Jill Scott
Title: A Long Walk
Year Of Release: 2001
Label: Epic
Genre: Soul, Neo Soul
Quality: FLAC (tracks+.cue,log,scans) / MPEG-PS
Total Time: 14:17+04:13
Total Size: 373,2 Mb


Tracklist
1 A Long Walk 4:41
2 A Long Walk (Dodge Remix -Soul Part 1&2) 9:32
3 A Long Walk (Video)
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[vandtal]

[Only registered and activated users can see links] Jimmy Smith
Title: Any Number Can Win
Year Of Release: July 10, 1963 - July 29, 1963
Label: Verve Records
Genre: Jazz,Hard Bop,Soul Jazz
Quality: Mp3, 320 Kbps
Total Time: 36:15
Total Size: 94.40 MB

Tracks
01. You Came a Long Way From St. Louis
02. The Ape Woman
03. Georgia on My Mind
04. G'won Train
05. Theme From Any Number Can Win
06. What'd I Say?
07. The Sermon
08. Ruby
09. Tubs
10. Blues for C.A.
Personnel
Jimmy Smith - Hammond organ
Bob Bushnell - bass guitar (tracks 2, 5, 10)
Art Davis - double bass (tracks 1-2, 4, 9-10)
George Duvivier - double bass (tracks 6-7)
Milt Hinton - double bass (tracks 3, 8)
Ed Shaughnessy - drums (tracks 1-2, 4, 9-10)
Doug Allen - drums (tracks 3, 5, 7)
Mel Lewis - drums (tracks 6-7)
Billy Mure - guitar (tracks 3, 5, 7)
Kenny Burrell - guitar (tracks 3, 5-8)
Vince Gambella - guitar (tracks 3, 5, 7)
George Devens - percussion (tracks 1-2, 4, 9-10)
Jimmy Cleveland, Melba Liston, Paul Faulise - trombone (tracks 1-2, 4, 9-10)
Charlie Shavers - trumpet (tracks 1-2, 4)
Snooky Young - trumpet (tracks 2, 10)
Jimmy Maxwell - trumpet (tracks 1-2, 4, 9-10)
Joe Newman - trumpet (tracks 1-2, 4-5 9-10)
James Sedlar - trumpet (track 5)
Budd Johnson - woodwind (tracks 1-2, 4-5 9-10)
Jerome Richardson - woodwind (track 5)
Jerry Dodgion, Marvin Halladay, Phil Woods, Seldon Powell - woodwinds (tracks 1-2, 4, 9-10)
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[vandtal]

[Only registered and activated users can see links] Amelia White
Title: Rhythm of the Rain
Year Of Release: 2017
Label: White-Wolf Records
Genre: Folk, Indie, Americana, Singer-Songwriter
Quality: FLAC (tracks)
Total Time: 32:07 min
Total Size: 207 MB

Tracklist:
01. Little Cloud Over Little Rock
02. Rythm Of The Rain
03. Sinking Sun
04. Sugar Baby
05. Supernova
06. Yuma
07. Said It Like A King
08. True Or Not
09. Let The Wind Blow


"Don't think too much, people" is the spoken word snippet that begins the title track of Amelia White's newest album, Rhythm of the Rain. It's a flippant warning, a half-joke, a sideways call-to-arms that announces a casual subversion threading through these rollicking 9 songs from the opening explosion of Summer sunshine, through the heat of lust and addiction, landing with a glance at politics and fate while the window is still wide open, warm breeze blowing in the late afternoon. Amelia White asks us to not take it all so seriously and, at the same time, shows us how critical it all is: love, fate, death, grief, politics, which isn't surprising considering White made this record in the four days between her Mother's funeral and her own wedding. Rhythm of the Rain digs deep. Her well worn smokey pipes deliver a rawness you'd expect from mining that liminal space between grief and joy.

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[vandtal]

[Only registered and activated users can see links] Jo Ann Kelly
Title: Blues & Gospel: Rare & Unreleased Recordings
Year Of Release: 2004
Label: Blues Matters Records
Genre: Blues, British Blues, Delta Blues
Quality: Flac (tracks, .cue, log)
Total Time: 58:26
Total Size: 373 Mb (scans)


[Only registered and activated users can see links] Long Black Hair
02. Boyfriend Blues
03. New Milk Cow Blues
04. I Looked Down the Line (and I Wondered)
05. Whose Been Telling You Buddie Brown Eyes
06. Black Rat Swing
07. Walking Blues
08. Just Like I Treat You
09. Sugar Babe
10. The Girl I Love, She Got Long Curly Hair
11. Special Baby Blues
12. Someday Baby Blues
13. Moon Going Down
14. Make Me a Pallet
15. Sweet Nothin's
16. Big Boss Man


The rock era saw a few white female singers, like Janis Joplin, show they could sing the blues. But one who could outshine them all -- Jo Ann Kelly -- seemed to slip through the cracks, mostly because she favored the acoustic, Delta style rather than rocking out with a heavy band behind her. But with a huge voice, and a strong guitar style influenced by Memphis Minnie and Charley Patton, she was the queen. Born January 5, 1944, Kelly and her older brother Dave were both taken by the blues, and born at the right time to take advantage of a young British blues scene in the early '60s. By 1964 she was playing in clubs, including the Star in Croydon, and had made her first limited-edition record with future Groundhogs guitarist Tony McPhee. She expanded to play folk and blues clubs all over Britain, generally solo, but occasionally with other artists, bringing together artists like Bessie Smith and Sister Rosetta Tharpe into her own music. After the first National Blues Federation Convention in 1968 her career seemed ready to take flight. She began playing the more lucrative college circuit, followed by her well-received debut album in 1969. At the second National Blues Convention, she jammed with Canned Heat, who invited her to join them on a permanent basis. She declined, not wanting to be a part of a band -- and made the same decision when Johnny Winter offered to help her. Throughout the '70s, Kelly continued to work and record solo, while also gigging for fun in bands run by friends, outfits like Tramp and Chilli Willi -- essentially pub rock, as the scene was called, and in 1979 she helped found the Blues Band, along with brother Dave, and original Fleetwood Mac bassist Bob Brunning. The band backed her on an ambitious show she staged during the early '80s, Ladies and the Blues, in which she paid tribute to her female heros. In 1988, Kelly began to suffer pain. A brain tumor was diagnosed and removed, and she seemed to have recovered, even touring again in 1990 with her brother before collapsing and dying on October 21. Posthumously, she's become a revered blues figure, one who helped clear the path for artists like Bonnie Raitt and Rory Block. But more than a figurehead, her recorded material -- and unreleased sides have appeared often since her death -- show that Kelly truly was a remarkable blueswoman. ~ Chris Nickson

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[vandtal]

[Only registered and activated users can see links] Joe Merrick
Title: New Bad Habits
Year Of Release: 2017
Label: Lunacy Records
Genre: Country
Quality: Flac (tracks)/320 Kbps
Total Time: 65:20
Total Size: 414/154 MB

Tracklist:
1. Quarter Horse Rider (4:07)
2. Crime And Ranchin' (3:16)
3. Forever (5:51)
4. Chasing The Sundown (3:07)
5. Turquoise Eyes (3:42)
6. La Viborron (7:19)
7. What Makes A Cowboy (4:40)
8. Eat Too Much (3:43)
9. The Wonder Of His Love (3:52)
10. The Voice (6:01)
11. Don't Give Up (4:12)
12. Old Paint (4:26)
13. Never Enough (3:57)
14. Jake's Revenge (7:00)
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[vandtal]

[Only registered and activated users can see links] Joe Shelton
Title: The Americana Diaries
Year Of Release: 2017
Label: Notlehs Entertainment
Genre: Country/Rock/Americana
Quality: Flac (tracks)/320 Kbps
Total Time: 42:48
Total Size: 250/104 MB

Tracklist:
1. 21 (Feat. Sydney Paige & Slater Kane) (5:06)
2. Americana Diary (3:55)
3. 2 B With U (3:32)
4. Riverside (3:06)
5. Open Up Your Heartache (4:24)
6. Freedom Highway (3:06)
7. Evergreen (3:54)
8. American Dream (3:19)
9. Little Girl (4:14)
10. America (4:09)
11. My Heart Is Open (3:58)


This is the second album from Joe Shelton and it was developed and worked on for over 20 months. The recording was all done inside Joe's own recording studio which is called "Bob's Country Bunker" in honor of one of his favorite films of all time... The Blues Brothers. The songs represent a collective of stories from the heartland of the USA. Each story wrapped in music is what Joe likes to call an "Americana Diary". They are little pieces of American life told with an optimistic view of life in 21st century America with an eye on the ups and downs of the times in which we live. From the party anthem 21 to the hope of a lifelong love in My Heart is Open you will find relatable heartfelt stories which will make you laugh, cry, smile and think.
Track 1 is 21. It features Sydney Paige's electric vocals powering the chorus. Sydney is an up and coming artist who's debut EP Fool's Gold is available worldwide. She brings a strength and power to the song that simply wouldn't have been there without her. We also can't miss the Impact of the other Featured Artist.. Slater Kane. He brings his hip-hop power in a down home manner to infuse a bit of flavor into the bridge and carry this song home. If you aren't dancing to this song in the first 30 seconds, you are missing a great opportunity.
Track 2 is Americana Diary. It consists of 3 short stories and outlines the concept for this entire album. True stories of the Heartland USA.
Track 3 is 2 B with U. It is a straight up happy dance infused love song. The catchy pop beats and counter melodies are everywhere...but with a story of true love underneath.
Track 4 is Riverside. It is a cautionary tale of love and family and the unexpected. Sometimes our split second, in the moment decisions effect the rest of our lives. Sometimes this is good and sometimes not... sometimes both.
Track 5 is Open Up Your Heartache. This is the story of reaching out to a friend in need and hoping to help them no matter if they think they need it or not.
Track 6 is Freedom Highway. It is a powerful rock infused journey through a marriage falling apart and the path to recovery.
Track 7 is Evergreen. Bouncing back from all that has happened before and finding the love of your life.
Track 8 is American Dream. Small time musicians everywhere and those who come out and support them will know exactly what this song is. It is the story of getting an opportunity no matter how small and making the most of it.
Track 9 is Little Girl. A very personal song written by Joe for his daughter in honor of her turning 18 and graduating from High School. It is the story of a father offering his love and support as his daughter comes of age before his very eyes.
Track 10 is America. This song is all about America and its ideals, its hopes and dreams and its struggles with apathy and division in the 21st century. It offers a message that the dream that is a free democratic society that pursues happiness is alive and well.
Track 11 is My Heart is Open. It almost made it onto Joe's first album....but something in the arrangement just didn't seem ready. It was completely redone for this record. Joe says that it is not only ready, but is put in the honored position of being the anchor to the album as the hopeful message on the end of the record.

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[vandtal]

[Only registered and activated users can see links] Joey DeFrancesco
Title: The Champ
Year Of Release: 1999
Label: High Note
Genre: Jazz,Bop, Hard Bop, Post-Bop
Quality: FLAC (image+.cue,log)
Total Time: 50:37
Total Size: 317 MB

Tracklist:
01. The Champ
02. Mack The Knife
03. When Johnnie Comes Marchin' Home
04. Lover Man Oh Where Can You Be
05. Organ Grinder's Swing
06. OGD
07. Preacher
08. Walk On The Wild Side
09. The Cat
Personnel:
Joey DeFrancesco (Hammond B-3 organ)
Randy Johnston (guitar)
Billy Hart (drums)


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[vandtal]

[Only registered and activated users can see links] John Hammond
Title: Mirrors
Year Of Release: 1967/2016
Label: Real Gone Music
Genre: Blues, Modern Electric Blues, Acoustic Blues
Quality: Flac (image, .cue, log)
Total Time: 39:55
Total Size: 274 Mb (scans)


[Only registered and activated users can see links] I Wish You Would (Billy Boy Arnold) - 2:51
2. They Call It Stormy Monday (But Tuesday Is Just As Bad) (T-Bone Walker) - 4:11
3. Statesboro Blues (Blind Willie McTell) - 3:23
4. Keys To The Highway (Big Bill Broonzy, Charles Segar) - 3:15
5. I Just Got Here (Mose Allison) - 4:37
6. Travelling Riverside (Robert Johnson) - 2:55
7. Stones In My Passway (Robert Johnson) - 3:12
8. Walking Blues (Robert Johnson) - 2:57
9. Death Don't Have No Mercy (Traditional) - 3:19
10. Motherless Willie Johnson (Blind Willie Johnson) - 2:22
11. When You Are Gone (Blind Boy Fuller) - 2:34
12.Rock Me Mama (Traditional) - 2:27
13. Get Right Church (Traditional) - 1:53
John Paul Hammond - Guitar, Harmonica, Vocal
Michael Bloomfield - Guitar, Piano
William "Billy" Butler - Guitar
Bobby Donaldson - Drums
Barry Goldberg - Organ
Levon Helm - Drums
Eric Garth Hudson - Organ
Jimmy Lewis - Bass
Charlie Musselwhite - Harmonica
Robbie Robertson - Guitar


John Hammond, Jr. is one of a handful of white blues musicians who was on the scene at the beginning of the first blues renaissance of the mid-'60s. That revival, brought on by renewed interest in folk music around the U.S., brought about career boosts for many of the great classic blues players, including Mississippi John Hurt, Rev. Gary Davis, and Skip James. Some critics have described Hammond as a white Robert Johnson, and Hammond does justice to classic blues by combining powerful guitar and harmonica playing with expressive vocals and a dignified stage presence. Within the first decade of his career as a performer, Hammond began crafting a niche for himself that is completely his own: the solo guitar man, harmonica slung in a rack around his neck, reinterpreting classic blues songs from the 1930s, '40s, and '50s. Yet, as several of his mid-'90s recordings for the Point Blank label demonstrate, he's also a capable bandleader who plays wonderful electric guitar. This guitar-playing and ensemble work can be heard on Found True Love and Got Love If You Want It, both for the Point Blank/Virgin label.
Born November 13, 1942, in New York City, the son of the famous Columbia Records talent scout John Hammond, Sr., what most people don't know is that Hammond didn't grow up with his father. His parents split when he was young, and he would see his father several times a year. He first began playing guitar while attending a private high school, and he was particularly fascinated with slide guitar technique. He saw his idol, Jimmy Reed, perform at New York's Apollo Theater, and he's never been the same since.
After attending Antioch College in Ohio on a scholarship for a year, he left to pursue a career as a blues musician. By 1962, with the folk revival starting to heat up, Hammond had attracted a following in the coffeehouse circuit, performing in the tradition of the classic country blues singers he loved so much. By the time he was just 20 years old, he had been interviewed for The New York Times before one of his East Coast festival performances, and he was a certified national act.
When Hammond was living in the Village in 1966, a young Jimi Hendrix came through town, looking for work. Hammond offered to put a band together for the guitarist, and got the group work at the Cafe Au Go Go. By that point, the coffeehouses were falling out of favor, and instead the bars and electric guitars were coming in with folk-rock. Hendrix was approached there by Chas Chandler, who took him to England to record. Hammond recalls telling the young Hendrix to take Chandler up on his offer. "The next time I saw him, about a year later, he was a big star in Europe," Hammond recalled in a 1990 interview. In the late '60s and early '70s, Hammond continued his work with electric blues ensembles, recording with people like Band guitarist Robbie Robertson (and other members of the Band when they were still known as Levon Helm & the Hawks), Duane Allman, Dr. John, harmonica wiz Charlie Musselwhite, Michael Bloomfield, and David Bromberg.
I Can Tell As with Dr. John and other blues musicians who've recorded more than two dozen albums, there are many great recordings that provide a good introduction to the man's body of work. His self-titled debut for the Vanguard label has now been reissued on compact disc by the company's new owners, The Welk Music Group, and other good recordings to check out (on vinyl and/or compact disc) include I Can Tell (recorded with Bill Wyman from the Rolling Stones), Southern Fried (1968), Source Point (1970, Columbia), and his string of early- and mid-'90s albums for Point Blank/Virgin Records, Got Love If You Want It, Trouble No More (both produced by J.J. Cale), and Found True Love.
He didn't know it when he was 20, and he may not realize it now, but Hammond deserves special commendation for keeping many of the classic blues songs alive. When fans see Hammond perform them, as Dr. John has observed many times with his music and the music of others, the fans often want to go back further, and find out who did the original versions of the songs Hammond now plays.
Ready for Love Although he's a multi-dimensional artist, one thing Hammond has never professed to be is a songwriter. In the early years of his career, it was more important to him that he bring the art form to a wider audience by performing classic -- in some cases forgotten -- songs. Now, more than 50 years later, Hammond continues to do this, touring all over the U.S., Canada, and Europe from his base in northern New Jersey. He continued to release albums into the new millennium with three discs on the Back Porch label, including Ready for Love in 2002, produced David Hidalgo of Los Lobos, In Your Arms Again in 2005, and Push Comes to Shove in 2007. Rough & Tough arrived in 2009, with a fine live solo set, Timeless, recorded in the spring of 2013, appearing in early 2014. Whether it's with a band or by himself, Hammond can do it all. Seeing him perform live, one gets the sense that some of the best is still to come from this energetic bluesman.

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[Only registered and activated users can see links] Jonathon Round
Title: Jonathon Round
Year Of Release: 1972/2009
Label: Big Pink
[b]Genre: Psychedelic Folk Rock
Quality: FLAC (tracks+cue,log,scans)
Total Time: 00:39:09
Total Size: 239mb(+5%)



Jonathon was a huge man, very huge according to the people who met him, he also had a huge voice and wide open way of musical thoughts. His roaring theatrical version of "Sympathy For The Devil" made an effect by the time it's release, but couldn't drift the album to make the splatter that he expected and the sales stood in low numbers.
That of course means nothing at all, the rest album keeps the high stature, from the opening "In Quest Of Unicorn" to his aspect of the Bee Gees "To Love Somebody" we are tasting some great vocal work, supplemented by musicianship which is practically beyond reproach.



[Only registered and activated users can see links] In Quest of the Unicorn (J. Round) - 4:56
2. Don't It Make You Want to Go Home (Joe South) - 3:10
3. Tolu (Round) - 5:13
4. Sympathy for the Devil (Jagger, Richards) - 6:01
5. To Love Somebody (Gibb, Gibb) - 3:00
6. Traveling Mama Blues (J. Round) - 4:11
7. And I Will Not Be Moved (J. Round) - 4:45
8. Train-A-Comin' (J. Round) - 2:36
9. Young Sadie (Dancing Lady) (J. Round) - 5:34
Personnel:
---------
Thaddeus Markiewicz - Strings
Carl Raetz - Trombone
Felix Resnick - Strings
Sylvester Rivers - Keyboards
Alvin Score,Haim Shtrum,Beatriz Staples,Jack Boesen - Strings
Jonathan Round - Vocals, Guitar
John Griffith - Keyboards
Fred Boldt - Sax (Baritone)
Edgar Clanton - Vocals (Background)
Boob Coward - Flute, Oboe
LeRoy Fenstermacher - Strings
Sam Fozzini - Drums
Parke Grout - Trombone
Virginia Hoffman - Strings
Santo Urso - Strings
Dave Banks - Background Vocals
Dennis Coffey - Guitar
Mike Theodore - Synthesizer, Guitar
Doris Jones, Pat Webb, LaVerna Mason - Background Vocals
Jack Ashford - Percussion
Bob Babbitt - Bass
Leo Harrison, George Hawkins - Trombone
David Ireland,Barbara Fickitt - Strings
Emanuel Johnson - Background Vocals
All thanks to original releaser
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[Only registered and activated users can see links] The Collisons
Title: Blessings Multiplied
Year Of Release: 2017
Label: Chapel Valley
Genre: Pop, Gospel
Quality: 320 Kbps
Total Time: 42:08 min
Total Size: 96 MB

Tracklist:
01. Faithfull Like That
02. Hold On
03. Say Amen
04. The Promise
05. Let the Blood Speak for Me
06. Give Out the Blessing
07. Simply Unexplainable
08. Showers of Blessing
09. I've Seen Enough
10. Lord of the Dance
11. Though Oh Lord Are a Sheild for Me
12. High & Lifted Up


uly 2001 was the month that Andy and Kelly gave their heart to the Lord. This mother and father of four children had not attended church as a family before so it was a big change for them. As God began to work in their lives miraculous things began to happen. Buddy, the oldest, gave his life to Christ and turned his life around, and Anthony followed shortly after. The radical change in this family had begun.
In 2001, Andrea was 4 and Melissa was 2. Neither have any memory of the family's life before finding the Lord. Anthony and Buddy, however, were first-hand witnesses to how God changed this family. Andy, Anthony, and Buddy were all three musicians in the churches music ministry, Kelly and Andy became Sunday School teachers. Still, no one could imagine what was coming next. Andy received a call from a friend starting a southern gospel group and was asked if he was interested in singing as a baratone. He was confused as to why he would be asked this. He had never sung before in front of anyone. He was reminded, however, of a while before when he sang a single song with his mother and sister at the local church. After some consideration, Andy accepted the offer and began singing with the group in March 2008.
At this time Andrea and Melissa were 7 and 9 years old. Over the next 9 months, as Andy sang with the group, Freedom's Crossing, the girls would alternate singing during intermissions. After several months, Andy was sitting on the front porch swing with Andrea and Melissa and they began to try to harmonize. In no time, it became evident that there was a wonderful ministry ahead. In November 2008, after the dissolving of Freedom's Crossing, The Collisons sang together as a trio for the very first time. More venues and ministry opportunities opened for them in the following months.
Their ministry came to a halt, however, on June 5th, 2009 when Buddy, the oldest son, while on his way to the family home with his wife of just 3 weeks, lost control of his vehicle and was tragically killed in the accident. Life seemed to reset for the Collison family. Though Buddy was a great young man of God and is waiting in Heaven, the pain of loss gripped the family. But God did not forget the Collisons and the plan he had for them. Through searching and prayer God revealed a passage to them which they considered charge to them and all Christians: 2 Timothy 4, "Preach the word! Be ready in season and out of season. Convince, rebuke, exhort, with all longsuffering and teaching. 3 For the time will come when they will not endure sound doctrine, but according to their own desires, because they have itching ears, they will heap up for themselves teachers; 4 and they will turn their ears away from the truth, and be turned aside to fables. 5 But you be watchful in all things, endure afflictions, do the work of an evangelist, fulfill your ministry." The Collisons have as a result of this passage three goals: Reach the Lost, Preach the Word, and Encourage believers through the ministry of music. To that end the Collisons endeavor to follow God wherever he leads and depend upon him for the future.

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[Only registered and activated users can see links] Monteith
Title: Monteith Mania
Year Of Release: 2018
Label: 769826 Records DK
Genre: Hard Rock
Quality: 320 Kbps
Total Time: 46:37 min
Total Size: 106 MB

Tracklist:
01. Monteith Mania 05:28
02. Abyssonaut 06:05
03. Good Friends Song 05:03
04. Yesterday's Jam 05:35
05. The Man Strikes Again 05:01
06. Rifflords 04:03
07. Wicked Riff Of The West 04:16
08. Long Shadow Of Mystery 06:38
09. Secret Weed 04:28
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[Only registered and activated users can see links] Justin Johnson
Title: Turquoise Trail: Soundtrack For A Western
Year Of Release: 2017
Label: Self Produced
Genre: Country/Blues
Quality: Flac (tracks)/320 Kbps
Total Time: 1:36:36
Total Size: 628/227 MB

Tracklist:
1. Turquoise Trail (3:19)
2. Black Heart Of Gold (3:58)
3. Pistolero (3:12)
4. Vision (4:31)
5. Sunrise Prayer (4:15)
6. Ojo Caliente (5:07)
7. After The Melt (4:07)
8. Wind (2:29)
9. El Paso (5:20)
10. Lights Out (Last Call) (4:28)
11. Vaya Con Dios (4:11)
1. Call Of The Road (3:19)
2. Showdown At High Noon (6:29)
3. Arroyo (3:51)
4. 5 Horse Getaway (4:26)
5. St. James Hospital (4:29)
6. Vision No. 2 (4:25)
7. Malaguena (3:23)
8. Iron And Arsenic (4:02)
9. Ghost Riders In The Sky (6:44)
10. Fireside Reverie (4:20)
11. Roll Credits (5:13)


Turquoise Trail: Soundtrack for a Western is a no holds barred auditory journey, written and performed as a sensory immersive soundtrack for a Western movie adventure.
This collection of fresh originals and classic western songs will conjure the images of fast-paced horse chases, drunken nights in the saloon, fireside serenades, and dramatic high-noon showdowns. Buy the ticket, take the ride, & prepare for A Musical journey
into the vintage American West!
Nashville-based Roots Blues and Americana artist Justin Johnson has been hailed by Guitar World as a "must-see act," lauded as an "American Master" by John Carter Cash, a "musical visionary" by Ted Nugent, had his "funk" praised by Bootsy Collins, and had his musical approach described as "timeless" by North Mississippi Allstar frontman Luther Dickinson. He has been recognized as Slidestock International Slide Guitar Champion, and his original music has been licensed to Wieden & Kennedy, Dodge Motor Co, Ken Burns, Florentine Films, and the list keeps growing. Justin Johnson blurs the lines between the traditional and the cutting edge, taking current day music back to it's roots and keeping the blues alive.

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[Only registered and activated users can see links] József Balog
Title: Gershwin: Rhapsody in Blue
Year Of Release: 2018
Label: Hungaroton
Genre: Classical, Piano
Quality: flac lossless +booklet
Total Time: 00:57:51
Total Size: 163 mb

Tracklist
---------
01. Rialto Ripples Rag
02. Porgy & Bess: Summertime (Arr. B. Rubinstein for Piano)
03. George Gershwin's Songbook: No. 6, I'll Build a Stairway to Paradise
04. George Gershwin's Songbook: No. 18, Who Cares? (So Long as You Care for Me)
05. George Gershwin's Songbook: No. 10, Nobody but You
06. George Gershwin's Songbook: No. 3, Do It Again
07. George Gershwin's Songbook: No. 14, Swanee
08. George Gershwin's Songbook: No. 16, 'S Wonderful
09. George Gershwin's Songbook: No. 13, Strike Up the Band
10. 3 Preludes: No. 1, Allegro ben ritmato e deciso
11. 3 Preludes: No. 2, Andante con moto e poco rubato "Blue Lullaby"
12. 3 Preludes: No. 3, Allegro ben ritmato e deciso "Spanish Prelude"
13. Rhapsody in Blue (Version for Piano)
14. 7 Virtuoso Études (After Gershwin): No. 1, Liza
15. 7 Virtuoso Études (After Gershwin): No. 2, Somebody Loves Me
16. 7 Virtuoso Études (After Gershwin): No. 4, Embraceable You
17. 7 Virtuoso Études (After Gershwin): No. 5, Lady Be Good
18. 7 Virtuoso Études (After Gershwin): No. 7, Fascinatin' Rhythm
19. 7 Virtuoso Études (After Gershwin): No. 3, The Man I Love
20. 7 Virtuoso Études (After Gershwin): No. 6, I Got Rhythm
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[Only registered and activated users can see links] Kamus Quartet
Title: Homunculus
Year Of Release: 2018
Label: Alba
Genre: Classical
Quality: flac lossless
Total Time: 01:02:03
Total Size: 290 mb

Tracklist
---------
01. Homunculus
02. String Quartet No. 1 "Metamorphoses Nocturnes"
03. String Quartet No. 3, Op. 94: I. Duets. With Moderate Movement
04. String Quartet No. 3, Op. 94: II. Ostinato. Very Calm
05. String Quartet No. 3, Op. 94: III. Solo. Very Calm-Lively
06. String Quartet No. 3, Op. 94: IV. Burlesque. Fast
07. String Quartet No. 3, Op. 94: V. Recitative & Passacaglia. Slow "La serenissima"
Pekka Salonen's string quartet Homunculus. Kamus celebrates its 15th anniversary as one of the most prominent Nordic ensembles and continues to delight audiences with a strong and distinctive voice.
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[Only registered and activated users can see links] Kasey Tyndall
Title: Between Salvation And Survival
Year Of Release: 2017
Label: Self Produced
Genre: Country/Rock
Quality: Flac (tracks)/320 Kbps
Total Time: 31:35
Total Size: 252/100 MB

Tracklist:
1. Boots Stompin' (3:18)
2. Bar That's Open (3:23)
3. Everything Is Texas (3:43)
4. After Midnight (2:54)
5. I Ain't Yours (2:59)
6. Friday Night (2:47)
7. Bottle And The Bible (3:31)
8. Leave 'em Under The Chair (2:37)
9. Smoking Section (3:14)
10. Everyday Girl (3:04)


Road warrior and Sony/ATV songwriter Kasey Tyndall has been capturing fans within the industry and outside alike with her high-energy, in your face live performances and well crafted songs that boasts relatable lyrics and dance-inducing melodies. Those qualities paired with her authenticity are the essence of Between Salvation and Survival, her debut album. The 10-song collection, produced by hit songwriter Tommy Cecil (Luke Bryan, Jake Owen, Parmalee), perfectly merges Tyndall's creative writing chops, who is a co-writer on the entire album, with her energetic and raw rocking-country sound.
"This album is a collection of true stories. It's my life so far. It's like opening my personal diary.", says the 21 year old North Carolina native.
Between Salvation and Survival encompasses everything from an ode to an ex-lover "Everything Is Texas," the debut single that generated over a quarter of a million streams on Spotify and a Top 10 spot on the CMT 12 Pack Countdown to the light-hearted break-up anthem, penned by Tyndall, Warner Music recording artist Ashley McBryde, and Lainey Wilson, "Bar That's Open," the current single and new addition to Spotify's New Boots playlist. Other cuts include "Friday Night," the feel good sing-along written by Tyndall, Matt Thomas of Parmalee and Reid Isbell, the rocking confident female jam "Everyday Girl," written by Tyndall, Taylor Phillips (writer of Luke Comb's #1 Hurricane), Matt Roy and Ricky Young and the deeply personal piano ballad "Bottle and The Bible."
"With Kasey Tyndall you get the real deal. She's authentic and confident in who she is as an artist," praises Troy Tomlinson, President/CEO Sony/ATV Nashville. "We're thrilled to be a part of her debut album and are excited about her lengthy career ahead."

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[Only registered and activated users can see links] Ana Caram
Title: Nao Ando So
Year Of Release: 2016
Label: Musicasa
Genre: Jazz / Latin / Christian
Quality: Mp3 / 320kbps
Total Time: 44:03 min
Total Size: 101 MB

Tracklist
-----------
01. Ó Deus De Amor
02. Do Santo Sábado És Senhor
03. Bem De Manhã
04. Querido Jesus
05. Seu Maravilhoso Olhar
06. Saudade
07. Muito Além Do Sol
08. Abre, Senhor, Os Olhos Meus
09. Que Te Darei, Meu Mestre
10. Não Ando Só
11. Quero Estar Ao Pé Da Cruz
12. Ser Igual A Cristo
13. Dá-Me Tua Paz
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[Only registered and activated users can see links] Kelsey Kerrigan
Title: Primary Colors
Year Of Release: 2017
Label: Jullian Records
Genre: Adult Alternative, Rock
Quality: FLAC (tracks+.cue)
Total Time: 34:34
Total Size: 233 MB

Tracklist:
1. Good Times (02:53)
2. So What (02:46)
3. Driving Around (02:49)
4. Over in Seconds Time (02:25)
5. High Road (03:07)
6. Bona Fide (03:00)
7. A Good Reason (03:09)
8. Small Spaces (02:43)
9. Make It Rain (03:13)
10. What Was the Last Time (03:23)
11. Let Me Go (02:31)
12. Haunted House (02:30)
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[Only registered and activated users can see links] La Gaia Scienza
Title: Schubert: Piano Trios
Year Of Release: 1998
Label: Winter & Winter
Genre: Classical
Quality: APE (image+.cue,log)
Total Time: 01:42:34
Total Size: 414 Mb

Tracklist:
Trio in E-flat Major for Piano, Violin and Cello, Op. 100, D. 929
I. Allegro 15:22
II. Andante con moto 8:44
III. Scherzando: Allegro Moderato 6:58
IV. Allegro Moderato 13:47
Sonata in B Major for Piano, Violin and Cello, D. 28 10:33
Trio in B Major for Piano, Violin and Cello, Op. 99, D. 898
I. Allegro moderato 13:57
II. Andante un poco mosso 9:47
III. Scherzo 6:28
IV. Rondo 8:25
Trio Notturno in E-flat Major for Piano, Violin and Cello, Op. 148, D. 897: Adagio 8:25
Performers:
La Gaia Scienza:
Federica Valli, fortepiano
Stefano Barneschi, violin
Paolo Beschi, cello


This provides a most welcome sequel to La Gaia Scienza's splendid account of the E flat Schubert Trio (Winter & Winter, 12/97). On that disc Federica Valli plays a Schantz fortepiano with an extremely pungent range of sonorities; here she exchanges it for an 1827 Conrad Graf instrument that is rather more suave and silvery, though recorded with equal immediacy. Indeed, the recording brings out most vividly the character of all three instruments - listen to the start of the Notturno, where the harp-like piano chords contrast most picturesquely with the grainy tone of the gut-strung strings. The memorable sound of the record is complemented by playing of exceptional physical vitality; in the triumphant middle section of the Notturno, any limitation of the sonorous impact due to the period piano is more than offset by the sheer impetus of the playing. The lightness and vivacity of D898's finale and the forceful vigour of the first movement are equally notable.
For a period-instrument version of the Trio, this is a strong recommendation. On modern instruments, Schiff, Shiokawa and Perenyi are serious rivals - less immediately striking in terms of sound, but offering interpretations of exceptional insight and expressive range. And their two-CD set of the Trio also includes a wonderful performance of the Arpeggione Sonata. To combine the virtues of these versions of the B flat Trio, you would have to go back to the famous 1926 Cortot/Thibaud/ Casals recording.'

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[Only registered and activated users can see links] Larry de Kat
Title: Un Olandese a Milano
Year Of Release: 2018
Label: Katnip Records
Genre: Electronic, Funk
Quality: FLAC (tracks)
Total Time: 28:43 min
Total Size: 143 MB

Tracklist:
1. Do For Love feat. Juno
2. Sprookjesbos
3. So Damn Fine
4. Se Io feat. Juno
5. Enjoy Losin'
6. Lanero Voleva Una Hit


Dutch producer Larry De Kat has been spotted delivering an album to Lazare Hoche and sliding his wares onto SlapFunk and Dungeon Meat alike, but his Katnip label it the one to watch for some of his most personal wares. This new release finds him purring his way through downtempo, soul-inflected selections that open out a whole new dimension to this talented, versatile producer. Juno's vocals are the icing on a particularly funky cake on "Do For Love", while "So Damn Fine" is an instrumental beat worthy of D'Angelo (sadly not included). The jazzy licks pour out of this release like honey - Larry De Kat just upped his game yet again and we strongly advise you to take heed.

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[Only registered and activated users can see links] Laura van der Heijden, Petr Limonov
Title: 1948: Russian Works for Cello & Piano
Year Of Release: 2018
Label: Champs Hill Records
Genre: Classical
Quality: flac lossless
Total Time: 01:10:42
Total Size: 285 mb

Tracklist
---------
01. Cello Sonata in C Major, Op. 119: I. Andante grave
02. Cello Sonata in C Major, Op. 119: II. Moderato
03. Cello Sonata in C Major, Op. 119: III. Allegro, ma non troppo
04. Five Pieces for Cello and Piano, Op. 25: I. Prelude
05. Five Pieces for Cello and Piano, Op. 25: II. Valse
06. Five Pieces for Cello and Piano, Op. 25: III. Intermezzo
07. Five Pieces for Cello and Piano, Op. 25: IV. Aria
08. Five Pieces for Cello and Piano, Op. 25: V. Scherzo
09. Cello Sonata No. 2 in A Minor, Op. 81: I. Allegro moderato
10. Cello Sonata No. 2 in A Minor, Op. 81: II. Andante cantabile
11. Cello Sonata No. 2 in A Minor, Op. 81: III. Allegro con spirito
12. 3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano)
The winner of the BBC Young Musician Competition in 2012, Laura van der Heijden makes her debut recording with music of the Soviet era, inspired by her teachers, and by a deep appreciation of "the immense value of great art, music, and literature in Russian-speaking countries.. discovered the link which exists between the 'Russian soul' and the spiritual virtue of art".
Laura also writes: "The pieces on this album are in many ways a response to the decree issued by the communist party on the 10th of February 1948, which further restricted composers' freedom of expression".
Laura has already made a name for herself as a very special emerging talent, captivating audiences and critics alike with her insightful and faithful interpretations. She has appeared with leading UK orchestras, such as the Philharmonia, BBC Philharmonic, Royal Philharmonic, European Union Chamber and English Chamber Orchestras. Her recital partner on this recording is Russian-British pianist Petr Limonov.
The works on this disc by Prokofiev, Myaskovsky and Shaporin were also the fruit of the composers' collaboration with Mstislav Rostropovich, whose talent and energy catalysed them into writing for cello.
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[Only registered and activated users can see links] The Family Of Apostolic
Title: The Family Of Apostolic
Year Of Release: 1968/2014
Label: Future Days Recordings
Genre: Folk Rock, Psychedelic Rock
Quality: Flac (image, .cue, log)
Total Time: 58:37
Total Size: 401 Mb (scans)


[Only registered and activated users can see links] Redeemer (John Townley) - 2:03
2. Zoo Song (Gilma Townley) - 2:37
3. Spring Song (John Townley) - 1:55
4. Down The Road (John Townley, Gilma Townley) - 2:37
5. Please Be Mine (John Townley) - 1:47
6. Did You Like The Party (Robert Berkowitz) - 2:33
7. Fiddler A Dram (John Townley, Jay Ungar) - 2:54
8. Bubbling Brook (Instrumental) (John Townley, Jay Ungar) - 3:25
9. I Won't Be Sad Again (John Townley) - 2:10
10. Old Grey House (Robert Berkowitz) - 3:00
11. Dholak Gheet (Jay Ungar, Lyndon Hardy) - 4:02
12. Doin' A Stretch (John Townley, Gilma Townley) - 3:15
13. The Lone Pilgrim (Trad. arr John Townley) - 3:00
14. Water Music (Instrumental) (John Townley) - 1:40
15. Grotesque Silly Bird (Gilma Townley) - 5:52
16. Taking Me Home (Diedre Heather Townley) - 2:34
17. O Splendour (Arr. David Ames) - 1:14
18. Lilting Lil (Gilma Townley) - 2:25
19. Mabel's Umbrage (Instrumental) (Gilma Townley) - 3:59
20. Devil's Yard (Gilma Townley) - 1:21
21. Personality (John Townley) - 1:52
22. Saigon Girls (Instrumental) (Alan Gordon, Garry Bonner) - 2:24
Gilma Townley - Bass, Drums, Fiddle, Harmonium, Organ, Piano, Tambourine
John Townley - Banjo, Bass, Cover Art, Delruba, Drums, Engineer, Guitar, Krummhorn, Mandolin, Photography, Piano, Producer, Rauschpfeife, Vocals
David Ames - Clarinet
Genie Ames - Organ, Vocals
Richard Amster - Bass
Bob Berkowitz - Organ, Piano
Jerry Burnham - Bass, Drums, Vocals, Wind
Cyril Caster - French Horn, Trumpet
Lyndon Hardy - Tambourine, Vocals
Travis Jenkins - Saxophone
Peter Smith - Bass, Oud
Ellson Standler - Flute
Deirdre Townley - Harmonium, Vocals
Jay Ungar - Mandolin, Violin, Vocals


Its name suggests a Christian folk record, but that only begins to describe the The Family of Apostolic, originally released on Vanguard in 1968 and now reissued by Light in the Attic. The album is an enchanting, mind-expanding relic whose pleasures are as simple as old folk songs and as strange as a 19-member family made up of brothers, ex-spouses and friends who came together as an unconventional musical unit.
Apostolic studio took its name from a source that was not spiritual, but technical, its then-unusual setup reflecting the number of Apostles. Founder John Townley was a member of New York garage band The Magicians (their "Invitation to Cry" was compiled on the very first Nuggets comp), and grew tired of the subpar conditions of major label Columbia's recording studio. He thought he could do better, and after inheriting $85,000, he did, expanding the then-standard eight-track console to 12, replacing knobs with faders - standard stuff now, but a revelation in 1968. While the studio is merely an electric conduit, Apostolic gave artists like the Grateful Dead and others who flocked to the Greenwich Village loft a chance to have each track serve as a musical evangelist, spreading love through music.
Despite the sprawling cast, the album is John Townley's musical vision. It starts with "Redeemer," an electric 12-string rocker whose lyrics support their inspirational name: "Jesus Christ our redeemer/ Gave his life for love of men/ Oh say are you a true believer?" The song's tone and pacing suggests a medieval hymn, but the instrumentation suggests the Byrds. This two-minute opener is an effective mission statement. But, as the album does throughout its four LP sides, it immediately shifts gears to the strange dirge-like "The Zoo Song," a piano-vocal track improvised by Townley's ex-wife Gilma. Townley was inspired by avant-garde filmmaker Stan Brakhage and turned this into a sound collage with various animal sounds. It's an unusual use of the 12-track technology, but this seemingly primitive children's song (with sinister chords) is a celebration of creation.
"Spring Song" is the kind of charming Americana you'd expect to hear in Greenwich Village in 1968. But you can hear why Vanguard Records, who specialized in more conventional folk music (and more poorly recorded, Townley would add), was frustrated by Townley's refusal to adhere to a single style. The label marketed three singles from the album, but each was listed under a different artist. The most unusual of these was "Saigon Girls," the uncommercial instrumental collage that ended the album; it was bizarrely credited to "The Spirit of Khe Sahn" and issued in a picture sleeve that depicted an airplane's wing flying above a cloud bank.
A more logical single would have been "Did You Like the Party," whose fuzzy organ timbres and modest Monkees-like vocals could have turned it into an AM staple. More typical of the album is a down home folk version of the blues standard "Junco Partner," called "Down the Road" in this version. The history of this particular song is a lesson in ecumenical genre-crossing, as it has been covered in reggae, R&B and punk versions, the latter connected to another ambitious multi-album set: Sandinista!
Townley's then three-year old daughter Deirdre is pictured on the album cover and performs on its strangest track, "Taking Me Home." This is more than just a child's musical experimentation; Townley explained that his daughter was "concentrating on the beat tones and overtone series between her voice and the pump organ she was fingering at the time. Children do that naturally, adults have to be trained to it."
In 1968, the notion of the communal family may have suggested the sinister designs of the era's most infamous family. But The Family of Apostolic is wholesome, homegrown music whose freewheeling nature looks forward to a 1976 album that is also in Light in the Attic's reissue catalog: Have Moicy!, by folk singer Michael Hurley with The Unholy Modal Rounders, Jeffrey Frederick and The Clamtones. Both are varied folk albums that play on the fringes of the genre; the difference is that Townley strays even farther from the norm. This is an album that isn't afraid to explore, a sensitive, nearly psychedelic piano ballad called "The Old Grey House" followed by an arrangement of the Punjabi folk song "Dholak Gheet." When it strays from the folk-rock template, this album may put off listeners who want albums to stick to one course. But it is the nature of this spirited family to invite everybody to the musical table.~Pat Padua

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[Only registered and activated users can see links] Lee Hazlewood
Title: Cake or Death
Year Of Release: 2006
Label: BPX1992
Genre: Rock, Folk
Quality: FLAC (image+.cue,log,scans)
Total Time: 00:40:41
Total Size: 256 MB

Tracklist:
01. Nothing - featuring Lula
02. Bagdad Knights
03. Please Come To Boston - featuring Ann Kristin Hedmark
04. She´s Gone Break Some Heart Tonight - featuring Tommy Parsons
05. Sacrifice
06. Fred Freud
07. The First Song Of The Day - featuring Bela B.
08. It´s Nothing To Me
09. Anthem
10. White People Thing
11. Boots - Original Melody
12. Some Velvet Morning
13. T.O.M (The Old Man)


It's supremely fitting that Lee Hazlewood would greet his impending death from renal cancer with an album that expresses a healthy dose of cheery fatalism, the same nature that has kept the listeners of several generations tuned in to his every word. It's also fitting that Hazlewood goes out on his own terms, with no celebrity cameos but help from plenty of unknowns, family members, and old friends. (One of the latter gets a full vocal feature since, in Lee's words, "He literally saved my life some time ago, so this is a promise given and a promise kept.") Hazlewood entered no name studio, allowed no adoring producer or musician from a recent generation onto his record, and shows virtually no patience for writing or producing the type of album that many of his fans -- who are doubtless looking for a snapshot of Lee Hazlewood circa 1967 -- will want to hear. The opener, "Nothing," comes closest, with a suitably wry vocal -- "I took the time to say nothing to her/She took the time to say nothing to me/And in the time I said nothing to her, she said...nothing." Fans will recognize echoes of different Hazlewood eras in these songs, like the stark, proud political/social statement "Baghdad Knights" (a cousin to "José") and a slick weeper named "Please Come to Boston" along the lines of his mid-'70s countrypolitan records (complete with an overripe vocal from Lee's female duet partner). Also, several guests are European, as was Hazlewood himself for a good portion of his post-'60s career. In sound and execution, Cake or Death is a modern-day roots rock record (with the polished touch of Nashville), and Hazlewood's studio team finds no trouble moving from loping (Western) swing to red-hot rock & roll. Two of his biggest production hits get new airings as well; "Boots" has a jaunty bounce to it, but the ragged guitar and upright bass definitely mean business (that's none other than Duane Eddy on six-string). The other is his eerie anthem to the twilight, "Some Velvet Morning." Although it begins as powerfully as the original, it's only a minute and a half long, and it's included only because Hazlewood's granddaughter Phaedra thought it was written for her and wanted to sing it on his album. That's Lee Hazlewood to the core -- no concessions to his past or music's present, and no worries about the future.



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[Only registered and activated users can see links] Morgan Davis
Title: Home Away From Home
Year Of Release: 2017
Label: Electro-Fi Records
Genre: Electric Blues
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 37:46
Total Size: 253 MB
101 MB

Tracklist:
1. Home Away From Home (3:51)
2. Atlantic Time (2:37)
3. Riding Free (3:34)
4. A Pebble In Your Shoe (3:06)
5. Something New (3:35)
6. Inside Weather Report (4:21)
7. I Got The Touch (2:47)
8. Natural Medication (1:42)
9. Last Night I Gave Up Smoking (2:50)
10. I'll Take The Train (3:46)
11. Short Time Here Long Time Gone (3:02)
12. Home Away From Home (Inst.) (2:29)


Our master of the less-is-more school of blues is back with a new collection. As you might be able to tell from the cover and the title, Morgan Davis' latest reflects the life of a travelling bluesman. The title song opens, with Morgan singing of the motels he searches for on the road, it's family-run operations that make him feel comfortable. It's just him on guitar, the way he travels most often these days and it sounds like his cigar-box guitar at that.
We are treated to a string of trio performances after this, songs no doubt composed in those motel rooms away from home. Longtime friends Alec Fraser on bass and Mark Mariash on drums & percussion join Morgan, with the first of these, "Atlantic Time" proving how he has come to enjoy the maritime lifestyle. The patented Morgan Davis groove has always been one of my favourites and it continues for "Riding Free", he is no longer anxious about his partner and it gives him much freedom. A song about lost love, though, is up next as he thinks he'll just be "A Pebble In Your Shoe" from now on.
Colin Linden, another old friend and frequent collaborator, adds some fine slide work on this one. "Something New" is his solution to the world's many problems - just try love. "Inside Weather Report" and "I Got The Touch" provide charming and intimate details about that home life. "Natural Medication" returns to his "Reefer Smokin' Man" theme and some good advice. Robert Frank's "Last Night I Gave Up Smoking (And Tonight I'll Give up You)" is the one cover and, with a title like that, it's not hard to see why it appealed to him.
Morgan's groove works very well indeed with train rhythms, as you'll hear on "I'll Take The Train". "Short Time Long Time Gone" is a gospel tune dealing with his aging and desire to get as much done as he can, including this disc. Samantha Martin, Sherie Marshall & Stacie Tabb add call & response harmonies as only they can. ~John's Blues Picks

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[Only registered and activated users can see links] Lesley Duncan
Title: Moon Bathing
Year Of Release: 1975/2016
Label: Celeste
Genre: Folk, Folk Rock, Singer-Songwriter
Quality: Flac (tracks, .cue, log)
Total Time: 40:21
Total Size: 279 Mb (scans)


[Only registered and activated users can see links] I Can See Where I'm Going
02. Heaven Knows
03. Moon Bathing
04. Rescue Me
05. Lady Step Lightly
06. Wooden Spoon
07. Pick Up The Phone
08. Helpless
09. Fine Friends
10. Jumped Right In The River
11. Rocking Chair


One of England's top session vocalists, Lesley Duncan sang on recordings by Elton John, the Dave Clark Five, Pink Floyd, the Alan Parsons Project, Michael Chapman, and Joyce Everson and the soundtrack of Jesus Christ Superstar. Her songs have been covered by Elton John, Olivia Newton-John, and Long John Baldry.
Tumbleweed Connection Although her debut 1963 single, "I Want a Steady," credited to Lesley Duncan & the Jokers, was a commercial failure, Duncan found success six years later when Elton John included her tune "Love Song" on his album Tumbleweed Connection. The song's popularity led to a recording contract with CBS/Columbia. Her debut eponymously titled album, produced by her husband and keyboard player, Jimmy Horowitz, included her song "Sing Children Sing," featuring John on piano. Duncan and John continued to collaborate on Duncan's 1976 album, Moonbathing, which included a live duet version of "Love Song."
Eve While her vocals and songwriting brought her respect from the British music press, Duncan was unable to break through as a soloist. Dropped by MCA in 1976 due to poor album sales, she continued to work with producer Tony Cox as a singles artist until 1986. Her last album vocal appearances came in 1979 with "If I Could Change Your Mind" on the Alan Parsons Project album Eve and in 1980 with "Hold on to Love" from the album Exiled by the Bob Mitchell/Steve Coe Mysteries. Duncan's early albums, Sing Children Sing and Earth Mother, were released on CD in the early 2000s. During her latter years Duncan continued to perform with Jimmy Horowitz on keyboards and Chris Spedding on guitar. She died from cerebrovascular disease at age 66 on March 12, 2010, on the Isle of Mull in Scotland.

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[Only registered and activated users can see links] Lindsay Perry
Title: The Dark Revival EP
Year Of Release: 2017
Label: Pacific Records
Genre: Pop/Rock/Blues
Quality: Flac (tracks)
Total Time: 14:46
Total Size: 102 MB

Tracklist:
1. Maverick (1:55)
2. Hands In The Water (3:12)
3. Little Black Heart (2:51)
4. Chasin' Shadows (2:24)
5. Good Times (2:52)
6. Chapter Seven (1:30)
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[vandtal]

[Only registered and activated users can see links] Little Richard
Title: The Wild and Frantic
Year Of Release: 1966
Label: Bellaphon International
Genre: Rock'n'Roll
Quality: Flac (tracks, 24/96)
Total Time: 27:43
Total Size: 580 Mb (scans)


[Only registered and activated users can see links] Baby What You Want Me To Do
02. Do The Jerk
03. Directly From My Heart (To You)
04. I'm Back
05. Holy Mackerel
06. Good Golly Miss Molly
07. Send Me Some Lovin'
08. Groovy Little Suzie
09. Baby (Don't You Want A Man Like Me)
10. Miss Ann


The Wild and Frantic Little Richard - the thirteenth album of American singer Little Richard, released in 1966.
The record consists of studio and concert records made in December 1965 (from a concert in Atlanta) and in January 1966 (in the Memphis studio).

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[vandtal]

[Only registered and activated users can see links] Livia
Title: Le blaireau riche
Year Of Release: 2018
Label: Livia
Genre: Pop
Quality: 320 Kbps
Total Time: 26:44 min
Total Size: 62 MB

Tracklist:
01. Le blaireau riche
02. La mastication
03. Meme si
04. L'histoire de
05. J'aurai presque prefere
06. Papa
07. Bah, t'es pas beau


We let ourselves be caught by the voice of this woman-child, slender figure and mischievous face. This trained pianist does not have his tongue in his pocket: the titles fly and lyrics sometimes raw, often subversive and always funny go far beyond the autobiography: they touch by their humanity and their sincerity. Without filter, she gives herself away, gives us emotions.



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[Only registered and activated users can see links] Lole Usoalii
Title: The Movement
Year Of Release: 2007
Label: Urban Sounds
Genre: R&B, soul
Quality: mp3 / Flac (tracks+.cue) scans
Total Time: 01:10:02
Total Size: 167,4 / 400 Mb


Tracklist
01. Dedication
02. Arise (Tu I Luga)
03. One Heart (Tasi)
04. Redemption (Oso Ae Le La)
05. Interlude
06. Movement Song (Alo Lau Foe)
07. Amazing (Proverbs 31)
08. Interlude
09. S.A.M.O.A.
10. Hymn (Le Aso Fiafia)
11. Medley
12. Praise
13. Storm (He'll Make A Way)
14. Interlude
15. Better Days
16. Interlude
17. Lota Nuu (Samoana Bonus Track)
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[vandtal]

[Only registered and activated users can see links] Ménilmontant
Title: Ménilmontant
Year Of Release: 2013
Label: SME France
Genre: Chanson, Pop, Vocal
Quality: flac lossless / flac 24bits - 48.0kHz
Total Time: 00:36:46
Total Size: 235 / 444 mb

Tracklist
---------
01. Qu'est-ce qu'on attend pour être heureux
02. C'était bien (Le petit bal perdu)
03. Je chante
04. Paris je t'aime d'amour
05. Prière Ã* Zumba
06. La mer
07. Il ne faut pas briser un rêve
08. C'est pas le Pérou
09. Tu m'oublieras
10. Jolie Môme
11. Parlez-moi d'amour
12. Mexico
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[Only registered and activated users can see links] Andrew Bird
Title: Andrew Bird & the Mysterious Production of Eggs
Year Of Release: 2005
Label: Righteous Babe Records
Genre: Folk-Rock
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 53:26
Total Size: 436 Mb

Tracklist:
01. ~ (01:05)
02. Sovay (04:42)
03. A Nervous Tic Motion Of The Head To The Left (05:00)
04. Fake Palindromes (02:53)
05. Measuring Cups (02:52)
06. Banking On A Myth (04:29)
07. Masterfade (04:11)
08. Opposite Day (04:32)
09. Skin Is, My (03:37)
10. The Naming Of Things (04:58)
11. MX Missiles (04:22)
12. ~~ (01:09)
13. Tables And Chairs (04:39)
14. The Happy Birthday Song (05:04)
15. First Song (Live In Los Angeles) (04:33)
16. Why? (Live In Flagstaff) (05:01)
17. Action/Adventure (Live In Flagstaff) (06:41)
18. Sovay (Live W/My Mourning Jacket In Boulder) (05:17)
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[vandtal]

[Only registered and activated users can see links] Nah'shon
Title: In The Dead Of Night
Year Of Release: 2018
Label: Nah'shon
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:25:02
Total Size: 44 mb

Tracklist:
01. Bad Clown
02. My Black Dahlia
03. Zodiac
04. Family Ties
05. Computer Blue
06. In the Dead of Night


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[vandtal]

[Only registered and activated users can see links] Neyi Zimu
Title: The Waiting Is Over
Year Of Release: 2017
Label: Universal Music
Genre: Pop, Christian
Quality: 320 Kbps
Total Time: 73:52 min
Total Size: 169 MB

Tracklist:
01. Higher Than Mine
02. I Want To Know You Lord
03. Oh Lord My God (A Tribute To Mthunzi Namba)
04. Let Your Glory
05. Ukuthula (feat. Ayo Solanke & Bheka Mthethwa) [Interlude]
06. Oghene Doh (feat. Yvonne May)
07. Heal Our Land (feat. Bholoja)
08. Organ (feat. Sibusiso Mnguni) [Interlude]
09. Harvest Time (feat. Ntokozo Mbambo)
10. Ngaphumula
11. Lord I Believe
12. Yes To Your Will Lord
13. Total Praise (Interlude)
14. Ngeke Angishiye (feat. Simphiwe Khumalo)
15. Ke Tshepile Wena Jeso
16. Moving Forward
17. Well Done (feat. Hlengiwe Ntombela & Ayo Solanke)
18. Blessed Be the Name (Interlude)
19. Unami Njalo (feat. Khaya Mthethwa)
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[Only registered and activated users can see links] Nova
Title: Tainted Reality
Year Of Release: 2018
Label: Nova
Genre: Progressive Rock, Alternative Rock, Classic Rock
Quality: 320 Kbps
Total Time: 58:05 min
Total Size: 133 MB

Tracklist:
1. Fear Of Submission
2. Pocket Stones
3. Treason
4. Tainted Reality
5. Alchemy
6. Magic Mango Pt. 1
7. Magic Mango Pt. 2
8. Magic Mango, Pt. 3
9. Tighten Up
10. Forever
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[Only registered and activated users can see links] OKADA
Title: Floating Away from the World
Year Of Release: 2017
Label: N5md
Genre: Electronic, Ambient
Quality: FLAC (tracks)
Total Time: 1:04:34
Total Size: 304 MB

2017 release, the fifth album from Okada. Floating Away From The World is the first created after Gregory Pappas' road-trip from Mobile Alabama to his newly adopted home of Seattle, Washington. As the title might suggest this move and subsequent album both figuratively and literally involves forms of escapism. As all previous Okada works this album is filled with four epic length works that take their time to unfold, envelop and yes, float the listener away from the world. Those familiar with Okada's work will find his beat-work as an anchor to provide a sense of tangibility to the ambience. This time out the vocal flourishes he commonly uses feel more human, less processed, and delivered more as answers than pleas. His adept use of string work on Floating Away From The World boosts the mood and is a natural fit. The album could be seen as sitting somewhere between the syrupy calm of Division of Self and his more recent ode to relationships Love Telepathic.
Tracklist:
01.OKADA - Shredded Remains of Hope
02.OKADA - Don't Come Any Closer
03.OKADA - An Endless Battle of Memories
04.OKADA - Finding Peace Through Nonexistence
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[Only registered and activated users can see links] Arabesque
Title: Tales Of Power
Year Of Release: 1973-79/2002
Label: Shroom Productions
Genre: Psychedelic Rock, Prog Rock
Quality: APE (image, .cue, log)
Total Time: 01:06:38
Total Size: 458 Mb (scans)


[Only registered and activated users can see links] An epic: krail mountains
02. Cobbler's knob
03. We (the farmer song)
04. The forgotten pond
05. As the novelty wears...
06. Arcanum of Atlantis
07. Except for dreaming
Bass, Backing Vocals - Tom Ketterer
Drums, Glockenspiel, Percussion - Jim Renda
Guitar, Lead Vocals - August Smarra
Lead Vocals, Backing Vocals, Keyboards - Budd Kelly
Vibraphone, Percussion, Backing Vocals - R.J. Ketterer


Shroom Productions has once again found a unique progressive rock gem from the lost vaults of history, this time being the band Arabesque from Pennsylvania. Comprised of recordings dating from 1973 to 1979, Tales of Power is chock full of epic fantasy lyrics, and rich with the influences of such classic bands as Genesis, Yes, Caravan, Camel, National Health, Nektar, and Gentle Giant.
Most of the CD's seven tunes exceed 10 minutes, and allow for ample room for the band to venture into extended musical adventures. The opening track, "An Epic: Krall Mountain", is a sword and sorcery delight, featuring lyrics of serpents and castles, with melodic vocals and weaving organ, synths, and electric guitars. The instrumental "Cobbler's Knob" is a ripping jazz-fusion piece, very similar to what National Health was doing at the time. Featuring distorted, angular guitar leads, haunting organ, and manic percussion, this tune shows the true virtuoso musicianship within the band. "We (The Farmer Song)" is a more vocal based piece, with catchy lyrics centering on the ways of the common farmer, and how people essentially forge their own destiny's and guide their successes and failures. Keyboard lovers will get a kick out of the lengthy synth solo from Budd Kelly on this song, who also happens to be the lead singer for the band. Another instrumental, "The Forgotten Pond", is the CD's shortest track at just under 5 minutes, but happens to be a melodic beauty, with weaving guitar and keyboard lines amidst an atmospheric background that recalls early Genesis.
The last three songs end the CD in epic fashion. "As the Novelty Wears" has a chugging rhythm and complex Yes meets Gentle Giant keyboard/guitar lines, with lyrics dealing with inner turmoil and confusion. This is a good time to mention the acrobatic guitar work of August Smarra, whose unique style and tone add a lot to this and every song on the CD, yet he never tries to overshadow the rest of the band. His brief but tasty lead work adds just the right amount of edge and tension to the aforementioned song. The band goes for a more symphonic tone on "Arcanum of Atlantis", and this one features the vocals of Smarra, and furious rhythmic interplay from drummer Jim Renda, bassist Tom Ketterer, and percussionist/vibe player R.J. Ketterer. This is a great tune musically, but Smarra's vocals are pretty weak and should have been nixed in favor of Kelly, who has a fine voice. The closing epic is the 12-minute "Except for Dreaming", an ominous piece with doomy overtones and very unlike the rest of the CD. Much like early Genesis or King Crimson, the band here creates extreme drama and tension by slowing things down a bit and utilizing haunting organ and emotional guitar leads. The tortured vocals of Kelly recall a young Greg Lake, and perhaps if they would have thrown a little Mellotron in this song could have been a leftover from In the Court of the Crimson King. Check out the extended guitar solo from Smarra, who pulls out all the stops in true Steve Howe fashion.
The prog world is a better place with the release of this CD. As with the Hands and Carnegie CD's, Shroom has once again unearthed a lost treasure

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[Only registered and activated users can see links] P.F. Sloan
Title: Precious Time: The Best Of
Year Of Release: 1965-66/1986
Label: Rhino Records
Genre: Folk Rock
Quality: Flac (tracks, 16/44,1)
Total Time: 40:43
Total Size: 291 Mb (scans)


[Only registered and activated users can see links] This Precious Time (PF Sloan, Steve Barri) - 2:41
2. Eve of Destruction - 3:08
3. The Sins Of A Family - 3:01
4. Here's Where You Belong (PF Sloan, Steve Barri) - 3:02
5. This Is What I Was Made For (PF Sloan, Steve Barri) - 2:17
6. What Exactly's the Matter With Me - 2:27
7. I Get Out Of Breath - 3:13
8. From A Distance - 3:04
9. The Man Behind The Red Balloon - 2:15
10. What Am I Doin' Here With You (PF Sloan, Steve Barri) - 2:41
11. Take Me For What I'm Worth - 2:45
12. Lollipop Train (You Never Had It So Good) (PF Sloan, Steve Barri) - 3:08
13. When The Wind Changes - 4:23
14. Halloween Mary - 2:32


While One Way's Anthology has a wider range, it may be that many listeners will prefer this 14-song collection, as it focuses exclusively on tracks from Sloan's first two LPs. This means you get nothing but sub-Dylanesque folk-rock, but after all, that's what most people value most by Sloan. The tracks are universally strong, including his most famous tunes ("Eve of Destruction," "The Sins of a Family," "Take Me for What I'm Worth") and lesser-known, equally worthy ones like "Lollipop Train," "From a Distance," "Here's Where You Belong," and "I Get out of Breath."

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