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[vandtal]

[Only registered and activated users can see links] Charles And Morgane
Title: Homework
Year Of Release: 1974
Label: Charles And Morgan
Genre: Acid Folk, Country Blues, Psychedelic Rock
Quality: Flac (tracks, 16/44,1)
Total Time: 36:30
Total Size: 221 Mb (scans)


[Only registered and activated users can see links] Seamstress - 3:28
2. Super Ugly (McLion, D. kaspari, H. kaspari) - 2:09
3. Hey Man - 2:54
4. Five Little Fishes (D. kaspari, H. kaspari) - 2:05
5. Getaway (McLion, D. kaspari, H. kaspari) - 3:57
6. Thieke Blues - 3:10
7. Let the Good Times Roll - 3:44
8. Rhapsody (McLion) - 4:07
9. Train Session a) Arrival (McLion, D. kaspari, K. Mick) - 2:21
10. Train Session b) Desert Station (McLion, D. kaspari, K. Mick) - 2:31
11. Train Session c) Fullsteam (McLion, D. kaspari, K. Mick) - 4:40
12. Train Session d) Yawateg (McLion, D. kaspari, K. Mick) - 1:19
Charly McLion - 6 And 12 String Acoustic, Electric, Steel Guitar
Dieter Kaspari - 6 And 12 String Acoustic Guitars, Bass, Harmonica
Kurt Mick - Drums, Glockenspiel, Percussion


Dieter Kaspari (Morgan) was born in Aachen in 1947 and remained faithful in his town ever since. Leaving aside the numerous touring musician since 1965, including 12 years as a pro in various bands, including Cave Dwellers or Credo in Aachen particularly Truss still enjoys a legendary are more important for Kaspari but the two and a half years on the road working with Champion Jack Dupree and many other American blues legends.
Great long tours with Charles & Morgan, as opening act for Golden Earring and Greenslade, since 1978 as a commercial photographer, plus numerous photography books and exhibitions reputation. Mixes currently the city with original Öcher blues, as a singer, guitarist and harmonica player in the Bluesbüllen, formerly known as "blu 'heat'. Charly Büchel is known as Charly McLion and makes electronic music, eLounge ', between Enigma, Enya and Pat Metheny...

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[vandtal]

[Only registered and activated users can see links] Charlie 'The Bird' Parker
Title: The Man with the Saxophone [10 CD-Box]
Year Of Release: The Man with the Saxophone (1941-1952)
Label: Past Perfect
Genre: Jazz, Bop
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 10:05:50
Total Size: 2,82 GB

Tracklist:
Disc 1 (Groovin' High) # 1941-1945
01. Swingmatism [0:02:41.94]
02. The Jumpin' Blues [0:03:06.13]
03. Tiny's Tempo [0:02:54.60]
04. I'll Always Love You [0:03:00.64]
05. Romance Without Finance [0:03:03.25]
06. Red Cross [0:03:08.28]
07. Dream Of You [0:02:52.33]
08. Groovin' High [0:02:39.96]
09. Dizzy Atmosphere [0:02:47.36]
10. All The Things You Are [0:02:46.74]
11. Salt Peanuts [0:03:15.70]
12. Shaw 'nuff [0:03:00.08]
13. Hot House [0:03:08.49]
14. Hallelujah [0:03:59.65]
15. Get Happy [0:03:41.64]
16. Slam Slam Blues [0:04:27.78]
17. Congo Blues [0:03:52.45]
18. Takin' Off [0:03:08.40]
19. 20Th Century Blues [0:02:55.22]
20. The Street Beat [0:02:30.12]
Disc 2 (Now's The Time) # 1945-1947
01. Warming Up A Riff [0:02:34.29]
02. Billie's Bounce [0:03:10.32]
03. Now's The Time [0:03:16.33]
04. Thriving On A Riff [0:02:54.98]
05. Meandering [0:03:16.78]
06. Ko-Ko [0:02:55.26]
07. Dizzy's Boogie [0:03:09.84]
08. Flat Floot Floogie [0:02:32.60]
09. Poppity Pop [0:02:57.49]
10. Slim's Jam [0:03:14.62]
11. Diggin' Diz [0:02:52.45]
12. Moose The Mooche [0:03:03.98]
13. Yardbird Suite [0:02:55.93]
14. Ornithology [0:03:00.78]
15. Night In Tunisia [0:03:03.81]
16. Max (Is) Making Wax [0:02:32.01]
17. Lover Man [0:03:20.76]
18. The Gypsy [0:03:03.68]
19. Be-Bop [0:02:54.78]
20. This Is Always [0:03:12.48]
Disc 3 (Bird of Paradise) # 1947
01. Dark Shadows [0:03:06.32]
02. Bird's Nest [0:02:43.54]
03. Cool Blues [0:03:08.94]
04. Relaxin' At Camarillo [0:03:07.00]
05. Cheers [0:03:05.72]
06. Carvin' The Bird [0:02:45.76]
07. Stupendous [0:02:54.80]
08. Donna Lee [0:02:32.44]
09. Chasin' The Bird [0:02:44.24]
10. Cheryl [0:02:57.48]
11. Buzzy [0:02:28.25]
12. Milestones [0:02:35.49]
13. Little Willie Leaps [0:02:50.09]
14. Half Nelson [0:02:42.88]
15. Slippin' At Bells [0:02:21.92]
16. Dexterity [0:03:00.01]
17. Bongo Bop [0:02:46.25]
18. Dewey Square [0:03:09.29]
19. The Hymn [0:02:33.12]
20. Bird Of Paradise [0:03:09.44]
Disc 4 (Blue Bird) # 1947-1948
01. Embraceable You [0:03:24.09]
02. Bird Feathers [0:02:52.64]
03. Klact-Oveeseds-Tene [0:03:06.53]
04. Scrapple From The Apple [0:02:59.01]
05. My Old Flame [0:03:15.12]
06. Out Of Nowhere [0:03:06.94]
07. Don't Blame Me [0:02:48.21]
08. Drifting On A Reed [0:02:57.13]
09. Quasimodo [0:02:54.09]
10. Charlie's Wig [0:02:43.42]
11. Bongo Beep [0:02:58.78]
12. Crazeology [0:02:58.88]
13. How Deep Is The Ocean [0:03:24.50]
14. Another Hair-Do [0:02:37.58]
15. Blue Bird [0:02:49.73]
16. Klaunstance [0:02:45.08]
17. Bird Gets The Worm [0:02:35.17]
18. Barbados [0:02:29.34]
19. Ah-Leu-Cha [0:02:54.60]
20. Constellation [0:02:25.30]
Disc 5 (Parker's Mood) # 1948-1950
01. Parker's Mood [0:03:03.20]
02. Perhaps [0:02:34.85]
03. Marmaduke [0:02:42.94]
04. Steeplechase [0:03:04.46]
05. Merry-Go-Round [0:02:26.62]
06. Segment [0:03:20.84]
07. Cardboard [0:03:10.17]
08. Passport [0:02:59.04]
09. Star Eyes [0:03:29.20]
10. Ballade [0:02:56.05]
11. Bloomdido [0:03:26.80]
12. My Melancholy Baby [0:03:25.84]
13. Relaxin' With Lee [0:02:48.37]
14. Leap Frog [0:02:31.28]
15. An Oscar For Treadwell [0:03:24.76]
16. Mohawk [0:03:36.77]
17. My Melancholy Baby [0:03:18.97]
18. Relaxin' With Lee [0:03:57.90]
19. Overtime [0:03:08.60]
20. Victory Ball [0:02:39.62]
Disc 6 (Confirmation) # 1946-1949
01. Oh, Lady, Be Good! [0:11:05.25]
02. A Night In Tunisia [0:05:13.85]
03. Dizzy Atmosphere [0:04:05.30]
04. Groovin' High [0:05:18.09]
05. Confirmation [0:05:38.02]
06. Ko-Ko [0:04:14.36]
07. Embraceable You [0:10:33.70]
08. Ornithology [0:04:26.02]
09. Cheryl [0:05:03.09]
10. Ko-Ko [0:05:04.58]
11. Bird Of Paradise [0:06:08.69]
12. Now's The Time [0:05:14.09]
Disc 7 (What's New) # 1946-1952
01. Sweet Georgia Brown (Part 1 + 2) [0:09:39.86]
02. Lady Be Good (Part 1 + 2) [0:11:13.09]
03. Ballad Medley [0:17:25.57]
04. What Is This Thing Called Love [0:15:53.06]
05. Jam Blues [0:14:41.48]
Disc 8 (Fiesta) # 1948-1952
01. Mango Mangue [0:02:56.33]
02. No Noise (Part 1 + 2) [0:05:54.84]
03. My Little Suede Shoes [0:03:05.41]
04. Okiedoke [0:03:04.77]
05. Un Poquito De Tu Amor [0:02:42.57]
06. Why Do I Love Your [0:03:08.05]
07. Tico-Tico [0:02:45.21]
08. Fiesta [0:02:51.64]
09. Afro-Cuban Jazz Suite [0:17:16.04]
10. La Cucaracha [0:02:44.76]
11. Mama Inez [0:02:51.74]
12. Estrellita [0:02:45.38]
13. La Paloma [0:02:41.96]
14. Begin The Beguine [0:03:11.18]
Disc 9 (Star Eyes) # 1949-1952
01. The Opener [0:12:40.57]
02. Lover Man [0:03:23.49]
03. Swedish Schnapps [0:03:16.14]
04. Blues For Alice [0:02:48.33]
05. K.C. Blues [0:03:26.50]
06. She Rote [0:03:11.08]
07. Star Eyes [0:03:36.00]
08. Funky Blues [0:13:29.32]
09. I Can't Get Started [0:03:09.78]
10. What Is This Thing Called Love [0:02:36.00]
Disc 10 (Just Friends) # 1949-1952
01. Easy To Love [0:03:31.24]
02. Summertime [0:02:47.18]
03. I Didn't Know What Time It Was [0:03:13.72]
04. If I Should Lose You [0:02:47.92]
05. Just Friends [0:03:32.20]
06. Everything Happens To Me [0:03:16.84]
07. I'm In The Mood For Love [0:03:35.46]
08. I'll Remember April [0:03:04.25]
09. Dancing In The Dark [0:03:11.98]
10. Out Of Nowhere [0:03:08.12]
11. Laura [0:02:59.20]
12. East Of The Sun [0:03:40.53]
13. They Can't Take That Away From Me [0:03:19.48]
14. Temptation [0:03:32.57]
15. Lover [0:03:08.14]
16. Autumn In New York [0:03:30.60]
17. Stella By Starlight [0:02:56.08]
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[vandtal]

[Only registered and activated users can see links] Charlie Parker
Title: Cool Blues
Year Of Release: 2005
Label: Weton-Wesgram
Genre: Jazz, Bop
Quality: FLAC (tracks+.cue, log, Scan)
Total Time: 01:04:55
Total Size: 289.3 MB

Tracklist:
01. Night In Tunisia
02. Dizzy Atmosphere
03. Groovin' High
04. Ko-Ko
05. The Gypsy
06. Little Willie Leaps/52nd Street Theme
07. Carvin' The Bird
08. Charlie's Wig
09. Barbados
10. Bird Feathers
11. Charlie's Theme (Cool Blues)
12. Bebop
13. Hot House
14. Ornithology Part 1
15. How High The Moon
16. Ornithology Part 2
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[vandtal]

[Only registered and activated users can see links] Allan Holdsworth
Title: Atavachron
Year Of Release: 1986
Label: Cream Records
Genre: Fusion, Contemporary Jazz
Quality: WavPack (iso.wv(image+.cue,log,scans)
Total Time: 00:36:57
Total Size: 254 MB

Tracklist:
01. Non-Brewed Condiment 3:42
02. Funnels 6:15
03. The Dominant Plague 5:46
04. Atavachron 4:46
05. Looking Glass 4:37
06. Mr. Berwell 6:25
07. All Our Yesterdays 5:27


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[vandtal]

[Only registered and activated users can see links] Che Bong
Title: Telescope To The Heavens
Year Of Release: 2018
Label: Che Bong
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:57:49
Total Size: 108 mb

Tracklist:
01. Starchild (feat. Zetfree)
02. Telescope
03. Kalisto
04. Galaxies
05. Cardboard Castles
06. El Momento...
07. Rust
08. Always, Sometimes
09. Labrinth
10. Beneath the Wrist
11. Kush&Pain
12. Kiyoga
13. Try!
14. Water
15. Jawn
16. Joker
17. The Paradox of Time...


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[vandtal]

[Only registered and activated users can see links] George Shearing
Title: Latin Escapade
Year Of Release: November 25, 1956
Label: Capitol
Genre: Jazz, Cool
Quality: Mp3, 320 Kbps
Total Time: 32:27
Total Size: 76.70 MB

Tracks
01. Perfidia
02. Mambo With Me
03. Without You
04. Old Devil Moon
05. Mi Musica Es Para Ti
06. Anitra's Nanigo
07. Yours
08. Cuban Love Song
09. Watch Your Step
10. Poodle Mambo
11. Canto Karabali
12. Strange Enchantment
Personnel
George Shearing - p, arr
Emil Richards - vib
Toots Thielemans - g, hca
Al McKibbon - b
Percy Brice - d
Frank Guerrero, Tony Martinez - perc
Armando Peraza - cga
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[vandtal]

[Only registered and activated users can see links] Chicken & Dumpling
Title: Live From The Delta
Year Of Release: 2017
Label: Self Released
Genre: Acoustic Delta Blues
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 53:43
Total Size: 277 MB
124 MB

Tracklist:
1. I Feel So Good (Live) (3:43)
2. One Hour Mama (Live) (4:47)
3. I Cant Be Satisfied (Live) (4:00)
4. In My Girlish Days (Live) (3:12)
5. Before You Accuse Me (Live) (3:41)
6. Richland Women Blues (Live) (3:14)
7. She Moves Me (Live) (4:42)
8. Taint Nobodys Business If I Do (Live) (5:12)
9. 32-20 Blues (Live) (5:01)
10. Give It Up Or Let Me Go (Live) (3:50)
11. How Long How Long Blues (Live) (5:14)
12. Walking By Myself (Live) (2:54)
13. Walking Blues (Live) (4:07)


Chicken & Dumpling is an acoustic blues duo featuring Charles "Chicken" Oriel on guitar and vocals and Julia "Dumpling" Simon on bass and vocals. Chicken & Dumpling bring to life the down-home, delta styles of artists such as Muddy Waters and Robert Johnson. They also cover women's classic blues, as well as some contemporary incarnations of the traditional form.

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[Only registered and activated users can see links] Chuck Beattie
Title: Natural Man
Year Of Release: 2018
Label: Self Released
Genre: Electric Blues
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 43:53
Total Size: 253 MB
104 MB

Tracklist:
1. Call Of The Wild (3:08)
2. Girl I Miss You (3:41)
3. Short Changed (2:10)
4. You'd Be Pleased (5:23)
5. Never Get Rich (3:35)
6. I'm On My Way (2:50)
7. Don't Call It Love (4:33)
8. Roll Call (4:21)
9. Blues Man Till The End (6:00)
10. I'm Guilty (4:40)
11. Never Get Rich (Reprise) (3:26)


Long time blues aficionado and music historian, Chuck Beattie (aka Dr. Blues) fronts a Chicago-Style Blues band based in Western North Carolina. Originally from Rocky Mount, NC, Beattie grew up in a household filled with music. He credits his mother, a piano player and teacher, for the inate talent and musical appreciation that has driven him all his life. As a young man, Beattie was influenced by James Brown, Marvin Gaye, and a host of other important African American musicians performing in the segregated clubs of his hometown. It was Chuck and his beloved brother, Gerald, who played pickup gigs for some artists while they were off contract in the south such as Mel and Tim, Otis Clay, The Kelly Brothers and many more. This gave him his first chance to play in a real band. Still in high school, Chuck recognized that music was his true calling.
A member of the North Carolina Jazz Ensemble, Chuck utilizes his knowledge of gospel, jazz, and the sounds of the Delta to draw out the best of Chicago Style Blues. The result is music as rich as Muddy Waters, and as down and dirty as Howling Wolf. Backed by some of the best in Blues musicians, Beattie commands the stage with his booming voice and classic old school charm. Dr. Blues preaches that "the music must come first", and has worked tirelessly to preserve the culture and integrity of true American Blues. Due to his knowledge, background, and talent, Dr. Blues was asked to headline The Bury Blues Festival in England. He has shared the stage with many top musicians, among them the great Blues siren Shamekia Copeland. Some well respected contemporaries and friends include Cephus and Wiggins, Nneena Freelon, and numerous others. Beattie is dedicated to educating and inspiring young musicians by hosting Blues jams throughout the area, giving new talent a chance to carve out their own place in the Blues. The Chuck Beattie Band has appeared at private parties, festivals, clubs, and music halls, compelling folks of all ages and backgrounds to get up and dance.
Chuck resides in the beautiful mountains of Asheville, NC, where he continues to keep the Blues alive.

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[vandtal]

[Only registered and activated users can see links] Cj RcM
Title: Vol.1 Legends of Chillout Music
Year Of Release: 2018
Label: Chillout Legends
Genre: Progressive House, Trance, Deep House, Electronica / Downtempo
Quality: FLAC (tracks)
Total Time: 01:39:07
Total Size: 634 MB

Tracklist:
1. Cj Rcm - Autumn (04:44)
2. Cj Rcm - Chronicle [Chillout Mix] (04:18)
3. Cj Rcm - Lullaby for the Sun (06:17)
4. Cj Rcm - Ai-Ai Bopem [Chillout Remix] (06:43)
5. Cj Rcm - Amazing Life [Chillout Mix] (04:43)
6. Cj Rcm - Illumination [Chillout Mix] (04:26)
7. Cj Rcm - Inception [Chillout Mix] (04:12)
8. Cj Rcm - Mallorca [Chillout Mix] (04:37)
9. Cj Rcm - Sweet Night (04:47)
10. Cj Rcm - Menorca [Chillout Mix] (04:09)
11. Cj Rcm - My Love (05:09)
12. Cj Rcm - North Sun (04:17)
13. Cj Rcm - Perception of the Universe (06:33)
14. Cj Rcm - Soul Files (05:34)
15. Cj Rcm - Surrealism (06:14)
16. Cj Rcm - Tidal Bore [Chillout Mix] (04:39)
17. Cj Rcm & Nura Light - Black Your Eyes(Feat. Nura Light) [Vocal Chillout Mix] (05:22)
18. Cj Rcm - Sunset (05:05)
19. Seven24 & Cj Rcm - Im Alive [Denis Neve Remix] (07:18)
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[vandtal]

[Only registered and activated users can see links] Clapper The Rapper
Title: The Same
Year Of Release: 2018
Label: Clapper The Rapper
Genre: Rap, Hip-Hop, Pop
Quality: m4a 256 kbps
Total Time: 00:36:21
Total Size: 102 mb

Tracklist:
01. Rewind
02. Lincoln Way (Stay)
03. Shut Your Mouth
04. Late Nights
05. More (feat. 4Ill)
06. Work
07. Newsfeed
08. Toyota
09. Kids
10. Like Me
11. Change
12. The Same Outro


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[Only registered and activated users can see links] Cooper Brothers
Title: Radio Silence
Year Of Release: 2017
Label: Gunshy Productions
Genre: Country Rock
Quality: 320 kbps
Total Time: 45:38
Total Size: 109 MB

Tracklist:
1. Smuggler's Moon (5:25)
2. Straight Outta Nowhere (3:17)
3. (There's Gonna Be) Rain (4:55)
4. I'm Not Afraid (3:41)
5. End Of The Day (4:30)
6. Mister One Percent (3:53)
7. Government Town (3:43)
8. Gone Are The Days (4:01)
9. You Don't Have To Worry (3:56)
10. Follow Your Heart (3:56)
11. Getting Away With It (4:17)


Legendary Canadian Country/Rock band The Cooper Brothers have returned with their eighth studio album, and perhaps one of their best, called Radio Silence.
Long known for their superb writing and vocal skills since their eponymous self-titled debut on the prestigious U.S. label Capricorn Records (Allman Brothers Band), songs like "The Dream Never Dies" and "Rock And Roll Cowboys" both charted on Billboard's Hot 100. It's worth noting that "The Dream Never Dies" also won an ASCAP Award for being one of the most performed songs on U.S. radio the year it was released.
On Radio Silence, all of these formidable creative credentials are brought to bear, starting with the excellent R&B influenced opening title track. In many respects the album is a reflective and thoughtful one, and with outstanding melody-infused ballads like "End Of The Day," "Follow Your Heart" and "Gone Are The Days," The Cooper Brothers show their softer side, and it's clear that they haven't lost their deft musical and writing touch. All three songs are brilliant. They also display on the new CD their "shit-kicking" and humourous Country side, with "Government Town," which mockingly celebrates their home town of Ottawa, and the sardonic "Mister One Percent."
Radio Silence was recorded at Ottawa's Audiovalley Studios with the Brothers' live band, which includes Brian Cooper (vocals, guitar), Dick Cooper (guitar), Jeff Rogers (vocals, keyboards), Darwin Demers (guitar, vocals), Ed Bimm (keyboards and horn arrangements), Rob Holtz (drums) and John Steele (pedal steel and banjo). A year in the making, the album also includes guest appearances from Colin Cripps on guitar (Blue Rodeo), Ray Legere on fiddle and mandolin (The Band), and vocalist Rebecca Noelle. The album was produced by the Cooper Brothers and was engineered by Steve Foley.
What Radio Silence proves are that The Cooper Brothers are not only still going strong, but sounding as good as ever.

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[Only registered and activated users can see links] Country Joe McDonald
Title: Tonight I'm Singing Just For You
Year Of Release: 1970
Label: Akarma
Genre: Folk Rock, Country Rock
Quality: Flac (tracks)
Total Time: 29:08
Total Size: 204 Mb (scans)


[Only registered and activated users can see links] Ring Of Fire (Merle Kilgore, June Carter) - 2:31
2. Tennessee Stud (Jimmy Driftwood) - 3:20
3. Heartaches By The Number (Harlan Howard) - 2:45
4. Tiger By The Tail (Harlan Howard, Buck Owens) - 2:05
5. Crazy Arms (Ralph Mooney, Chuck Seals) - 2:58
6. You've Done Me Wrong (Ray Price, George Jones) - 1:46
7. All Of Me Belongs To You (Merle R. Haggard) - 2:22
8. Oklahoma Hills (Leon Jerry Guthrie, Woody Guthrie) - 2:42
9. Tonight I'm Singing Just For You (Billy Edd Wheeler, Jerry Lieber) - 3:26
10. Friend, Lover, Woman, Wife (Mac Davis) - 2:53
11. Six Days On The Road (Earl Greene, Carl Montgomery) - 2:18
Country Joe McDonald - Vocals
Grady Martin - Dobro, Guitar
Ray Edenton - Guitar
Harold Bradley - Bass, Guitar
Norbert Putnam - Bass
Hal Rugg - Steel Guitar
Hargus Robbins - Piano
Buddy Harmon - Drums
The Jordanaires - Backing Vocals On Tracks 1, 2, 3, 7, 9
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[Only registered and activated users can see links] Curtis Salgado & Alan Hager
Title: Rough Cut
Year Of Release: 2018
Label: Alligator Records [ALCD 4980]
Genre: Modern Acoustic Blues, Modern Electric Blues
Quality: FLAC (image+.cue,log,scans)
Total Time: 50:25
Total Size: 285 MB



Award-winning soul, blues and R&B vocalist Curtis Salgado's earth-shaking vocals and forceful harmonica playing have been devastating audiences around the world for over 30 years. Guitarist Alan Hager has been wowing fellow musicians from his hometown of Portland, Oregon and beyond for decades. Hager has been jamming with Salgado since 2003, and joined his band full-time in 2015. Together, the two blues fans and friends took time out of their busy touring schedule to record Rough Cut, a stripped-down album featuring a potent mix of newly written, timeless originals and carefully chosen blues covers. "We did it for the love of the music," says Salgado. "This is where our hearts are. These are deep songs that we love to play." That love comes through loud and clear on Rough Cut. Produced by Salgado and Hager, the 13 songs on the album (including six originals) range from plaintive to playful. Recorded in one live unrehearsed take, the original I Will Not Surrender, with its haunting and sparse soundscape, showcases some of Hager's strongest guitar work, and some of the most profoundly emotive vocals Salgado has ever laid down. The canine-lover's anthem, I Want My Dog To Live Longer (The Greatest Wish), is already a huge fan favorite. Salgado's soulful singing and Hager's elegant slide guitar playing shine on Elmore James' You Got To Move and Muddy Waters' I Can't Be Satisfied. .....

Tracklist:
01. I Will Not Surrender (04:53)
02. So Near To Nowhere (03:54)
03. One Night Only (02:47)
04. I Want My Dog To Live Longer (The Greatest Wish) (02:45)
05. I Can't Be Satisfied (03:47)
06. Too Young To Die (04:04)
07. Depot Blues (04:09)
08. Morning Train (04:10)
09. You Got To Move (04:30)
10. Hell In A Handbasket (04:10)
11. Long Train Blues (03:23)
12. The Gift Of Robert Charles (03:50)
13. I Want You By My Side (03:38)
******************************
Curtis Salgado: Vocals, Harmonica, Piano (10)
Alan Hager: Guitars, Vocal (11)
with
LaRhonda Steele: Vocals (8)
Jim Pugh: Piano (3)
Keith Brush: Bass (5, 9, 13)
Russ Kleiner: Drums (5, 9)
Jimi Bott: Drums (3)
Brian Foxworth: Drums (8)
Carlton Jackson: Percussion (12)


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[vandtal]

[Only registered and activated users can see links] Da Blechhauf'n
Title: XXL
Year Of Release: 2018
Label: Preiser
Genre: Folk, Pop
Quality: Mp3 320 kbps
Total Time: 45:07
Total Size: 105 MB

Tracklist:
01. Leg des Handy auf d' Seitn 03:11
02. Wozu tua i ma deis on 03:43
03. Kinizsi Marsch 03:10
04. Hoit hob i gsogt 03:06
05. Das Buch der Liebe 04:00
06. Mittagspause 02:48
07. Russenparty 02:50
08. 3/4 Neun 03:30
09. Leckmicha Marsch 03:01
10. Auf da Huizg'stettn 03:14
11. Ausgerechnet Bananen 04:10
12. Gabriella's Song 03:54
13. Ghostriders in the Sky 04:30


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[vandtal]

[Only registered and activated users can see links] HP LK
Title: Lavender Lake
Year Of Release: 2018
Label: HP LK
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:21:17
Total Size: 36 mb

Tracklist:
01. Press
02. Start
03. Galaxy
04. Free
05. Lake
06. Late Night
07. Come Through
08. Too High


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[vandtal]

[Only registered and activated users can see links] GiedRé
Title: La la la
Year Of Release: 2016
Label: Le Rat des Villes
Genre: Pop, Chanson
Quality: MP3 320 Kbps
Total Time: 38:26
Total Size: 108 Mb

Tracklist:
01. Grand-Mère (02:22)
02. Le roi des animaux (02:03)
03. Pas des hommes (02:34)
04. Les légumes (02:46)
05. Salut c'est moi Michel (02:53)
06. Courez Pauvres fous (02:09)
07. L'arnaque (02:11)
08. Le gros enculé (03:17)
09. Tire la chasse stp (03:16)
10. Vous toutes (04:02)
11. Comme tout le monde (03:08)
12. Quand on est mort (02:32)
13. Chacun ses goûts (Tolérance) (01:03)
14. Deux centimètres (Tolérance) (01:03)
15. Mens Sana In Corpore Sano (Tolérance) (01:02)
16. H20 (Tolérance) (01:03)
17. Relax (Tolérance) (01:02)
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[vandtal]

[Only registered and activated users can see links] Alpenland Sepp & Co.
Title: Freunde, Wir Sagen Dankeschön
Year Of Release: 2018
Label: Mcp/Vm
Genre: Schlager, Pop
Quality: Mp3 320 kbps
Total Time: 44:47
Total Size: 104 MB

Tracklist:
01. Uns g'hoert die Zeit 03:06
02. Treue Freunde 03:13
03. Mademoiselle Michelle 02:42
04. Eine Liebe ohne Traenen (Neue Version 2017) 03:16
05. I komm zu dir bei groessten Sturm 02:54
06. Drum bring mir Blumen 04:05
07. Die Zeit vom Minipli 03:14
08. Sepp sei Marsch 03:17
09. Verliebt in die Heimat 03:06
10. Wo bleibt die Musi im Te-Vau 03:15
11. Unter der kleinsten Steppdecken 02:58
12. Glaub mir, dass i di gern hab (Glaub mir, dass ich dich gern hab) 03:00
13. Des passt schon 02:40
14. Freunde, wir sagen Dankeschoen 04:01


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[vandtal]

[Only registered and activated users can see links] Damia
Title: L'immense tragédienne
Year Of Release: 2018
Label: EPM Musique
Genre: Pop, Chanson française
Quality: FLAC (tracks) / MP3, 320 Kbps
Total Time: 03:50:36
Total Size: 890 MB / 509 MB

Tracklist:
CD1
1. Damia - On danse Ã* la Villette
2. Damia - La femme d'un soir
3. Damia - Tes yeux sont couleurs de printemps
4. Damia - Celui qui s'en va
5. Damia - Aimez-vous les moules marinières ?
6. Damia - Un dimanche comme les autres
7. Damia - Un souvenir
8. Damia - Un soir de fête
9. Damia - Mon amour vient de finir
10. Damia - Aux quatre coins d'la banlieue
11. Damia - J'ai rêvé cette nuit
12. Damia - La rue
13. Damia - Un avion tout blanc
14. Damia - L'étranger
15. Damia - c'est la guinguette
16. Damia - Depuis que les bals sont fermés
17. Damia - Personne
18. Damia - Je suis dans la dèche
19. Damia - Du soleil dans ses yeux
20. Damia - Balalaïka
21. Damia - Ma rue
22. Damia - Johnny Palmer
23. Damia - De l'Atlantique au Pacifique
24. Damia - L'Angélus de la mer
CD2
1. Damia - La guinguette a fermé ses volets
2. Damia - Dis-moi tout bas
3. Damia - En maison
4. Damia - Toboggan
5. Damia - Complainte
6. Damia - J'ai perdu ma jeunesse
7. Damia - Les inquiets
8. Damia - Mon phono chante
9. Damia - La veuve
10. Damia - Tu n'es plus rien
11. Damia - La suppliante
12. Damia - Tes yeux
13. Damia - Pour en arriver lÃ*
14. Damia - J'ai bu
15. Damia - Mon matelot
16. Damia - Roule ta bosse
17. Damia - La mauvaise prière
18. Damia - Les naufragés
19. Damia - La chanson des flots
20. Damia - Beau petit marin de passage
21. Damia - Sur votre bateau
22. Damia - Mon coeur est un océan
23. Damia - chanson de halage
24. Damia - Pique la baleine sur le pont de Morlaix
25. Damia - La garde de nuit Ã* l'Yser
CD3
1. Damia - Pour un mot
2. Damia - Les goélands
3. Damia - C'est mon gigolo
4. Damia - Tu m'oublieras
5. Damia - Ne dis rien
6. Damia - Le grand frisé
7. Damia - Tu ne sais pas aimer
8. Damia - Dis-moi
9. Damia - On ne lutte pas contre l'amour
10. Damia - Boublitchki
11. Damia - Celle que vous attendez
12. Damia - Ploum poum ploum
13. Damia - La rue de la joie
14. Damia - Maruska
15. Damia - Quand c'est lui
16. Damia - Ce n'est pas toujours drôle
17. Damia - J'ai l'cafard
18. Damia - L'orgue
19. Damia - Complainte de Mackie
20. Damia - Pour un seul amour
21. Damia - les nocturnes
22. Damia - Berceuse tendre il fait si bon auprès de toi
23. Damia - Il ne reste rien
24. Damia - Je voudrais que la nuit
25. Damia - Redis-moi
26. Damia - la chaîne
27. Damia - La fille aux matelots


[Only registered and activated users can see links]édienneMP3.rar.html

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[vandtal]

[Only registered and activated users can see links] Daniela Stephan
Title: Verloren in der Zeit
Year Of Release: 2018
Label: Spinnup
Genre: Folk, Pop
Quality: Mp3 320 kbps
Total Time: 39:20
Total Size: 90 MB

Tracklist:
1.Hätte, wenn und wäre
2.Hier und da
3.Verloren in der Zeit
4.Universum
5.Zeit
6.Der Anfang
7.Trauung
8.Haus aus Holz
9.Träume
10.Ausweg
11.Burnout
12.Nur du
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[vandtal]

[Only registered and activated users can see links] Dave Carter & Tracy Grammer
Title: American Noel
Year Of Release: 2008
Label: Signature Sounds
Genre: Folk-Rock
Quality: MP3 320 Kbps
Total Time: 28:08
Total Size: 100 Mb

Tracklist:
01. Go Tell The Fox (02:35)
02. Bring A Torch, Jeanette Isabella (03:19)
03. Lo, How A Rose E'er Blooming (03:08)
04. Footsteps Of The Faithful (04:32)
05. The Ditchling Carol (03:11)
06. Giddyup Said Santa Claus (05:49)
07. The Coventry Carol (02:07)
08. American Noel (03:27)
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[vandtal]

[Only registered and activated users can see links] Dave Carter & Tracy Grammer
Title: Drum Hat Buddha
Year Of Release: 2001
Label: Signature Sounds
Genre: Folk-Rock
Quality: MP3 320 Kbps
Total Time: 41:23
Total Size: 106 Mb

Tracklist:
01. Ordinary Town (02:49)
02. Tillman Co. (03:26)
03. Disappearing Man (03:50)
04. The Power and Glory (02:46)
05. 236-6132 (03:04)
06. 41 Thunderer (05:04)
07. Gentle Arms of Eden (03:03)
08. I Go Like the Raven (03:36)
09. Highway 80 (02:23)
10. Love, the Magician (04:19)
11. Merlin's Lament (03:35)
12. Gentle Soldier of My Soul (03:29)


Dave Carter and Tracy Grammer would be impressive as solo artists, but together they have become the up-and-coming duo to keep an eye on. Drum Hat Buddha follows the critically acclaimed Tanglewood Tree, featuring the same dense, symbol-filled lyrics set to fairly straightforward arrangements. Multiple violins and a cello perfectly underpin "Disappearing Man," a quiet melody that evokes a new birth -- a coming of age -- with Grammer's lovely vocal carrying the weight of the old-world religious imagery. Carter, aided by Grammer's harmony, sings the magnetic "41 Thunderer," painting a tale of the old West in a few spare words. "Highway 80" is an upbeat country stomper in the same mold as "Hey Conductor" from Tanglewood Tree, while "236-6132" is a bouncy recollection of a lover's phone number. Most of these lyrics are very heavy, and their meaning isn't always obvious. "Love, the Magician" begins much like Townes Van Zandt's "Tecumseh Valley," only to blossom into a mystical story of runaway lovers. When the father finally believes he has cornered the lovers, a pair of lovebirds appear and fly away. All of these songs are supported by good instrumental work, with Grammer's violin adding atmospheric touches and Carter's guitar providing a tasteful acoustic backdrop. Overall, Drum Hat Buddha holds up well to Grammer and Carter's earlier work, though it is hard to match the quality of songs like "The Mountain" and "Walkin' Away From Caroline" from Tanglewood Tree. Fans will not get hung up over this. Instead, they'll concentrate on the great harmony, opaque lyrics, and acoustic sound they've come to expect from this exciting folk duo.

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[vandtal]

[Only registered and activated users can see links] Dave Carter & Tracy Grammer
Title: Little Blue Egg
Year Of Release: 2012
Label: Red House Records
Genre: Folk-Rock
Quality: MP3 320 Kbps
Total Time: 42:23
Total Size: 109 Mb

Tracklist:
01. Better Way (03:43)
02. Hard Edge of Livin (04:39)
03. Way Over Yonder in the Minor Key (04:15)
04. Hard to Make It (03:05)
05. Cross of Jesus (03:25)
06. Amazon (04:22)
07. Three-Fingered Jack (02:43)
08. Any Way I Do (03:50)
09. Till We Have Faces (03:45)
10. Gypsy Rose (05:16)
11. September Sea (03:22)
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[vandtal]

[Only registered and activated users can see links] Dave Carter & Tracy Grammer
Title: Seven is the Number
Year Of Release: 2006
Label: Tracy Grammer Music
Genre: Folk-Rock
Quality: MP3 320 Kbps
Total Time: 47:07
Total Size: 117 Mb

Tracklist:
01. Seven is the Number (02:40)
02. Snake-handlin Man (03:36)
03. Red (Elegy) (03:31)
04. The Promised Land (03:28)
05. Hey Tonya (03:50)
06. Texas Underground (03:52)
07. Gas Station Girl (04:01)
08. Long, Black Road into Tulsa Town (05:31)
09. Workin for Jesus (04:59)
10. Gun-metal Eyes (05:50)
11. Sarah turn 'round (04:51)


In 2002, Dave Carter & Tracy Grammer were on the fast-track to folk fame. With three critically-acclaimed albums in their discography, a slew of superlative reviews and an aggressive North American tour schedule which included a five-week stint with legend JOAN BAEZ, the duo was poised for greatness. Then, suddenly and sadly, Dave Carter died of a heart attack in July 2002 while the duo was on tour in Massachusetts. He was 49.
With SEVEN IS THE NUMBER, Tracy Grammer fulfills her promise to bring the last Dave & Tracy project to fruition. Begun in the duo's home studio during the winter of 2001-2002, SEVEN is essentially a re-recording of songs from Carter's out-of-print solo album which had been released prior to his collaboration with Grammer. SEVEN was unfinished at the time of Carter's death; Grammer and engineer Mark Frethem finished the tracking, mixing and mastering in May 2006.
SEVEN IS THE NUMBER brings together dustbowl drifters, evangelists and prisoners, politicians and gamblers and defenders of the land. With acoustic guitars, violin, mandolin, and two perfectly matched voices, the arrangements are refreshingly spare and astoundingly appropriate. The frenetic and evangelical "Snake-Handlin' Man" arrives like a bat out of hell after the dreamy, violin-drenched title track, while faux-tuba accents mock the carnival-like underworld in the wry Texas Underground. Mournful mandolin tumbles across the desolate highways of "Gas Station Girl" while "The Promised Land" is an energetic guitar tune rocked by the fires of rebellious and disaffected youth.
This long-awaited, highly-anticipated final release by Dave & Tracy delivers on all the promise of the duo's first three albums, and then some. Coming four years after Carter's death, SEVEN is destined to be both a sentimental favorite as well as a valuable glimpse at the early writings of a musical and lyrical genius. With Grammer's graceful and emotive backing on violin, mandolin, percussion and vocals, SEVEN is an absolutely essential album for collectors of the duo's work. Folkwax ezine advises: "Cherish it."

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[vandtal]

[Only registered and activated users can see links] Dave Liebman, Enrico Intra
Title: Liebman meets Intra, Live
Year Of Release: 2014 (2008)
Label: Alfa Music
Genre: Jazz, Post Bop, Modern Creative, Fusion
Quality: FLAC (tracks) [24Bit/96kHz]
Total Time: 01:07:41
Total Size: 1,42 GB

Recorded: #1-10 May 4, 2008, Teatro Villoresi, Monza, Italy; #11 May 3, 2008, La Casa del Jazz, Rome, Italy; Mastering: Alfamusic Studio, Roma, Italy by Alessandro Guardi.


Ogni nuovo progetto e registrazione di Enrico Intra ha sempre una sua propria e autonoma peculiaritÃ* artistica; Liebman meets Intra Live non fa certo eccezione. Eppure, giÃ* dopo il primo ascolto - ed è risaputo come i lavori di Intra per essere apprezzati in pieno richiedano diversi ascolti - sembra che quest'ultimo lavoro si ritagli un posto di rilievo all'interno della pur vasta e varia produzione del pianista e compositore milanese. Certo, per chi ha familiaritÃ* con i dischi di Intra, questa con Dave Liebman riporta subito alla memoria un'altra celebre registrazione con un celebre sassofonista americano, Gerry Mulligan, di cui ricalca anche il titolo, Gerry Mulligan meets Enrico Intra - correva l'anno 1976. La riproposizione del titolo vuole suggerire una continuitÃ* e costruire un ponte lungo oltre trent'anni, non c'è dubbio. E tuttavia, pur trattandosi di uno scontro tra titani, Liebman non è Mulligan e, forse, il sassofonista di Brooklyn, anch'egli raffinato e colto compositore, nonché uno dei più europei tra i jazzisti americani, ha una sensibilitÃ* artistica più adatta a "leggere" il complesso e stratificato mondo musicale di Intra e a districarsi nella sua articolata rete di rimandi e sonoritÃ* non soltanto jazzistiche. Quanto Liebman vi si trovi del tutto a suo agio è immediatamente percepibile.
Nel live al Teatro Villoresi di Monza (l'ultimo brano è stato invece registrato alla Casa del Jazz di Roma), Liebman non si limita affatto a svolgere diligentemente, come spesso accade, il ruolo dell'ospite d'eccezione; il suo contributo è tutt'altro che accessorio e dimostra invece un'affinitÃ* e una partecipazione profonda con l'estetica musicale di Intra. E non poteva essere altrimenti, dal momento che le composizioni di Intra richiedono non soltanto una grande cultura musicale e una tecnica fuori dall'ordinario, ma anche la disponibilitÃ* a mettersi in gioco in un'improvvisazione totale - e Liebman non si è di certo risparmiato, anzi ha suonato ai suoi massimi livelli, offrendo assoli di valore assoluto.
Dicevamo che i lavori di Intra esigono ascolti diversi e attenti - Liebman meets Intra non solo non fa eccezione, ma richiede uno sforzo ancora ulteriore. Ma ne vale la pena. Il brano di apertura, Mazurca, è un piano solo di Intra ispirato a Chopin, che ne rievoca le atmosfere "notturne", ma non bisogna lasciarsi ingannare: giÃ* con l'introduzione di solo sax di Liebman a Bluestop l'atmosfera si fa infuocata e, con l'eccezione della ballad Il Mi di Corso Venezia, il ritmo è sostenuto per tutto il cd - l'apporto della sezione ritmica di Marco Vaggi e Tony Arco risulta infatti fondamentale. La scaletta presenta composizioni di Intra che abbracciano circa venticinque anni della sua produzione e si richiamano esplicitamente a stili e generi musicali diversi: Bluestop, Per Donatoni (dedicata al compositore colto Franco Donatoni), Per una Serenata, Ragtime, Rock; eppure, di tali generi, resta quasi esclusivamente la struttura base, mentre comune è piuttosto il lavoro ironico di decostruzione a cui sono sottoposti per lasciar spazio all'improvvisazione più libera. Ciò non toglie tuttavia che il terreno comune sia quello del jazz e del jazz americano in particolare: basti ascoltare [Only registered and activated users can see links] e il pianismo intriso di swing di Intramood. Non mancano, inoltre, tracce delle sperimentazioni più recenti di Intra, come in Punto Due - Intraludes, in cui Alessandro Melchiorre tesse un tappeto elettronico, mai invadente, su cui lo stesso Liebman improvvisa in modo molto suggestivo.
Insomma, Liebman meets Intra è, brano dopo brano e nota dopo nota, un'esplorazione mai scontata della tradizione del jazz e delle sue prospettive più attuali; lascia senza fiato fino all'ultima nota, anzi fino all'ultimo applauso del pubblico che la suggella.

Dario Gentili, Jazzitalia
Tracklist:
01 Mazurca 3:49
02 Bluestop 6:21
03 Zawinul 8:17
04 Il Mi di Corso Venezia 5:03
05 Intramood 4:33
06 Punto Due, Intraludes 4:44
07 Per Donatoni 13:09
08 Per una Serenata 4:55
09 [Only registered and activated users can see links] 4:18
10 Ragtime 6:07
11 Rock 6:17
**********************
Enrico Intra, piano
Dave Liebman, soprano-, tenor sax, flugelhorn
Marco Vaggi, double bass
Tony Arco, drums
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[vandtal]

[Only registered and activated users can see links] David Darling
Title: Cello
Year Of Release: 1992
Label: ECM
Genre: Contemporary Jazz, New Age, Neoсlassical
Quality: APE (image+.cue,log,scans)
Total Time: 44:09
Total Size: 169 Mb

Tracklist:
01. Darkwood I
02. No Place Nowhere
03. Fables
04. Darkwood ll
05. Lament
06. Two Or Three Things
07. Indiana Indian
08. Totem
09. Psalm
10. Choral
11. The Bell
12. In November
13. Darkwood lll


Revisiting old acquaintances portends, sometimes, a pleasant journey. I still remember those long lost ECM LP's i had years ago ; for some time, i explore the current ECM catalog which contains many splendid silver discs.
There are things that, for mysterious reasons, did not resurface on the market, such as a fine atmospheric recording by french-horn player John Clark ("Faces" [1980] ECM 1176). Similarly, i regret an excellent album from Arild Andersen ("Clouds In My Head" [1975] ECM 1059). Alas, looks like several great ECM recordings from the LP era will never make it on cd. But, as a consolation, one thing is sure : In the bunch of recent recordings (those of the 'CD era') there are truly superb ones---many of them as remarkable as the first generations ECM's.
That leads us to this admirable recording, certainly one of the great albums on ECM in the 1990's and, indeed, from their entire catalog. Listening to David Darling's "Cello", i felt immediate images ; here the cinematic quality of the music emphasizes communication between musician and listener. The beautifully crafted sonic universe is rendered at no less than audiophile quality level, thanks to Manfred Eicher's production at Rainbow Studio in Norway (top engineering is a usual trademark of this label).
For this work Darling uses the acoustic cello and completes with the aerial and wonderful sonorities of the eight-string electric cello, to which sometimes he adds special effects such as the use of a digital delay. The recording has lots of space, an ethereal, vast and contemplative atmosphere, not unlike that of John Surman's "Upon Reflection" (ECM 1148). To my view, here is music to unfold the sky ; i imagine myself dancing alone, in a field, looking at the passage of clouds above my head, under the winds of a vast autumnal landscape. I don't want to sound esoteric---this music is neither esoteric nor is it really new age... It is pure and simple contemporary in good old ECM fashion.
David Darling succeeds in the presentation of his solo works (more compositions than improvisations, i guess): Darkwood 1 is much like the overture to a classical composition. In fact, the album starts on a mood that recalls the eerie pastoral response typical of the finest classical/folk works from Scandinavia or England. The sonic crossroads of "Cello" build bridges between different styles of music---folk, classical, jazz and world music. The result is an extraordinary sort of contemporary music, in my opinion... The album surpasses the abusive limitations of a definite genre.
"Cello" is all about atmosphere. Still, it is at once strange and melodic. Most of the tracks sound enigmatically distant and sombre like a late November afternoon. I can't think of another record that can bear comparison to this one.
Darling is a classically trained musician who played with the Paul Winter Consort in the early 1970s. He also played music with many notable jazz musicians, including Jan Garbarek and Ralph Towner. This CD shows to great effect the 'verbal' utterance and articulation of this wondrous orchestral and solo instrument. Another unusual and, indeed, essential recording by the ECM label.

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[vandtal]

[Only registered and activated users can see links] David Myles
Title: Into the Sun
Year Of Release: 2011
Label: Little Tiny Records
Genre: Folk-Rock, Singer-Songwriter
Quality: MP3 320 Kbps
Total Time: 33:48
Total Size: 100 Mb

Tracklist:
01. Run (02:19)
02. Simple Pleasures (03:15)
03. I'll Never Know (03:24)
04. The Sea (01:32)
05. Long Dark Night (03:36)
06. Don't Look Back (03:18)
07. Leaving (02:59)
08. Nina (02:37)
09. Falling in Love (02:20)
10. The Bottom (02:20)
11. Ooh La La (02:52)
12. Time to Be s Man (03:18)
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[vandtal]

[Only registered and activated users can see links] Janos Varga, The Mediterranean Combo
Title: Latin Fantasy
Year Of Release: 2014
Label: Janos Varga
Genre: Jazz / Latin
Quality: Mp3 / 320kbps
Total Time: 51:49 min
Total Size: 118 MB

Tracklist
----------
01. Mediterranean Nights
02. Copacabana
03. Shall We Dance
04. Samba
05. Flamenco Flounces
06. Bacardi
07. When I'm Going To You
08. Castillan Hills
09. Fading Clouds
10. Sweet Dream


If you love the Latin/Mediterranean sounds of artists such as Oscar Lopez, Armik, the trio (Al Di Meola, Paco de Lucia, John Mc Laughlin) and other fiery acoustic players, you'll really enjoy the legendary ex-East guitarist Janos Varga's project recorded with his son Varga Jr. on second guitar and Zsolt Nagy on piano and Tsoukalas Hristos on darbuka. Entitled Latin Fantasy, the tunes exude passion and excitement while offering a melodic treat for the ears. Varga and Nagy also add some wicked hand percussion to the proceedings - in short, some amazing Latin and Mediterranean style music from a place you might not expect - Hungary.

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[vandtal]

[Only registered and activated users can see links] Soto
Title: The Relic
Year Of Release: 2018
Label: LightWorks Records
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:45:02
Total Size: 101 mb

Tracklist:
01. Tell Me
02. Pandoras Box
03. The Relic
04. Like She Know Me
05. Have This Feeling
06. Shootas (feat. 55Bagz)
07. Dripped
08. New City
09. Work No More
10. Thinking
11. Manager
12. Look Back
13. She Wanna
14. My Turn


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[vandtal]

[Only registered and activated users can see links] GiedRé
Title: Ma PReMieRe CoMPiL'
Year Of Release: 2004
Label: Le Rat Des Villes
Genre: Pop, Chanson
Quality: MP3 320 Kbps
Total Time: 01:04:07
Total Size: 167 Mb

Tracklist:
01. La bande Ã* Jacky (03:09)
02. L'amour Ã* l'envers (02:49)
03. Les petits secrets (02:32)
04. Ferme ta gueule et apporte-moi une bière (03:34)
05. Pisser debout (04:01)
06. Toutes des putes (02:08)
07. L'amour en prison (03:08)
08. Poète pouet pouet (03:05)
09. Ode Ã* la contraception (03:00)
10. Jolie chanson (03:20)
11. Le petit ver de terre (02:50)
12. Et toc ! (02:37)
13. Meurs (02:51)
14. Les gens se brossent les dents (02:52)
15. Eh venez on arrête (03:28)
16. Je ne suis pas méchante (03:04)
17. On fait tous caca (03:44)
18. Chut (02:09)
19. Minna unchi suru (03:49)
20. Les croûtons (03:13)
21. Marie-Jo (02:44)
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[vandtal]

[Only registered and activated users can see links] David Myles
Title: Live at the Carleton
Year Of Release: 2011
Label: Little Tiny Records
Genre: Folk-Rock, Singer-Songwriter
Quality: MP3 320 Kbps
Total Time: 44:20
Total Size: 105 Mb

Tracklist:
01. Need A Break (03:56)
02. Show Intro (00:49)
03. Give You Up (03:10)
04. New Friend (03:46)
05. Turn Time Off Intro (04:11)
06. Turn Time Off (04:11)
07. I Don't Want To Know Intro (02:32)
08. I Don't Want To Know (03:46)
09. Pair Of Shoes (03:48)
10. Don't Drive Through Intro (00:30)
11. Don't Drive Through (03:37)
12. When It Comes My Turn Intro (00:35)
13. When It Comes My Turn (04:57)
14. Take Your Bow (04:35)
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[vandtal]

[Only registered and activated users can see links] David Myles
Title: Things Have Changed
Year Of Release: 2006
Label: Little Tiny Records
Genre: Folk-Rock, Singer-Songwriter
Quality: MP3 320 Kbps
Total Time: 40:34
Total Size: 105 Mb

Tracklist:
01. Things Have Changed (04:40)
02. Love Again (04:25)
03. Where I Want to Be (03:47)
05. Last Night (04:30)
06. When It Comes My Turn (03:32)
07. So Good to Me (02:59)
08. Take Your Bow (04:50)
09. Forget About The Past (03:02)
10. Carry Me (04:00)
11. One Day (04:56)
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[vandtal]

[Only registered and activated users can see links] David Myles
Title: Turn Time Off
Year Of Release: 2010
Label: Little Tiny Records
Genre: Folk-Rock, Singer-Songwriter
Quality: MP3 320 Kbps
Total Time: 36:16
Total Size: 103 Mb

Tracklist:
01. Out of Love (04:11)
02. Run Away (03:37)
03. People Don't Change (02:31)
04. Need a Break (03:27)
05. Turn Time Off (03:54)
06. Gone for Long (02:53)
07. So Far Away (01:56)
08. Peace of Mind (04:10)
09. Lean Into the Wind (02:52)
10. Pair of Shoes (03:41)
11. I Will Love You (03:05)
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[vandtal]

[Only registered and activated users can see links] Dawn Clement
Title: Tandem
Year Of Release: 2018
Label: Origin Records
Genre: Jazz, Jazz Vocals
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 36:38
Total Size: 252 MB
101 MB

Tracklist:
1. Blues For Wayne (3:43)
2. Ablution (2:39)
3. In The Wee Small Hours Of The Morning (3:23)
4. Sugar Cliff (8:00)
5. Memory (4:24)
6. Improvisation #3 (1:51)
7. Bemsha Swing (3:43)
8. My Ideal (4:54)
9. Stay Awake (3:57)


It only takes one listen to Tandem to understand that pianist-vocalist Dawn Clement is a people person with a penchant for trying different things. That openness to various individuals and action points shows itself to be the heart of this collection of duo performances.
Despite being a prominent presence on the Seattle scene, working with high profile leaders like soprano saxophonist Jane Ira Bloom, and having a handful of highly praised albums under her own name, Clement remains a sorely under-recognized artist. Her ability to inhabit many different head spaces, along with the high degree of comfort exhibited while residing in all of them, puts her in a class all her own. Whether playing "in" or "out," tackling a basic blues or exploring wending and winding changes, singing a standard or spinning out a captivating wordless line, she always manages to put her indelible stamp on what she creates.
For this all-too-brief date, Clement called on a few of her closest musical friends and colleagues to join her for some bidirectional banter on a track or two apiece. Some numbers play loose and free while others come across as polished works of art. And each resembles no other. Clement's "Blues For Wayne," with trombonist Julian Priester, opens on fractured lines with pauses before settling into a downhome direction; a trip through Lennie Tristano's "Ablution," tapping into the angular logic and contrapuntal ideals associated with its composer, finds Clement and saxophonist Mark Taylor gleefully crossing lines and finishing each other's thoughts; Thelonious Monk's "Bemsha Swing," with drummer Matt Wilson bringing his serious groove quotient to the party, is playful in its strutting temperament; and Clement's vocal work on standard "My Ideal," with bassist Michael Glynn supporting and soloing in solid fashion, speaks both to her commitment to the art of interpretation and her willingness to stretch. Looking beyond jazz of many stripes, Clement also makes a fine showing in the singer-songwriter realm while sharing space with vocalist/co-producer Johnaye Kendrick on the memorable "Memory."
Nine of the album's ten tracks prove to be about give and take or two-way talk, but Clement does find time to go it alone for one number-"In The Wee Small Hours Of The Morning," with a brighter-than-usual outlook. Rather than wrestle with the song's sorrows in darkness with a drink in hand, Clement looks toward the coming sunrise. It's just one more example of how she manages to find her own way in even the most well-trodden of spots. While there's less than forty minutes worth of music on this one, all of them are worth savoring. Don't lament what's missing. Enjoy what's here. ~Dan Bilawsky
Personnel: Dawn Clement: piano, vocals; Julian Priester: trombone (1, 7); Johnaye Kendrick: vocals (2, 6), harmonium (2); Mark Taylor: alto saxophone (3, 5); Matt Wilson: drums (8, 10); Michael Glynn: bass (9).

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[vandtal]

[Only registered and activated users can see links] Debbie Cunningham
Title: A Million Kisses
Year Of Release: 2018
Label: Self Released
Genre: Jazz Vocals
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 36:08
Total Size: 251 MB
101 MB

Tracklist:
1. A Million Kisses (4:45)
2. Next Thing You Know (3:30)
3. Do You Love Me (3:16)
4. Will You Dance (2:32)
5. Kiss And Make Up (2:50)
6. Day Like This (2:32)
7. Do What Lovers Do (2:48)
8. Anniversary Song (3:31)
9. Here We Are (2:25)
10. Stay In Love (3:23)
11. A Million Kisses (Acoustic) (4:31)


This album is a collection of songs I wrote over the time of 5 years. A time when I saw many of my friends struggling in their marriages mid-life & getting divorced which made me incredibly sad. As a child of divorce, I have always been passionate about making love last in my marriage and investing in our relationship. But I totally get the struggle. Relationships are challenging but so worth the investment of time and commitment! I penned these songs to encourage couples in their journey of staying in love. I think marriage is so much like dancing.by the time you learn the steps, the music changes and there is another dance to learn, all while trying not to step on your partner's toes.
It is fun but it does require practice to get better! However, when you finally get to the point where the 2 of you are gliding across the floor and moving at the right pace and in the same direction, it can be the most exhilarating experience you have ever known. This is the kind of love that is filled with a Million Kisses over a lifetime. That is exactly what I wish for you.... ~Debbie Cunningham
Personnel:
Lead Vocals & BGVs - Debbie Cunningham,
Keyboards- Barry Sames (tracks 3,4,5,6,7,8) & Jim Michie (tracks 1,2,10)
Bass: Upright & Electric- Matt McKenzie (tracks 1,2,6,7,8,10),
Upright - Todd Parks (tracks 3,4,5,9)
Drums: Dave Dunseath (tracks 1,2,10) & Josh Hunt (Tracks 3,4,5,6,7,8,9)
Auxiliary Percussion & Conga: Dave Dunseath (tracks 4, 10)
Guitar: Acoustic/Classical/Electric - Rex Schnelle (Tracks 1,2,4,10,11)
Midi Strings : Derek Cunningham (tracks 3,8,10)
Cello: Paul Nelson (track 8)

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[vandtal]

[Only registered and activated users can see links] Dekel Bor Trio
Title: Emuna [ Leaps of Faith ]
Year Of Release: 2005
Label: Self released
Genre: Cool, Guitar Jazz, Mainstream
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 53:06
Total Size: 273 MB

Tracklist:
1. Just The Way You Are (7:36)
2. Midbar (Desert) - Dala-Dala (With Odelia Nini) (7:58)
...Dala-Dala is a traditional yemenite love song
3. Blind As Love (8:49)
4. Last Chance (1:49)
5. (Morning Sunshine Hits) Bianca's Face (7:03)
6. Unset (Love) Letter (with Nadav Snir-Zelniker (2:35)
.... Features the poem, "At - Shoma'at" By N. Alterman
7. The Fellowship (9:13)
8. Just The Way You Are - Reprise (2:44)
9. Our Last Dance (5:34)
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[vandtal]

[Only registered and activated users can see links] Dela Ville
Title: Connect
Year Of Release: 2018
Label: Chronic Youth Records
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:29:45
Total Size: 52 mb

Tracklist:
01. P.M.A.D.
02. Zone (feat. Chad.Wav)
03. Hold Me Down
04. Cruisin'
05. That Shxt
06. Graduation
07. RWM (Bonus Track)


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[vandtal]

[Only registered and activated users can see links] Kind & Kinky Zoo
Title: Released!
Year Of Release: 2017
Label: Légère Recordings
Genre: Jazz-Funk, Soul, Soul-Jazz, Funk
Quality: FLAC (tracks)
Total Time: 33:22 min
Total Size: 226 MB

In 2005, a new zoo opened in Lausanne, Switzerland. Its wild animals have been going bananas in their quest to create a more dancefloor-friendly world. Now released, the zoo residents can be tracked by their heavy funk smells. Follow their scent past retro-psychedelia and turn left after organic garage.
Released! is the debut album by Kind & Kinky Zoo. It is a collection of brand new tracks, early singles as well as remixes and features a guest apperance by rapper Afu-Ra.
Tracklist:
01.Kind & Kinky Zoo - La Jupe Volante
02.Kind & Kinky Zoo - Wonder Zebra
03.Kind & Kinky Zoo - Big Bite
04.Kind & Kinky Zoo - Bestial Zoo
05.Kind & Kinky Zoo - Hurricane Train (SoulBrigada Remix)
06.Kind & Kinky Zoo - Kinky Regards
07.Kind & Kinky Zoo - Party Chez le Marquis
08.Kind & Kinky Zoo - Beat Sample
09.Kind & Kinky Zoo - V.L.A.M. (Lack of Afro Remix)
10.Kind & Kinky Zoo - Jump the Gun (feat. Afu-Ra)
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[vandtal]

[Only registered and activated users can see links] Die Geschwister Niederbacher
Title: Es Begann Vor Vielen Jahren
Year Of Release: 2018
Label: Mcp/Vm
Genre: Schlager, Pop
Quality: Mp3 320 kbps
Total Time: 31:11
Total Size: 74 MB

Tracklist:
01. Es begann vor vielen Jahren 01:34
02. Pustertal, du Heimat 03:17
03. Gipfelwind und Gletscherwand 02:38
04. Ein kleines Edelweiss 02:46
05. Das Doerflein am Berghang (Neuaufnahme 2017) 03:10
06. Hoch auf Bergeshoeh'n (Neuaufnahme 2017) 02:46
07. Weit so weit 02:06
08. Suedtirol, Edelweissland 02:51
09. Mutter, ich moecht dir danken (Neuaufnahme 2017) 02:12
10. Urlaub in Tirol 01:57
11. Das einsame Maedchen 02:53
12. Abendfrieden 03:01


Es begann vor vielen Jahren, genau genommen in den 70er-Jahren, damals noch in der Urbesetzung mit Vater Hans und Onkel Walter. Sie spielten noch echte, handgemachte Volksmusik mit Akkordeon, Gitarre und natürlich Gesang. Der zunehmende Erfolg und die Bekanntheit zog die Geschwister aus ihrem malerischen Bergdorf im schönen Ahrntal (Südtirol), hinaus in die Welt um ihre schöne Volksmusik einem breiten Publikum darzubieten. Mittlerweile ist die zweite Generation nachgerückt und führt nun bereits seit mehr als zehn Jahren erfolgreich im In- und Ausland die Familientradition weiter. Leider traf die Familie Niederbacher im August 2015 ein schwerer Schicksalsschlag - ihr Onkel Walter, der Mitbegründer des Duos, ist verstorben. Auf dem aktuellen Album haben die Geschwister Niederbacher nun gemeinsam mit ihrem Vater Hans die großen Erfolge von damals neu aufgenommen und im unverwechselbaren Klang der Geschwister Niederbacher interpretiert.



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[vandtal]

[Only registered and activated users can see links] Annie Haslam
Title: Annie In Wonderland
Year Of Release: 1977/1996
Label: Sire
Genre: Prog Folk, Prog Rock
Quality: APE (image, .cue, log)
Total Time: 41:40
Total Size: 249 Mb (scans)


[Only registered and activated users can see links] Introlise / If I Were Made Of Music (4:46)
2. I Never Believed In Love (3:40)
3. If I Loved You (4:39)
4. Hunioco (7:33)
5. Rockalise (6:09)
6. Nature Boy (4:56)
7. Inside My Life (4:51)
8. Going Home (5:03)


While Renaissance started to veer from prog rock to new wave pop, Annie Haslam and Roy Wood concocted this little gem to hold over the prog fans. Annie in Wonderland is whimsical, fanciful, and verging on precious. One of the highlights is the Rodgers & Hammerstein classic "If I Loved You" (which acts as a precursor for Haslam's One Enchanted Evening album). It is interesting to compare the version of "Nature Boy" on this CD with her post-Moulin Rouge interpretation of the song on One Enchanted Evening. In both versions, Haslam gets right to the heart of this beautifully soulful song. Haslam brings the pipes, Wood makes sure to keep it weird -- and the result is something for early Renaissance fans who missed the band's far more interesting swing toward the mainstream. Interestingly, it would be 22 years before Haslam would release another solo album.

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[vandtal]

[Only registered and activated users can see links] Die Jungen Zillertaler
Title: Partykracher - Die Grössten Hits Der Juzis
Year Of Release: 2018
Label: Ariola
Genre: Folk, Pop
Quality: Mp3 320 kbps
Total Time: 01:03:06
Total Size: 149 MB

Tracklist:
01. Helikopter 03:11
02. Tannenzapfenzupfen 02:50
03. Tal mit Z 02:42
04. 100 Mal verrueckter 03:23
05. Halleluja 03:41
06. Der alte Dessauer - Die Kellnerin 03:25
07. Hammer! 03:07
08. Z' jung fuer mi 03:24
09. Lola 03:21
10. So a schoener Tag (Fliegerlied) 03:28
11. Drob'n auf'm Berg (Zwergenlied) 02:48
12. Auf der Bruck trara 02:58
13. Party-Boot-Pourri 03:45
14. Das geht ab (Wir feiern die ganze Nacht) 03:28
15. Dem Land Tirol die Treue 03:18
16. Sierra Madre 03:29
17. Humba Taetaerae (Bonus-Track) 03:03
18. Partykracher Juzi Hit-auf-Hit (Bonus-Track) 04:15
19. Logo Logo Medley & viel mehr... (Bonus-Track) 03:30


Drob n aufm Berg bebte der Almboden, denn sie sind die absoluten Party-Kaiser des volkstümlichen Alpenpop: Die jungen Zillertaler, von ihren Fans JUZIS genannt. Ihre Shows stehen seit mehr als 20 Jahren für kompromissloses Abfeiern, viel Bewegung, Spaß, Action pur und Hits Hits Hits.
Am 26.01.2018 erscheinen die bekanntesten Hits der JUZIs auf ihrem ersten BestOf-Album mit dem Titel "Partykracher - Die größten Hits der JUZIs". Die CD enthält neben einem umfangreichen Best-of von 16 Songs auch die beiden neuen Medleys Partykracher JUZI HITaufHIT und Logo Logo Medley & viel mehr sowie den brandneuen Song Humba Tätärä .
Im Bundle mit der CD präsentieren die JUZIs auf einer separaten DVD des Weiteren auch ein fulminantes Livekonzert welches nach der "Wenn die Musi spielt"-Show im Juli 2017 aufgezeichnet wurde. Im Zeichen der roten Zwergen-Zipfelmützen tanzte das Publikum zu Liedern wie dem Fliegerlied , Drobn aufm Berg und Krachern wie Auf der Bruck Trara oder Tannenzapfenzupfen und der heimlichen Hymne des Zillertales Sierra Madre .
Das Bonusmaterial erzählt die Geschichte der JUZIS, über ihre Freundschaft mit den Zwergen bevor es auf die Bühne zum Feiern geht und noch einiges mehr! Ein Must-Have für jeden JUZI-Fan!
Heute ist der JUZI-Beat weit über die Grenzen Österreichs hinaus bekannt und der Nachschub an neuen Liedern kommt regelmäßig auch aus der eigenen Hitküche. Man darf gespannt sein mit welchem neuen Titel die drei Österreicher in diesem Winter das Partyvolk beim Apres-Ski und im Fasching/beim Karneval zum feiern bringen!

[Only registered and activated users can see links]össten_der_Juzis_2018.rar.html

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[vandtal]

[Only registered and activated users can see links] Dirty Martha
Title: This Is It!!
Year Of Release: 1969/2011
Label: Gear Fab Records
Genre: Psychedelic Rock, Blues Rock, Brass Rock
Quality: Flac (tracks)
Total Time: 01:14:26
Total Size: 483 Mb (scans)


[Only registered and activated users can see links] This Is It (Tom D'Anastasio) - 4:55
2. Away From Here (Lou De Meis) - 3:34
3. She's Not There (Rod Argent) - 3:54
4. Direction (The Band) - 3:23
5. Why Can't I? (Murray Goodman, Terry Wade) - 4:35
6. Children's Song (The Band) - 5:27
7. Gimme' Some Lov'm'(S.Davis, M.Winwood, S.Winwood) - 4:01
8. Lovely Day (Lou De Meis) - 4:43
9. Martha's Ragjam (The Band) - 4:24
10. Mornings (Lou De Meis) - 4:04
11. My Reasons (Terry Wade) - 2:36
12. Song To Sing (John Burgo) - 2:29
13. The Quest (Tom D'Anastasio) - 4:33
14. Things I'll Never Know (Lou De Meis) - 2:13
15. Where Are U Going (Lou De Meis) - 7:18
16. Children's Song (Live) (The Band) - 6:09
17. This Is It! (Live) (Tom D'Anastasio) - 4:46
Tom D' Anastasio - Keyboards, Flute
Duke D' Anastasio - Bass, Vocals
Terry Wade - Guitar, Vocals
Tony Papa - Drums
Phil Ryan -Trumpet, Percussion
Murray Goldman -Trombone, Percussion
John Burgo - Saxes, Percussion
Lou De Meis - Lead Vocals, Keyboards


In the distant 1968, two inseparable friends - Duke D'Anastasio and Tony Papa (who played along with his brother Tom D'Anastasio in the school band "Nickels n Dimes"), attended a concert by a visiting band. By the way, this group was "Blood, Sweat & Tears" with their new lead singer David Clayton Thomas. After attending the concert, the friends were so impressed with the music performed by BS & T that they decided to organize their own band and play in the same style. Six months later, a vocal-instrumental ensemble appeared with the pretentious title "Dirty Martha's Music Company", however, later the name was shortened to "Dirty Martha". The musicians registered for "MSI Recording Studios", where, along with covers, began to compose their own material. "Dirty Martha" performed quite extensively in Camden City, New Jersey and other cities. The musicians made desperate attempts to organize their career, repeatedly coming to New York and offering their demos in "The Brill Building". But after countless refusals, "Dirty Martha" ceased to exist. Of all the band members in the music business, only Tony Papa remained, who spent the last 30 years in Los Angeles. But it was he who saved the demo recordings of the band, and only in 40 years, the music "Dirty Martha" was released! February 15, 2011 on "The Gear Fab Label" materials were published in CD format.

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[vandtal]

[Only registered and activated users can see links] Analogue-X
Title: Course Of Life: The Remixes
Year Of Release: 2018
Label: RMP Records
Genre: Electronic, Synthpop
Quality: 320 Kbps
Total Time: 58:35 min
Total Size: 134 MB

Tracklist:
01. Another Time (WANTed Remix)
02. Lost in Heaven (Depechen Remix)
03. The Pain (New Life Generation Remix)
04. Another Time (Nordika Remix)
05. Just an Illusion (Alexis Voice Remix)
06. My Kingdom (New Life Generation Remix)
07. Another Time (Techni-ka Remix)
08. The Last Word (Depechen Remix)
09. Another Time (Insight Remix)
10. Never Alone (Alexis Voice Remix)
11. Dark Shadow (RMP Remix)
12. The Time of Darkness (Analogue-X Track)
13. Die Zeit der Dunkelheit (Depechen Track)
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[vandtal]

[Only registered and activated users can see links] Djavan
Title: Alumbramento + Cara de Indio
Year Of Release: 1994
Label: EMI
Genre: Funk, Soul, Fusion
Quality: FLAC (tracks+.cue,log)
Total Time: 01:08:26
Total Size: 394 MB

Tracklist:
01. Djavan - Cara de �ndio [3:09]
02. Djavan - Serrado [3:34]
03. Djavan - �gua [3:40]
04. Djavan - �libi [2:22]
05. Djavan - Numa Esquina de Hanói [3:09]
06. Djavan - Minha Mãe [2:12]
07. Djavan - Alagoas [3:52]
08. Djavan - Estória de Cantador [4:14]
09. Djavan - Nereci [3:20]
10. Djavan - Samba Dobrado [3:30]
11. Djavan - Dupla Traição [3:02]
12. Djavan - Tem Boi na Linha [2:37]
13. Djavan - Sim ou Não [3:15]
14. Djavan - Lambada de Serpente [2:56]
15. Djavan - A Rosa [4:23]
16. Djavan - Dor e Prata [3:28]
17. Djavan - Meu Bem Querer [3:23]
18. Djavan - Aquele Um [3:06]
19. Djavan - Alumbramento [3:28]
20. Djavan - Triste BaÃ*a da Guanabara [2:56]
21. Djavan - Sururu de Capote [2:50]


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[vandtal]

[Only registered and activated users can see links] Djavan
Title: Meu Lado
Year Of Release: 1986
Label: Columbia
Genre: Funk, Soul, Fusion
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 34:35
Total Size: 193 MB

Tracklist:
01. Djavan - Beiral [3:08]
02. Djavan - Segredo [4:09]
03. Djavan - Romance [3:21]
04. Djavan - Quase de Manha [3:35]
05. Djavan - Muito Mais [2:55]
06. Djavan - Asa [4:17]
07. Djavan - Topazio [4:50]
08. Djavan - Lei [4:46]
09. Djavan - Nkosi Sikelel' I Afrika [0:57]
10. Djavan - So Bashiya Ba Hlala Ekhaya [2:35]
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[vandtal]

[Only registered and activated users can see links] Dubravka Tomšič
Title: Chopin: Piano Concerto No.2, Op.21
Year Of Release: 1992
Label: Formula Classics
Genre: Classical
Quality: APE (image+.cue,log,scans)
Total Time: 01:00:23
Total Size: 174 Mb

Tracklist:
Piano Concerto № 2 f-moll Op 21
01. I. Maestoso [00h14'11"]
02. II. Larghetto [00h09'18"]
03. III. Allegro vivace [00h08'18"]
Radio Symphony Orchestra Ljubljana
Conductor Marko Munih
Piano - Dubravka Tomšič
04. Scherzo B-Dur Op 31 [00h10'08"]
Piano - Pavica Gvozdić
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[vandtal]

[Only registered and activated users can see links] Emanuele Delucchi
Title: Bach / D'Albert: Piano Transcriptions
Year Of Release: 2018
Label: Piano Classics
Genre: Classical, Piano
Quality: flac lossless
Total Time: 01:15:35
Total Size: 228 mb

Tracklist
---------
01. Prelude and Fugue in D Major, BWV 532: I. Prelude
02. Prelude and Fugue in D Major, BWV 532: II. Fugue
03. Fantasia and Fugue in C Minor, BWV 537: I. Fantasia
04. Fantasia and Fugue in C Minor, BWV 537: II. Fugue
05. Prelude and Fugue in G Major, BWV 541: I. Prelude
06. Prelude and Fugue in G Major, BWV 541: II. Fugue
07. Toccata and Fugue in F Major, BWV 540: I. Toccata
08. Toccata and Fugue in F Major, BWV 540: II. Fugue
09. Prelude and Fugue in A Major, BWV 536: I. Prelude
10. Prelude and Fugue in A Major, BWV 536: II. Fugue
11. Prelude and Fugue in F Minor, BWV 534: I. Prelude
12. Prelude and Fugue in F Minor, BWV 534: II. Fugue
13. Toccata and fugue in D Minor, "Dorian" BWV 538: I. Toccata
14. Toccata and fugue in D Minor, "Dorian" BWV 538: II. Fugue
15. Passacaglia in C Minor, BWV 582
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[vandtal]

[Only registered and activated users can see links] Emily Jane White
Title: Ode To Sentience
Year Of Release: 2010
Label: Talitres Records
Genre: Indie Folk, Female Vocal, Folk Rock, Acoustic
Quality: flac 24bits - 44.1kHz
Total Time: 00:41:25
Total Size: 443 mb

Tracklist
---------
01. Oh Katherine
02. The Cliff
03. Black Silk
04. The Black Oak
05. I Lay to Rest (California)
06. Clipped Wings
07. The Preacher
08. The Law
09. Requiem Waltz
10. Broken Words
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[vandtal]

[Only registered and activated users can see links] GiedRé
Title: MoN PReMieR albuM SoRTi au JaPoN
Year Of Release: 2014
Label: AVEX
Genre: Pop, Chanson
Quality: MP3 320 Kbps
Total Time: 37:07
Total Size: 104 Mb

Tracklist:
01. Avec le sourire (02:44)
02. La bande Ã* Jacky (03:15)
03. L'amour Ã* l'envers (02:49)
04. Ode Ã* la contraception (02:44)
05. Jolie Chanson (03:14)
06. Les poupées (03:14)
07. Toutes des putes (02:09)
08. Pisser debout (03:48)
09. Et Toc (02:38)
10. Le petit vers de terre (02:26)
11. Je Ne Suis Pas Méchante (02:24)
12. On Fait Tous Caca (03:33)
13. Chut (02:09)
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[vandtal]

[Only registered and activated users can see links] Ensemble Berlin Prag
Title: Zelenka: Trio Sonatas ZWV 18
Year Of Release: 2018
Label: Supraphon a.s.
Genre: Classical
Quality: flac lossless
Total Time: 01:34:39
Total Size: 486 mb

Tracklist
---------
01. Sonata No. 1 in F Major: I. Adagio ma non troppo
02. Sonata No. 1 in F Major: II. Allegro
03. Sonata No. 1 in F Major: III. Larghetto
04. Sonata No. 1 in F Major: IV. Allegro assai
05. Sonata No. 2 in G Minor: I. Andante-Adagio
06. Sonata No. 2 in G Minor: II. Allegro
07. Sonata No. 2 in G Minor: III. Andante-Adagio
08. Sonata No. 2 in G Minor: IV. Allegro
09. Sonata No. 3 in B-Flat Major: I. Adagio
10. Sonata No. 3 in B-Flat Major: II. Allegro
11. Sonata No. 3 in B-Flat Major: III. Largo
12. Sonata No. 3 in B-Flat Major: IV. Tempo giusto. Allegro
13. Sonata No. 4 in G Minor: I. Andante
14. Sonata No. 4 in G Minor: II. Allegro
15. Sonata No. 4 in G Minor: III. Adagio
16. Sonata No. 4 in G Minor: IV. Allegro ma non troppo
17. Sonata No. 5 in F Major: I. Allegro
18. Sonata No. 5 in F Major: II. Adagio
19. Sonata No. 5 in F Major: III. Allegro
20. Sonata No. 6 in C Minor: I. Andante
21. Sonata No. 6 in C Minor: II. Allegro
22. Sonata No. 6 in C Minor: III. Adagio
23. Sonata No. 6 in C Minor: IV. Allegro
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[vandtal]

[Only registered and activated users can see links] Ensemble Cairn, Guillaume Bourgogne
Title: Pesson: Blanc mérité
Year Of Release: 2018
Label: Aeon
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz +booklet
Total Time: 01:05:05
Total Size: 309 / 673 mb

Tracklist
---------
01. Carmagnole
02. Musica ficta: Répéter la forêt (Hommage Ã* Giuseppe Penone)
03. Musica Ficta: Nembutal (Une berceuse pour Jean Genet)
04. Musica Ficta: Une pensée pour la mer Égée
05. Ne pas oublier coq rouge dans jour craquelé (Moments Proust)
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07. Musica Ficta: Roméo est en miettes (Hommage Ã* Charles-Valentin Alkan)
08. Musica Ficta: Origami Chopin
09. Six transformations du menuet K. 355 de Mozart: Original
10. Six transformations du menuet K. 355 de Mozart: Glissé
11. Six transformations du menuet K. 355 de Mozart: Hoquet
12. Six transformations du menuet K. 355 de Mozart: Sur quatre notes
13. Six transformations du menuet K. 355 de Mozart: Tyrolienne
14. Six transformations du menuet K. 355 de Mozart: À la manière d'Olivier Messiaen
15. Neige bagatelle
16. Blanc mérité (Avec Roman Opalka)
Lucid music. Vivacity, wit, intensity, foldings and unfoldings of the pointillist material, embracing the thing itself and its contradiction - sensuality, drollery, dances, abysses like sudden draughts of air. Movement and standstill.
Music that slaps, pinches, bites, muffles, growls. Here Pesson reinvigorates what might (already) be his own classicism (Carmagnole); draws a pencil moustache on Mozart, who is more than willing to wear it (Transformations du Menuet K. 355); hounds his language so far into the corner that it seems different, and probably becomes so, in the intransigent light of Opałka (Blanc mérité); a language that ramifies and scintillates in Proust (Ne pas oublier coq rouge dans jour craquelé); grows geometric in Perec (Neige bagatelle); and denudes itself in 'enfantines' (Musica ficta). The Ensemble Cairn, a faithful partner of the label, under its director Guillaume Bourgogne, leads us into territories that could hardly be droller.
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[vandtal]

[Only registered and activated users can see links] Ibio
Title: Cuevas De Altamira
Year Of Release: 2003
Label: Dro East West
Genre: Progressive Rock / Folk Rock
Quality: FLAC (tracks+.cue, log, scans)
Total Time: 34:46
Total Size: 246.3 MB

Tracklist:
01. Cuevas De Altamira (5:38)
02. Romance Del Conde Lara (2:36)
03. La Virulencia Del Ferrocarril (6:03)
04. Las Chicas De Laredo (3:23)
05. A Lo Alto Y A Lo Bajo (3:11)
06. Pastor (6:10)
07. La Baila De Ibio (7:45)
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[vandtal]

[Only registered and activated users can see links] Eri Yamamoto Trio
Title: Redwoods
Year Of Release: 2008
Label: AUM Fidelity
Genre: Jazz, Post-Bop
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 48:29
Total Size: 266.1 MB

Tracklist:
01. This Is an Apple (Yamamoto) - 6:03
02. Wonder Land (Yamamoto) - 4:14
03. Bumpy Trail (Yamamoto) - 7:19
04. Redwoods (Yamamoto) - 9:12
05. Bottled Water Princess (Yamamoto) - 6:07
06. Magnolia (Yamamoto) - 6:19
07. Story Teller (Yamamoto) - 5:11
08. Dear Friends (Yamamoto) - 4:04
Eri Yamamoto - piano
David Ambrosio - bass
Ikuo Takeuchi - drums
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[vandtal]

[Only registered and activated users can see links] Eri Yamamoto Trio
Title: Three Feel
Year Of Release: 2002
Label: Jane Street Records
Genre: Jazz, Post-Bop
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 60:48
Total Size: 291.1 MB

Tracklist:
01. My Favorite Things (Rodgers) - 6:35
02. Hi-Sai (Yamamoto) - 8:01
03. Velvet (Hampton) - 5:28
04. Just in Time (Styne) - 3:48
05. Frog Days Afternoon (Takeuchi) - 7:01
06. Kyoto (Yamamoto) - 6:38
07. Two Feel (Yamamoto) - 4:36
08. Happier Side of Life (Yamamoto) - 6:36
09. Tibet Smiles (Yamamoto) - 7:50
10. Half Moon (Yamamoto) - 4:15
Eri Yamamoto - piano
Alan Hampton - bass
Ikuo Takeuchi - drums
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[vandtal]

[Only registered and activated users can see links] Eri Yamamoto Trio
Title: Up & Coming
Year Of Release: 2001
Label: Jane Street Records
Genre: Jazz, Post-Bop
Quality: FLAC (tracks+.cue,log,)
Total Time: 45:57
Total Size: 221 MB

Tracklist:
01. Up & Coming (Yamamoto) - 6:26
02. All Blues (Davis) - 6:25
03. So Smooth (Yamamoto) - 6:01
04. Tar Tar Sauce (Yamamoto) - 3:36
05. Half Moon (Yamamoto) - 5:07
06. Without a Song (Kern) - 5:34
07. Tender Heart - 4:22
08. Billie's Bounce (Parker) - 5:08
09. My Foolish Heart (Rodgers) - 3:18
Eri Yamamoto - piano
John Davis - bass
Ikuo Takeuchi - drums


How long does it take to become a great jazz musician? Would you believe five and a half years? That would seem to be the case with Eri Yamamoto who abandoned a budding classical career half a decade ago to pursue jazz studies at the New School. Yamamoto had no jazz background whatsoever when she arrived in New York from Kyoto-something I can personally attest to, having heard her stumble through standards some years back at the Loisaida bar that is now Manitoba's. Saloon din tended to drown out Yamamoto's trio until she started pulling out her originals, the attentive silence that greeted them clued me in that fresh ideas were on the way.
Yamamoto's maturity is instantly evidence on the title cut/opener of "UP&COMING,"her self-produced debut. The deceptively simple melody line demands perfect timing, and Yamamoto raises the degree of difficulty by upending it with a bridge in modified waltz-time. The way this impacts her solo is particularly breathtaking: On one chorus, she applies single-note lines reminiscent of Lennie Tristano; next, she alternates running trills with off-kilter phrases; and finally - just before a bass solo by John Graham Davis - she slides back and forth across drummer Ikuo Takeuchi's supple pulse.
And yet that's only a small sampling of the pianist's breadth and economy. The five originals included here are demonstrate an extraordinarily rich compositional sensibility - to say nothing of a delicate touch - and what's most impressive is how they outpace Yamamoto's takes on classics like Miles Davis's "ALL BLUES" and Vincent Youman's "WITHOUT A SONG." I haven't caught Yamamoto's trio since it took up residence in the Village at Arthur's Tavern two years ago, but if the album is any indication, the time she's spent at the rambunctious watering hole has taught
her hoe familiarity combined with subtlety can move a crowd. That understanding is crucial for any musician hoping to become a great player as quickly as she has.

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[vandtal]

[Only registered and activated users can see links] Iceberg
Title: Arc-en-ciel
Year Of Release: 1979
Label: Picap
Genre: Prog Rock, Jazz-Rock
Quality: FLAC (tracks+.cue, log, scans)
Total Time: 40:15
Total Size: 244 MB

Tracklist:
01. El Caminant Nocturn
02. Cantics De La Carn
03. Riu d agost
04. Riu D'Agost
05. Embrujo
06. Crisalide
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[vandtal]

[Only registered and activated users can see links] Iceberg
Title: Iceberg En Directe
Year Of Release: 1978
Label: Actual Records
Genre: Fusion, Prog Rock
Quality: FLAC (tracks+.cue)
Total Time: 35:05
Total Size: 227 MB

Tracklist:
01. Oh! Un Anec Simfonic, Ones (17:37)
02. Canco Per Qualsevol Orquestra (6:45)
03. Histories (10:43)
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[vandtal]

[Only registered and activated users can see links] Instant Orange
Title: Instant Orange
Year Of Release: 2008
Label: Shadoks Music
Genre: Psychedelic, Garage, Folk-Rock
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 1:08:49
Total Size: 366.7 MB

Tracklist:
01. Introduction (0:18)
02. The Visionary (Reactive) (3:29)
03. Whole Lot Better, Pt 1 (0:17)
04. Whole Lot Better, Pt 2 (3:23)
05. Silent Green (2:43)
06. Seems Like Everything, Pt 1 (0:37)
07. Seems Like Everything, Pt 2 (1:58)
08. Cycle 2, Pt 1 (0:48)
09. Cycle 2, Pt 2 (1:48)
10. Reflecting Emotions (3:35)
11. Genesis II (2:51)
12. Cactus Gardens (3:10)
13. Ballad of the RTD, Pt 1 (0:15)
14. Ballad of the RTD, Pt 2 (2:39)
15. Prairie to the Sea, Pt 1 (0:11)
16. Prairie to the Sea, Pt 2 (3:14)
17. Coming of the Day, Pt 1 (0:15)
18. Coming of the Day, Pt 2 (1:38)
19. You I'll Be Following (2:09)
20. Reflecting Emotions (2:41)
21. Suburban Pictorial Abstract (2:39)
22. 20 to 6 Bianchi Boogie (1:27)
23. Theme from Beat Whistle (8:35)
24. View from Ghiradelli Square (2:11)
25. Paper Lay (3:28)
26. Skyline (3:36)
27. Plight of the Mary Celeste (4:01)
28. Genesis II (Non-LP Version) (2:50)
29. Same Old Song (2:03)
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[vandtal]

[Only registered and activated users can see links] Eric Ericson Chamber Choir, Swedish Radio Choir, Andrew Manzeб Fredrik Malmberg
Title: Thomas Jennefelt: Nocturnal Singing
Year Of Release: 2018
Label: Footprint Records
Genre: Classical
Quality: flac lossless +booklet
Total Time: 00:59:49
Total Size: 238 mb

Tracklist
---------
01. Nocturnal Singing
02. 4 Opera Choruses: No. 1, Chorus of the Deported
03. 4 Opera Choruses: No. 2, Midsummer Night
04. 4 Opera Choruses: No. 3, Am Party
05. 4 Opera Choruses: No. 4, Final Chorus
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[vandtal]

[Only registered and activated users can see links] Alice Russell
Title: To Dust
Year Of Release: 2013
Label: Differ-ant
Genre: Soul, Funk
Quality: flac 24bits - 44.1kHz
Total Time: 00:44:36
Total Size: 497 mb

Tracklist
---------
01. A to Z
02. Heartbreaker, Pt. 2
03. For a While
04. Heartbreaker
05. I Loved You (Interlude)
06. Hard and Strong
07. To Dust
08. I Loved You
09. Twin Peaks
10. Heartbreaker (Interlude)
11. Let Go (Breakdown)
12. Drinking Song (Interlude)
13. Citizens
14. Different (Bonus Track)
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[vandtal]

[Only registered and activated users can see links] Into The Great Divide
Title: Into the Great Divide
Year Of Release: 2018
Label: Wilshire Records
Genre: Progressive Rock
Quality: 320 Kbps
Total Time: 66:48 min
Total Size: 153 MB

Tracklist:
01. Chapter 1: Intro
02. Chapter 1: The Crossing
03. Chapter 2: Intro
04. Chapter 2: A Call to Adventure
05. Chapter 3: Intro
06. Chapter 3: Under a Bright Starry Sky
07. Chapter 4: Intro
08. Chapter 4: Tests & Enemies
09. Chapter 5: Intro
10. Chapter 5: Challenge Accepted
11. Chapter 6: Intro
12. Chapter 6: Dark Waters
13. Chapter 7: Intro
14. Chapter 7: Mist in the Sun
15. Chapter 8: Intro
16. Chapter 8: A New Perspective
17. Chapter 9: Intro
18. Chapter 9: The World You Made
19. Chapter 10: Intro
20. Chapter 10: And so It Ends
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[vandtal]

[Only registered and activated users can see links] Irene Grandi
Title: Irene Grandi
Year Of Release: 1994
Label: CGD S.p.A. - Warner Music Group [4509-95632-2]
Genre: Pop
Quality: FLAC (image+.cue,log,scans)
Total Time: 39:53
Total Size: 376 MB



Irene Grandi (born 6 December 1969) is an Italian singer, songwriter, record producer, musician, actress and television host.
During her career she has sung in Spanish and has performed duets in German, French, Indian and in African languages, selling around 5 million records and earning 9 top-ten albums and 6 top-ten singles of which one number-one on the Italian music charts.She has participated four times at the Sanremo Music Festival gaining the podium in 2000. Grandi has performed for six times at the Festivalbar, conquering twice the platform and winning the Radio Awards. In the 2009 she has won a Wind Music Award, and in 2011 a Sanremo Hit Award.

Tracklist:
01. Sposati Subito
02. Mille
03. Vai Vai Vai
04. Fuori
05. Un Motivo Maledetto
06. T.V.B.
07. (You Make Me Feel Like) A Natural Woman
08. La Cucina
09. Cose Da Grandi


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[vandtal]

[Only registered and activated users can see links] Ives Ensemble
Title: Morton Feldman: String Quartet
Year Of Release: 2007
Label: hat[now]ART
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 76:57
Total Size: 332 Mb

Tracklist:
Morton Feldman (1926-1987)
[1]-[3] String Quartet (1979)
Performers:
Ives Ensemble
Josje ter Haar, violin
Janneke van Prooijen, violin
Ruben Sanderse, viola
Job ter Haar, cello


There's always been a crossover appeal among avant, jazz artists with renegade contemporary classical composers. As with various musical forms, and perhaps life in general, rules are sometimes meant to be broken. String Quartet features a 1979-penned composition by Morton Feldman, recorded by the highly-regarded Dutch group known as the [Charles] Ives Ensemble.
Feldman's minimalist tendencies come to fruition, but there's also an element of shock and incident-driven variations amid ever-so-slight tonal variations that surface within unusual circumstances. Enveloped by the quartet's pizzicatos and cyclical ostinato frameworks, the music's delicate mosaics of sound surge forward with the impetus of medium-paced footsteps. Feldman's composition is also built upon polytonal and contrapuntal episodes that are occasionally interrupted with harsh overtones and mood-drenched imagery. However, the music iterated during this seventy-six minute piece contains reference points or perhaps timestamps.
The composition also includes a few abruptly arranged scare tactics via the unit's brazen choruses and ruggedly executed staccato lines. Regardless, Feldman's thought processes and sensibilities are aggressively conveyed within the context of this performance. On a side-note, many forward-thinking jazz and improvising artists derive inspiration from the likes of Feldman, Charles Ives and Milton Babbit, among others. They have adopted some of the paradigms set forth, and utilize these elements as a basis for composition and expressionism. This work presents quite a few subtly engineered complexities. At times the sum of the parts communicates a set of movements that might defy core music theory principles and logic. But these facets signify many of the fascinating propositions that underscore this extended work.

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[vandtal]

[Only registered and activated users can see links] J-Wright
Title: Blacklight
Year Of Release: 2018
Label: Wright Vibe Studios
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:28:29
Total Size: 51 mb

Tracklist:
01. Blacklight
02. Midnight
03. Better Know
04. Talk
05. Body Language
06. False Paradise
07. Uber to the Club
08. Push Away


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[vandtal]

[Only registered and activated users can see links] J.B. Hutto & The Hawks
Title: Masters Of Modern Blues
Year Of Release: 1967/1995
Label: Testament Record
Genre: Blues, Modern Electric Blues, Chicago Blues
Quality: Flac (tracks, .cue, log)
Total Time: 39:30
Total Size: 259 Mb (scans)


[Only registered and activated users can see links] Dust My Broom James, Johnson 3:25
2. Mistake in Life Hutto, Sykes 2:37
3. Goin' Down Slow Franklin, Oden 3:47
4. Lula Belle's Here Hutto 3:15
5. She's So Sweet Terry 3:53
6. My Kind of Woman James, Sehorn 3:12
7. Pet Cream Man Hutto 2:45
8. Blues Stay Away from Me Delmore, Delmore, Glover ... 4:37
9. The Girl I Love 3:28
10. Sloppy Drunk 3:05
11. Wild Wild Woman 2:36
12. Bluebird Hooker 2:46


The year 1966 was a banner one for Hutto and his Hawks: in addition to laying down the lion's share of his killer Delmark album, the slide master also waxed a similarly incendiary set for Pete Welding's Testament logo. Vicious versions of "Pet Cream Man," "Lulubelle's Here," and "Bluebird" are but a few of its charms, with Big Walter Horton's unmistakable harp winding through the proceedings.

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[vandtal]

[Only registered and activated users can see links] J.B. Hutto & The Houserockers
Title: Live 1977
Year Of Release: 1998
Label: Wolf Records
Genre: Blues, Modern Electric Blues, Chicago Blues, Slide Guitar Blues
Quality: Flac (tracks, .cue, log)
Total Time: 51:50
Total Size: 363 Mb (scans)


[Only registered and activated users can see links] J.B.'s Boogie (5:34)
02. You Don't Have to Go (4:25)
03. SIxteen Year Old Boy (4:50)
04. Kansas City (3:38)
05. Dust My Broom (4:37)
06. Killing Floor (5:41)
07. Hip Shakin' (4:08)
08. Worried Live Blues (3:21)
09. Don't You Lie to Me (6:34)
10. Walking the Dog (4:27)
11. Too Much Alcohol (4:36)
Bass - Mark Harris (12)
Drums - Ted Harvey
Guitar - Brewer Phillips
Guitar, Slide Guitar - J.B. Hutto
Piano - Mike Allen (12)
Vocals - Brewer Phillips (tracks: 2, 4), J.B. Hutto (tracks: 1, 3, 5 to 10)


J.B. Hutto - along with Hound Dog Taylor - was one of the last great slide guitar disciples of Elmore James to make it into the modern age. Hutto's huge voice, largely incomprehensible diction, and slash-and-burn playing was Chicago blues with a fierce, raw edge all its own. He entered the world of music back home in Augusta, GA, singing in the family-oriented group the Golden Crowns Gospel Singers. He came north to Chicago in the mid-'40s, teaching himself guitar and eventually landing his first paying job as a member of Johnny Ferguson & His Twisters. His recording career started in 1954 with two sessions for the Chance label supported by his original combo the Hawks (featuring George Mayweather on harmonica, Porkchop Hines on washboard traps, and Joe Custom on rhythm guitar), resulting in six of the nine songs recorded being issued as singles to scant acclaim. After breaking up the original band, Hutto worked outside of music for a good decade, part of it spent sweeping out a funeral parlor! He resurfaced around 1964 with a stripped-down version of the Hawks with two guitars and drums but no bass, working regularly at Turner's Blue Lounge and recording blistering new sides for the first time in as many years.
From there, he never looked back and once again became a full-time bluesman. For the next 12 years Hutto gigged and recorded with various groups of musicians - always billed as the Hawks - working with electric bass players for the first time and recording for small labels, both in the U.S. and overseas. After fellow slide man Hound Dog Taylor's death in 1976, J.B. "inherited" his backup band, the Houserockers. Although never formally recorded in a studio, this short-lived collaboration of Hutto with guitarist Brewer Phillips and drummer Ted Harvey produced live shows that would musically careen in a single performance from smolderingly intense to utter chaos. Within a year, Hutto would be lured to Boston, where he put together a mixed group of "New Hawks," recording and touring America and Europe right up until his death in the mid-'80s. Hutto was an incredibly dynamic live performer, dressed in hot pink suits with headgear ranging from a shriner's fez to high-plains drifters' hats, snaking through the crowd and dancing on tabletops with his 50-foot guitar cord stretched to the max. And this good-time approach to the music held sway on his recordings as well, giving a loose, barroom feel to almost all of them, regardless of who was backing him.

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[vandtal]

[Only registered and activated users can see links] Annie Haslam
Title: Still Life
Year Of Release: 1985/1999
Label: Kankard
Genre: Pop Rock, Vocal, Classical
Quality: Flac (image, .cue, log)
Total Time: 39:10
Total Size: 225 Mb


[Only registered and activated users can see links] Forever Bound (Adagio cantabile from Tchaikovsky Symphony No. 5)
2. Still Life (Air from D Major Suite, J. S. Bach)
3. One Day (Berceuse from Dolly, Fauré)
4. Ave Verum (Mozart)
5. Shine (Gymnopedie No. 2, Satie)
6. Careless Love (Etude Op. 10 No. 3, Chopin)
7. Glitter and Dust (Swan Lake, Tchaikovsky)
8. The Day You Stayed (Pavane, Fauré)
9. Save Us All (Albinoni, Adagio Giazzotto)
10. Skaila (La Calinda, Delius)
11. Bitter Sweet (The Swan from Carnival of the Animals, Saint Saëns)
12. Chains and Threads (Tannhäuser, Wagner)


Before Sarah Brightman and Charlotte Church made it their genres of choice, Annie Haslam took classical melodies and a symphony orchestra and made perfect little gems of pop songs -- featuring time-honored melodies and arrangements to die for. This is one of Haslam's career highlights: a gorgeous, lyrical, and endlessly listenable collection of classical pop nuggets, topped off with brilliant -- often profound -- lyrics. The album has many highlights -- too many to single out -- but is best listened to from start to finish. (That being said, try getting the title track out of your head once you've heard it.) It all takes on the quality of a contemporary pop symphony, and again, set the template for countless artists to follow. A must-have.

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[vandtal]

[Only registered and activated users can see links] Jack Johnson & Friends
Title: Best Of Kokua Festival
Year Of Release: 2012
Label: Brushfire Records
Genre: Folk-Rock
Quality: MP3 320 Kbps
Total Time: 54:36
Total Size: 138 Mb

Tracklist:
01. Jack Johnson Featuring Paula Fuga - Better Together (4:24)
02. Ziggy Marley Featuring Jack Johnson and Paula Fuga - Cry, Cry, Cry (4:03)
03. Jack Johnson Featuring Dave Mathews and Tim Reynolds - A Pirate Looks At Forty (3:52)
04. Jack Johnson Featuring Ozomatli and G. Love - Mudfootball (3:57)
05. Jack Johnson Featuring Eddie Vedder and Kawika Kahiapo - Constellations (3:45)
06. Jackson Browne Featuring Jack Johnson and John Cruz - Take It Easy (3:59)
07. John Cruz Featuring Jack Johnson and Jackson Browne - Island Style (3:57)
08. Jack Johnson Featuring Zach Gill - Breakdown (4:14)
09. Taj Mahal Featuring Jack Johnson and Taj Mahal - Further On Down The Road (5:00)
10. Damian "Jr. Gong" Marley Featuring Jack Johnson and Paula Fuga - Welcome To Jamrock (4:17)
11. Ben Harper Featuring Jack Johnson - High Tide Or Low Tide (5:04)
12. Willie Nelson Featuring Jack Johnson and Ben Harper - Blue Eyes Crying In The Rain (3:17)
13. Jack Johnson Featuring Eddie Vedder , Zach Gill and Ernie Cruz, Jr. - I Shall Be Released (4:44)
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[vandtal]

[Only registered and activated users can see links] Jack Johnson
Title: En Concert
Year Of Release: 2009
Label: Brushfire Records
Genre: Folk-Rock, Singer-Songwriter
Quality: MP3 320 Kbps
Total Time: 01:17:01
Total Size: 194 Mb

Tracklist:
01. Belle / Banana Pancakes (6:19)
02. If I Had Eyes (4:11)
03. Do You Remember / Remember (3:46)
04. Sleep Through the Static (4:19)
05. Flake (5:27)
06. Bubble Toes / Express Yourself (4:18)
07. Wasting Time (5:01)
08. What You Thought You Need (3:57)
09. Country Road With Paula Fuga (2:58)
10. Staple It Together (4:02)
11. Sitting, Waiting, Wishing (3:25)
12. Constellations with Eddie Vedder (3:31)
13. The Horizon Has Been Defeated / Mother & Child Reunion (4:23)
14. Good People (3:36)
15. All at Once (3:45)
16. Gone (2:08)
17. Home (3:17)
18. Times Like These (2:20)
19. Angel / Better Together (6:13)
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[vandtal]

[Only registered and activated users can see links] Jacqueline Leung
Title: In Sunshine or In Shadow
Year Of Release: 2018
Label: HELLO STAGE
Genre: Classical, Piano
Quality: flac lossless
Total Time: 00:59:22
Total Size: 165 mb

Tracklist
---------
01. By the Sleepy Lagoon
02. Aragón
03. Irish Tune from County Derry
04. Duport Variations in D Major, K. 573: Variations 1-9
05. 24 Preludes in all Major and Minor Keys, Op. 102: No. 7 Prelude in Eb Major
06. 2 Légendes, S.175: II. St François de Paule: marchant sur les flots
07. Toccatina, Op. 36
08. Variations Brilliants, Op. 12: I. Introduction. Allegro maestoso-II. Thème. Allegro moderato-III. Variation No. 1-IV. Scherzo-V. Lento-VI. Scherzo vivace
09. The Swan
10. Harpsichord Concerto No. 5 in F minor, BWV 1056: I. Arioso
This is not your ordinary piano solo album. The repertoire on the disc was inspired by Jacqueline Leung's love of BBC Radio 4's legendary programme Desert Island Discs, and the tracks were chosen for their easily recognizable tunes.
In this debut recording, award winning Hong Kong pianist Jacqueline Leung, who has been described as a player who possesses "musicality, intelligence and technical finesse", chose an eclectic mix of 10 pieces ranging from Mozart, Chopin, Bach, Liszt and Saint-Saens to works by lesser known composers such as Bowen and Longas. Designed like a photo album, the CD booklet includes the pianist's personal anecdotes and photographs which inspired the performances of these pieces.
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[vandtal]

[Only registered and activated users can see links] GiedRé
Title: MoN PReMieR BeST oF
Year Of Release: 2013
Label: Le Rat des Villes
Genre: Pop, Chanson
Quality: MP3 320 Kbps
Total Time: 36:33
Total Size: 103 Mb

Tracklist:
01. L'amour Ã* l'envers (02:36)
02. Pisser debout (03:48)
03. La petite camionnette (02:57)
04. Ode Ã* la contraception (02:44)
05. Les questions (02:56)
06. Jolie chanson (03:14)
07. Les petits enfants (03:04)
08. L'amour en prison (03:14)
09. Poète pouet pouet (02:47)
10. Le petit vers de terre (02:26)
11. La bande Ã* Jacky (03:15)
12. On fait tous caca (03:32)
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[vandtal]

[Only registered and activated users can see links] Ester Brohus
Title: Heart of the Country
Year Of Release: 2018
Label: DME
Genre: Country
Quality: flac lossless
Total Time: 00:39:22
Total Size: 254 mb

Tracklist
---------
01. Baby, Please Come Home
02. The Storm
03. Heart of the Country
04. If You Come Closer
05. Old Violin
06. The Dreamer
07. What in the World Have You Done
08. Wish You Were Here
09. Ticket for the Train
10. Will You Miss Me
11. Don't Be Afraid
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[vandtal]

[Only registered and activated users can see links] Jake Holmes
Title: The Above Ground Sound Of Jake Holmes
Year Of Release: 1967/2008
Label: Phoenix Records
Genre: Acid Folk, Folk Rock
Quality: Flac (tracks, .cue, log)
Total Time: 29:58
Total Size: 157 Mb (scans)


[Only registered and activated users can see links] Lonely - 2:39
2. Did You Know - 2:52
3. She Belongs To Me - 2:14
4. Too Long - 2:47
5. Genuine - 3:58
6. Dazed And Confused - 3:51
7. Penny's - 2:38
8. Hard To Keep My Mind On You - 2:02
9. Wish I Was Anywhere Else - 2:51
10. Signs Of Age - 4:02
Jake Holmes - Vocals, Guitars
Ted Irwin - Lead Guitar
Rick Randle - Bass Guitar


Jake Holmes' first album will always be primarily known for the inclusion of the original version of "Dazed and Confused," the same song that, with substantial alteration to its arrangement, would become one of Led Zeppelin's major showpieces. Holmes' original is quite different and worthy in its own right: a stark, spooky folk-rock track with stinging reverbed lead guitar, Holmes' own pained vocals, and furiously strummed rhythm guitar that winds itself into an anguished climax. Unfortunately, it's by far the best song on the LP, though the tense rapid rhythm guitar and disembodied acid folk mood (by a drumless lead guitar/rhythm guitar/bass trio) are constant throughout the disc. Ted Irwin's spiky, jazz acid folk lead guitar lines are like a garage-ish version of those by frequent Tim Buckley accompanist Lee Underwood. Holmes' thin voice was recorded in a way that makes it sound curiously muffled and disembodied, which both adds to the weirdness of the weirder parts and detracts from the record's overall power. His songwriting, too, is erratic, sometimes reaching a reasonably effective level of haunting loneliness, at others descending into bathos (particularly on the closer, "Signs of Age").

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[vandtal]

[Only registered and activated users can see links] Jason Stein Quartet (Keefe Jackson, Joshua Abrams, Tom Rainey)
Title: Lucille!
Year Of Release: 2017
Label: Delmark Records
Genre: Avant-Garde Jazz, Cool Jazz
Quality: FLAC (tracks)
Total Time: 48:52
Total Size: 289.3 MB

Tracklist:
1. Marshmallow (04:06)
2. Halls And Rooms (07:41)
3. Dexterity (03:40)
4. Roused About (05:22)
5. Ryder's Uncle Dragon (06:29)
6. Wow (04:11)
7. Little Rootie Tootie (04:55)
8. I Knew You Were (05:32)
9. April (06:56)
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[vandtal]

[Only registered and activated users can see links] Jeff Moore & Friends
Title: The Youngest Son
Year Of Release: 1974/2008
Label: Riverman / Bella Terra Records
Genre: Psychedelic Folk, Psychedelic Rock
Quality: Flac (tracks)
Total Time: 27:46
Total Size: 175 Mb (scans)


[Only registered and activated users can see links], Flying So High (Christina Becker) - 2:56
2. Is It You (Jeff Moore) - 3:04
3. For You (Jeff Moore) - 2:29
4. Sandy's Song (Jeff Moore) - 4:46
5. Blind Man (Christina Becker) - 4:50
6. Both Sides (Jeff Moore) - 3:38
7. Call Me When It's Over (Jeff Moore) - 6:08
8. Inspiration (Dave Berard) - 0:21
Jeff Moore - Lead Vocals, Acoustic Guitar
Christina Baker - Lead Vocals, Acoustic Guitar
Dave Beattie - Backround Vocals, Acoustic Guitar
Jim Linderman - Backround Vocals, Acoustic Guitar
Judy Imeson - Alto Saxophone, Baritone Saxophone
Wendy Jones - Flute
Paul McDonald - Percussion
A.J. Smitheram - Electric Guitar
Dave Berard - Bass


Moody teen folk from the great white north. One of the ultimate grails of Canadian folk. The vibe is so subdued, the fidelity so low, the sentiments so pure. The album features two singers, Jeff Moore and Christina Becker, doing their own separate, equally engaging things. Sadly, these eight tracks represent everything these two did on tape. Audio from the 2009 first authorized reissue by Yoga Records (USA) & Riverman Music (Korea).

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[vandtal]

[Only registered and activated users can see links] Jesse Marchant
Title: Illusion Of Love
Year Of Release: 2018
Label: No Other
Genre: Folk, Rock, Singer-Songwriter
Quality: 320 Kbps
Total Time: 45:01 min
Total Size: 104 MB

Tracklist:
01. All These Kids I Never Knew
02. Heart Of Mine
03. Distance Is The Only Measure
04. Sister, I
05. 6&5
06. I've Got Friends
07. In This Short Time
08. Frame For One
09. Burning Red
10. Nightships
11. Owl In The Dark
12. Illusion Of Love


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[vandtal]

[Only registered and activated users can see links] Jimmy Takeuchi & His Exciters
Title: Angel Love
Year Of Release: 1970
Label: Toshiba Records
Genre: Easy Listening
Quality: MP3 320 Kbps
Total Time: 33:54
Total Size: 107 Mb

Tracklist:
01. Angel Love
02. Floral Necklace
03. Help Me God
04. My Rosy Lover
05. Secret
06. A Little Drop Of Love
07. Alligator Boogaloo
08. Pata Pata
09. Lady Madonna
10. Song Of Swan
11. I Can't Stop Crying
12. A Girl With A Long Hair
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[vandtal]

[Only registered and activated users can see links] Jimmy Takeuchi & His Exciters
Title: The Ventures
Year Of Release: 1970
Label: Toshiba Records
Genre: Easy Listening
Quality: MP3 320 Kbps
Total Time: 39:38
Total Size: 112 Mb

Tracklist:
01. Reflections In A Palace Lake
02. Kyoto Doll
03. Ginza Lights
04. Hokkaido Skies
05. A Taste Of Honey
06. Walk Don't Run
07. Wipe Out
08. Diamond Head
09. Slaughter On 10th Avenue
10. The Cruel Sea
11. Apache
12. Pipeline
13. House Of The Rising Sun
14. Caravan
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[vandtal]

[Only registered and activated users can see links] Jimmy Takeuchi
Title: Drum Drum Drum: Pops Best 24
Year Of Release: 1970
Label: Toshiba Records
Genre: Easy Listening
Quality: MP3 320 Kbps
Total Time: 01:10:13
Total Size: 176 Mb

Tracklist:
01. Kyoto Doll (3:29)
02. Diamond Head (2:11)
03. The Cruel Sea (3:11)
04. Slaughter On 10th Avenue (2:33)
05. Wipe Out (2:36)
06. Caravan (4:45)
07. Let It Be (4:08)
08. Come Together (3:15)
09. Hey Jude (2:48)
10. Hello Goodbye (3:32)
11. Lady Madonna (2:10)
12. Help (3:01)
13. Venus (3:08)
14. Aquarius (2:14)
15. Those Were The Days (2:33)
16. Manchester Et Liverpool (2:52)
17. La Pioggia (3:19)
18. The Sound Of Silence (2:35)
19. Be Bop A Lula (2:56)
20. Jailhouse Rock (2:30)
21. What'd I Say (3:21)
22. Diana (2:14)
23. Rock Around The Clock (2:24)
24. Heartbreak Hotel (2:28)
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[vandtal]

[Only registered and activated users can see links] Annie Haslam's Renaissance
Title: Blessing In Disguise
Year Of Release: 1994
Label: One Way Records
Genre: Prog Folk, Prog Rock
Quality: APE (image, .cue, log)
Total Time: 59:39
Total Size: 372 Mb (scans)


[Only registered and activated users can see links] Blessing In Disguise (3:26)
2. Pool Of Tears (4:14)
3. Love Lies Love Dies (5:41)
4. Can't Turn The Night Off (3:25)
5. In Another Life (4:04)
6. Raindrops & Leaves (3:22)
7. Whisper From Marseilles (for Julien) (3:49)
8. I Light This Candle (3:41)
9. What He Seeks (4:59)
10. See This Through Your Eyes (4:06)
11. The Sweetest Kiss (3:32)
12. The Children (of Medellin) (5:32)
13. A New Life (4:45)
14. After The Oceans Are Gone (4:56)


The release of this album and its predecessor, Annie Haslam's Renaissance, began the phenomenon of "dueling Renaissances" that took place in the 1990s, Michael Dunford having started his own version of the group, and the surviving members of the original line-up also claiming the name -- all astonishing for a band that seldom, if ever, charted any records in any notable way, and also unfortunate, because it diverted attention from each artist's work. Blessing in Disguise is one of Haslam's most engaging and accessible records -- all of it is on the arty, romantic side of pop/rock, in a similar vein to Renaissance, but it's also distinctly different, in that the singer sacrifices some of her voice's crystalline purity and a little bit of her range in favor of a warmer, more expressive sound. Haslam also co-authored much of the material here, which may account for the slightly higher degree of emotional expressiveness on the album, although two of her three very best performances are on songs that she didn't co-write, "Love Lies, Love Dies" (co-written by Betty Newsinger [nee Betty Thatcher] and her ex-Renaissance bandmate Michael Dunford) and Ezra Mohawk's and Alan Chapman's "Can't Turn the Light Off"; the third, "Whisper From Marseilles (For Julien)," is a musical/dramatic tour de force for the singer. Little here is far off from the standard set by those three jewels, however, and the whole album marks a definite advancement from Haslam's earlier work -- instead of "Renaissance-lite," it's a solid and weighty solo achievement.

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[vandtal]

[Only registered and activated users can see links] John Hollenbeck Large Ensemble
Title: All Can Work
Year Of Release: 2018
Label: New Amsterdam Records
Genre: Avant-Garde Jazz, Modern Creative, Third Stream, Big Band
Quality: FLAC (tracks)
Total Time: 1:09:43
Total Size: 418.4 MB

Tracklist:
1. lud (03:29)
2. All Can Work (10:02)
3. Elf (06:21)
4. Heyoke (13:46)
5. this kiss (09:44)
6. from trees (09:50)
7. Long Swing Dream (07:28)
8. The Model (04:41)
9. All Can Work (Excerpt) (04:23)
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[vandtal]

[Only registered and activated users can see links] Gotham
Title: Pass The Butter
Year Of Release: 1972/2017
Label: UNI / MOTOWN
Genre: Rock
Quality: flac lossless / flac 24bits - 192.0kHz
Total Time: 00:42:27
Total Size: 282 mb / 1.73 gb

Tracklist
---------
01. Sittin On A Mountain
02. Ease My Mind
03. Why Doesnt The Sun Shine
04. Behind The Wall
05. Use It Or Lose It
06. Window Pane
07. Moon
08. They Made Me An Outlaw
09. Daddy Left Home
10. Talkin' 'Bout
11. Gettin High
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[vandtal]

[Only registered and activated users can see links] John Mayall
Title: London Blues 1964-1969
Year Of Release: 1992
Label: Deram
Genre: Blues
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 58:39 / 74:39
Total Size: 763.3 MB

Tracklist:
CD I:
01. Crawling up a Hill
02. My Baby Is Sweeter - John Mayall, Dixon, Willie
03. Crocodile Walk
04. Blues City Shakedown
05. I'm Your Witchdoctor
06. Telephone Blues
07. Bernard Jenkins - John Mayall, Clapton, Eric
08. All Your Love - John Mayall, Dixon, Willie
09. Double Crossing Time - John Mayall, Clapton, Eric
10. Key to Love
11. Parchman Farm - John Mayall, Allison, Mose
12. Looking Back - John Mayall, Watson, Johnny
13. So Many Roads - John Mayall, Paul, Marshall
14. Sitting in the Rain
15. A Hard Road
16. Dust My Blues - John Mayall, James, Elmore
17. The Supernatural - John Mayall, Green, Peter
18. Another Kinda Love
19. Leaping Christine
20. Burn Out Your Blind Eyes
CD II
01. All My Life - John Mayall, Robinson, Jimmy Lee
02. Ridin' on the L & N - John Mayall, Burley, Dan
03. Eagle Eye
04. It Hurts Me Too - John Mayall, London, Mel
05. Double Trouble - John Mayall, Rush, Otis
06. Sonny Boy Blow
07. Broken Wings
08. Oh, Pretty Woman - John Mayall, Williams, A.C.
09. The Death of J.B. Lenoir
10. Man of Stone - John Mayall, Kirkland, Eddie
11. Checking on My Baby - John Mayall, Williamson, Sonny B
12. Suspicions, Pt. 1
13. Jenny
14. Picture on the Wall
15. No Reply
16. She's Too Young
17. Sandy
18. Walking on Sunset
19. The Bear
20. Fly Tomorrow
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[vandtal]

[Only registered and activated users can see links] Eternity Opens
Title: Empire of Sin
Year Of Release: 2018
Label: 668991 Records DK
Genre: Progressive Rock, Progressive Metal
Quality: 320 Kbps
Total Time: 51:03 min
Total Size: 117 MB

Tracklist:
01. Empire of Sin 09:52
02. Era of Typhon 04:36
03. Purge of The Land 05:30
04. The Delusion of Hope 06:51
05. Vortex of Extinction 04:13
06. Dawn of Redemption 15:06
07. When 04:55
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[vandtal]

[Only registered and activated users can see links] Jonathan And Leigh
Title: Third And Main
Year Of Release: 1967/2007
Label: Ace Records
Genre: Psychedelic Folk, Country Rock
Quality: Flac (image, .cue, log)
Total Time: 32:35
Total Size: 213 Mb (scans)


[Only registered and activated users can see links] Constant Tuesday - 3:06
2. Someday Baby (John Estes, Hammie Nixon) - 2:00
3. Tapestry - 2:33
4. Brownsville (Traditional) - 2:32
5. Song For Shelley - 2:38
6. Third And Main - 3:29
7. Balm In Gilead (Traditional) - 2:21
8. Cocaine Blues (Traditional) - 2:31
9. Summer Sorrow - 3:15
10. Winding River - 2:41
11. Changes (Phil Ochs) - 2:51
12. If The Earth Be Round - 2:19
Sandy Roepken - Vocals, Acoustic Guitar, Electric Dulcimer
Jonathan Alden - Vocals, Guitars
Warren Smith - Drums
William Salter - Bass
Guest Musicians
Vinnie Bell - Electric Guitar
Jay Berliner - Electric Guitar
Richard Davis - Bass
Russ Savakus - Bass


A welcome midprice CD release for this rare Vanguard album from 1967. Jonathan & Leigh were a male-female duo consisting of Jonathan Alden and Sandy Roepken. They recorded this single album, very much in the style of label-mates Ian & Sylvia and Richard and Mimi Farina. Backing musicians include Russ Savukus, who had appeared with the Farinas and Ian & Sylvia, plus bassist Richard Davis and guitarist Jay Berliner who would shortly appear on Van Morrison's "Astral Weeks".

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[vandtal]

[Only registered and activated users can see links] Jonathan Richman & The Modern Lovers
Title: It's Time For
Year Of Release: 1986
Label: Upside Records
Genre: Garage Rock, Rock & Roll
Quality: Flac (tracks, .cue, log)
Total Time: 43:20
Total Size: 229 Mb (scans)


[Only registered and activated users can see links] It's You
02. Let's Take A Trip
03. This Love Of Mine
04. Neon Sign
05. Double Chocolate Malted
06. Just About Seventeen
07. Corner Store
08. The Desert
09. Yo Jo Jo
10. When I Dance
11. Shirin & Fahrad
12. Ancient Long Ago


The Modern Lovers was an American rock band led by Jonathan Richman in the 1970s and 1980s. The original band existed from 1970 to 1974 but their recordings were not released until 1976 or later. It featured Richman and bassist Ernie Brooks with drummer David Robinson (later of the Cars) and keyboardist Jerry Harrison (later of Talking Heads). The sound of the band owed a great deal to the influence of the Velvet Underground, and is now sometimes classed as "protopunk". It pointed the way towards much of the punk rock, new wave, alternative and indie rock music of later decades. Their only album, the eponymous The Modern Lovers, contained idiosyncratic songs about dating awkwardness, growing up in Massachusetts, and love of life and the USA.
Later, between 1976 and 1988, Richman used the name Modern Lovers for a variety of backing bands, always billed as "Jonathan Richman and the Modern Lovers". These bands were quieter and featured more low-key, often near-childlike songs as Richman drew on folk-rock and other genres. Of Richman's original bandmates, only Robinson was part of any of the other Modern Lovers incarnations.

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[vandtal]

[Only registered and activated users can see links] Jonny King
Title: Notes From The Under-Ground
Year Of Release: 1996
Label: Enja
Genre: Jazz, Bop, Hard Bop, Post Bop, Piano Jazz
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 58:44
Total Size: 368.3 MB

Tracklist:
01. Gnosis (9:14)
02. Notes From The Underground (7:16)
03. Soliloquy (5:41)
04. Caffeine (8:31)
05. Mean To Me (5:33)
06. Blow-up (9:52)
07. The Common Law (6:11)
08. Las Ramblas (6:27)
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[vandtal]

[Only registered and activated users can see links] Jordi Savall
Title: Venezia Millenaria
Year Of Release: 2018
Label: Alia Vox
Genre: Classical, World
Quality: flac lossless / flac 24bits - 88.2kHz +booklet
Total Time: 02:35:02
Total Size: 781 mb / 2.61 gb

Tracklist
---------
CD1
01. Fanfare (Instrumental D'Après Une Mélodie Du Siècle VIII)
02. Alléluia (Choral byzantin)
03. Halatzoglou kratema (Instrumental byzantin)
04. Chanson de Croisade: Pax in nomine Domini - Marcabru (1100-1150)
05. Danse de l'âme (Afrique du Nord) [Instrumental] [Tradition Berbère]
06. Hymne pour les services des Matins
07. Chanson & Danse Arménienne (Xiiie Siècle)
08. Conductus: O Totus Asie Gloria, Regis Alexandria Filia (Xiiie Siècle)
09. Istampitta: Saltarello (mss. XIVe siècle)
10. Pásan tin elpida mu
11. Chiave, chiave (Instrumental) [Début du XVe siècle]
12. Adoramus te (Chansonnier du XVe siècle)
13. Hirmos Calophonique: Tin Déisin mu (XVe siècle)
14. Marche Ottomane Nikriz peşrev - Ali Ufki Bey
15. Lamentio Sanctae Matris Ecclesiae Constantinopolitanae
16. La Guerre: La Bataille de Marignan
17. Cantique des Cantiques (3,1-4): Qamti be-Ishon Layla
18. Villanesca alla napolitana: Vecchie letrose
19. Der makām-ı Uzzäl Sakîl (Instrumental ottoman)
20. Madrigal: OÃ*d, oÃ*d... [...las buenas nuevas de Lepanto]
CD2
01. Psaumes de David. Ficht wider meine Anfechter (Psaume 35)
02. Géfsasthe ke idete
03. Sousta (Instrumental) [Danse de Chypre]
04. Ricercar VII
05. Hymne de la Sainte Eucharistie (En slave)
06. Laïla Djân (Instrumental) [Danse Perse]
07. Psaume 137, (1-6): 'Al nÃ*härót bavél
08. Il combattimento di Tancredi e Clorinda, SV 153
09. Sinfonia Seconda
10. Der Makām-i-Rehavi Çember-i-Koca (Marche ottomane)
11. La Senna festeggiante, RV 693: Di queste selve venite, o Numi
12. Alla turca (Allegretto) [D'après la Sonate No. 11 en La Majeur, K. 331 de Mozart]
13. Deo gratias (Hymne Orthodoxe Russe du XVIè siècle)
14. Chanson Constitutionnelle Nous sommes tous égaux
15. Canzonette veneziane da battello. Raccolta di gondoliere: Per quel bel viso
16. Canzonette veneziane da battello. Raccolta di gondoliere: Mia cara Anzoletta
17. La Sainte Ligue (La nuit est sombre) [D'après les Symphonies No. 5 et No. 7 de Beethoven]
Over 1,000 years, from the Byzantine Empire to the Napoleonic Wars, Venice played a key role in shaping the Western music.
Jordi Savall and his ensembles pay a tribute to a place that fully profited from its privileged links with the Orient while hosting geniuses like Monteverdi, Gabrieli and Vivaldi. As you have come to expect from Alia Vox, this CD-book is lavishly illustrated and documented.
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[vandtal]

[Only registered and activated users can see links] Julio Iglesias
Title: Dois Coracoes
Year Of Release: 2017
Label: Sony Music
Genre: Pop, Latin
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 58:43
Total Size: 457 Mb


Tracklist
01. Ela
02. Amanheci Em Teus Bracos
03. Dois Amigos
04. Viver A Vida
05. Me Va, Me Va
06. Volver A Empezar
07. My Sweet Lord
08. I Want To Know What Love Is
09. Forever And Ever
10. Careless Whisper
11. How Can You Mend A Broken Heart
12. Everybody's Talking
13. When I Need You
14. Crazy In Love
15. When You Tell Me That You Love Me

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[vandtal]

[Only registered and activated users can see links] Kensuke Ushio
Title: DEVILMAN crybaby (Original Soundtrack)
Year Of Release: 2018
Label: Aniplex Inc.
Genre: Soundtrack
Quality: AAC 256 Kbps
Total Time: 95:07 min
Total Size: 193 MB

Tracklist:
01. The Genesis (01:46)
02. D.V.M.N. -Theme From "DEVILMAN crybaby"- (03:34)
03. Buddy, Ryo (03:30)
04. Devilman No Uta (03:05)
05. Strategist (02:34)
06. Akira The Wild (01:55)
07. Night Ride (01:26)
08. Miki (01:52)
09. Miki The Witch (02:43)
10. Wired (01:12)
11. School Life (01:57)
12. Wishy Washy (02:02)
13. News Anchor (01:10)
14. They Said. (01:51)
15. Cheesy Drop (01:39)
16. Panic (01:26)
17. Possession (01:27)
18. Dreadful Stories (02:01)
19. Who Is She? (01:50)
20. Death Mask (01:27)
21. Behind The Scene (01:59)
22. Anxiety (01:10)
23. Judgement (01:45)
24. Sabbath Ⅰ (04:48)
25. 60311 (01:44)
26. The Crawling (01:51)
27. Nightmare (01:38)
28. His Heart (01:32)
29. Tears (01:49)
30. Sincerity (01:01)
31. Luxuria (01:50)
32. The Two Of Them (01:42)
33. Night Hawk (02:33)
34. Beautiful Silene (01:42)
35. Smells Blood (01:49)
36. Crisis (01:20)
37. Black Mist (01:33)
38. The Cult (01:38)
39. Enigma (01:31)
40. Flashback (01:09)
41. Prayer (01:58)
42. Her Baton (02:08)
43. Veritas (01:42)
44. Ryo (01:36)
45. Satan (01:57)
46. Pathetique (03:07)
47. From Here To Eternity (01:56)
48. Crybaby (04:09)
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[vandtal]

[Only registered and activated users can see links] Keren Peles
Title: Mabul
Year Of Release: 2008
Label: Hed-Arzi
Genre: Folk Rock, Pop Rock
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 44:23
Total Size: 381 Mb

Tracklist:
01. Mabul (Flood)
02. Ma SheBe'emet? (What Is This Really?)
03. Ratza HaBaita (She Ran Home)
04. Sex Im Ha'Ex (Sex With the Ex)
05. Al Ishech Shetikatech (Don't Silence Your Man)
06. Pejo '92
07. B'Mechonit Leyad Hayam (In a Car By the Sea)
08. Sof HaRagesh (The Last Feeling)
09. Hu Mitkasher Alei (He Calls Me)
10. Soni Etzel Shoni (Sonny's at Shoni's Place)
11. Tkufa Shel Shinuiim (A Period of Changes)
12. Po Leyad HaYarkon (Here By the Yarkon)
13. Shana Had Sitrit (A Year of Precise Change)
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[vandtal]

[Only registered and activated users can see links] Habanera Saxophone Quartet
Title: Mysterious Morning
Year Of Release: 2001
Label: Alpha Productions
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 01:00:14
Total Size: 276 Mb

Tracklist:
01 - Gyorgy Ligeti - Six Bagatelles - Allegro con spirito
02 - Gyorgy Ligeti - Six Bagatelles - Rubato. Lamentoso
03 - Gyorgy Ligeti - Six Bagatelles - Allegro grazioso
04 - Gyorgy Ligeti - Six Bagatelles - Presto ruvido
05 - Gyorgy Ligeti - Six Bagatelles - Adagio. Mesto. Bela Bartok in memoriam
06 - Gyorgy Ligeti - Six Bagatelles - Molto vivace. Capriccioso
07 - Fuminori Tanada - Mysterious Moring II - 1er mouvement
08 - Fuminori Tanada - Mysterious Moring II - 2eme mouvement
09 - Franco Donatoni - Rasch
10 - Iannis Xenakis - XAS
11 - Franco Donatoni - Rasch II
12 - Sofia Gubaidulina - In Erwartung (1994)
Performers:
Gilles Tressos (Baritone Saxophone)
Thierry Briard (Percussion)
Fuminori Tanada (Piano)
Laurent Fraiche (Percussion)
Christian Wirth (Soprano Saxophone)
Patrice Gauchon (Percussion)
Fabrizio Mancuso (Tenor Saxophone)
Abel Billard (Percussion)
Gianni Pizzolato (Percussion)
Sylvain Malezieux (Alto Saxophone)
Herve Trovel (Percussion)


This Alpha Productions release, Mysterious Morning, is the first full-length disc by the Quatuor Habanera, a French saxophone quartet founded in 1993 and dedicated to the exploration of the ever-expanding universe of music being created for this instrumental combination. The main event for many listeners will be the inclusion of a late Iannis Xenakis work, Xas (1987). Booklet note-writer Alain Poirer describes Xenakis' music as "harsh and severe," yet Xas' surprising moments of sweetness are what the listener takes note of; the sections aptly described by Poirer's words will come as no shock to ears attuned to the sound of free jazz groups. György Ligeti's popular and oft recorded Bagatelles (6) are presented in a saxophone quartet adaptation made in 1997 by Guillaume Bourgogne with the approval of the composer and recorded here for the first time. The tone of the saxophone enhances the bright, folksy, and popular aspects of this early Ligeti piece. The best thing on the disc, though, is young Japanese composer Fuminori Tanada's Mysterious Morning II, which dives into the realm of saxophone ensemble sonority feet first, producing many startling effects that can only be made by these instruments. Mysterious Morning II also has the benefit of being a mysterious, atmospheric, and vaguely spiritual piece without being new agey.
Franco Donatoni's Rasch, originally written for the Rascher Saxophone Quartet, starts out sounding like a broken-down old squeeze box and dissolves into a flurry of Berg-like flittering. It does not make much of an impression, but Donatoni's mirror-image retrograde version of it with some added percussion, Rasch II, does. It is just that in reverse order for some reason the form of the piece is more convincing -- go figure. Outside of referencing the Dies Irae several times, Sofiya Gubaidulina's In Erwartung is so sparse it seems hardly there, and it didn't do a thing for the listener.
To want Mysterious Morning one must take a fancy to saxophone groups and contemporary music, a rather specialized combination of tastes. For those who qualify, this is a solid effort by Quatuor Habanera and, despite some less than interesting music, it does make one want to hear more by this group.

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[Only registered and activated users can see links] Antidote 61 Nina
Title: 1001 Plotz
Year Of Release: 2018
Label: Dosesage Factory
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:39:58
Total Size: 102 mb

Tracklist:
01. 1001 Plotz (Intro)
02. 1001 Plotz
03. Ace In (feat. Cricet)
04. I'm Going
05. See No Evil (feat. Lil Latin)
06. The Interview
07. Shake (feat. Cricet)
08. Friday Night (feat. A-DOT & 2 Smoov)
09. Day by Day (feat. Sian)
10. I'm That Man (feat. Makguyver)
11. F**k Ur Program (feat. Baby J Love & Platnum)
12. Limousine Guillotine (feat. Mitchy Slick & Cricet)
13. Outro


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[Only registered and activated users can see links] Kondens
Title: Goldberg 1.5
Year Of Release: 2018
Label: Footprint Records
Genre: Classical
Quality: flac lossless +booklet
Total Time: 00:57:47
Total Size: 237 mb

Tracklist
---------
01. Goldberg Variations, BWV 988: Aria
02. Goldberg Variations, BWV 988 (arr. for recorder and organ): Variation on Variation 7
03. Goldberg Variations, BWV 988: Variatio 7. a 1 ô vero 2 Clav.
04. Goldberg Variations, BWV 988 (arr. for recorder and organ): Variation on Variation 15
05. Goldberg Variations, BWV 988: Variatio 15. Canone alla Quinta. a 1 Clav.
06. Variation A on Goldberg Variation 16 (After J.S. Bach)-Goldberg Variations, BWV 988: Variatio 16. Ouverture. a 1 Clav. (Intro-Varation 16-Coda)
07. Goldberg Variations, BWV 988 (Arr. for Recorder & Organ): Variatio 21. Canone alla Settima. a 1 Clav.
08. Goldberg Variations, BWV 988 (arr. for recorder and organ): Variation on Variation 21
09. Goldberg Variations, BWV 988: Variatio 29. a 1 ô vero 2 Clav.
10. Goldberg Variations, BWV 988 (arr. for recorder and organ): Variation on Variation 29
11. Goldberg Variations, BWV 988: Aria da capo
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[Only registered and activated users can see links] FENZL
Title: Fenzl
Year Of Release: 2018
Label: recordJet
Genre: Pop
Quality: Mp3 320 kbps
Total Time: 41:56
Total Size: 96 MB

Tracklist:
1. FENZL - Dea ma wos ma woin!
2. FENZL - Drah Di ned um
3. FENZL - Do Drobn
4. FENZL - Koane reisst mi
5. FENZL - Retroraketn
6. FENZL - D'Welt is a Scheim
7. FENZL - I bin frei
8. FENZL - Danz, Baby danz!
9. FENZL - Kennst mi?
10. FENZL - Da King
11. FENZL - Du konnst fliagn
12. FENZL - Stoipan und foin


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[Only registered and activated users can see links] KOTAU
Title: Gezeiten
Year Of Release: 2018
Label: Spinnup
Genre: Rock
Quality: Mp3 320 kbps
Total Time: 16:42
Total Size: 38 MB

Tracklist:
1.König der Fischer
2.Alles geht kaputt
3.Gezeiten
4.Tango (Acoustic version)
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[Only registered and activated users can see links] Kroger Quartet
Title: Per Nørgård: String Quartets 7, 8, 9 & 10
Year Of Release: 2008
Label: Dacapo
Genre: Classical
Quality: FLAC (tracks+.cue,log)
Total Time: 70:54
Total Size: 334 Mb

Tracklist:
String Quartet No. 7 (1993-94)
Dedicated to the Kroger Quartet
01. I Andante - Allegro impetuoso (6:03)
02. II Lentisissimo, quasi non misurato (4:54)
03. III Allegro con brio (4:47)
String Quartet No. 8 "Night Descending Like Smoke" (1995-97)
04. I (Prologue) Eulog (5:32)
05. II Man-Animal (2:48)
06. III Voyage (1:48)
07. IV Night Descending (5:21)
08. V (Epilogue) Elegy (5:30)
String Quartet No. 9 "Into the Source" (2000-2001)
09. I Allegro energico (7:54)
10. II Calmo (5:49)
11. III Lento - Allegro brutale (6:42)
String Quartet No. 10 "Harvest-timeless" (2005)
Dedicated to the Kroger Quartet
12. Allegro fluente (13:40)
Performers:
Kroger Quartet
Alexander Øllgaard, violin
Maj Kullberg, violin
Sanna Ripatti, viola
Jakob Kullberg, cello


In one of my earlier reviews of recordings of Nørgård's music, I remarked that his musical and stylistic progress is far from a straight line. This composer is used to surprising even his staunchest admirers with unexpected twists and turns. This is certainly valid when considering his string quartets - ten at the time of writing. It may be worth reminding ourselves that his first essays in the genre are available on Kontrapunkt 32015 played by the Kontra Quartet. It's a disc still worth looking out for.
The String Quartet No.7 opens mysteriously "with faraway signal notes". The music quickly gets more animated and unfolds through contrasting episodes characterised by capricious rhythms. The slow movement makes use of various techniques and is almost a study in microtonal writing. It creates harmonic and tonal ambiguity that is fairly quickly dispelled by the energy at play in the final movement in which we hear reminiscences from Nørgård's Second String Quartet Quartetto Brioso composed in 1954 and revised in 1958. The Seventh String Quartet was written to celebrate the bicentenary of the Danish Royal Library, a rather improbable commission indeed considering that there is absolutely nothing academic in the music.
The String Quartet No.8 subtitled Natten sænker sig som røg ("Night Descending like Smoke") was completed in 1997. Its five movements derive most of their thematic material from Nørgård's Apollinaire-inspired opera Nuit des Hommes - available on DaCapo 8.226011 and reviewed here some time ago. The first movement opens with siren-like sounds before proceeding further with what is mostly a distorted rendering of a Danish hymn-tune and building to violent, final, climactic and heavily repeated chords. The second movement Man - Animal is a short brutal war-like Scherzo. The third movement Voyage suggests exactly that in various ways, mostly through rhythm. The fourth movement Night Descending, opening with a variant of the opening gesture in the preceding movement, is a sort of tense Nocturne which at times seems to come to a standstill. The final movement Epilogue - Elegy reverts to the material of the first movement albeit presented in a totally different way, "including the chorale, but now transformed or distorted into a lament" as well as brief reminders of material from the other movements. Nørgård's Eighth String Quartet is one of the grimmest of works, but this should not surprise anyone who knows the opera on which the piece is based.
Completed a few years later, in 2001, the String Quartet No.9 subtitled Ind i kilden ("Into the Source" or "Into the Spring") is again completely different from its immediate predecessors. Whatever the intended meaning of that subtitle - maybe "the further forward, the further backward" as suggested in the excellent insert notes accompanying this release - the music is far more approachable. It is full of typical Nørgård hallmarks and remains rather demanding, while ultimately rewarding.
Much the same can be said of the most recent work here, the String Quartet No.10 subtitled Høsttidløs ("meadow saffron"). It is in one movement and, again, is almost plain sailing - by Nørgård's standards - when compared to the much more acerbic Eighth Quartet. The music here is mostly characterised by clarity and transparency. The very opening is a good example of such almost disarming new simplicity although much of the ensuing music is clearly from the same pen as that heard in the other quartets. This is a beautiful and engaging work and one likely to earn Nørgård new admirers.
The Kroger Quartet, for whom the Tenth Quartet was composed, play beautifully throughout and clearly have the full measure of the music Their committed and carefully prepared readings deserve only praise and admiration. The recorded sound is magnificent and the production of this release, particularly Jensen's well-informed insert notes from which I have quoted, is first rate and well up to DaCapo's best. This most welcome release is a must for all fans of this composer's music. It usefully and splendidly completes Kontrapunkt's recordings of the earlier string quartets. This is quite strong stuff but it is all well worth the effort. -- Hubert Culot

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[Only registered and activated users can see links] Kronos Quartet
Title: Bob Ostertag: All the Rage
Year Of Release: 1992
Label: Nonesuch
Genre: Classical
Quality: APE (image+.cue,log,scans)
Total Time: 16:15
Total Size: 101 Mb

Tracklist:
1. All the Rage 16:15
libretto by Sara Miles
reading by Eric Gupton
Performers:
KRONOS QUARTET
David Harrington, violin
John Sherba, violin
Hank Dutt, viola
Joan Jeanrenaud, cello


This stirring release was written by acclaimed composer/sampler artist Bob Ostertag, and performed alongside the Kronos Quartet. A stark response to the AIDS epidemic (with the proceeds of all sales of this disc going to AIDS research), the quartet follows an opening sing-spiel narrative before diving into a section of Ostertag's cut-up loops of crowds cheering, and intense string work from the quartet. Cutting back and forth between one another in a loose interplay sets up a fair amount of tension, which makes a piece of this magnitude that much more potent. While the album is merely one 16-minute composition, there could have been much more to say and expand upon, but it's an eloquent tone poem that fans of both artists will enjoy.

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[Only registered and activated users can see links] Kyle Carey
Title: The Art of Forgetting
Year Of Release: 2018
Label: Riverboat Records
Genre: Folk
Quality: flac lossless
Total Time: 00:54:44
Total Size: 304 mb

Tracklist
---------
01. The Art of Forgetting
02. Siubhail a Rùin
03. Come Back to Me
04. Opal Grey
05. Tell Me Love
06. Sweet Damnation
07. Tillie Sage
08. Sios Dhan an Abhainn
09. For Your Journey
10. Evelyna
11. Puirt Ã* Beul
12. Trouble in the Fields
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[Only registered and activated users can see links] La Mano Ajena
Title: La Mano Ajena
Year Of Release: 2005
Label: Sello Azul
Genre: Folk/Klezmer
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 00:46:00
Total Size: 321 MB

Tracklist:
01. Aves Errantes 03:57
02. Behusher Khusid 03:40
03. Ashrenu (Doyna) 04:26
04. Danza Alegre Epoca Cosa 04:45
05. Favella 05:48
06. Wewo 04:23
07. Tango a la Django 03:59
08. Joropo (Dedicado a Jorge Peña Hen) 04:17
09. Ot Azoy 04:17
10. MarÃ*a Derrumba Mi Rumba 06:25


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[Only registered and activated users can see links] Laliya
Title: The Middle Way
Year Of Release: 2017
Label: Laliya
Genre: New Age, Easy Listening
Quality: FLAC (tracks)
Total Time: 52:48 min
Total Size: 319 MB

Tracklist:
01. Dragonfly (06:04)
02. Breathe (04:38)
03. Weave (04:04)
04. Mind Finding Form (03:42)
05. Transcience (06:25)
06. The Space in Between (04:34)
07. Cathars (04:11)
08. The Waves Break (02:42)
09. Travelling Without Moving (05:19)
10. Middle Way (04:35)
11. Little Blue Dot (06:34)


The Australian band Laliya, has been creating an acoustic based sound with electronic extensions to create a world fusion of the imagination using dulcimers, didgeridoo and hand percussion.
I was instantly enchanted by the cyclical melodies and world music textures - There sound is beyond this world as they create Mandala like journeys.. "John Diliberto" - writer for Billboard and host of Echoes Radio.
This CD has been processed with a brand new revolutionary technology known as FIDEF audio processing (Patent Pending) which will psychoacoustically engage you into the pleasure of the listening

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[Only registered and activated users can see links] Larry Karush
Title: Piano Crossroads
Year Of Release: 1996
Label: Nomad
Genre: Ethnic Jazz, Piano Jazz
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 47:29
Total Size: 213 MB

Tracklist:
01. New Age Hand Jive (4:22)
02. Blue Castle (5:50)
03. On Losing a Home (5:45)
04. India (11:23)
05. Gambia (4:32)
06. Banjo Variations (5:16)
07. Pretty Boy (2:39)
08. Africa 3/2 (7:43)
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[Only registered and activated users can see links] Hakim
Title: Young Drifter ll
Year Of Release: 2018
Label: Our Society LLC
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:39:32
Total Size: 101 mb

Tracklist:
01. Young Drifter ll
02. Climbing (feat. Grace Lundy)
03. Not Juice
04. Zone
05. Hot Winter (feat. Bucii)
06. Stay Flii (feat. Mesonjixx & Grace Lundy)
07. With Me
08. Not Your Friend
09. Alone
10. Journey
11. The Drift (feat. Mesonjixx)


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[Only registered and activated users can see links] Le Concert Spirituel, Herve Niquet
Title: Campra: Le Carnaval de Venise
Year Of Release: 2011
Label: Glossa
Genre: Classical, Opera
Quality: FLAC (image+.cue,log,scans)
Total Time: 02:28:23
Total Size: 805 Mb

Tracklist:
01. Ouverture [0:02:01.01]
Prologue
02. Scène 1 : Hastez-vous... [0:01:06.21]
03. La descente de Minerve [0:01:04.86]
04. Scène 2 : Je quitte sans regret... [0:01:10.68]
05. Récitatif : Pour attirer les yeux... [0:01:02.58]
06. Scène 3 : Servons le fils... [0:01:22.40]
07. Air pour les Arts [0:01:47.48]
08. Deuxième Air : Rondeau [0:01:21.93]
09. Récitatif : Les Dieux seuls en ce jour [0:01:24.24]
10. Premier Air [0:00:45.05]
11. Second Air [0:01:01.85]
12. Premier et Second Passepied [0:01:42.92]
13. Récitatif : Jeunes coeurs échapez Ã* la fureur... [0:00:52.00]
14. Air : Célébrez un Roy plein de Gloire... [0:03:28.17]
15. Récitatif : Vous qui suivez mes pas [0:00:22.86]
16. On reprend l'Ouverture pour l'Entracte [0:02:04.41]
Acte I
17. Scène 1 : J'ay fait l'aveu... [0:03:39.17]
18. Scène 2 : Dans ce beau jour... [0:02:24.50]
19. Scène 3 : Puis-je croire... [0:03:06.73]
20. Scène 4 : La Vénitienne [0:01:31.98]
21. La Villanelle [0:02:33.57]
22. Scène 5 : Vous brillez Ã* mes yeux... [0:04:26.44]
23. La Venitienne pour l'Entracte [0:00:40.05]
Acte II
24. Scène 1 : Vous qui ne souffrez point... [0:01:41.76]
25. Scène 2 : Malgré toute l'ardeur... [0:02:42.18]
26. Duo : Que l'Amour dans nos coeurs... [0:00:49.33]
27. Scène 3 : Marche de la fortune [0:02:27.60]
28. Récitatif : Je suis fille du sort... [0:01:22.06]
29. Premier Air pour les Suivants de la Fortune [0:01:03.37]
30. Second Air pour les Suivants de la Fortune [0:01:28.12]
31. Premier et Second Canaries [0:01:16.40]
32. Récitatif : Vos chants ont eu pour moy... [0:01:07.38]
33. Scène 4 : De ses voiles épais, la nuit couvre les Cieux... [0:00:51.00]
34. Scène 5 : Doux charme des ennuis... [0:01:33.62]
35. Trio : Luci belle, dormite... [0:03:45.89]
36. Scène 6 : Mi dice la speranza... [0:02:16.58]
37. Scène 7 : Je me suis fait trop longtemps violence... [0:00:48.00]
38. Scène 8 : Je cède Ã* mon impatience... [0:04:11.56]
39. Scène 9 : Pour trouver un Amant... [0:00:40.60]
40. On Reprend la Villanelle pour l'Entracte [0:01:05.05]
Acte III
01. Scène 1 : Transports de vengeance et de haine. [0:01:35.90]
02. Scène 2 : A la fin vous estes vangée. [0:02:20.80]
03. Scène 3 : Laissons de ses regrets calmer la violence. [0:00:47.69]
04. Scène 4 : Marche des Gondoliers [0:02:14.12]
05. Gavotte [0:00:52.86]
06. Rigaudon [0:02:01.32]
07. Scène 5 : Mes yeux, fermez-vous Ã* jamais. [0:02:39.33]
08. Scène 6 : Ciel ! que voulez-vous. [0:05:35.00]
Orfeo nell'Inferni
09. Scène 1 : Sinfonia [0:02:27.76]
10. Aria : Tartarei Numi, alla'armi, all'armi. [0:02:03.00]
11. Sinfonia [0:01:09.20]
12. Scène 2 : Dominator dell'ombre. [0:01:34.30]
13. Scène 3 : Vittoria, mio cuore. [0:03:07.64]
14. Aria per gli Spirti Folletti [0:01:02.57]
15. Scène 4 : Al lampo. [0:03:06.90]
16. Scène 5 : Lungi da me, martiri. [0:02:45.86]
17. Aria : Vezzi, Lusinghe, ministri di belta. [0:01:52.60]
18. Scène 6 : Deh! per pieta mira, Orfeo, chi t'adora. [0:00:39.13]
19. Scène 7 : Fuggi temerario. [0:00:32.84]
20. Scène 8 : Bella, non piangere. [0:01:40.57]
21. Aria : Si Canti, si Goda. [0:02:58.64]
Le Bal, dernier divertissement
22. Marche du Carnaval [0:00:36.80]
23. Récitatif : L'Hyver a beau s'armer d'Aquilons furieux. [0:01:41.56]
24. Bourrée [0:00:44.17]
25. Premier et Deuxième Menuet en Rondeau [0:01:09.05]
26. Récitatif : Je veux joindre Ã* ces jeux. [0:00:47.38]
27. Chaconne [0:03:09.82]
28. Air des Masques Chinois [0:01:06.28]
29. Air : Per Piacer. [0:03:33.50]
30. Forlana [0:00:56.98]
31. Air : Chantez, dansez, profitez. [0:01:51.64]
Performers:
Salomé Haller, dessus
Marina De Liso, bas-dessus
Andrew Foster-Williams, basse-taille
Alain Buet, basse-taille
Mathias Vidal, haute-contre
Sarah Tynan, dessus
Blandine Staskiewicz, bas-dessus
Luigi De Donato, basse
Chœur et Orchestre du Concert Spirituel
Herve Niquet, conductor
Les Chantres du Centre de musique baroque de Versailles
Olivier Schneebeli, musical direction


André Campra has the distinction of being the most prominent French opera composer in the decades between Lully and Rameau, but even the operas of those two great masters are so rarely performed or recorded that it's not surprising that Campra's are virtually unknown to modern audiences. That makes this very fine recording with Hervé Niquet leading Choeur et Orchestre du Concert Spirituel and Les Chantres du Centre de musique baroque de Versailles all the more valuable and welcome to fans of the French Baroque. Campra enthusiastically embraced the innovations of Italian opera, particularly the da capo aria, that Lully had scorned. The plot of Le Carneval de Venise (obviously) even takes place in Italy in an opera theater preparing a performance, and it involves an opera within an opera; it concludes with a performance of an operatic divertissement in Italian, Orfeo nell'inferi, in which Campra unabashedly adopts Italian conventions. The French sections are similar in sound and style to Lully's operas-ballets even though Campra doesn't have Lully's genius for simple, memorable melody. Orfeo nell'inferi very skillfully uses the florid manner of late 17th century opera, and the juxtaposition of the two styles, while intriguing to modern ears, must have been absolutely revolutionary to French audiences who were finally exposed to the innovations of Italian opera. The singers, chorus, and orchestra are skilled in both the Italian and French conventions of Middle Baroque performance practice and they offer a compelling account of the piece. The orchestra and the chorus (which is used very prominently in the French sections) play and sing with precision and lively energy. Niquet's tempos are fluid and he maintains a strong sense of momentum throughout. The soloists are never less than adequate and several stand out, particularly sopranos Salomé Haller and Sarah Tynan, tenor Mathias Vidal, baritone Andrew Foster-Williams, and bass Luigi de Donato. Glossa's sound is characteristically immaculate present and beautifully balanced.

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[Only registered and activated users can see links] Antonio Sanchez
Title: Get Shorty (Original Television Soundtrack)
Year Of Release: 2018
Label: Sony Classical
Genre: Soundtrack
Quality: AAC 256 Kbps
Total Time: 39:55 min
Total Size: 75 MB

Tracklist:
01. Beginning
02. Owen Runs
03. Sealed Fate
04. Breezy
05. Second Thoughts
06. Just Hanging
07. Break In
08. Pensive
09. Watching Us
10. Final Steps
11. Loose to Fast
12. Bad Omen
13. Unsettling
14. 7 Steps
15. Pensive 2
16. Just Hanging 2
17. 6:8 Medium
18. Hold On
19. Desert Highway
20. No Way
21. Just Hanging 3
22. Intense
23. They're Coming
24. Move
25. Remembering
26. A to B
27. Condo Love
28. Bad Ways
29. Unsettling 2
30. Be Careful
31. Granular
32. A to C
33. Not So Easy
34. Unsettling 3
35. Car Ride
36. A to D
37. A to E
38. Big Deal


Born in Mexico City on November 1, 1971, Antonio Sanchéz started playing drums at the age of five and began performing professionally early in his teens. He pursued a degree in classical piano at the National Conservatory in Mexico and in 1993 moved to Boston to enroll at the Berklee College of Music, graduating magna cum laude in jazz studies. Since his move to New York City in 1999, Sanchéz has become one of the most sought-after drummers on the international jazz scene. He has performed and recorded with some of the biggest names in jazz, most prominently in the Pat Metheny trio alongside Christian McBride; the guitarist's larger group; and the reunion band with Metheny, Steve Swallow, and Gary Burton. Other leaders he has worked with include Chick Corea, Michael Brecker, Charlie Haden, Toots Thielemans, and Joshua Redman. His interest in education led Sanchéz to join the faculty at New York University in 2006. In addition to performing and teaching, he has conducted clinics and master classes, and played at drum festivals worldwide, including the Modern Drummer Festival Weekend, Zildjian Day, and Montreal Drum Festival. Sanchéz has been a featured cover artist on magazines like Modern Drummer, Musico Pro, Percussioni, and Drums & Percussion.
As a solo artist, he debuted in 2007 with Migration and followed up with Element a year later, with the concert album Live in New York at Jazz Standard appearing in 2010. In 2013 Sanchéz released his third studio album, New Life, featuring saxophonists David Binney and Donny McCaslin, and that year he also paired with pianist Abraham Barrera and bassist Aarón Cruz for Ocaso. Sanchéz garnered wide acclaim for his innovative soundtrack to director Alejandro G. Iñárritu's Academy Award-winning film Birdman in 2014. Although nominated for both Golden Globe and BAFTA awards, Sanchéz was controversially disqualified for an Academy Award for Best Original Score nomination due to the film using a large amount of existing classical music. Nonetheless, he took home the Critics' Choice Movie Award for Best Score and Satellite Award for Best Original Score. A year later, he returned with The Meridian Suite. He then joined guitarist Metheny for several albums before returning to solo work with his sixth album, 2017's Bad Hombre. Influenced by electronic music, Sanchéz recorded the album completely on his own in his home studio. ~ Michael G. Nastos.

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[vandtal]

[Only registered and activated users can see links] Flamborough Head
Title: Shreds of Evidence - Obscure Live Tracks and Other Rarities
Year Of Release: 2017
Label: Oskar
Genre: Prog Rock, Symphonic Rock
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 75:19
Total Size: 537.5 MB

Tracklist:
1. Bless the Wings (That Bring You Back) (Higher And Higher - A Tribute To The Moody Blues 2005)
2. Year after Year (Live ProgFarm 1997-2006 Anniversary Compilation 2006)
3. Mantova (Live at Radio Xymphonia, Almelo, Holland 11-12-2005 - Cyclops Sampler 6)
4. Rixt Fan't Oerd (Prog.nl / Progwereld 2011)
5. Blessing of a Smile (A Flower Full Of Stars - A Tribute To The Flower Kings 2011)
6. Daughters of Night (Dante's Inferno - The Divine Comedy I - Canto IX 2008)
7. By the Bank of the River (Dante's Purgatorio - The Divine Comedy II - Canto XXI 2009)
8. Labyrinth of Light (Dante's Paradiso -The Divine Comedy III - Canto XXXI 2010)
9. Corrugated Road (Live at ProgFarm 1998 De Harmsdobbe Bakkeveen, Holland)
10. Limestone Rock (Reworked and extended version) (Cyclops Sampler 5 2002)
11. The Trapper (Live at ProgFrog Festival 2015, 't Blok Nieuwerkerk a/d IJssel Holland)
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[vandtal]

[Only registered and activated users can see links] Lea Birringer, Esther Birringer
Title: Grieg, Liszt & Franck: Lifelines
Year Of Release: 2018
Label: RUBICON
Genre: Classical
Quality: flac lossless / flac 24bits - 48.0kHz +booklet
Total Time: 01:00:50
Total Size: 282 / 598 mb

Tracklist
---------
01. Violin Sonata No. 1 in F Major, Op. 8: I. Allegro con brio
02. Violin Sonata No. 1 in F Major, Op. 8: II. Allegretto quasi Andantino - Più vivo - Tempo
03. Violin Sonata No. 1 in F Major, Op. 8: III. Allegro molto vivace
04. Elegy No. 1, S. 130
05. Elegy No. 2, S. 131
06. Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato
07. Violin Sonata in A Major, FWV 8: II. Allegro molto
08. Violin Sonata in A Major, FWV 8: III. Recitativo-Fantasia. Ben moderato
09. Violin Sonata in A Major, FWV 8: IV. IV Allegretto poco mosso
Franz Liszt forms not only the centre point of Lea & Esther Birringer's recital, he also is the central figure that draws together Greig - of whom he was very supportive, and Cesar Franck, whose development of germinal motifs to create large scale complex movements was a direct influence of the Hungarian master.
Lea Birringer's international career began at the age of 14 with her solo debut at the Berliner Philharmonie. Since then, she has been invited to international festivals, like the Salzburg Festival, MDR Musiksommer, Davos Festival, Crescendo Winter Music Festival in Florida, Festspiele Mecklenburg-Vorpommern and the festival LuganoMusica. Lea Birringer is a prize winner at the international violin competitions Kloster Schöntal, Premio Rodolfo Lipizer, Louis Spohr and Abram Yampolski. In 2008 she was awarded the top prize at the international Johannes Brahms competition. In addition, she has been a long-time scholarship holder of the German Music Foundation.
An enthusiastic chamber musician, Lea Birringer collaborated with artists like Pavel Vernikov, Paul Rivinius, Atar Arad, Barbara Bonney, Eszter Haffner, Wen-Sinn Yang and Igor Levit, and performs with her sister Esther as the Duo Birringer. 'Gentle piano poet', 'Powerful bundle of energy', 'Congenial interpreter', this is how the press has praised the young German pianist Esther Birringer. Her confident appearance, her sensitive as well as dramatic way of playing has delighted the critics and the audience equally. Her repertoire comprises 30 piano concertos as well as numerous of chamber works. Esther started playing the piano at the age of three. Karl-Heinz Kämmerling, Pascal Devoyon, Cécile Ousset and Arie Vardi are among her teachers.
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[Only registered and activated users can see links] Les Talens Lyriques, Christophe Rousset
Title: Jommelli: Armida abbandonata
Year Of Release: 1994
Label: Fnac Music
Genre: Classical, Opera
Quality: FLAC (image+.cue,log,scans)
Total Time: 03:01:27
Total Size: 842

Tracklist:
1 Sinfonia
Atto Primo
2 Scena I Recitativo: "Alfin cessate" (Erminia, Tancredi, Rambaldo)
3 Scena II Recitativo: "O tu che baldanzoso" (Rambaldo, Tancredi, Erminia)
4 Aria: "Non è viltÃ*" (Tancredi)
5 Scena III Recitativo: "E tu, che tanta hai cura" (Rambaldo, Erminia)
6 Scena IV Aria: "Da quel primiero istante" (Erminia)
7 Scena V Recitativo: "Da' torti angusti avviluppati calli" (Dano, Ubaldo)
8 Scena VI Chaconne: "Ma lasciatemi alfin" (Rinaldo)
9 Recitativo: "Ma lode al cielo" (Rinaldo, Armida)
10 Aria: "Resta, ingrata; io parto" (Rinaldo)
11 Scena VII Recitativo: "Dalle furie gelose" (Armida, Rambaldo)
12 Aria: "Non ti sdegnar" (Rambaldo)
13 Scena VIII Recitativo: "Da me che si pretende" (Tancredi, Armida)
14 Aria: "Se la pietÃ*" (Armida)
15 Scena IX Recitativo: "Perfida donna, e credi" (Tancredi, Dano, Ubaldo)
16 Aria: "Odo che un zefiro" (Dano)
17 Scena X Recitativo: "Felice lui, cui tanto" (Tancredi, Rinaldo)
18 Scena XI Recitativo accompagnato: "Sensi d'onor, di gloria" (Rinaldo)
19 Recitativo: "Mio ben, t'arresta" (Armida, Rinaldo)
1 Recitativo accompagnato: "Addio - M'ascolta" (Rinaldo, Armida)
2 Duetto: "Ah! tornate" (Rinaldo, Armida)
Atto Secondo
3 Scena I Recitativo: "In questa guisa" (Erminia, Rambaldo)
4 Scena II Recitativo: "Dunque del mio potere" (Armida, Erminia)
5 Aria: "Cercar fra i perigli" (Erminia)
6 Scena III Recitativo: "Oh Dio! Chi sa chi giunse" (Armida, Rinaldo)
7 Aria: "Caro mio ben" (Rinaldo)
8 Scena IV Recitativo: "Ah! ch'io ritorno" (Armida, Rambaldo)
9 Aria: "Troppo da me pretendi" (Rambaldo)
10 Scena V Recitativo accompagnato: "Misera me!" (Armida)
11 Aria: "Ah! ti sento" (Armida)
12 Scena VI Recitativo: "No, non fia ver ch'io manchi" (Rinaldo, Ubaldo, Dano)
13 Aria: "L'arte e l'ingegno" (Ubaldo)
14 Scena VII Recitativo: "In odio della sorte" (Tancredi, Erminia)
15 Scena VIII Recitativo: "Tancredi, andiamo" (Ubaldo, Tancredi, Erminia)
16 Aria: "Fra l'orror" (Tancredi)
17 Scena IX Recitativo: "E non giungono ancor" (Rinaldo, Dano)
CD 3:
1 Recitativo accompagnato: "Io giÃ* ti lascio" (Rinaldo, Armida, Dano)
2 Cavatina: "Guarda chi lascio" (Rinaldo)
3 Scena XI Recitativo: "Oh Dio!" (Rinaldo, Dano, Ubaldo, Tancredi, Erminia)
4 Scena XII Recitativo: "Di Rinaldo il partir" (Rambaldo, Armida)
5 Recitativo accompagnato: "Misera Armida" (Armida)
6 Aria: "Odio, furor, dispetto" (Armida)
7 Recitativo accompagnato: "Ecco, Aletto e Megera" (Armida)
Atto Terzo
8 Scena I Recitativo: "Come! Dunque sì breve" (Rinaldo, Tancredi, Dano, Ubaldo, Erminia)
9 Scena II Recitativo: "Togliam gl'indugi" (Dano, Rinaldo. Tancredi)
10 Aria: "Vieni ove onor ti chiama" (Tancredi)
11 Scena III Recitativo: "Ecco il bramato istante" (Dano, Erminia, Rambaldo)
Scena IV Recitativo: "Anima rea." (Tancredi, Dano, Rambaldo, Erminia)
12 Aria: "L'onor tradito" (Rambaldo)
13 Scena V Recitativo accompagnato: "Questa è la selva?" (Rinaldo)
14 Aria: "Giusto cielo" (Rinaldo)
15 Recitativo accompagnato: "Ma che più tardo?" (Rinaldo)
16 Coro: "Torna pure al caro bene" (Ninfe)
17 Recitativo: "Qual tumulto" (Rinaldo)
18 Coro: "Questo cielo" (Ninfe)
19 Recitativo: "Ah! si vincan gli incanti" (Rinaldo)
20 Scena VI Aria: "Ah! non ferir!" (Armida)
21 Recitativo: "Che inopportuno incontro" (Rinaldo, Armida)
22 Recitativo accompagnato: "Si adopri alfine" (Armida, Rinaldo)
23 Coro: "Sconsigliato!" (Mostri, Rinaldo)
24 Recitativo: "E voi credete intanto" (Rinaldo)
25 Recitativo accompagnato: "Ecco cade la pianta" (Rinaldo)
26 Scena ultima Recitativo accompagnato: "Omai pentito" (Tancredi)
27 "Ah! perdona il mio trasporto" (Rambaldo, Rinaldo, Tancredi, Erminia, Dano)
Performers:
Ewa Malas-Godlewsak - Armida, Soprano
Claire Brua - Rinaldo, Mezzo-soprano
Gilles Ragon - Tancredi, Tenor
Véronica Gens - Erminia, Soprano
Laura Polverelli - Rambaldo, Mezzo-soprano
Patricia Petibon - Ubaldo, Soprano
Cécile Perrin - Dano, Soprano
Coro: Viviane Durand, soprano; Robert Expert, countertenor;
Jean-François Novelli, tenor; Luc Coadou, bass
Les Talens Lyriques
Christophe Rousset, conductor
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[Only registered and activated users can see links] Lilly
Title: Tenderly (Feat. Gilad Hekselman)
Year Of Release: 2017
Label: Gateway Music
Genre: Jazz Vocals
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 38:08
Total Size: 252 MB
100 MB

Tracklist:
1. Tenderly (4:15)
2. You Go To My Head (5:45)
3. Skylark (5:28)
4. First Song (3:43)
5. Voice From The Mountain (3:48)
6. Hvem Kan Sejle - Whistling Away The Dark (6:09)
7. You're Everything (4:09)
8. Day Dream (4:48)


It all starts with a song. Two people and song. Gilad and Lilly. Guitarist and singer. One visiting Denmark as an artist in residence and the other living there. One among the foremost exponents of modern jazz guitar and the other an acclaimed vocalist and singer/songwriter, but still a secret outside her country.
Here they are on the album Tenderly. The result of a day's work in the studio with songs that are the work of a lifetime. Timeless songs. Duke Ellington's "Day Dream" and standards like "You Go to My Head" and "Skylark," but also more recent classics like the folk-icon Nick Drake's poetic "Voice from the Mountain."
Lilly, whose full name is Lilly-Ann Hertzman, and Gilad Hekselman sing these songs tenderly. Hekselman creates a lush tapestry of tones, a gentle architecture that supports the songs without holding them down to the ground. Along with Lilly, they fly into the sky and sunset. Tender songs. Songs of loving and living. A setup so simple and yet so complex. Phrasings filled with an understanding of space and pause. Guitar lines and vocal chords. Guitar chords and vocal lines. A symbiosis, a deep conversation, not chitter-chatter. Poetry sung tenderly. ~by Jakob Baekgaard
Personnel: Lilly: vocal; Gilad Hekselman: guitar.

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[Only registered and activated users can see links] Little Milton
Title: Age Ain't Nothin' But A Number
Year Of Release: 1991
Label: Mobile Fidelity Sound Lab ‎- MFCD 766
Genre: Funk / Soul, Blues
Quality: FLAC (tracks+cue,log,scans) / 320 kbps
Total Time: 33:45
Total Size: 251/124 MB

Tracklist:
01. Age Ain't Nothin' But A Number (3:48)
02. Gotta Keep Our Live Alive (4:36)
03. Let It Be Me (4:20)
04. I Wanna Love You (4:21)
05. Don't Leave Me (3:49)
06. Living On The Dark Side Of Love (4:00)
07. Guess How Much I Love You (5:02)
08. Why Are You So Hard To Please (3:48)


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[Only registered and activated users can see links] Little Milton
Title: Blues 'N Soul
Year Of Release: 1974/1982
Label: Stax
Genre: Blues, Modern Electric Blues, Blues Soul
Quality: Flac (tracks, .cue, log)
Total Time: 36:03
Total Size: 251 Mb (scans)


[Only registered and activated users can see links] Woman Across the River
02. Behind Closed Doors
03. Sweet Woman of Mine
04. Worried Dreamer
05. How Could You Do It to Me
06. You're No Good
07. 'Tain't Nobody's Bizness If I Do
08. Hard Luck Blues
Bass - David Weatherspoon, William Murphy
Drums - Willie Hall
Guitar - Bobby Manuel, Michael Toles, Milton Campbell
Horns - The Memphis Horns
Piano - Lester Snell


Having already recorded for both Sun and Chess Records, two of the most historically significant labels in the history of blues and rock, Little Milton signed to Stax in the early '70s, adding yet another heavyweight to his catalog. On Blues 'N' Soul, he is joined by many of the same musicians that backed him on his Stax studio debut, Waiting for Little Milton, including drummer Willie Hall, guitarist Bobby Manuel, bassist Willie Murphy, and pianist Lester Snell. An impassioned singer, Milton's early-'70s output indeed began to walk the fine line between the blues and soul of the album title, a fact accentuated by the sparkling touches of the Memphis Horns. Although there are only two originals in the set, the singer's interpretations of songs popularized by Charlie Rich ("Behind Closed Doors"), Linda Ronstadt ("You're No Good") and Freddie King ("Woman Across the River") are just as convincing. Milton's own "Sweet Woman of Mine" captures the combo in an up-tempo mode, simultaneously tough and swinging. "'Tain't Nobody's Business If I Do" is a tour de force of soul-blues that paces itself exquisitely across six and a half minutes, and "Hard Luck Blues" concludes the set with a hard funk groove. Throughout the album, the arranging skills of James Mitchell demonstrate how strings can be incorporated into a hard blues setting. Though they provide ample color to these productions, they do little to dilute the essential nature of the music. Excluding the singles collection Walking the Back Streets, Blues 'N' Soul may very well be Milton's best set for Stax.

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[vandtal]

[Only registered and activated users can see links] Little Milton
Title: Too Much Pain
Year Of Release: 1990
Label: Malaco Records
Genre: Funk / Soul, Blues
Quality: FLAC (tracks+cue,log,scans) / 320 kbps
Total Time: 00:41:51
Total Size: 285/122 MB

Tracklist:
01. Bad Dream (4:02)
02. The Cradle Is Robbin' Me (4:14)
03. Still In Love With You (5:15)
04. Runaway (4:17)
05. The Woman I Love (3:25)
06. Your Wife Is Cheating On Us (4:52)
07. Too Much Pain (6:03)
08. Gonna' Start A Rumor (4:10)
09. Count The Days (5:33)


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[vandtal]

[Only registered and activated users can see links] Hank Mobley
Title: No Room For Squares
Year Of Release: 1963 [2010]
Label: Analogue Productions [CBNJ 84149 SA]
Genre: Jazz
Quality: DSD64 image (*.iso)
FLAC (24bit/88,2 kHz)
Total Time: 00:55:12
Total Size: 2,25 GB / 1,06 GB (+3%rec.)

One of Mobley's best, this album features two 1963 all-star quintets: one with Lee Morgan and Andrew Hill, the other with Donald Byrd and Herbie Hancock. Philly Joe Jones is the driving force throughout.
Tracks:
01. Three Way Split
02. Carolyn
03. Up A Step
04. No Room For Squares
05. Me 'N You
06. Old World, New Imports
07. Carolyn (Alternate Take)
08. No Room For Squares (Alternate Take)
Personnel:
Hank Mobley, tenor saxophone
Andrew Hill, piano
John Ore, bass
Philly Joe Jones, drums
Donald Byrd, trumpet
Herbie Hancock, piano
Lee Morgan, trumpet
Butch Warren, bass


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[vandtal]

[Only registered and activated users can see links] Little Milton
Title: We're Gonna Make It
Year Of Release: 2007
Label: Chess ‎- UICY-93319
Genre: Modern Electric, Soul-Blues
Quality: FLAC (image+.cue,log,scans)
Total Time: 00:33:56
Total Size: 261 MB

Tracklist:
01. We're Gonna Make It (2:42)
02. You're Welcome To The Club (2:46)
03. I'm Gonna Move To The Outskirts Of Town (3:03)
04. Blues In The Night (3:10)
05. Country Style (2:46)
06. Who's Cheating Who (2:58)
07. Blind Man (3:24)
08. Can't Hold Back The Tears (2:35)
09. Believe In Me (2:41)
10. Stand By Me (2:54)
11. Life Is Like That (2:39)
12. Ain't No Big Deal On You (2:18)


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[vandtal]

[Only registered and activated users can see links] Little Milton
Title: Grits Ain't Groceries
Year Of Release: 1969
Label: Chess ‎- UICY-93299
Genre: Funk / Soul, Blues
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 00:32:02
Total Size: 242 MB

Tracklist:
01. Just A Little Bit (2:26)
02. Grits Ain't Groceries (All Around The World) (2:42)
03. I Can't Quit You Baby (6:46)
04. I'll Always Love You (3:01)
05. Twenty Three Hours (2:28)
06. Spring (3:58)
07. Steal Away (2:57)
08. You're The One (2:26)
09. So Blue Without You (2:16)
10. Did You Ever Love a Woman (3:02)


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[Only registered and activated users can see links] Little Richard / Jimi Hendrix
Title: Friends From The Beginning
Year Of Release: 1972/2003
Label: Par Media Music
Genre: Blues Rock, Psychedelic Rock, Rock & Roll
Quality: Flac (tracks, .cue, log)
Total Time: 35:03
Total Size: 231 Mb (scans)


[Only registered and activated users can see links] Whole Lotta Shakin (2:59)
02. Goodnight Irene (2:46)
03. Keep a Knockin (3:20)
04. Goin' Home Tomorrow (3:18)
05. Belle Stars (2:51)
06. Tutti Frutti (2:53)
07. Lawdy Miss Claudie (2:25)
08. Why Don't You Love Me (3:07)
09. Lucille (2:54)
10. Hound Dog (2:25)
11. Money Honey (2:21)
12. Funky Dish Rag (3:12)


This album was a great surprise and overall pleasure back in 1972: following a disappointing (2nd Reprise LR effort) called KING OF ROCK AND ROLL, which was essentially a semi-throw away for The King, with the notable exceptions of amazing *vocals* on hits by the Stones, Creedence, and Motown artists. This '72 release on a small label, Ala, featured long, stereo versions of tracks originally released Vee jay - particularly important were the slow blues from fats Domino, "Goin' Home Tomorrow" (aka "Goin' Home"), featuring Don and Dewey, with Don on electric violin!; and "Lawdy, Miss Clawdy", the best cover" ofthis legendary number, originated by the man who urged Little Richard to contact his label, Specialty Records.
These two tunes, along with "Hound Dog", "Whole Lotta Shakin' Goin' On", "Money Honey", and "Goodnight, Irene", featured Don and Dewey, who often gigged with a guy mnamed Maurice James, who also played fill-in Upsetter for Richard's band! Jimi sname may not be found in the company files for the June 30, 1964 session in Los Angeles, but the "evidence" is on the side of...yes, Jimi's here. And he can be *heard*! (Listen to the high notes on guitar on "Tomorrow").
The reamining tracks were, strangely, recently recorded tracks for Reprise records, which came out in 2005, under different songtitles, and in two cases, markedly different mixes (on instrumentals), and in another take on Hank Williams' "Why Don't You Love Me?".
Looking back, Richard and co. would have been alot better off loping off some curious things herein and substituting three tracks which even Hendrix "experts" say involved JH, "I Don't Know What You've Got (But It's Got Me)" - two versions, and "Dancing All Around The World" (pressed on a demo under the title of "Dance A Go Go"). These recordings are phenomenal. Ce'st la vie.~ Phil Silverman

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[vandtal]

[Only registered and activated users can see links] Liz Magnes
Title: Jerusalem Tapestry
Year Of Release: 1997
Label: Liz Magnes
Genre: Piano Jazz
Quality: FLAC (tracks+.cue)
Total Time: 1:12:43
Total Size: 318 MB

Tracklist:
1. December Days
2. Tears of Pearls
3. Yalla-Byes
4. Prayer for Peace
5. Camel Quilt
6. Epilogue: Judean-Moutains of Mist
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[Only registered and activated users can see links] Frank Van Der Kloot
Title: Fontessa
Year Of Release: 1976
Label: Poker
Genre: Prog Rock
Quality: Flac (tracks, 16/44,1)
Total Time: 35:42
Total Size: 178 Mb


[Only registered and activated users can see links] One:
A1. Old Friends - 04:09
A2. In The Cool Of The Night I
A3. In The Cool Of The Night II - 04:51
A4. Take It Easy - 05:03
A5. Finale 03:13
Side Two:
B1. Dedicated To...... - 03:08
B2. Stress - 03:57
B3. Heaven Is Across The Street I
B4. Heaven Is Across The Street II
B5. Heaven Is Across The Street III - 10:45
Guitar, Vocals - Frank Van Der Kloot
Bass - Paul Heppener
Fender Piano, Organ, Synthesizer - Otto Cooymans
Vocals, Synthesizer, Fender Piano - James Batton
Drums - Paul Van Wageningen


Frank Van Der Kloot began his musical career in the band Bobby's Children. He played with them from 1971 to 1972. And then he created the Drama band with which he recorded one album. In 1973, he formed his own band Fontessa - released 2 albums. After the collapse of the group released the eponymous solo album. In 1978, the second solo album of the guitarist was released.

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[vandtal]

[Only registered and activated users can see links] Archaic Knowledge
Title: Blade of the Judge (Deluxe Edition)
Year Of Release: 2018
Label: Archaic Knowledge
Genre: Hard Rock, Heavy Metal, Punk Rock
Quality: 320 Kbps
Total Time: 100:33 min
Total Size: 230 MB

Tracklist:
01. Dance of the Dead
02. Gatekeeper
03. Blade of the Judge
04. Rise of Evil
05. Fall of Man
06. Friends
07. Unbreakable
08. H.N.N.
09. Death
10. Dance of the Dead (Live)
11. Friends (Live)
12. Rise of Evil / Fall of Man (Live)
13. Denihilism (Live)
14. Blade of the Judge (Live)
15. The Hourglass (Live)
16. Unbreakable (Live)
17. Gatekeeper (Live)
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[Only registered and activated users can see links] London Brass
Title: Best Of London Brass
Year Of Release: 2000
Label: Teldec
Genre: Classical
Quality: APE (image+.cue,log,scans)
Total Time: 01:14:40
Total Size: 232 mb

Tracklist:
The Nutcracker Suite, Op.71a - Tchaikovsky / arr.: R.Harvey
1. Overture miniature
2. Marsch
3. Arabischer Tanz
4. Chinesischer Tanz
5. Trepak (Russischer Tanz)
Ein Sommernachtstraum, Op.61 - Mendelssohn / arr.: R.Harvey
6. Scherzo
7. Nocturne
8. Hochzeitsmarsch
Kinderzirkus, Op.79b - Jan Koetsier
9. Kleiner Zirkusmarsch
10. Die Seiltanzerin
11. I Clownerie I
12. Der Jongleur
13. II Clownerie II
14. Der Tanzbar
15. III Clownerie III
16. Der Zauberer
17. Grosses Finale
Negro spiritual / arr.: R.Harvey
18. The Battle of Jericho
Mancini / arr.: J.Iveson
19. The Days of Wine and Roses
Foster / arr.: R.Harvey
20. I dream of Jeannie with the light brown hair
Fucik / arr.: R.Harvey
21. Entrance of the Gladiators
Kreisler / arr.: R.Harvey
22. Variation on a theme by Corelli
J.S.Bach / arr.: R.Harvey
23. Badinerie - from Orchestral Suite No.2
Youmans / Shostakovich / arr.: D.Purser
24. Tea for two
De Falla / arr.: E.Crees
25. Ritual Fire Dance - from El amor brujo
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[vandtal]

[Only registered and activated users can see links] LongMoneyTez
Title: LongMoneyLifeStyle
Year Of Release: 2018
Label: LongMoneyRichBlood Records
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:39:58
Total Size: 101 mb

Tracklist:
01. Everyday
02. On My Own
03. Brothers
04. Check
05. Monday2Sunday
06. Got It
07. I Knew
08. Perfect
09. Work for It (feat. NoGoodCash)
10. Murder Scene (feat. Big-A Prado)
11. Wait
12. Stay Down


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[vandtal]

[Only registered and activated users can see links] Lorelay
Title: Berlin
Year Of Release: 2018
Label: Rockwerk Records
Genre: Pop
Quality: 320 Kbps
Total Time: 48:46 min
Total Size: 112 MB

Tracklist:
01. Wenn du frierst
02. Gold
03. Berlin
04. Captain Fantastic
05. Keine Steine
06. Dass wir immer noch frei sind
07. Leinen los
08. Verliebt Verdammt
09. Bunt
10. Kusse aus Berlin
11. Alles was ich will
12. Mayday
13. Die Faden der Welt
14. Loslassen (feat. Janina Diestler)


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[vandtal]

[Only registered and activated users can see links] Mad Dog Dan
Title: Dampf ablassen
Year Of Release: 2018
Label: recordJet
Genre: Rock, Alternative, Indie
Quality: Mp3 320 kbps
Total Time: 47:22
Total Size: 108 MB

Tracklist:
1. Mad Dog Dan - Hangover In Hanover
2. Mad Dog Dan - Atmen
3. Mad Dog Dan - Friday Night
4. Mad Dog Dan - Bitte heulen sie jetzt
5. Mad Dog Dan - Br?cke schlagen
6. Mad Dog Dan - So wie wir
7. Mad Dog Dan - Frag nicht
8. Mad Dog Dan - Alles anders
9. Mad Dog Dan - Numbers
10. Mad Dog Dan - I Don't Wanna Know
11. Mad Dog Dan - Postleitzahlen
12. Mad Dog Dan - Notgitarre
13. Mad Dog Dan - I Don't Like To Have The Blues
14. Mad Dog Dan - Beware
15. Mad Dog Dan - Ich habe Ballett
16. Mad Dog Dan - Something's Wrong
17. Mad Dog Dan - Burnout Society
18. Mad Dog Dan - Here Comes Trouble


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[vandtal]

[Only registered and activated users can see links] Hank Mobley
Title: Workout
Year Of Release: 1961 [2011]
Label: Analogue Productions [CBNJ 84080 SA]
Genre: Jazz
Quality: DSD64 image (*.iso)
FLAC (24bit/88,2 kHz)
Total Time: 00:46:24
Total Size: 1,89 GB / 924 mb (+3%rec.)

Tracks:
01. Workout
02. Uh Huh
03. Smokin'
04. The Best Things In Life Are Free
05. Greasin' Easy
06. Three Coins In The Fountain
Personnel:
Hank Mobley - tenor saxophone
Grant Green - guitar
Wynton Kelly - piano
Paul Chambers - bass
Philly Joe Jones - drums


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[vandtal]

[Only registered and activated users can see links] Madeline Bell
Title: Bell's A Poppin'
Year Of Release: 1967/2004
Label: RPM Records
Genre: Pop-Soul
Quality: Flac (image, .cue, log)
Total Time: 53:37
Total Size: 539 Mb (scans)


[Only registered and activated users can see links] Picture Me Gone 3:00
02. You Don't Love Me No More 1:56
03. Baby I'll Come Right Away 2:22
04. Beat The Clock 2:47
05. Mr. Dream Merchant 2:44
06. Can't Get Used To Losing You 2:25
07. Soul Time 2:31
08. I'm Gonna Make You Love Me 2:52
09. I'm Gonna Leave You 3:05
10. Last One To Be Loved 3:03
11. I Didn't Wanna Have To Do It 2:32
12. Mercy Mercy Mercy 3:06
13. What The World Needs Now Is Love 2:59
14. I Can't Wait To See My Baby's Face 2:37
15. Don't Come Running To Me 2:49
16. I Really Got Carried Away 2:20
17. One Step At A Time 2:17
18. You Won't See Me 3:27
19. Climb Ev'ry Mountain 2:18
20. It Makes No Difference Now 2:28


Madeline Bell was born July 23, 1942, in Newark, NJ, and was strongly influenced by her grandmother, who had been a singer. Bell was raised by her grandmother after her parents divorced. Showing a bent toward creative arts, Bell first took piano lessons at 50 cents a pop, but couldn't master the complexities of the keyboard. Next, her grandmother paid for dancing lessons and discovered Madeline would never be confused with Ginger Rogers or Josephine Baker, so the lessons stopped. By the fifth grade, Bell found her calling -- singing -- and she regularly appeared in school shows. At age 11, she pantomimed "Santa Baby," a tune popularized by Eartha Kitt. Bell regularly attended church and sang in the choir. She later joined a group called Four Jacks & a Jill, who sung on street corners. Madeline Bell was the Jill. At 16, she joined the Glovertones, a gospel group, who sang gospel on weekends, often traveling hundreds of miles in an old dilapidated station wagon, to gigs that paid five dollars a member. The station wagon often broke down and many times Bell showed up for work (in a supermarket as a meat wrapper) on Monday mornings both frustrated and dead tired. Luckily, she had an understanding boss, and besides, she could wrap 75 chickens in an hour, which easily made her the fastest chicken wrapper in the house. Her productivity was helped by the R&B music coming from the radio her boss graciously let her play while working.
Her first big break occurred when she met Alex Bradford around 1961 and was invited to join his group after successfully passing an audition. She stayed with Bradford for two years, criss-crossing the United States, playing in too many cities to mention. At the time, Bradford was considered one of the top male gospel vocalists. Toward the end of Bell's first year with the Bradford Singers, they were asked to appear in Black Nativity, a traveling musical that toured all over America and Europe. It was in Britain that she befriended the late Dusty Springfield and performed on many of her background sessions. She also worked in the studio behind Kiki Dee, Doris Troy, Joe Brown, Lesley Duncan, and Kenny Lynch, to name a few. By that time, she had left the Bradford Singers and settled in England. In 1968, six years after settling in England, a bigshot at the United Kingdoms' Philips Records heard her working in a studio and offered a contract. She first released "I'm Gonna Make You Love Me," which had previously been recorded by Dee Dee Warwick, Dionne's sister and a fellow native of Newark. Phillips initially released the record in the States on their Mod label, then switched it to Philips when it began to catch fire. It eventually went to number 26 in the United States. A year later she joined Blue Mink, Roger Cook's group, and stayed for four years, scoring on "Melting Pot" (number three, U.K.), and "Our World" (which climbed to number 64 in the States in 1970). Other sides did well in England, "Randy" (number nine), "Banner Man" (number three), and "Stay With Me" (number 11).
Leaving Blue Mink, she returned to both the lucrative world of session singing and soloing in the Netherlands. Bell made a name for herself by contributing with Tom Parker on some CD productions that were popular arrangements of classical compositions. The discs sold quite well. She appeared in the London stage production, Space, hitting the charts again at number 60 with "My Love Is Music," on which she was the featured vocalist. She also toured with the Swingmates throughout the Netherlands and had a leading part in A Night at the Cotton Club. With the Swingmates, she recorded a CD, Have You Met Miss Bell. Still singing, she appears in England clubs like Ronnie Scott's Jazz Club with her group Madeline Bell & her Musicians. She visits the States occasionally, but England has been home to the Jerseyite since 1962.

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[Only registered and activated users can see links] Magick Numbers
Title: Then and Now
Year Of Release: 2018
Label: 743379 Records DK
Genre: Electronic, Ambient, New Age
Quality: FLAC 24 Bit (44,1 KHz / tracks)
Total Time: 15:22 min
Total Size: 172 MB

Tracklist:
01. The Time We Lost
02. Then and Now
03. Made to Break
04. One to One
05. A Vast Expanse of Loneliness
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[vandtal]

[Only registered and activated users can see links] Manduka
Title: Manduka
Year Of Release: 1972 (2013)
Label: Creole Stream Music
Genre: Folk-Rock, Singer-Songwriter
Quality: MP3 320 Kbps
Total Time: 43:02
Total Size: 111 Mb

Tracklist:
01. Entra y Sale (05:52)
02. Naranjita (05:12)
03. De la Tierra (04:25)
04. Pátria Amada, Idolatrada, Salve Salve (05:00)
05. Oiticumana (02:09)
06. De un Extranjero (04:54)
07. Qué Dirá el Santo Padre (04:51)
08. Brasil 1500 (10:39)


During his lifetime, Brazilian singer-songwriter Manduka was something of a globetrotter, spending periods of time living in Argentina and Europe as well as his native Brazil. In 1972, when this brilliant debut album was first issued, he was based in Chile. Not that the set boasted much of a Chilean music influence: instead, it saw Manduka lay down a set of samba-influenced folk songs whose minimalist acoustic elements (lead vocals, guitar, backing vocals) came doused in dream pop style reverb and delay. Naturally, original copies are extremely hard to find (not to mention prohibitively expensive on the second-hand market), making this reissue more than welcome. It remains a brilliant album and arguably Manduka's strongest work.

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[vandtal]

[Only registered and activated users can see links] Manduka
Title: Manduka
Year Of Release: 1972/2013
Label: Creole Stream Music
Genre: Folk Rock, Prog Folk, Psychedelic Rock
Quality: Flac (tracks)
Total Time: 43:02
Total Size: 221 Mb


[Only registered and activated users can see links] Entra y Sale (05:52)
02. Naranjita (05:12)
03. De la Tierra (04:25)
04. Pátria Amada, Idolatrada, Salve Salve (05:00)
05. Oiticumana (02:09)
06. De un Extranjero (04:54)
07. Qué Dirá el Santo Padre (04:51)
08. Brasil 1500 (10:39)


Brazilian singer and composer (1952 - 2004), son of poet Amadeu Thiago De Mello. He moved to Chile in the first 70s where he published his first albums and played with Los Jaivas and Soledad Bravo. In 1973 he moved to Argentina and then Europe

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[vandtal]

[Only registered and activated users can see links] 49th Parallel
Title: 49th Parallel
Year Of Release: 1967-70/2005
Label: Lion / Pacemaker [PACE 048LN]
Genre: Psych Pop Rock, Beat, Garage
Quality: FLAC (image + cue,scans)
Total Time: 00:58:33
Total Size: 382mb(+5%)



Artist Biography by Bruce Eder
49th Parallel was one of an unusual breed of garage punk bands to come out of Canada in the mid-'60s. Originally known as the Shades of Blond when they were formed in Calgary, Alberta, Canada, the band featured Dennis Abbott on vocals, Dan Lowe and Bob Carlson on guitars, Dave Petch at the organ, Mick Woodhouse on bass, and Terry Bare on drums.
The band was signed to Gaiety Records and made their debut in mid-1967 with "Labourer," a piece of hard-edged garage punk, laden with fuzz-tone guitar and a defiant sneer, that sold moderately well in Canada. Their second single, "Blue Bonnie Blue" (co-written by a then-unknown Delaney Bramlett about the equally unknown Bonnie Bramlett, no less) had more of a lyrical folk-rock feel, though it kept its sharp edge in the singing and lyrics. Around this time, Woodhouse exited the lineup and was succeeded by Dave Downey on bass; he was later replaced by Alf Cook, and Dennis Mundy (and later Jack Velker) succeeded Petch on organ. In the spring of 1969, they finally had a national hit in Canada with "Twilight Woman," which charted in parts of the United States as well, and sounded like a poppier, slightly folkier version of the sound that bands like Tomorrow were generating in England.
The group was never able to capitalize on the success of "Twilight Woman" and its follow-up, "Now That I'm a Man," however, in part because they were unable to hold their lineup together. Lead singer Dennis Abbott quit after their release, and in the course of changing personnel -- with Doran Beattie replacing him -- their sound changed. By 1970, the group had changed its name to Painter. The latter group scored a modest hit with "West Coast Woman" and its follow-up, "Crazy Feeling," before the band was renamed Hammersmith in the early to mid-'70s. They, in turn, issued a pair of singles, "Feelin' Better" and "Late Night Lovin' Man."
At their best, 49th Parallel had a hard, cutting sound that could have put them in the front ranks of garage punk bands, their slashing guitars and swirling organ around Abbott's lead vocals making a compelling and memorable sound, which was easily adaptable to psychedelic punk. Their slow ballads were suitably spacey in a pop/rock vein, but it was their harder numbers that hold up best. Like a lot of '60s bands, they outlived their era and metamorphosed into new shapes and directions. Guitarist Dan Lowe later made a fortune in the field of multimedia sound design, as the inventor of Q-Sound.



[Only registered and activated users can see links] Now That I'm A Man (Hockett) - 2:22
2. Get Away (Stallings) - 2:26
3. Eye To Eye (Abbott) - 2:45
4. Missouri (Abbott, Carlson) - 3:17
5. Lazerander Filchy (Hockett) - 2:52
6. (Come On Little Child) Talk To Me (Lowe) - 3:00
7. (The) Magician (Hockett) - 3:33
8. Twilight Woman (Abbott) - 2:23
9. Close The Barn Door (Cook, Lowe, Abbott, Carlson, Bare) - 3:11
10.The People (Lowe, Velker, Bare) - 2:45
11.All Your Love (As The Shades Of Blond) (Lowe, Abbott) - 2:10
12.Laborer (Carlson, Lowe, Petch, Abbott, Woodhouse, Bare) - 2:25
13.You Do Things (Carlson, Lowe, Petch, Abbott, Woodhouse, Bare) - 2:23
14.She Says (Carlson, Lowe, Petch, Abbott, Woodhouse, Bare) - 1:57
15.Citizen Freak (Carlson, Lowe, Petch, Abbott, Woodhouse, Bare) - 1:36
16.Blue Bonnie Blue (Alternate Mix) (Bramlett, Davis) - 2:30
17.Up To No Good (Bramlett, Davis) - 2:19
18.I Need You (Lowe, Downey , Beatie, Velker, Bare) - 4:21
19.Goodtime Baby (Lowe, Downey, Beatie, Velker, Bare) - 2:46
20.Missouri (Single Mix) (Abbott, Carlson) - 2:20
21.Blue Bonnie Blue (Single Mix) (Bramlett, Davis) - 2:24
Personnel:
---------
Dennis Abbott - Vocals
Dan Lowe - Guitar
Bob Carlson - Guitar
Dave Petch - Organ
Mick Woodhouse - Bass
Terry Bare - Drums
Dave Downey - Bass
Alf Cook - Bass
Dennis Mundy - Organ
Jack Velker - Organ
Dorn - Doran Beattie - Vocals
All thanks to original releaser
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[Only registered and activated users can see links] Habib Koité, Eric Bibb
Title: Brothers In Bamako
Year Of Release: 2012
Label: Dixiefrog
Genre: Blues, Folk, World/African
Quality: flac 24bits - 48.0kHz
Total Time: 00:52:16
Total Size: 618 mb

Tracklist
---------
01. On my way to Bamako
02. L.A
03. Touma ni kelen / needed time
04. Tombouctou
05. We don't care
06. Send us brighter days
07. Nani le
08. Khafole
09. With my maker I am one
10. Foro bana
11. Mami wata
12. Blowin' in the wind
13. Goin' down the road feelin' bad
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[vandtal]

[Only registered and activated users can see links] Noorvik
Title: Noorvik
Year Of Release: 2018
Label: Artistfy Music
Genre: Post-Rock, Instrumental
Quality: 320 Kbps
Total Time: 50:06 min
Total Size: 117 MB

Tracklist:
01. Denali 10:20
02. Shishaldin 08:06
03. Malaspina 08:35
04. Chugach 07:29
05. Kobuk 07:19
06. Turnagain 08:18


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[vandtal]

[Only registered and activated users can see links] Barna Howard
Title: Barna Howard
Year Of Release: 2012
Label: Mama Bird Recording Co.
Genre: Folk
Quality: flac lossless / flac 24bits - 44.1kHz
Total Time: 00:33:30
Total Size: 179 / 336 mb

Tracklist
---------
01. Horizons Fade
02. I'll Let You Pick a Window
03. Tinker Creek
04. I Don't Fall Much, Anymore
05. Song for Joe
06. Promise, I Won't Laugh
07. It Hurts to Know
08. Pat's House
09. Turns Around the Bottle
10. Timber, Nails and Tears
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[vandtal]

[Only registered and activated users can see links] Nytron
Title: Under Control
Year Of Release: 2018
Label: Prison Entertainment
Genre: Electronic, Techno, House
Quality: FLAC (tracks)
Total Time: 53:34 min
Total Size: 386 MB

Tracklist:
1. Dope (05:51)
2. Forever (07:21)
3. Galaxy (08:22)
4. Lets Move On (06:32)
5. Symmetrical (05:32)
6. That Girl (06:09)
7. Under Control (06:16)
8. Storm (feat Gee) (07:31)
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[vandtal]

[Only registered and activated users can see links] Steppenwolf
Title: For Ladies Only
Year Of Release: 1971/2015
Label: Geffen Records
Genre: Blues Rock, Psychedelic Rock
Quality: flac 24bits - 96.0kHz
Total Time: 00:45:36
Total Size: 974 mb

Tracklist
---------
01. For Ladies Only
02. I'm Asking
03. Shackles And Chains
04. Tenderness
05. The Night Time's For You
06. Jaded Strumpet
07. Sparkle Eyes
08. Black Pit
09. Ride With Me (Single Version)
10. In Hopes Of A Garden
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[vandtal]

[Only registered and activated users can see links] Harry Connick, Jr.
Title: Every Man Should Know
Year Of Release: 2013
Label: Columbia
Genre: Vocal Jazz
Quality: flac 24bits - 96.0kHz
Total Time: 00:43:35
Total Size: 937 mb

Tracklist
---------
01. Every Man Should Know
02. One Fine Thing
03. I Love Her
04. Greatest Love Story
05. Come See About Me
06. Friend (Goin' Home)
07. Being Alone
08. Love My Life Away
09. You've Got It
10. Let Me Stay
11. S'pposed To Be
12. Time To Go
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[vandtal]

[Only registered and activated users can see links] October Country
Title: October Country
Year Of Release: 1968/2003
Label: Rev-Ola [CR REV 51]
Genre: Sunny Psych Pop Rock
Quality: FLAC (tracks+cue,scans)
Total Time: 00:38:18
Total Size: 241mb(+5%)



AllMusic Review by Bryan Thomas
October Country's self-titled album -- long out-of-print -- is today revered and highly prized by collectors who have managed to find a copy. It certainly deserves to be reissued on CD. Other soft rock and sunshine pop/soft rock obscurities -- including those by the Millennium, Sagittarius, and Eternity's Children, to name just a few -- are just now becoming available again on CD, so why not October Country? This 1968 album is one of the better examples of songwriter/producer/musician Michael Lloyd's overall influence and impact on the West Coast-based genre. Lloyd -- who was certainly influenced by important albums like the Beatles' Sgt. Pepper's Lonely Hearts Club Band, the Beach Boys' Pet Sounds, and various psych-pop sounds of the Brit-pop invasion, even harmony vocal groups like the Bee Gees -- always seemed to find interesting ways to incorporate various sophisticated instrumentation (organ, horns, harpsichord, and string arrangements) into his productions. During this particular group's first recording sessions, Lloyd began transforming this We Five-ish folk-rock group into a formidable group (he also played the various instruments himself -- because the group wasn't that proficient on their own). There are numerous highlights here, including the title track (later recorded by the Smoke, the U.S. band who was another Lloyd "Sidewalk" production), "Cowboys and Indians," and "My Girlfriend Is a Witch."



[Only registered and activated users can see links] October Country - 2:38
02. Painted Sky (M. Lloyd, J. Greenspoon) - 3:11
03. Little Boy Smiling - 2:24
04. She's Been Away - 1:54
05. Good To Be Round - 2:28
06. I Wish I Was A Fire - 1:53
07. Cowboys And Indians - 2:14
08. I Just Don't Know (B. Wian) - 2:23
09. End Of The Line - 2:17
10. My Girlfriend Is A Witch - 2:06
11. Caryle's Theme - 1:52
12. Baby What I Mean (F. Hamilton, E. Sheldon) - 1:51
13. October Country (45 Mono Mix) - 2:24
14. I Just Don't Know (45 Mono Mix) (B. Wian) - 2:11
15. I Wish I Was A Fire (45 Mono Mix) - 2:08
16. Cowboys And Indians (45 Mono Mix) - 2:39
17. My Girlfriend Is A Witch (45 Mono Mix) - 1:54
Personnel:
---------
Caryle De Franca - Vocals
Joe De Franca - Vocals
Marty Earle - Guitar
Bruce Wayne - Bass Guitar
Bob Wian - Keyboards
Eddie Beram - Drums
All thanks to original releaser
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[Only registered and activated users can see links] Old and New Songs, Yoann Loustalot, Christophe Marguet, François Chesnel, Frédéric Chiffoleau
Title: Old and New Songs
Year Of Release: 2018
Label: Bruit Chic
Genre: Jazz
Quality: mp3 320 kbps / flac lossless / flac 24bits - 96.0kHz +booklet
Total Time: 00:48:59
Total Size: 122 / 291 / 1010 mb

Tracklist
---------
01. Mellan Branta Stränder
02. File la laine
03. Bachianas Brasileiras No. 5: Aria (Cantilena)
04. Plaine, ma plaine
05. Dura Memoria
06. La Romanella
07. Oshima Anlo Bushi
08. Old and New Drums
09. Une jeune fillette
10. Kristallen den fina
11. La belle s'en va au jardin des amours
12. Edo no komoriuta
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[vandtal]

[Only registered and activated users can see links] Mariss Jansons, Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra, Alexey Markov, Oleg Dolgov, Tatiana Pavlovskaya
Title: Rachmaninoff: The Bells & Symphonic Dances
Year Of Release: 2018
Label: BR-Klassik
Genre: Classical
Quality: flac lossless +booklet
Total Time: 01:14:19
Total Size: 316 mb

Tracklist
---------
01. The Bells, Op. 35: I. Allegro, ma non tanto
02. The Bells, Op. 35: II. Lento
03. The Bells, Op. 35: III. Presto
04. The Bells, Op. 35: IV. Lento lugubre
05. Symphonic Dances, Op. 45: I. Non allegro
06. Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse)
07. Symphonic Dances, Op. 45: III. Lento assai
Two large symphonic tone poems by the Russian composer Sergei Rachmaninov can be experienced on this release: the four-movement symphonic poem 'The Bells' ('Kolokola') op 35, based on a poem by Edgar Allan Poe, for solo voices, choir and orchestra, composed in 1913, and the three 'Symphonic Dances' op 45 from 1940 - the last completed work by the composer, who died in 1943. These outstanding performances of significant compositions of the early 20th-century symphonic repertoire are conducted by Mariss Jansons.
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[vandtal]

[Only registered and activated users can see links] Open Sky Unit
Title: Open Sky Unit
Year Of Release: 2002
Label: What Music
Genre: Jazz, Fusion
Quality: FLAC (tracks)
Total Time: 39:11
Total Size: 209 MB

Tracklist:
1. No Sayers (03:33)
2. Famous Last Words (05:26)
3. On The Spot (02:32)
4. Shambling (04:11)
5. Mary Pop Poppins (04:04)
6. The Dirty (03:36)
7. CC Stomp (02:27)
8. A Love That's True (04:50)
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[vandtal]

[Only registered and activated users can see links] Oxhuitza
Title: Oxhuitza
Year Of Release: 2013
Label: Mirror Records
Genre: Prog Rock
Quality: FLAC (image+.cue, log, Artwork)
Total Time: 36:56
Total Size: 378.7 MB

Tracklist:
1. # 01 (5:33)
2. Luna Di Maggio (5:38)
3. Nervi In Fibra Ottica (5:57)
4. Kirky (4:58)
5. Pixel (5:28)
6. Mano Di Luna (9:22)
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[vandtal]

[Only registered and activated users can see links] Paige Williams
Title: California Country EP
Year Of Release: 2018
Label: Self Produced
Genre: Country/Pop
Quality: Flac (tracks)
Total Time: 17:40
Total Size: 123 MB

Tracklist:
1. Ain't No Saint (3:48)
2. Yeehaw (3:17)
3. Give You Hell (4:03)
4. Wild (3:29)
5. So Smooth (3:01)


Paige Williams brings a new soulful sound to country/pop. Paige is a country loving, California livin', singer-songwriter that is redefining her own genre of country music - California Country!

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[vandtal]

[Only registered and activated users can see links] Paper Dollhouse
Title: Plutonic Rainbows
Year Of Release: 2018
Label: MoonDome Records
Genre: Electronic
Quality: 320 Kbps
Total Time: 29:54 min
Total Size: 68 MB

Tracklist:
01. Lunar I 3:13
02. Rainbell 4:28
03. Church Eliane 7:15
04. Dunecloud 2:02
05. Violet 5:04
06. Space III 7:55
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[vandtal]

[Only registered and activated users can see links] Haley Bonar
Title: Lure The Fox
Year Of Release: 2006
Label: Afternoon Records
Genre: Indie Rock, Indie Folk, Singer-Songwriter
Quality: Flac (tracks)
Total Time: 42:03
Total Size: 230 Mb


[Only registered and activated users can see links] Fox and Hound
02. Ransom
03. Hawaii
04. Daisy Girls
05. Us
06. Captain Captain
07. Give It Up
08. Devilish Man
09. Holiday in Outer Space
10. Too Much Nothing
11. Blue Ridge Mountains


Although Lure the Fox is only a minimal step away from the sparse The Size of Planets in terms of the lushness of its arrangements, it sounds considerably more self-assured and mature than the South Dakota native's debut. Haley Bonar's close-mic'ed, gently twangy vocals remain front and center, sounding like the moody triangulation point between Gillian Welch, Aimee Mann and Neko Case. However, the multi-instrumentalist expands her arsenal beyond acoustic guitar and Fender Rhodes, adding more drums, a wider variety of keyboards, and increased roles for Alan Sparhawk's electric guitar and Chris Morrissey's bass. The songs remain basically the same as on the debut, favoring floaty minor-key tunes and literate lyrics that tease themselves into the listener's mind rather than spelling themselves out. Fans of Shannon Wright, Laura Veirs or any of the above-named artists will find much to love here.

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[vandtal]

[Only registered and activated users can see links] Pawel Szamburski
Title: Ceratitis Capitata
Year Of Release: 2014
Label: Lado ABC
Genre: Classical
Quality: FLAC (tracks)
Total Time: 32:18
Total Size: 135 Mb

Tracklist:
1. Catholic
2. Judaic
3. Bahai
4. Sufi
5. Orthodox


Ceratitis Capitata is a species of fruit fly capable of causing extensive damage to a wide range of fruit crops. It is native to the Mediterranean area. Perhaps it was her distant cousin that flew in one sunny day into a church in Błonie, near Tarnów, where Paweł Szamburski was recording his first solo album. In it, he took on liturgical motifs of the great religions of the Mediterranean Basin, and fed his clarinet the fruits of those sacred musical traditions. His playing, and his work with the instrument, employed references, melodies and expressive traits of Orthodox choirs, Sufi and Jewish music, as well as Bahá'í Faith and Gregorian chant. Akin to the human voice in its timbre and articulation range, the clarinet allowed Szamburski to find an arresting interpretation of the melodies and the songs of various traditions and cultures. Aware of their inherent differences, the artist still set out to explore their deeply rooted similarities and the profound musical and spiritual coherence. Did he do damage? One thing is certain: the fly buzzed loudly but eventually came to terms with the sounds and just sat there, motionless. It let others listen and play, and so there it is-Paweł Szamburski's first album for solo clarinet, Ceratitis Capitata. It contains five intimate musical statements for clarinet and bass clarinet, all stemming from traditional sacral music. The recordings were done by Piotr Czerny in a church in Błonie, near Tarnów. The cover art was designed by Paweł Ryżko and the album was released, in a limited issue, by Lado ABC.

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[vandtal]

[Only registered and activated users can see links] People Like Us, Matmos & Wobbly
Title: Wide Open Spaces
Year Of Release: 2018
Label: Discrepant
Genre: Electronic
Quality: 320 Kbps
Total Time: 41:17 min
Total Size: 95 MB

Tracklist:
01. Morning 3:32
02. Dolly Pardon 3:14
03. Clawing Your Eyes Out Down To Your Throat 3:49
04. Shenandoah 3:17
05. Holler 3:03
06. Tremble Valley Peady 3:39
07. Chicken Legs 3:49
08. Cattle Call 2:44
09. Arkansas Explorer 3:25
10. Calling 4:02
11. I Must Die 2:19
12. Wide Open Spaces 4:30


East Sussex DJ and multimedia artist Vicki Bennett has performed and composed under the name People Like Us since 1991. Much like her friends and occasional collaborators Negativland, Bennett's works mix music, dialogue, and found sounds from old vinyl into expressive, amusing compositions. Her approach has had several interesting names applied to it, including "culture-jamming" and "plunderphonics," but none are as intriguing as the work itself.
Starting with her first album, 1992's Another Kind of Humor Another Kind of Murder, which was a joint effort with Abraxas, Bennett's works have combined humor, menace, and kitsch into experimental yet accessible sound collages. Her contributions to international experimental music festivals and radio shows and collaborations with Negativland, the Jet Black Hair People, and MusikTerrorist are critically acclaimed, as are albums like 1996's Jumble Massive and the following year's Hate People Like You, which were co-released by the Soleilmoon and Staalplaat labels. The 1999 remix album Hate People Like Us featured many of Bennett's collaborators reworking her collages, and her seventh album, The Thermos Explorer, came out in 2000. Bennett was busy throughout that decade, releasing two albums in 2002 alone. Recyclopaedia Britannica took aim at U.K. culture, while A Fistful of Knuckles used Westerns as its creative springboard.
That year, Bennett recorded Wide Open Spaces, which also included Wobbly's Jon Leidecker and Matmos' Drew Daniel and M.C. Schmidt, in the San Francisco Art Institute's lecture hall. The album was released by Tigerbeat6 in 2003, the same year People Like Us began the acclaimed sound art radio show Do or DIY on WFMU. In 2006, Bennett was the first artist to be given unrestricted access to the entire BBC Archive. Bennett released Perpetuum Mobile, the first of several collaborations with sound artist/songwriter Ergo Phizmiz, in 2007. Music for the Fire, another collaboration with Wobbly, was issued by Illegal Art in 2010. Welcome Abroad, released in 2011, was inspired by Bennett's extended stay in New York and Baltimore in 2010 thanks to the eruption of the Icelandic volcano Eyjafjallajokull, which shut down airspace over Europe for weeks. The Keystone Cut Ups, a DVD produced in collaboration with Phizmiz, was released in 2012. Bennett's mashup-heavy Don't Think Right, It's All Twice appeared on the Cutting Hedge label in 2013.
2017 marked the 25th anniversary of Bennett's first album. To celebrate, the Discrepant label began issuing a series of PLU vinyl releases, beginning with Abridged Too Far. Originally a 2004 digital release, the album included pieces recorded for John Peel's show as well as WFMU. ~ Heather Phares.

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[vandtal]

[Only registered and activated users can see links] Harry Femer & Bolle G
Title: Apollo Trip 1.0
Year Of Release: 2018
Label: Uptown Records
Genre: Rap, Hip-Hop
Quality: m4a 256 kbps
Total Time: 00:21:30
Total Size: 41 mb

Tracklist:
01. Hunna Bandz (Intro)
02. Wat Weet Jij
03. Dope Lines
04. Transformeer
05. Why
06. Stranger (feat. Rosé V)


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[vandtal]

[Only registered and activated users can see links] 7and5
Title: 2005 - 2017
Year Of Release: 2017
Label: Nix Records
Genre: Electronic, Ambient, New Age, Chillout, Instrumental
Quality: 320 Kbps
Total Time: 71:56 min
Total Size: 165 MB

Tracklist:
01. Never Look Back (05:50)
02. The Pulse of Rain (04:36)
03. Fly (04:12 )
04. Ascension (03:40)
05. Blue Tomorrow (04:25)
06. The Memory (04:16)
07. No Moon, Fallen Stars (04:34)
08. Trading Stories (04:34)
09. Whisper to Me (04:07)
10. Equality7-2521 (04:03)
11. Arrival (04:48)
12. Nightfall (03:51)
13. Prism (04:48)
14. Wavecrest (05:30)
15. Hands to the Sky (03:50)
16. Echoes Across Still Waters (04:56)


In 2005, 7and5 released the debut album In A Moment's Time and had immediate success when the song "Never Look Back" garnered the attention of legendary New Age music label Sequoia Records. It was added to their Buddha Lounge 6 compilation under the title "Forward Way Back". The initial goal was never to just create an album; but to create a sound palette that could grow and evolve. So, the challenge was to create not one, but three albums .each one growing out of the last with new sounds and ideas each time. "Trading Stories" was released in 2007, and jumped out of the gate quickly, receiving sales orders from all over the globe, and The Weather Channel embraced it in their local "On The 8's"broadcasts. The song "Sleepwalking" was listed in the "Best of 2007" by RadioMystic internet radio.
2010 brought new sounds, new ideas, and a new album called "Hope, Destiny, and Choice". This saw the first use of lyric by 7and5, featuring ambient vocal wizard Stella13 on 2 songs; "Driftwood" and "Whispering" which was also tabbed for another Sequoia Records compilation. This time it was Celtic Lounge 3 where "Whispering" was included under the name "Whispering In The Trees".
2012 saw the release of the 4th album entitled "Oceans". Inspired by the short novel "Anthem" by Ayn Rand and the themes in the Jonathan Livingston Seagull soundtrack and movie; this album represented an ever broadening sound in the evolution of 7and5, and has been described as a more cinematic sound than ever before. Bigger sounds, bolder ideas, and a major pioneering effort in the genre of electronic new age music.
September, 2014 was the release of "Themes For A Grey Day". The 5th album by 7and5 which dared to step deeper into the realm of Cinematic New Age music than the previous release "Oceans". If you never thought of New Age as music to be listened to loudly; then you will need to experience the power of this new release. Eschewing the fads of employing hip-hop or dubstep rhythms like many other artists were exploring, 7and5 moved to a more natural and arena-sized sound for the new rhythms on this album.
In 2017, 7and5 released a four song Christmas EP called "O Emmanuel" and also recorded four new songs exclusively for this collection. This album is not meant to be a career retrospective, but just a stop along the way.

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[Only registered and activated users can see links] Beau
Title: Beau
Year Of Release: 1969/2008
Label: Air Mail Archive
Genre: Folk Rock, Psychedelic
Quality: Flac (image, .cue, log)
Total Time: 01:13:26
Total Size: 353 Mb (scans)


[Only registered and activated users can see links] Welcome 3:43
2. Imagination 2:34
3. 1917 Revolution 4:22
4. Soldier In The Willow 3:00
5. Fishing Song 2:15
6. The Painted Vase 3:19
7. Pillar Of Economy 5:25
8. A Nation's Pride 2:50
9. The Sun Dancer 3:24
10. Rain 2:36
11. Morning Sun 3:52
12. The Summer Has Gone 3:13
13. The Ways Of Winter 3:10
14. Welcome - Tag Piece 1:26
Bonus Tracks:
15. Sleeping Town 3:11
16. Time 3:07
17. Love Is 3:27
18. Miss Alice Preece 2:50
19. The Wine Was Sweeter Then 2:52
20. Rats 2:34
21. Black Raven Of The Morning 1:33
22. The Roses Of Eyam 5:29
23. The Heaviest Stone 3:09


Beau, born Christopher John Trevor Midgley, is a British singer-songwriter and twelve-string guitar player, who first became known in the late 1960s through his recordings for John Peel's Dandelion Records label. He released two albums on Dandelion - Beau (1969) and Creation (1971) (which featured Jim Milne and Steve Clayton from Tractor as backing musicians on some tracks), plus the single "1917 Revolution" which had greater success abroad than it did in the United Kingdom. "1917 Revolution" is said to have been the inspiration for America's "A Horse with No Name".
His best known song however is probably "The Roses of Eyam" (written under the name of John Trevor) which folk singer Roy Bailey took around the world and which he recorded on his Hard Times LP in 1985. This version was subsequently re-released on Bailey's Past Masters CD in 1998. Beau himself released the song officially for the first time as a bonus track on the 2007 British reissue of the original Beau disc (Cherry Red), and on the 2008 Japanese release of the same album (Airmail Recordings).
A CD of eighteen previously unissued songs - Edge of the Dark - was issued on the Angel Air label in 2009, followed in 2011 by the Cherry Red download albums The Way It Was and Creation Recreated. The latter was a remastered, partially remixed and much expanded version of 1971's Creation. Beau also contributed a previously unreleased song - In The Court of Conscience - to vinyl specialist Fruits de Mer Records' 2012 Annual, and a 180gram vinyl version of The Way It Was was issued by Ritual Echo Records in 2012.
A download album - Fables & Façades - was also released in 2012 on the Cherry Red label. An unusual departure, this was made up of eighteen mostly full-band arrangements recorded between 1978 and 2000.
Beau has produced several hundred songs - newly recorded albums continue to be released by Cherry Red for both download and streaming - and he has also recorded under the names of John Trevor, Trevor Midgley and Simfonica. Though mostly known as a "folk" performer, his writing has also been strongly influenced by blues and rock. He co-wrote "WARHOL - The Musical" with Steve Clayton of the band Tractor.

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[vandtal]

[Only registered and activated users can see links] Per Oddvar Johansen, Helge Lien, Torben Snekkestad
Title: Let's Dance
Year Of Release: 2016
Label: Edition Records
Genre: Jazz, Pop, Modern Creative
Quality: FLAC (tracks)
Total Time: 42:46
Total Size: 206 MB

Tracklist:
01. Let's Dance
02. No. 7
03. Forest Flower
04. Flying
05. Panorama
06. Uluṟu (For Anette)
07. Impromptro
08. Families
09. Song M
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[Only registered and activated users can see links] Perlregen
Title: Meine Welt
Year Of Release: 2018
Label: Spinnup
Genre: Pop
Quality: 320 Kbps
Total Time: 33:21 min
Total Size: 76 MB

Tracklist:
01. Sing dieses Lied 02:51
02. Ich will 03:24
03. Augenblick 03:31
04. Mit anderen Augen 03:30
05. Meine Welt 03:37
06. Tanz mit mir 03:00
07. Der mich versteht 02:55
08. Zeit zum Geniessen 03:52
09. Wiedersehen 03:54
10. Ich bin wie ich bin 03:07


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[Only registered and activated users can see links] Peter Karp
Title: Blue Flame
Year Of Release: 2018
Label: Rose Cottage Records
Genre: Electric Blues, Blues Rock
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 52:59
Total Size: 355 MB
130 MB

Tracklist:
1. Rolling On A Log (4:19)
2. Train O'mine (2:57)
3. Your Prettiness (4:12)
4. Valentine's Day (3:17)
5. Treat Me Right (4:53)
6. The Turning Point (4:13)
7. Loose Ends (3:58)
8. The Arson's Match (3:26)
9. From Where I Stand (4:16)
10. You Know (3:51)
11. The Nietzsche Lounge (3:45)
12. Round And Around (6:49)
13. Young Girl (2:56)


This one follows just about a year later from Alabama Town and although diehard Karp fans will recognize several of these songs, they are recorded here in a new session with various star-studded guests. Like its predecessor, this one features Mick Taylor, Todd Wolfe, Paul Carbonara, and Dennis Gruenling. New guests include Dave Keyes and Kim Wilson. More than ever before, Karp displays his multi-instrumental skills handling multiple guitars, organ, piano, accordion, and harmonica. He also has a core band handling rhythm, keyboards and mandolin across his mix of blues and roots tunes - with the accent where he wants it-on his songwriting.
Karp's eye for detail, the range of emotions, and clever sense of humor prevail. While the album may have benefitted from more new material, there are some real gems here that make this a strong effort. Listening to Mick Taylor solo on "The Turning Point" is always enjoyable. Kim Wilson takes his spot-on harp solo in "The Arson's Match" and Dennis Gruenling's harp colors "Your Prettiness" and "From Where I Stand," two of the best tracks. Throughout Karp impresses with his expressive voice and passionate playing.
Karp has led a nomadic life, played with many great artists and has a well of experience to draw from. His wordplay is quite good. In fact, one of my favorite songs of his is "Dirty Weather" from his Blind Pig album Shadows and Cracks, one that I wish he would have reprised here. In any case, there's bristling animation and energy in these baker dozen's tunes that surpasses much of Karp's previous work. It's apparent immediately with Karp's opener, "Rolling on a Log," with its swirling B3 and Kim Wilson's harp. The energy rarely lets up except when called for on tunes like "Valentine's Day" and the mandolin-driven "From Where I Stand." Karp's personas of an amped-up bluesman and charismatic singer-songwriter are both well represented here. ~Jim Hynes

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[Only registered and activated users can see links] Petra Feddersen
Title: Onlyou
Year Of Release: 2018
Label: recordJet
Genre: Pop
Quality: 320 Kbps
Total Time: 50:21 min
Total Size: 115 MB

Tracklist:
01. Du bist vor allem 07:00
02. Du sollst geehrt sein 08:13
03. Du bist so wunderschn 07:40
04. Psalm 23 (fr Birgit) 09:58
05. You Are So Beautiful 07:30
06. Die Liebe bleibt 06:54
07. Kleines Danklied 08:32
08. As A Seal 10:00
09. Superheld 08:02
10. Du bist heilig 08:21
11. Liebe meines Lebens 09:28
12. My All In All 09:53
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[Only registered and activated users can see links] Petter Wettre Trio
Title: In Color
Year Of Release: 2018
Label: Household Records
Genre: Jazz
Quality: 320 Kbps
Total Time: 69:45 min
Total Size: 160 MB

Tracklist:
01. Yeah, That's Right 7:27
02. On The House 5:23
03. Next Level 6:34
04. The Vibe Buster 6:45
05. Colleagues in Heat 7:53
06. Flexable Friend 6:29
07. The Hipster 7:11
08. Fancy a Jump 6:31
09. Top Of The Foodchain 12:11
10. Are You Happy Now 3:28
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[vandtal]

[Only registered and activated users can see links] Petter Wettre Trio
Title: Meet The Locals
Year Of Release: 2018
Label: Household Records
Genre: Jazz
Quality: 320 Kbps
Total Time: 60:45 min
Total Size: 139 MB

Tracklist:
01. Meet The Locals 4:57
02. A Bored Broad Abroad 5:23
03. The Trio 5:10
04. Sweet On You 3:04
05. Chasing The Girl 4:32
06. Cold Turkey 5:19
07. The Epidemic Of Self-pity Part 1 11:56
08. The Epidemic Of Self-pity Part 2 9:06
09. The Epidemic Of Self-pity Part 3 11:22
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[Only registered and activated users can see links] Homeless Balloon
Title: Dark Side
Year Of Release: 2018
Label: 24 Chillout Music
Genre: Electronic
Quality: 320 Kbps
Total Time: 29:20 min
Total Size: 67 MB

Tracklist:
01. A Long Time Ago 8:20
02. Dancing Zebras 4:52
03. Dark Side 7:49
04. A Long Time Ago (No Voices Mix) 8:19


«Dark Side" is the eleventh release in the "Wings Series" of EP's from Homeless Balloon. It has three new compositions (and one variation with no voice effects) with acoustic and electronic beats, percussion as well and dark, ambient sounds inspired by both jazz, downtempo and progressive. The image of a gun with wings on the cover is an ironic but still serious comment to the state of the world where violence is king and weapons are regarded as the best tool to solve problems. The more weapons we make, the darker it becomes.

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[Only registered and activated users can see links] Petter Wettre Trio
Title: The Mystery Unfolds
Year Of Release: 2018
Label: Household Records
Genre: Jazz
Quality: 320 Kbps
Total Time: 43:41 min
Total Size: 100 MB

Tracklist:
01. Continuous flux 8:56
02. Bad Hair Day 2:11
03. Ornette or Not 6:23
04. Fools Of The Trade 7:28
05. As Time Goes By, Part 1 5:40
06. Area 51 5:04
07. Go, Baby 4:53
08. Incoming (Karaoke version) 3:11
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[Only registered and activated users can see links] Konono Nº1
Title: Discography
Year Of Release: 2017
Label: Crammed Discs, Terp Records
Genre: African, Electronic, Folk, World, Tribal
Quality: FLAC (tracks, .cue, .log)
Total Time: 4:49:14
Total Size: 1.06 GB

Konono No.1's "Congotronics" album introduced the world to the strange and spectacular electro-traditional mixtures which are being concocted in the suburbs of Kinshasa, Congo. World music, electronica and avant-rock aficionados have all been equally amazed by this otherworldly music, which has driven the international press to come up with some surprising comparisons (from Can and Krautrock to Jimi Hendrix, Lee Perry and proto-techno!...).
The band was founded back in the 1960s by Mingiedi Mawangu, a virtuoso of the likembé (a traditional instrument sometimes called "sanza" or "thumb piano", consisting of metal rods attached to a resonator). By experimenting with magnets salvaged from old car parts, Mingiedi invented and gradually improved his own electrified likembe, which he plugged into a guitar amplifier. The band's line-up includes two or three electric likembés (bass, medium and treble), a rhythm section which uses traditional as well as makeshift percussion (pans, pots and car parts), singers, dancers and a sound system featuring these famous megaphones.
The musicians come from an area which sits right across the border between Congo and Angola. Their repertoire draws largely on Bazombo trance music, but they've had to incorporate the originally-unwanted distorsions of their sound system. This has made them develop a unique style which, from a sonic viewpoint, has accidentally connected them with the aesthetics of the most experimental forms of rock and electronic music, as much through their sounds than through their sheer volume (they play in front of a wall of speakers) and their merciless grooves.
The first Konono N°1 recording to come out outside of the Congo was a track included in the Zaïre: Musiques Urbaines Ã* Kinshasa compilation, recorded in 1978 by Bernard Treton for the Ocora label, and released during the '80s. This track struck the imagination of Belgian musician and producer Vincent Kenis, who set out to find the band during his numerous trips to the Congo. He finally located them in the early 2000s, and recorded their first album, entitled Congotronics, which came out in 2004 on Crammed Discs., and was the the inaugural release in Crammed's Congotronics series, devoted to the exciting electro/traditional musical hybrids from the Congo.
The release of Congotronics created a sensation. The band's wild, hypnotic sound made it an instant success with media, and with indie rock & electronic music artists and audiences across the world. The press went hyperbolic, and the enthusiasm was as remarkable among musicians: Konono became a reference, and was quoted as a major source of inspiration by numerous artists, from Grizzly Bear, Andrew Bird, Wilco, CocoRosie and Animal Collective to Thom Yorke, Björk, Beck...
The band appeared on the second album in the series, the multi-artist CD+DVD entitled "Congotronics 2: Buzz'n'Rumble From The Urb'n'Jungle" (2005).
Then came the live album "Live at Couleur Café" (nominated for a Grammy in 2008), and the band's second, official full-length "Assume Crash Position" (2010).
In the meantime, the band was invited by Björk to collaborate on the song Earth Intruders, co-produced by Timbaland, for her Volta album. They then played some US shows with her in 2007. Konono N°1 also collaborated with Herbie Hancock for his album The Imagine Project, recording a song along with Seal, Pink, India.Arie, Jeff Beck, Oumou Sangare and others. The song earned the Grammy Award for "Best Pop Collaboration" in 2011.
In 2010, Crammed Discs released "Tradi-Mods Vs. Rockers", a multi-artist album containing interpretations, covers and tributes to the music of Kasai Allstars, Konono No.1 and other Congotronics bands, recorded by 26 indie rock and electronic musicians, including a.o. Deerhoof, Animal Collective, Andrew Bird, Juana Molina, Shackleton, Megafaun, Aksak Maboul, Mark Ernestus and others.
In 2011, Konono No.1 took part in the Congotronics vs Rockers project, a "superband" including ten Congolese and ten indie rock musicians (also including members of Deerhoof, Wildbirds & Peacedrums, Kasai Allstars, Skeletons and Juana Molina), who collaborated to create a common repertoire and performed at 15 major festivals and venues in ten countries.
Konono No.1 have performed at major rock & electronic music festivals such as Coachella, ATP (at the invitation of the Simpsons' creator Matt Groening), Sonar, The Big Chill, and in venues such as the Berghrain club in Berlin, Cafe Oto in London, where they recently recorded a memorable Boiler Room session.
Konono No.1 founder Mingiedi Mawangu died on April 15, 2015, at the age of 85. He had stopped touring with the band in the late 2000s, and had passed the torch to his son Augustin Makuntima Mawangu.
2016 sees the release of a new album, Konono N°1 meets Batida
Albums
2004 Congotronics FLAC
2004 Lubuaku FLAC
2007 Live At Couleur Café FLAC
2010 Assume Crash Position FLAC
2016 Konono N°1 meets Batida FLAC
[Only registered and activated users can see links]é-FLAC.rar.html

[Only registered and activated users can see links]°1-meets-Batida-FLAC.rar.html

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[Only registered and activated users can see links] Phenomena
Title: The Complete Works
Year Of Release: 2006
Label: Escape Music ‎- ESM142
Genre: Hard Rock/Arena Rock/Pop Rock
Quality: FLAC (image+.cue,log,scans)
Total Time: 56:48+45:54+49:26
Total Size: 1.3 GB

Tracklist:
Phenomena - Phenomena (The Complete Works) t.t. 56:48
01. Kiss Of Fire (4:54)
02. Still The Night (3:28)
03. Dance With The Devil (4:44)
04. Phoenix Rising (4:44)
05. Believe (5:53)
06. Who's Watching You (3:41)
07. Hell On Wings (3:56)
08. Twilight Zone (4:14)
09. Phenomena (2:06)
10. Still The Night (New Recording) (3:39)
11. Karma (5:22)
12. Coming Back Strong (First Ever Phenomena Rehearsal) (4:37)
13. Assassins Of The Night (First Ever Phenomena Rehearsal) (5:30)
14. Phoenix Rising (First Ever Phenomena Rehearsal) (?)
Phenomena - Phenomena II - Dream Runner (The Complete Works) t.t. 45:54
01. Stop (4:37)
02. Surrender (3:24)
03. Did It All For Love (4:59)
04. Hearts On Fire (4:53)
05. Juke Box (3:48)
06. Double 6, 55, 44... (4:10)
07. No Retreat-No Surrender (4:17)
08. Move-You Loose (3:36)
09. Emotion Mama (3:46)
10. It Must Be Love (3:56)
11. Did It All For Love (New Recording) (4:28)
12. Forever (?)
Phenomena - Phenomena III - Innervision (The Complete Works) t.t. 49:26
01. Rock House (4:18)
02. Banzi (4:40)
03. What About Love (5:02)
04. Into The Fire (4:27)
05. A Whole Lot Of Love (5:40)
06. Secret Love (3:57)
07. If You Want To Rock (4:21)
08. How Much Do You Love Me (4:01)
09. Shape It Up (3:41)
10. Rock My Soul (5:04)
11. No Retreat No Surrender (New Recording) (4:13)
12. Scalpel & Heart (?)


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[Only registered and activated users can see links] Pierre Vassiliu
Title: Face B (1965-1981)
Year Of Release: 2018
Label: Born Bad Records
Genre: French Pop, Chanson, Folk Rock
Quality: mp3 320 kbps / flac lossless
Total Time: 00:51:07
Total Size: 124 / 322 mb

Tracklist
---------
01. Une fille et trois garçons
02. En vadrouille Ã* Montpellier
03. Ne me laisse pas
04. Film
05. Sophie
06. Le manège désenchanté
07. Alentour de lune
08. Est-ce qu'on peut voler
09. Il était tard ce samedi soir
10. On imagine le soleil
11. Je suis un pingouin
12. En réponse Ã* votre lettre du 2.11.72
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[Only registered and activated users can see links] Pigalle
Title: Ballade en mélancolie
Year Of Release: 2018
Label: L'Autre Distribution
Genre: French Rock
Quality: FLAC (tracks) / MP3, 320 Kbps
Total Time: 39:36
Total Size: 242 MB / 91 MB

Tracklist:
1. Je suis un guichet automatique d'autoroute
2. Le tatouage
3. Et le soir Ã* la veillée
4. Mélancolie
5. Les bobos des batignolles
6. Trois jours de bagnole
7. Huguette
8. Son sourire adolescent
9. Tous les soirs Ã* l'arrêt du car
10. Son nid
11. On les appelait les sales gouinettes
12. Demain
13. Le manège
14. Dansons
L EMOUVANTE POESIE UNIVERSELLE DE PIGALLE (Rfi)- - - - - Hors du temps, hors des normes, hors des étiquettes, Pigalle avec François Hadji-Lazaro revient dans les bacs et sur les routes avec une tournée sans limites ... - - - - - HORS DU TEMPS, HORS DES NORMES, HORS DES ÉTIQUETTES - - Pigalle avec François Hadji-Lazaro revient dans les bacs et sur les routes. Pigalle, dans les rayons et les salles de concert de 1985 Ã* 1999, était réapparu (après trois albums solos de FHL) en 2008, avec Neuf et occasion , puis en 2010 Des espoirs avec deux tournées conséquentes de plus de 100 dates chacune. - - Il fut alors temps de s'adresser Ã* la génération des Kikis , d'où la confection d'un livre/disque pour les enfants Ma Tata, mon pingouin, Gérard et les autres chez Milan/Bayard, qui engendra une tournée fleuve de 170 dates de deux ans pour les petits z'et petites. -- Il fallait laisser grandir les bouts d'choux et retourner au monde adulte. Ce sera Ã* partir février 2014 avec l'album t'inquiète et sa grosse tournée. Puis, retour pour les culottes courtes avec autre livre/disque : Pouët (Milan/Bayard) et autre tournée de deux ans pour les petits de 130 dates jusqu'Ã* fin 2017.- - Mais que voici, que voilÃ* ...un nouvel album avec tournée sans limites. Dans ce disque se croise toujours, dans les textes, les univers si particuliers de Pigalle, des personnages et des situations hyper réalistes qui croisent des scénarios décalés où l'absurde est roi. -- Donc, la quotidienneté, la société, l'amour comme pansement. Mais aussi des décalages irréels, des clins d'oeil, de l'humour. Des atmosphères prenantes dès les premiers mots des morceaux. - - La musique, aussi, repart sans casier, pas de limite de style, pas de limite d'époque. Certains instruments bien rock côtoient ceux du monde entier avec encore de nouveaux objets sonores, sans peur de mélanger un cromorne baroque avec des samples synthétiques. - - Cette démarche de Pigalle a réussi Ã* fidéliser un public curieux et attentif. Public qui s'étale du presque papy (qui était déjÃ* public au début du groupe), au jeune frère du premier (la trentaine frémissante), jusqu'Ã* la fille ou fils, adolescent maintenant (bercé tout piti aux grincements du groupe). - - De fait, encore une fois, Pigalle se glisse, dans toutes sortes de bacs chez les disquaires, dans toutes sortes de salles ou dans toutes sortes de festivals. Le fait est, que Pigalle titille tous les types d'oreilles, de tous âges. Certaines se tendent plus sur les textes, d'autres, les instruments et les styles si divers, ou les mélanges électriques, acoustiques, informatiques. - - Et aussi, en concert, Pigalle arrive Ã* mettre son univers aussi bien dans une salle très culturelle que dans un bastion rock et s'intègre, de fait, Ã* toutes catégories de festivals, du plus intello au plus festif, où aussi, la douzaine d'instruments joué par François sur scène diversifie les ambiances (Vielle Ã* roue, banjo, pipa chinoise, cornemuse, accordéons divers, guitare portugaise ,oud, clarinette, etc....) soutenus par les vagues musicales de Benoit (basse), Gaël (guitare), Christophe (batterie) et aussi, des samplings tortueux. - - PIGALLE PARLE VRAI EN DISQUE, JOUE VRAI SUR SCENE. Mettons les oreillettes, les bottes en plastique et partons pour ouïr cette Ballade en Mélancolie.


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[Only registered and activated users can see links] Bee Gees
Title: The Origins
Year Of Release: 2018
Label: The Web Engine Records
Genre: Pop, Classic Rock
Quality: Mp3 320 kbps
Total Time: 36:55
Total Size: 84.7 MB

Tracklist:
01. To Be Or Not To Be 02:17
02. Spicks and Specks 02:49
03. Born a Man 03:10
04. Claustrophobia 02:14
05. Could It Be 02:05
06. Dont Say Goodbye 02:23
07. How Love Was True 02:17
08. How Many Birds 01:57
09. I Dont Think Its Funny 02:54
10. I Was A Lover A Leader Of Men 03:32
11. Jingle Jangle 02:11
12. Mondays Rain 02:58
13. Peace of Mind 02:17
14. Second Hand People 02:04
15. Timber 01:47
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[Only registered and activated users can see links] Popol Ace
Title: Stolen From Time
Year Of Release: 1975/2003
Label: Universal
Genre: Art Rock, Prog Rock
Quality: Flac (image, .cue, log)
Total Time: 49:18
Total Size: 337 Mb (scans)


[Only registered and activated users can see links] Bury Me Dead
02. Today Another Day
03. Jester
04. Soft Shoe Dancer
05. Mr. Bigalow
06. Sweet Tune
07. Sleepwalker
08. I Can See Tears
09. Suicide
Arne Schulze / guitar
Pete Knutsen / guitar, keyboards
Thor Andreassen / drums
Terje Methi / bass
Jahn Teigen / vocals
Guest musicians:
Sylvette Allart / ondes Martenot (4, 6 and 7)
Richard Raux / soprano sax (3)
Inger Lise Rypdal / backing vocals (7)


In the 70's, the weekly magazine The New had a regular weekly column called Het Samleserien. Here, an artist, film star or television celebrity was often featured on two sides, one side of which was a picture that could be pulled out and hanging on the wall. Often there were international stars like David Bowie, Slade, Suzi Quatro and Marc Bolan, but at the beginning of 1976, the magazine presented a Norwegian rock band on the verge of breaking through internationally.
In 1976, it was not quite fun with Norwegian bands and artists who played rock. Most of them can be placed in the dance band genre, with some kindness, perhaps as pop groups and cover bands. The soloists mostly focused on making their versions of famous foreign artists. There was also a large viewing environment, or maybe singer / songwriters that you could possibly call them today. But so, bands that played rock, they could count on one hand. Aunt Mary and Saft were already dissolved and Prudence was about to give up. But there was a Norwegian group that had not given up, and that focused on international success. The band formerly called Arman Sumpe D.e., also known as Popol Vuh, and eventually launched as Popol Ace because of a name song with a German prog band, was about to release "Stolen from Tine".
That they recorded parts of the album in the French plate studio Honky Chateau, where Elton John just kept house to record legendary "Goodbye Yellow Brick Road" just two years earlier, did not make expectations worse. Media began to write about a band on its way to international breakthrough, and for a while there were serious negotiations about launch in the UK, USA, Germany, France and Japan. But somewhere on the road broke the negotiations together. The international part of the record company Polydor focused on another band, and Popol Ace was never known outside the country's borders. They had a small fan in France, but it was with it.
In 1976, Jahn Teigen said thankfully and went to a successful solo career, and when the rest of the band released the "Curly Sounds" album in 1978, there were not many who cared, not once in Norway. But for a while in 1975, Popol Ace was Norway's great music export, and almost world stars for a short period of time. And after all, even though the competition was not remarkably hard, they were Norway's best and toughest rock band. I remember being very impressed with the "Stolen from Time" album, and perhaps just as much impressed with the cover that did not look like other Norwegian releases at all. It then carried out tough and provoking.
Popol Ace also played in the beginning of 1975, which became Norway's first music video. "Queen of all Queens" was filmed by Team Film, the company behind, among others, the Olsenbanden films.(google)

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[Only registered and activated users can see links] Prana Crafter
Title: Bodhi Cheetahs Choice
Year Of Release: 2018
Label: Beyond Beyond is Beyond Records
Genre: Psychedelic Rock, Folk, Instrumental, Ambient
Quality: 320 Kbps
Total Time: 41:43 min
Total Size: 96 MB

Tracklist:
01. Bodhi Cheetah's Boogie Blues 9:12
02. Blooming of the Third Ear 6:15
03. Holy Tempel of Flow 5:07
04. Crystal Sky Wooden Cloud 4:51
05. Pandimensional Drifter 4:32
06. Old Growth Fortress 6:54
07. Vajra Mountain 4:56


Prana Crafter's Beyond Beyond is Beyond debut is an electric woods walk. "Bodhi Cheetah's Choice" rambles, soars and flows through a heavy fog of psychedelia. The music of Prana Crafter is most easily tagged "acid folk" but such a reduction misses the electronic and avant influences, the boggy atmospheres and synthesized meditations.
Like the forests that creator William Sol roams in rural Washington state, Prana Crafter's music is both familiar and ever-changing. Without pledging devotion to any one, Sol invokes great spirits of the past with acoustic and electric guitars, synths, and hand drums. Not so much an album as it is a channeling, "Bodhi Cheetah's Choice" needs to be heard by the third ear.
Fans of Six Organs of Admittance, Popol Vuh, John Fahey's late-60s experimental side, and slightly melted third generation audience tapes of 72-74-era Dead will find their new favorite modern alchemist when they give "Bodhi Cheetah's Choice" a spin.

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[Only registered and activated users can see links] Ragnarok
Title: Ragnarok / Ragnarok Live
Year Of Release: 1975-76/2008
Label: South Side
Genre: Prog Rock
Quality: Flac (tracks, .cue, log)
Total Time: 01:26:24
Total Size: 456 Mb (scans)


[Only registered and activated users can see links] Fenris (5:29)
2. Butterfly Sky (4:31)
3. Fire in the Sky (4:07)
4. Rainbow Bridge (6:48)
5. Raga (6:19)
6. Caviar Queen (3:35)
7. Dream (7:00)
8. Dawning Horn (3:54)
9. Raga (7:08)
10. Butterfly Sky (4:39)
11. I Fall Apart (4:50)
12. Pink Floyd Medley (Us & Them) (18:12)
13. Whole Lotta Love (9:46)
Andre Jayet (Drums / Synthesiser / Vocals)
Ross Muir (Bass Guitar / Synthesiser / Vocals)
Mark Jayet (Drums / Percussion / Vocals)
Ramon York (Synthesized Guitar / Vocals)
Lea Maalfrid (Vocals)


Ragnarok were formed in Auckland in 1974, out of the remnants of breweries band Sweet Feet. Andre, Ross and Mark were originally from Christchurch, where they were together in a three piece called Flying Wild at the beginning of the seventies. They then formed Sweet Feet and moved to Auckland, where they played the pub circuit. In 1974 they disbanded this group, and it was at that point they met up with Ramon York and Lea Maalfrid.
Applying glitter, dressing loud and developing a song list of Pink Floyd, Led Zeppelin and Yes, they formed Ragnarok. They quickly established themselves as being the ultimate acid band of the mid-seventies. They were right into synthesizers, where their instruments featured guitar synthesizers, keyboard synthesizers and mellotron. They all shared the vocals, but were also very fortunate to have one of the finest female vocalists around at the time, Lea Maalfrid, as a member of the group.During 1974 they had a residency at Granny's and also appeared regularly at the 'Buck-a-Head' concerts, that saw them as popular as Split Enz and Dragon. In January 1975, Tommy Adderley closed Granny's for renovations, and when he re-opened it two months later as Granny's Rock Palace, he decided not to run with resident bands. This left the group without a regular place to play, so they decided to take to the road and toured the country extensively. They became one of the countries top draw-cards during 1975, particularly in the South Island and the provinces.In August 1975, they released a self-titled album on Revolution, that they had recorded at Eldred Stebbing's new 16-track studio. It sold reasonably well and from it came two singles, "Fenris"/"Fire In The Sky" and "Cavier Queen"/"Born To Wander". "Fenris" provided them with a minor hit that made the bottom reaches of the charts.At the end of 1975, Lea Maalfrid left the group to turn solo. She released one single on Atlantic in 1977 called "Pleasure Machine"/"Lavender Mountain", before leaving for Sydney in June 1978, and then later moving to Los Angeles and London, where she gained international recognition as a songwriter.
Ragnarok continued on without Lea, and in 1976 they released a second album called "Nooks" and a single from the album, "Five New Years"/"The Fourteenth Knock".In December 1976, Ragnarok appeared at a one-day festival at Waikino. Other headlining acts included the Country Flyers, Rockinghorse, Hello Sailor and Th' Dudes. By this time though, Ragnarok's cosmic rock was definitely out of favour, and their support was now wholly confined to the provinces. They had even tried a self-promoted national tour of theatres to promote their second album, but this was a failure, and the group disappeared to the east-coast of New Zealand before disbanding.

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[Only registered and activated users can see links] Rami
Title: Reloaded
Year Of Release: 2018
Label: Village Again Association
Genre: Emo, Post-Hardcore
Quality: 320 Kbps
Total Time: 41:53 min
Total Size: 96 MB

Tracklist:
01. Reloaded
02. Black Symphony
03. Moonlight
04. After History
05. Never Say Never
06. Realize
07. Plunder
08. Riding the World
09. Get Freedom
10. Reloaded ～Crystal Memory～


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[Only registered and activated users can see links] Raphael Alpermann
Title: Bach, Muthel: Keyboard Concertos
Year Of Release: 2007
Label: Harmonia Mundi
Genre: Classical
Quality: WavPack (image+.cue,log)
Total Time: 01:14:14
Total Size: 401 Mb

Tracklist:
Bach:
[01]-[03] Keyboard Concerto in d minor, BWV1052
[04]-[06] Concerto for Flute, Violin & Harpsichord in a minor, BWV1044
Muthel:
[09]-[12] Piano Concerto in B flat major
Performers:
Raphael Alpermann, harpsichord
Zvi Meniker, pianoforte
Christoph Huntgeburth, flute
Georg Kallweit, violin
Akademie für Alte Musik Berlin


Akademie für Alte Musik Berlin, founded as an East German cooperative just before the reunification of Germany, brings a strong athleticism to the performances of these two concertos by J.S. Bach and one by Johann Gottfried Müthel. The ensemble takes the fast movements at breakneck speed, which makes for a thrilling ride. There's nothing rigid or mechanistic about the performances, though -- the music has plenty of room to breathe, even at its most urgent moments. Raphael Alpermann is dazzling in the Harpsichord Concerto in D minor, as are fortepianists Zvi Meniker in Bach's triple concerto and Christine Schornsheim in Müthel's concerto. The ensemble also excels in the slow movements; the Adagio movement of the triple concerto magically manages to convey both languor and gentle playfulness. Müthel knew J.S. Bach in the final month's of the older composer's life, but his attractive Keyboard Concerto in B flat major is more closely related to the work of C.P.E. Bach. The sound of Harmonia Mundi's reissue of its 2001 recording is splendid -- crisp, deep, and present.

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[Only registered and activated users can see links] Amesbury Banks
Title: Future Corpses
Year Of Release: 2018
Label: Big Barber Records
Genre: Indie Rock, Alternative
Quality: 320 Kbps
Total Time: 32:56 min
Total Size: 75 MB

Tracklist:
01. Future Corpses 7:23
02. Everything Before This Seems Inconsequential 25:34
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[Only registered and activated users can see links] Hideo Yamaki, Bill Laswell with Dave Douglas
Title: The Drawing Center
Year Of Release: 2017
Label: M.O.D. Technologies
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 45:47 min
Total Size: 276 MB

Tracklist:
01. The Science of Imaginary Solutions 45:47


Hideo Yamaki - Japan's most renown, respected and in demand drummer. Veteran of countless recording and live projects with Japan's most celebrated pop / rock artists. As well as many collaborations with Japanese icons such as Ryuichi Sakamoto, Toshinori Kondo, DJ Krush, Akira Sakata and many others.
Bill Laswell - Legendary, Ikonoklast, bassist / producer, has worked with Hideo Yamaki since the eighties in many diverse and unimaginable configurations. They have been able to establish a bass and drum dialog that explodes with fluid, spontaneous blasts of telepathy, an ever expanding, dynamic matrix.
Dave Douglas - one of the leading trumpeters of his generation, was recognized as "Trumpet player of the year" by the Down Beat critics poll for the first time in 2000 and continued that billing 13 times in the 15 years since. Has worked with John Zorn's Masada, Horace Silver, Anthony Braxton, Joe Lovano and many others. A transcendent style and sweeping vision.

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[Only registered and activated users can see links] Rausch
Title: Book II
Year Of Release: 2018
Label: Rausch
Genre: Alternative Rock, Indie Rock, Progressive Rock
Quality: 320 Kbps
Total Time: 61:25 min
Total Size: 141 MB

Tracklist:
1. Greener Grass 05:28
2. Swansong 03:59
3. Drain 10:37
4. Irked 09:39
5. Good Day 03:42
6. The End 09:44
7. Time Out 04:54
8. Speechless 05:04
9. Slow Suite: II. Isolation 08:18


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[Only registered and activated users can see links] Rho
Title: Neon Desert
Year Of Release: 2018
Label: Gibilterra
Genre: Pop
Quality: 320 Kbps
Total Time: 43:17 min
Total Size: 99 MB

Tracklist:
01. Black Horse 3:48
02. Cross Rho 5:42
03. J41D 3:59
04. Lies 3:53
05. Hold On 6:04
06. Rooms 4:22
07. So Long 5:17
08. Whatever 5:24
09. Sideway 4:52


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[Only registered and activated users can see links] Richard Ormrod
Title: Schumann: Kreisleriana - Schubert: Piano Sonata No. 21
Year Of Release: 2018
Label: Austrian Gramophone
Genre: Classical, Piano
Quality: flac lossless +booklet
Total Time: 01:11:04
Total Size: 174 mb

Tracklist
---------
01. Kreisleriana, Op. 16: I. Äußerst bewegt
02. Kreisleriana, Op. 16: II. Sehr innig und nicht zu rasch
03. Kreisleriana, Op. 16: III. Sehr aufgeregt
04. Kreisleriana, Op. 16: IV. Sehr langsam
05. Kreisleriana, Op. 16: V. Sehr lebhaft
06. Kreisleriana, Op. 16: VI. Sehr langsam
07. Kreisleriana, Op. 16: VII. Sehr rasch
08. Kreisleriana, Op. 16: VIII. Schnell Und Spielend
09. Piano Sonata No. 21 in B-Flat Major, D. 960: I. Molto moderato
10. Piano Sonata No. 21 in B-Flat Major, D. 960: II. Andante sostenuto
11. Piano Sonata No. 21 in B-Flat Major, D. 960: III. Scherzo. Allegro vivace con delicatezza
12. Piano Sonata No. 21 in B-Flat Major, D. 960: IV. Allegro ma non troppo
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[Only registered and activated users can see links] Richelle Sigrist
Title: Eyes Of A Stranger
Year Of Release: 2018
Label: Self Produced
Genre: Country/Blues/Rock
Quality: Flac (tracks)/320 Kbps
Total Time: 46:24
Total Size: 301/109 MB

Tracklist:
1. Don't Have To (3:56)
2. Eyes Of A Stranger (3:28)
3. Heaven Is Real (4:13)
4. Room To Breathe (5:16)
5. Smooth Talker (3:39)
6. Thank You For Not (3:42)
7. Nobody Knows (3:05)
8. Let's Be Alone (3:14)
9. Florida Summers (4:19)
10. Hello Again (3:48)
11. Hopefuls And Maybes (4:10)
12. Thank You For Not (Acoustic) (3:35)


Richelle Sigrist considered herself a "closet singer" from an early age. Yet, she caught the eyes and ears of those around her. At the age of 21, she started singing with her brother-in-law at shows in downtown Fort Smith, AR. Her love for singing drew her toward the worship team at her church. Sitting under incredible worship leaders and drawing from their experiences, she grew her skills.
In 2014, at 39 years old and with the support of her family, she decided to start a band and explore the art of songwriting. She began by studying and playing cover songs ranging from Otis Redding's "Dock of the Bay" to Gnarls Barkley's "Crazy" to ZZ Ward's "If I Could Be Her". The community quickly embraced her with regular performances requested by local establishments.
She is currently preparing for the recording of her debut album, scheduled to be released in 2017. Influenced by James Taylor, Ray Charles, and Bonnie Raitt, Richelle's original music is lyrically driven with various blends of classic rock, soul, blues and pop.

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[Only registered and activated users can see links] RIOPY
Title: RIOPY
Year Of Release: 2018
Label: Warner Classics
Genre: Classical, Piano
Quality: flac lossless / flac 24bits - 44.1kHz +booklet
Total Time: 00:57:07
Total Size: 230 / 480 mb

Tracklist
---------
01. I Love You
02. On a Cloud
03. Golden Gate
04. La Vie
05. And So Forth
06. Interlude in A Minor
07. Old Soul
08. Attraction
09. New York
10. Minimal Game
11. From You
12. Wyden Down
13. Forgive Me
14. Sunrise
15. Lost Soul
16. Drive
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[Only registered and activated users can see links] Ben Caplan
Title: In the Time of the Great Remembering
Year Of Release: 2011
Label: Ben Caplan Music
Genre: Blues, Indie Folk, Singer/Songwriter
Quality: flac 24bits - 44.1kHz
Total Time: 00:43:42
Total Size: 479 mb

Tracklist
---------
01. Southbound
02. Beautiful
03. Seed of Love
04. Conduit
05. Drift Apart
06. Rest Your Head
07. Down to the River
08. Bang to Break the Drum
09. Leave Me Longing
10. Stranger
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[Only registered and activated users can see links] Rivals
Title: Damned Soul
Year Of Release: 2018
Label: Smart Punk Records
Genre: Alternative Rock, Punk, Power Pop
Quality: 320 Kbps
Total Time: 36:58 min
Total Size: 85 MB

Tracklist:
01. Over It
02. Low
03. Damned Soul
04. Gunslinger
05. Moonlit
06. Wild Things
07. Misery Memory
08. Keep Going
09. Reflection
10. To: Leila


The Rivals -- Robert Metcalf (baritone), Herman Green (2nd tenor), James Green (1st tenor), Tolbert Dorr (bass), and Gerald Green (lead) -- first appeared on Anna Records backing Letha Jones. Anna issued two singles in 1960 credited to Letha Jones & the Rivals, "I Got That Feeling" b/w "I Need You" and "Black Cloud" with the same B-side as the first single. Neither did anything and the Rivals wouldn't appear on record again until 1963 when they waxed "It's Gonna Work Out" b/w "Love Me" on T. J. Fowler's Puff label. The session musicians included Fowler (keyboards), Uriel Jones (drums), Walter Cox (sax), and Dezi McCullers (horns) a.k.a. the T. J. Fowler Combo. It did well locally so Fowler sold the master to Bob West's Lupine Records, distributed by Atlantic Records, to give it a better shot. But despite immense potential, the record never did much outside Detroit. Because of its popularity in the Motor City, the Rivals did commercials for Goebel Beer and Wrigley Gum, appeared on the Robin Seymour Show, and played local venues such as the 20 Grand and the Graystone Ballroom. A second Puff single came out in 1964, but "She's Mine" b/w "Make Your Mind Up," failed to achieve even local success, and the Rivals broke up. Their old session drummer, Uriel Jones, went to work for Motown, as did Gerald Green, who joined the Contours. ~ Andrew Hamilton.



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[vandtal]

[Only registered and activated users can see links] Rivals
Title: Damned Soul
Year Of Release: 2018
Label: Smart Punk Records
Genre: Alternative Rock, Punk, Power Pop
Quality: FLAC (tracks)
Total Time: 37:03
Total Size: 275 MB

Tracklist:
01. Over It
02. Low
03. Damned Soul
04. Gunslinger
05. Moonlit
06. Wild Things
07. Misery Memory
08. Reflection
09. Keep Going
10. To Leila
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[Only registered and activated users can see links] Robert Schroeder
Title: Velocity
Year Of Release: 2017
Label: Spheric Music
Genre: Electronic, Ambient, Berlin School
Quality: 320 Kbps
Total Time: 64:03 min
Total Size: 147 MB

Tracklist:
1. Velocity Of Flow 11:27
2. Strength Of Pressure 8:44
3. Xpress Yourself 7:54
4. Aftertouch 7:28
5. Velocity 9:36
6. Ribbon Control 8:37
7. Psychedelic 10:35


Electronic composer Robert Schroeder was born in Aachen, Germany, on May 20, 1955. After receiving his first guitar at age 13, he began exploring experimental sounds and techniques, eventually giving up playing in 1970 to completely immerse himself in electronics and engineering. After high school Schroeder worked in researching and developing electronic instruments, in his off hours honing his own synthesizer sound; in 1978 he signed to Klaus Schulze's IC label, and a year later released his debut album, Harmonic Ascendant. The aptly titled Floating Music followed in 1980, and with 1981's Mosaique, Schroeder began combining electronics with live instrumentation; the follow-up, Galaxie Cygnus A, was created in conjunction with a multimedia presentation. In 1982 Pegasus was released without Schroeder's consent; his next official release was 1983's Paradise. After returning a year later with Computer Voice, in 1985 he issued his soundtrack to the 3D film Brain Voyager. After releasing 1986's Universal Ave. as one half of the duo Double Fantasy with Charly McLion, Schroeder returned to his solo career to issue Time Waves, his most acclaimed effort to date. With 1991's Hamaja, he formed his own label, NEWSmusic; subsequent releases included 1993's Mindwalk and 1994's Everdreams. After going on hiatus until the mid-2000s, Schroeder resumed his musical explorations and released a number of albums on the Spheric label, including 2006's Brainchips and 2007's Sphereware. ~ Jason Ankeny.

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[Only registered and activated users can see links] Rod Argent
Title: Second Sight
Year Of Release: 1984
Label: KPM Music
Genre: Synth-pop, Electronic
Quality: MP3 320 Kbps
Total Time: 37:47
Total Size: 108 Mb

Tracklist:
01. Masterplan (Part 1) / 2:50
02. Masterplan (Part 2) / 1:26
03. Silk Touch (Part 1) / 2:34
04. Silk Touch (Part 2) / 1:50
05. The Spirit (Part 1) / 1:32
06. The Spirit (Part 2) / 3:09
07. Can't Stop / 1:19
08. Coming Of Age (Part 1) / 2:04
09. Coming Of Age (Part 2) / 2:01
10. Ridin' In My Car / 2:41
11. Second Sight (Part 1) / 3:13
12. Second Sight (Part 2) / 1:41
13. Second Sight (Part 3) / 0:41
14. Frogs /0:54
15. Odyssey (Part 1) / 1:47
16. Odyssey (Part 2) / 1:48
17. Veil Of Secrecy / 2:08
18. Echoes (Part 1) / 2:10
19. Echoes (Part 2) / 1:37
20. Echoes (Part 3) / 0:22
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[Only registered and activated users can see links] Hot N Nasty
Title: Dirt
Year Of Release: 2018
Label: Fastball Records
Genre: Blues, Rock
Quality: 320 Kbps
Total Time: 58:06 min
Total Size: 133 MB

Tracklist:
01. Daylight
02. Shake The Devil's Hand
03. Back On The Track
04. Somewhere Somehow Someday
05. Take A Ride
06. It's Only Money
07. Almost Like You're Here
08. Real Thing
09. Cruisin'
10. So Much Better Than This
11. She Talks
12. Drifting
13. Go To The Woman
14. Land Of A Thousand Lies
15. Daylight (Reprise)


They are back in the lane and continue on the road. The blues rockers HOT'n'NASTY from Dortmund present the successor of their 2012 album "Boost" with "Dirt". Apparently, the boys have overcome the tragic death of their singer Patrick Pfau and found a more than adequate successor with their "new" Robert Collins and his striking grater voice. Since mastermind Malte Triebsch is conceptually based on tonal continuity, you do not have to get used to it, because on the grain of Collins' sandpaper voice lies exactly the portion of dirt that best suits the broad blues rock cosmos of the troupe. HOT'n'NASTY also rely on the experienced Martin Meinschäfer (Henrik Freischlader, Tommy Schneller, Layla Zoe) and his established megaphone studio for sound and production technology.
The fact that the holders of the German Rock and Pop Award for the Best Rhythm & Blues (2009) have not forgotten anything and are willing to live their musical dream to reap the deserved recognition of a hard-working and passionate rock band is evident in groundbreaking titles such as Back On Track and Somewhere Somehow Someday that glorify touring life and the sheer desire to make music.
Guitarist Malte Triebsch and his accomplished cronies continue to focus on variability, tantalizing virtually all the stylistic offshoots of blues rock while featuring the furious Take A Ride in the Pat Travers style and Slow Blues It's Only Money reminiscent of Gary Moore heading for real highlights that focus on the band's dynamic, tightly meshed bandwork and fiery string work.
In addition to all the gripping full-steam Rockattitüde the Dortmund show in the bittersweet ballad Almost Like You're Here also their romantic side, add sometimes a little electric piano and act as a refreshing mix of Henrik Freischlader and Chris Stapleton. A mid-tempo heavyweight like So Much Better Than This could well be seen in the repertoire of Scottish genre greats KING KING, while the mysterious meandering Wah-Wah blues of Land Of Thousand Lies seems to bite somewhere between Robin Trower and SUPERSONIC BLUES MACHINE.
With "Dirt" HOT'n'NASTY have recorded a worthy successor for their 2012 work "Boost". A multi-faceted and hearty blues rock album of purest water. Great class. That they continue to be willing to plow the asphalt, they will soon prove with numerous live dates (see tour dates). A recommendation to all genre fans.

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[Only registered and activated users can see links] Roger Rodier
Title: Upon Velveatur
Year Of Release: 1972/2006
Label: Sunbeam Records
Genre: Folk Rock, Acid Folk, Psychedelic Folk
Quality: Flac (tracks)
Total Time: 49:10
Total Size: 347 Mb (scans)


[Only registered and activated users can see links] Listen to These Chords I Play (Celeste) - 3:11
2. My Spirit's Calling - 5:05
3. Am I Supposed to Let It by Again? (Above the Covers) - 4:07
4. The Key - 4:01
5. While My Castle's Burning - 4:19
6. You Don't Know What It's Like - 4:11
7. Just Fine - 3:59
8. Let's See Some Happyness - 4:55
Bonus Tracks:
9. Easy Song - 3:31
10. L' Herbe - 2:40
11. Tu Viendras - 3:06
12. Have You? - 3:13
13. Overseer - 2:46


Rare collectible 1968 original first pressing of interesting garage band that features mostly all original tunes with vaired styles from garagepunk to tuneful melodics and with psychy florishes. these guys were pretty good actually - think garagey Vanilla Fudge (1st Lp era) with a little more punk influence. The opening gem, "Girl, Make Up Your Mind" is a catchy nugget straight out of the Nuggets/Pebbles vein.
Despite a number of impressive accomplishments, the Forum Quorum today is largely forgotten. But how many other groups of the era can claim two appearances on the Mike Douglas Show, two motion picture soundtracks, numerous product jingle recordings, a Vox sponsorship, a national magazine cover, and two 45 singles and a full LP release? Indeed, due to their impressive track record, the Forum Quorum had their quest for the big time documented in a book titled "How To Form A Rock Group." After picking up a copy of the book on eBay, we did a quick Internet search and were fortunate enough to locate drummer Brian Albano, who graciously agreed to provide more information on the group and their various projects.
Excellent teen psych lp with swirling organ sounds and as you cn see on the pictures above bouzouki!Reminds me "Inner Mystique"-era Chocolate Watchband ,some hints of ? and the mysterians.Highly Recommended!...
Originally issued in November 1968, this fine garage-pop LP boasts (as its sleeve states) "an electrified bouzouki, the Greek classical guitar, plus an amplified flute for the shepherd's sound, over a driving rock beat." There's also plenty of moody pop songs and hints of acid-rock. It makes its long-awaited CD debut here, complete with background notes and rare pictures. Detailed liner notes included.

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[Only registered and activated users can see links] Rolf Lislevand, Ensemble Kapsberger
Title: Vivaldi: Musica per mandolino e liuto (2006)
Year Of Release: 2006
Label: Naive
Genre: Classical
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 59:54
Total Size: 319 Mb

Tracklist:
1-3. Concerto for 2 Mandolins, Strings and Basso Continuo in G, R.532
4-6. Trio Sonata for Violin, Lute and Basso Continuo in G minor, RV 85
7-9. Concerto for Mandolin, Strings and Basso Continuo in C major RV425
10-12. Concerto for Viola d'Amore, Lute, Strings and Basso Continuo in D minor, RV 540
13-15. Trio Sonata for Violin, Lute and Basso Continuo in C major, RV 82
16-18. Chamber Concerto for 2 Violins, Lute and Basso Continuo in D major, RV 93
Performers:
Rolf Lislevand - mandolin, lute
Ensemble Kapsberger


The Vivaldi Concerto for mandolin and orchestra, RV 425, was an essential component of the 1970s classical LP collection -- with the mandolin amped up so loud in order to compete with a large orchestral string section that it sounded like an electric guitar blazing through an arena rock concert. Things have improved a bit since then, but balance between soloists and ensemble has always been a problem with the works featured on this release. The problem has rarely been solved so nicely as it is here. The group of string players used, a fine pan-European set of historical-performance specialists, is not especially small, and lutenist/guitarist/mandolinist Rolf Lislevand is elegant and clean but not arresting on his own. The key is how the whole ensemble works together to bring out the solos, sensitively shaping lines while keeping dynamic levels low enough to set off the soloists -- and, in trio-sonata works, defining the relationships among the soloists themselves. Especially attractive here are the two comparatively rare concertos and two trio sonatas that involve both lute and violin or viola d'amore (the final concerto, RV 93, is for two violins, lute, and continuo). Setting a sharp boundary between the realms of the plucked instruments and the bowed strings here is a real challenge. In a way, it's harder for the mandolin or lute to stand up to a single violin than to a whole group of them. But Lislevand and his cohorts bring it off in very carefully controlled environments in which the lute or mandolin is a full participant in the dialogue, a graceful dancer to the singing violin. Superb sound engineering from a Swiss studio also counts as part of the success of the performance; the temptation to use the resonance of a church to amplify the plucked instruments has wisely been resisted. This is a good addition to any Vivaldi concerto library and a very pleasant set of pieces for anyone who likes the mandolin or lute.

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[vandtal]

[Only registered and activated users can see links] Rosario - Contigo me voy
Title: Rosario - Contigo me voy
Year Of Release: 2006
Label: Ariola
Genre: Pop, Latin
Quality: MP3 320 Kbps
Total Time: 38:09
Total Size: 108 Mb

Tracklist:
01. El Beso (Contigo Me Voy) (3:38)
02. Mientras Me Quede Corazón (3:07)
03. El Niño De Tus Ojos (4:15)
04. Que Me Dejen Vivir (2:55)
05. En El Mismo Lugar (3:06)
06. Cayetano (3:35)
07. Si Me Llevas (3:35)
08. Parece Que Fue Ayer (2:57)
09. Rumba Del Bongo (3:41)
10. A Flor De Piel (3:30)
11. Mi Amor Por Ti (3:45)
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[vandtal]

[Only registered and activated users can see links] Rosario
Title: De mil colores
Year Of Release: 2003
Label: Ariola
Genre: Pop, Latin
Quality: MP3 320 Kbps
Total Time: 38:17
Total Size: 108 Mb

Tracklist:
01. De Mil Colores (4:04)
02. Aguanta AhÃ* (3:30)
03. Jura De Samba (3:21)
04. La Vida Es Sueño (3:13)
05. Como Tú (4:00)
06. Vueltas (3:31)
07. Atado A Esa Mujer (3:57)
08. En Mi Casa (3:29)
09. Todo Vive En MÃ* (Eso Es Amor) (3:46)
10. Los Tangos De Mi Abuela (3:57)
11. Vivirás (1:22)
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[vandtal]

[Only registered and activated users can see links] Rosario
Title: Esencial
Year Of Release: 2013
Label: Sony Music
Genre: Pop, Latin
Quality: MP3 320 Kbps
Total Time: 01:48:25
Total Size: 275 Mb

Tracklist:
01. Estoy Aqui (3:45)
02. De Mil Colores (4:02)
03. Mi Gato (3:20)
04. Mientras Me Quede Corazón (3:05)
05. Sabor, Sabor (4:23)
06. Al Son Del Tambor (3:56)
07. Lucia (3:12)
08. Como Tu (3:59)
09. Jugar A La Locura (3:22)
10. Mucho por Vivir (3:06)
11. La Estrella (4:07)
12. Muchas Flores (3:45)
13. Yo Me Pregunto (3:34)
14. Te lo Juro Yo (3:05)
15. A Tu Lado (3:01)
16. Ese Beso (3:25)
17. De Ley (3:50)
18. ¡Que Bonito! (3:46)
19. Cómo Quieres Que Te Quiera (4:25)
20. El Beso (Contigo Me Voy) (feat. Amparanoia) (3:34)
21. Aguanta Ahi (3:27)
22. Escucha Primo (3:47)
23. Dime Como Es (3:18)
24. Puede Ser (3:30)
25. Mi Rosa (3:54)
26. Agua y Sal (3:11)
27. Nada Mejor (3:32)
28. Oye Al Rio (3:23)
29. Mia Mama (3:43)
30. Abril (3:41)
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[vandtal]

[Only registered and activated users can see links] Rosario
Title: Mientras me quede corazón: Grandes éxitos
Year Of Release: 2009
Label: Sony Music
Genre: Pop, Latin
Quality: MP3 320 Kbps
Total Time: 02:03:14
Total Size: 313 Mb

Tracklist:
01. Cómo Quieres Que Te Quiera (4:25)
02. Sabor, Sabor (4:22)
03. Estoy Aqui (3:45)
04. ¡Que Bonito! (3:46)
05. El Beso (Contigo Me Voy) (feat. Amparanoia) (3:35)
06. Agua y Sal (3:11)
07. Mi Gato (3:20)
08. Mia Mama (3:43)
09. Escucha Primo (3:47)
10. Mientras Me Quede Corazón (3:05)
11. De Mil Colores (4:02)
12. Mucho por Vivir (3:06)
13. Muchas Flores (3:45)
14. Al Son Del Tambor (3:55)
15. Puede Ser (3:29)
16. Nada Mejor (3:32)
17. Aguanta Ahi (3:27)
18. Ese Beso (3:25)
19. Lucia (3:11)
20. Que Se Llama Soledad (4:32)
21. Rosa Maria (3:12)
22. Abril (3:40)
23. Te lo Juro Yo (3:05)
24. Corazón de Tiza (4:00)
25. Acuarela (3:37)
26. Yo Sé Que Te Amaré (2:48)
27. Me Vuelves Loco (feat. Armando Manzanero) (4:13)
28. La Casa En El Aire (3:16)
29. Los Tangos De Mi Abuela (3:55)
30. Jura De Samba (feat. Carlinhos Brown) (3:19)
31. En El Mismo Lugar (feat. Antonio Vega) (3:01)
32. Atado A Esa Mujer (feat. Antonio Carmona) (3:56)
33. A Tu Vera (feat. Lola Flores) (3:25)
34. Fe Ciega, Faca Afilada (feat. Antonio Flores) (4:07)
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[Only registered and activated users can see links] Royal Philharmonic Orchestra, Paul Bateman
Title: Oliver Davis: Liberty
Year Of Release: 2018
Label: Signum Records
Genre: Classical
Quality: flac lossless
Total Time: 00:48:47
Total Size: 235 mb

Tracklist
---------
01. Spiral, for Violin, Piano and Strings: I. First Movement
02. Spiral, for Violin, Piano and Strings: II. Second Movement
03. Spiral, for Violin, Piano and Strings: III. Third Movement
04. Spiral, for Violin, Piano and Strings: IV. Part 1
05. Spiral, for Violin, Piano and Strings: IV. Part 2
06. Bacchus
07. Morpheus, Cello Concerto: I. First Movement
08. Morpheus, Cello Concerto: II. Second Movement
09. Morpheus, Cello Concerto: III. Third Movement
10. Liberty, for Violin, Viola, Piano and Strings: I. First Movement
11. Liberty, for Violin, Viola, Piano and Strings: II. Second Movement
12. Lost Lake, for Violin and Strings
13. Sonar, for Violin, Piano and Strings
14. Chillingham, for Soprano, Piano and String Ensemble: I. First Movement
15. Chillingham, for Soprano, Piano and String Ensemble: II. Second Movement
16. Chillingham, for Soprano, Piano and String Ensemble: III. Third Movement
British composer Oliver Davis's works have been described as being 'beautiful' (The Times) and having 'pulsating rhythmic energy' (Classic FM), and has been heard the world over through his frequent collaborations with ballet companies, from Edwaard Liang's 13th Heaven which premiered in Singapore to Secrets, choreographed by Erico Montes and premiered by The Royal Ballet. In this new recording Liberty, Davis explores works for violin, soprano, strings and orchestra, working with a host of world-leading performers including violinist Kerenza Peacock, soprano Grace Davidson and cellist Katherine Jenkinson, all alongside the Royal Philharmonic Orchestra under the baton of Paul Bateman. Previous albums from Davis have been critically praised, entering in the top 10 in the UK specialist classical charts and becoming disc of the week on Classic FM and the Mail on Sunday and featuring in several 'Best albums of the year' listings.
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[Only registered and activated users can see links] Rémi Panossian
Title: DO
Year Of Release: 2018
Label: jazz family
Genre: Jazz, Piano
Quality: flac lossless / flac 24bits - 44.1kHz
Total Time: 00:45:11
Total Size: 197 / 408 mb

Tracklist
---------
01. Why Are You Falling Down
02. The Mirror
03. Paint It Black
04. Away From a Way
05. Long Time No Sea
06. Merry Christmas Mr. Lawrence
07. Caravan
08. My Own Island
09. Escape
10. Dos
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[vandtal]

[Only registered and activated users can see links] Irma Thomas
Title: Wish Someone Would Care / Take a Look
Year Of Release: 2006
Label: Collectables
Genre: Funk / Soul
Quality: FLAC (tracks+.cue)
Total Time: 1:02:14
Total Size: 361 MB

Tracklist:
1. Wish Someone Would Care
2. I Need Your Love So Bad
3. Without Love
4. Please Sent Me Someone To Love
5. Another Woman's Man
6. Sufferin' With The Blues
7. Time Is On My Side
8. While The City Sleeps
9. Straight From The Heart
10. I've Been There
11. I Need You So
12. Break-A-Way
13. Take A Look
14. Teasing, But You're Pleasing
15. I Haven't Got Time To Cry
16. You Don't Miss A Good Thing
17. Some Things You Never Get Used To
18. Anyone Who Knows What Love Is
19. It's Starting To Get To Me Now
20. Times Have Changed
21. He's My Guy
22. Baby Don't Look Down
23. What Are You Trying To Do
24. Wait, Wait, Wait
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[vandtal]

[Only registered and activated users can see links] Sam Brown
Title: Damage That I Am
Year Of Release: 2018
Label: Self Produced
Genre: Country/Pop
Quality: Flac (tracks)/320 Kbps
Total Time: 35:35
Total Size: 250/101 MB

Tracklist:
1. What About You (2:33)
2. She Cries (2:39)
3. House On The Hill (3:04)
4. If You Need Someone (4:09)
5. Take Me (4:04)
6. Peace (4:18)
7. I'll Sing For You (3:57)
8. Lie (3:56)
9. Hit That Wall (3:56)
10. When Morning Comes (2:57)


First a singer, then a writer, always a performer, Sam is a longtime singer and songwriter. Her debut album drops January 24th!
Sam rocks out with several great musicians, including regular shows with Scotch Bonnet and Joe McGinty and The Loser's Lounge at Joe's Pub. She has also penned many tunes for other artists and commercials.
Sam has regular (and spontaneous!) shows all over New York City.

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[Only registered and activated users can see links] Igor Malinovsky
Title: Vivaldi: The Four Seasons
Year Of Release: 2018
Label: Genuin
Genre: Classical
Quality: flac lossless +booklet
Total Time: 00:39:11
Total Size: 201 mb

Tracklist
---------
01. The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro
02. The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre
03. The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": III. Danza pastorale. Allegro
04. The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": I. Allegro non moto
05. The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio-Presto
06. The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto
07. The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": I. Allegro
08. The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto
09. The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro
10. The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": I. Allegro non molto
11. The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo
12. The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": III. Allegro
For the second time, the violinist and jack-of-all-trades Igor Malinovsky releases a CD on GENUIN. The brilliant production of Russian violin sonatas is now followed by a marvelous classic of the concertante violin repertoire: Vivaldi's most famous concerts, the Four Seasons. Malinovsky's violin merges with the instruments of the Dresden Residence Orchestra, which he founded, to form an incredible unity. Everything sounds historically informed, but not dry, musical, but not romanticized. A recording as fresh as a spring rain!
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[Only registered and activated users can see links] Samson
Title: Are You Samson
Year Of Release: 1969/2001
Label: Sanctuary Records
Genre: Psychedelic Rock, Prog Rockk
Quality: APE (image, .cue, log)
Total Time: 42:50
Total Size: 282 Mb (scans)


[Only registered and activated users can see links] Traffic (3:27)
2. Sleep (2:21)
3. Journey (3:10)
4. Fair (8:44)
5. The End Song (4:44)
6. Mars (4:47)
7. Venus (2:57)
8. Saturn (3:49)
9. Poem for Sam (4:26)
10. Wool and Water - Bonus Track (4:24)
Samson (Main Performer)
Les Jones (Guitar)
Norman Findley (Organ)
Paul Ford (Trumpet)
Les Olbinson (Percussion)
Mike Delaney (Drums)


Originally released in November 1969 on Andrew Loog Oldham's subsidiary to his failing Immediate, Samson sank without trace, which was about as much as could be expected. Oldham's seemingly careless attitude of not even releasing a single to wet the record buyer's appetite however is now easier understood: Immediate was at its end; within weeks of Samson's debut release Oldham's empire went bankrupt! As the band were eagerly recording their carefully calculated work, Oldham had a lot more to worry about than whether the next album released on his subsidiary would be a big seller. With little assistance from the label, and practically no promotion, it's not surprising that the album had such low sales figures. But the poor turnover of this admittedly tackily sleeved album is by no means an indicator of the music contained within. Samson brought into their music a successful blend of harmonies which sound akin to the Gregorian psych-era choral vocal parts of the Pretty Things and the Zombies, a touch of Deep Purple circa Shades of Purple, and a hint of the increasingly popular concept album. For sake of classification, their blending of Kinks-ish psych-pop with more progressive elements is befitting of the title progressive pop -- a contemporary handle used to describe everything from the Fox's For Fox Sake, Caravan's early work, and fellow north country lads the Koobas' 1969 album. If the later songs compiled on the superb Rubbles series appeal to you, Samson are well worth investigating.

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[Only registered and activated users can see links] Samuli Putro
Title: Valkoinen Hetero
Year Of Release: 2017
Label: Universal Music Group
Genre: Pop Rock
Quality: FLAC (tracks+.cue)
Total Time: 44:33
Total Size: 251 MB

Tracklist:
01. Työ (3:46)
02. Matkamuistot (3:52)
03. Surullinen AD (4:06)
04. Viihdettä (3:25)
05. Helppo ja luonteva (3:19)
06. Valkoinen hetero (3:30)
07. Tätä kadun myöhemmin (3:00)
08. Artisti (3:54)
09. Jumala vihaa sua (3:48)
10. Noniin noniin (2:45)
11. Kohta pidetään hauskaa (4:02)
12. Kävelylle (5:09)
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[Only registered and activated users can see links] Sara Morgan
Title: Average Jane
Year Of Release: 2018
Label: River Delta Records
Genre: Country/Folk
Quality: Flac (tracks)/320 Kbps
Total Time: 41:10
Total Size: 279/101 MB

Tracklist:
1. The Boots (3:06)
2. Boy Don't Get The Girl (3:55)
3. More Than One Horse (2:55)
4. That Kind Of Man (4:20)
5. Instead Of Drinkin' (3:45)
6. Never Been To Nashville (2:50)
7. Thrown (4:15)
8. Sick Of Sayin Goodbye (3:59)
9. Have To Have It All (4:37)
10. Proud (4:03)
11. Average Jane (3:21)


Sara Morgan is a performing singer/songwriter quickly making her name known throughout the Midwest and beyond. A true storyteller, Sara often brings her lyrics and music to the stage in songs she refers to as hybrid country; thought-provoking lyrics rich in substance, accompanied by music that blends a modern, contemporary country sound with echoes of the traditional, classic country she loves. Although her live performances contain a definite country flair, her songwriting catalog reaches across multiple genres. Sara writes and composes an eclectic mix of songs ranging from folk, Americana, bluegrass, and country, to rock, pop, and contemporary Christian. Her versatility as a singer/songwriter is as undeniable as her unique vocal sound. Sara sells out listening rooms, is a crowd favorite at song swaps and songwriter showcases, and is often asked to assist other songwriters with their work. She has opened for chart-topping country singer Chase Bryant, hit-makers LoCash, multi-Grammy and Dove award winner BJ Thomas, country superstar John Michael Montgomery, Michael Martin Murphey, Sex and the City heart throb John Corbett, Ben Taylor, Sean Rowe, singer/songwriter Ben Taylor, The Rainmakers, and can be found from time to time singing and playing with award-winning blues singer, Samantha Fish. . She was also the preshow act at the Industry Bar inside the Uptown Theater in Kansas City before her idol, Loretta Lynn, took the main stage. Sara has appeared on WDAF Fox TV, KCTV 5, and she has performed the National Anthem for the Missouri Mavericks hockey team; her songs get regular radio play on community radio station KKFI 90.1 FM in Kansas City and KMXN 92.9 "The Bull" in Lawrence, KS; she has been featured in the Kansas City Star and The Pitch news publications, and she records at Chapman Studios in Lenexa, Kansas. Sara resides in the Kansas City metropolitan area.

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[Only registered and activated users can see links] Sarah Alainn
Title: Cinema Music
Year Of Release: 2017
Label: A UCJ Japan Release
Genre: Classical Crossover, Classical, Vocal
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:06:09
Total Size: 422 mb / 1.36 gb

Tracklist
---------
01. On My Own (From "Les Miserables")
02. Bring The Snow (From "Moomins And The Winter Wonderland"/ Japanese Version)
03. Beauty And The Beast (From "Beauty And The Beast")
04. Treize jours en France (From "Treize jours en France")
05. Cinema Paradiso (From "Nuovo Cinema Paradiso")
06. Kimio Nosete (From "Laputa The Flying Island" / Bilingual Version)
07. La La Land Medley (From "La La Land")
08. Now We Are Free (From "Gladiator")
09. Por Una Cabeza (From "Scent Of A Woman")
10. Nandemonaiya (From "Your Name." / Bilingual Version)
11. 007 Medley (From "007")
12. Let It Go (From "Frozen")
13. Shadows Of Time (From "Gunkanjima -Traveler In Time -")
14. I Will Always Love You (From "The Bodyguard")
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[Only registered and activated users can see links] Savage Cult & Nternal Bserver
Title: ACCENTAPE003
Year Of Release: 2017
Label: Accents Records
Genre: Techno, Ambient, Experimental
Quality: FLAC (tracks) 24/44,1
Total Time: 00:55:59
Total Size: 561 MB

Tracklist:
01. Savage Cult - A Cult Of Future (03:40)
02. Savage Cult - Masters Escape The Vision To Preserve Their Soul From The Sleeping Giant (06:08)
03. Savage Cult - Sanctum (02:14)
04. Savage Cult - The Hidden Spirit (05:01)
05. Savage Cult - The Last Vigil (05:47)
06. Savage Cult - Now They Belong To The Void (06:00)
07. Nternal Bserver - Artica (A Time When Cease To Be) (04:10)
08. Nternal Bserver - Density Of Thoughts (Per Minute) (06:00)
09. Nternal Bserver - Lakes (Full Of Snakes) (04:48)
10. Nternal Bserver - Losing You For Them (07:07)
11. Nternal Bserver - Revolving Over Drama Of the Man Kind (05:04)


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[Only registered and activated users can see links] Saxit!
Title: Systeme Diabolique
Year Of Release: 2018
Label: Gareth Harvey
Genre: Jazz
Quality: 320 Kbps
Total Time: 59:20 min
Total Size: 138 MB

Tracklist:
01. 34th n Lex - Soul Bop 5:33
02. Brain Meltdown 4:57
03. Burning Messiah 3:38
04. Systeme Diabolique 6:51
05. Rise 5:36
06. Story of the Wind 5:15
07. Max & Lily 6:20
08. Tiny Little Bird 4:59
09. Mamelodi 7:16
10. It's Perfect Now 3:41
11. Chisa 5:19


Systeme Diabolique - is the latest offering by South African saxophone quartet SAXIT. This album is a collaborative venture with the band working and creating music with a variety of artist from singers, poets, actors and other instrumentalists. The album runs through a wide array of musical styles with improvisation being the core of the musical output. This album promises to be a musical journey like no other for the listener.
Since 2012, SAXIT! has been developing their vibrant and diverse sound and pushing the boundaries of the saxophone ensemble, performing a multitude of musical styles without a rhythm section. The band has performed at notable festivals such as the Infecting the City Public Arts Festival, Tulbagh Spring Arts Festival, National Arts Festival (NAF), the Oude Libertas Summer Concert Series (Stellenbosch) and the Joy of Jazz festival (Johannesburg). Following their NAF performance, Cue Magazine wrote: "The repertoire ranges from upbeat to melancholy to celebratory. This easy-going band of musicians does themselves proud!"
The band is formed by Joel Benjamin (Alto/Soprano sax), Jade de Waal (Alto sax), Simon Bates (Tenor sax), and Gareth Harvey (Baritone sax). Asked about the role of live performance, Gareth says: "Music to most people runs close to their hearts and one of the main things SAXIT! would like people to feel is, firstly, being present in the experience and not distracted by the material world. Secondly, to simply enjoy themselves.

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[Only registered and activated users can see links] Scorpions
Title: 02.10.2009-Essen Grugahalle
Year Of Release: 2009
Label: concert-online.com
Genre: Hard Rock, Classic Rock
Quality: MP3/320 kbps
Total Time: 02:09:53
Total Size: 300 MB

Tracklist:
01. Hour I
02. Loving You Sunday Morning
03. Is There Anybody There?
04. Make It Real
05. The Zoo
06. Pictured Life
07. Backstage Queen
08. We'll Burn The Sky
09. Robot Man
10. Send Me An Angel
11. Holiday
12. Coast To Coast
13. Lovedrive
14. Another Piece Of Meat
15. Doctor Doctor
16. Tease Me Please Me
17. 321
18. Kottak Attack
19. Blackout
20. Big City Nights
21. Still Loving You
22. Wind Of Change
23. Long Tall Sally
24. Rock You Like A Hurricane
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[vandtal]

[Only registered and activated users can see links] Bernhard Meyer
Title: Murmuration
Year Of Release: 2018
Label: Traumton
Genre: Jazz
Quality: 320 Kbps
Total Time: 6039 min
Total Size: 139 MB

Tracklist:
01. Just Like John 8:19
02. Radiance 5:38
03. Dark Flow 6:51
04. Growl 7:10
05. Aphir 3:36
06. Plain Air 6:19
07. Unchild 5:20
08. Wooden 5:50
09. Corus 6:15
10. Shields 5:24


"I've had this cast in my head for a long time," says Bernhard Meyer about his quintet, which combines an unusual combination of instruments and charismatic musicians. "The specific sound has come together in my imagination over time," Meyer continues, "inspired by the collaboration with individual of these musicians in smaller formations." Of course, there is again the ingenious unity with his brother Peter, well-known by three highly praised albums and countless concerts of the Melt Trio. Bernhard Meyer's special melodic playing on the semi-resonant bass also impressed in cooperation with Norway's live remix and electric grandmaster Jan Bang (with the Melt Trio), John Hollenbeck, Jim Black, Kurt Rosenwinkel, Nasheet Waits, Eric Schaefer and others.
For a while now, the Meyer brothers, in parallel to the Melt Trio, are exploring similarities with another outstanding drummer on the German scene, namely Andi Haberl. The Bavarian electoral Berliner has distinguished himself through striking assignments with the Andromeda Mega Express Orchestra and has been thrilling for years in Europe's most progressive indie rock band The Notwist. In addition, Bernhard Meyer played several concerts as a chamber jazz trio with the clarinet virtuoso and electronics tinkerer Claudio Puntin and Julius Heise, who is a subtle jazz vibraphonist u.a. Brand Brauer Frick Ensemble shone.
Some time ago, Bernhard Meyer united the different personalities into a new quintet. On Murmuration, the stylists now achieve enormous depth and wonderful detail. Sometimes they play extremely filigree, complete like a ballerina surprising twists on tiptoe. At the same time, their interactions contain a force that can dynamically break new ground, reinforce and condense contrasts. The expression ranges from acoustic nuances to contemporary electronic vignettes to futuristic facets. Bernhard Meyer's individual bass playing goes far beyond primers, carries melodies and rhythms. In addition, the internal task distribution changes. Sometimes Peter Meyer and Julius Heise create harmonious chords and transparent layers of sound, then the guitarist moves to the side of Claudio Puntin to merge melodies and electro-sounds. A little later, the brothers Meyer and Andi Haberl act as a rhythm section, which makes pointed pressure.
Bernhard Meyer's compositions and arrangements spread a wide panorama. It's so varied that you can go on and on, curious about what's going on behind the next bend. Melodies and themes light up, step into the background and suddenly come back from a different direction. Each piece has its own character. In Plain Air echoes of Steve Reich's groundbreaking minimalism, Unchild conveys almost sacred mood, Wooden captivates through its open, in the broader sense free investment. In the meantime reminiscent of John Hollenbeck's Claudia Quintett, Bill Frisell, is to be seen in colorful shades of arrangements by Sufjan Stevens or Kurt Rosenwinkels Heartcore. A scale by Olivier Messiaen forms the basis for a triple unison in Corus.
Again and again new perspectives surprise, even within some titles Meyer skilfully plays with alleged contrasts. For example, at Growl, where weightless, warm-timbred vibes and cool-monolithic synthesizers meet each other and get along remarkably well. In Plain Air, after a while, classic minimalism gives way to a passage through which the spirit of Charles Mingus blows, towards the end the play approaches the indie progressive rocker Grizzly Bear. Throughout the album, grooves alternate with odd meters and fictitious rhythms. Some sophistication may be hidden from the listener, which does not disturb either the enjoyment or Bernhard Meyer. Above all, he sees the conceptual considerations of his pieces as a toolbox in order to come up with new ideas. As an example of subtle details, he mentions his bass improvisation in Aphir, which does not appear as a traditional solo, but is abstracted in the live remix by Peter Meyer and Claudio Puntin.
Bernhard Meyer has meticulously refined many aspects of his compositions. As the head of the quintet, he is indeed a source of ideas and inspiration, but at the same time he is keen that his partners have spaces to contribute their personal talents. So drummer Andi Haberl and the classically trained, in New Music savvy Julius Heise can flash their sense of orchestration. A master in this discipline is Claudio Puntin, if he does not shine as a soloist. Born in 1965 in the Central Swiss train, the multi-award winning clarinetist has in recent years, in addition to his own productions for film, theater, radio plays and A

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[Only registered and activated users can see links] Kärt Ruubel
Title: Auff die Maÿerin
Year Of Release: 2018
Label: Genuin
Genre: Classical, Piano
Quality: flac lossless +booklet
Total Time: 00:54:20
Total Size: 186 mb

Tracklist
---------
01. Keyboard Suite in D Minor, HWV 449: I. Prelude
02. Keyboard Suite in D Minor, HWV 449: II. Allemande
03. Keyboard Suite in D Minor, HWV 449: III. Courante
04. Keyboard Suite in D Minor, HWV 449: IV. Sarabande
05. Keyboard Suite in D Minor, HWV 449: V. Aria
06. Keyboard Suite in D Minor, HWV 449: VI. Gigue
07. Keyboard Suite in D Minor, HWV 449: VII. Menuet
08. Partita auff die Maÿerin, FbWV 606: VI. Cromatica
09. Partita auff die Maÿerin, FbWV 606: VII. Courante sopra Maÿerin-Double
10. Partita Auff Die Maÿerin, Fbwv 606: VIII. Sarabande Sopra Maÿerin
11. Suite No. 3 in G Minor, FuxWV III.5.21: I. Allemande
12. Suite No. 3 in G Minor, FuxWV III.5.21: II. Courante
13. Suite No. 3 in G Minor, FuxWV III.5.21: III. Bourée
14. Suite No. 3 in G Minor, FuxWV III.5.21: IV. Menuet
15. Suite No. 3 in G Minor, FuxWV III.5.21: V. Aria
16. Suite No. 3 in G Minor, FuxWV III.5.21: VI. Gigue
17. Lamentation faite sur la mort très douloureuse de Sa Majesté Impériale, Ferdinand III, FbWV 633
18. French Suite No. 2 in C Minor, BWV 813a: I. Allemande
19. French Suite No. 2 in C Minor, BWV 813a: II. Courante
20. French Suite No. 2 in C Minor, BWV 813a: III. Sarabande
21. French Suite No. 2 in C Minor, BWV 813a: IV. Air
22. French Suite No. 2 in C Minor, BWV 813a: V. Menuets I & II
23. French Suite No. 2 in C Minor, BWV 813a: VI. Gigue
A small sensation awaits us in the GENUIN debut release of Estonian pianist Kärt Rubel: the works of the great Baroque composers Johann Jakob Froberger and Johann Joseph Fux performed on a modern piano. And when we hear the limpid and spirited playing of the young artist, at the start of a burgeoning international career, we wonder how the "hidden treasure" of Froberger's music could have escaped us until now, and how Fux could have been given so little attention! Rubel places the two composers alongside Johann Sebastian Bach, opening a fascinating window onto a previous era, when both were at least as famous as the Cantor of St. Thomas.
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[Only registered and activated users can see links] Sebastian Hardie
Title: Windchase
Year Of Release: 1976/1999
Label: Musea
Genre: Prog Rock
Quality: Flac (image, .cue, log)
Total Time: 36:59
Total Size: 231 Mb (scans)


[Only registered and activated users can see links] Windchase (20:37)
2. At the End (4:04)
3. Life, Love and Music (4:23)
4. Hello Phimistar (3:41)
5. Peaceful (4:10)
Mario Millo / vocals, guitars
Toivo Pilt / keyboards, mellotron
Alex Plavsic / drums, percussion
Peter Plavsic / bass


Sebastain Hardie is one of those rare '70s Australian prog groups (there just weren't that many of them). The first attempt at this band was formed in 1967 by bassist Peter Plavsic, and guitarist Graham Ford, under the moniker Sebastian Hardie Blues Band. This incarnation did not last long. In 1968 Plavsic and Ford tried again, with drummer Alex Plavsic (Peter's brother), keyboardist Anotol Kononowsk, and vocalist Joe English. This time the 'blues band' was left off the name. They had much success as a rock cover band, and even became the backing band for Australian legend Johnny O'keefe. Anotol left the next year to pursue his education, and the band continued without a replacement.
In 1972 Jon left to play Judas in "Jesus Christ Superstar," which led to a successful solo career. Alex also left to join the band Tapestry. This venture wouldn't last through the end of the year. Alex brought along Tapestry's keyboardist Steve Dunne for another reformation of Sebastian Hardie (including Peter and Graham). This time they started to dabble in some progressive experimentation, while primarily remaining a cover band.
Things really began to take shape over the next couple of years, when Mario Millo replaced Ford, and Toivo Pilt replaced Dunne. This incarnation focused on an original musical direction, and would become Australia's first symphonic prog sensation.
1975's "Four Moments" was a huge success, and the track "Rosanna" won an award for best instrumental single. "Windchase" was released in 1976, and both albums are considered (by some people) to be prog classics. They at least stand out in the realm of Australian symphonic.
Soon after the release of the second album, the band broke up. Millo and Pilt adopted the name Windchase, and released one album. 1977's "Symphinity" stayed close to the Hardie sound, but didn't find much of an audience.
Pilt has gone on to write music for television advertising. The Plavsic brothers got involved with the business side of the music industry. Millo has had a great amount of success as a solo artist and film composer. The original four-man group reunited for some gigs in the early '90s.~H.T. Riekels

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[Only registered and activated users can see links] Sergio & Odair Assad
Title: Saga Dos Migrantes
Year Of Release: 1996
Label: Nonesuch
Genre: Classical
Quality: FLAC (tracks+.cue,log,scans)
Total Time: 56:28
Total Size: 273 Mb

Tracklist:
1. Heitor Villa-Lobos - Bachiana Brasileiras No. 4 - Preludio (2:45)
2. Astor Piazzolla - Suite Troileana - Whisky (3:44)
3. Astor Piazzolla - Suite Troileana - Bandoneon (8:20)
4. Astor Piazzolla - Suite Troileana - Zita (4:08)
5. Alberto Ginastera - Sonata No. 1 Op. 22 - Allegro Marcato (3:53)
6. Alberto Ginastera - Sonata No. 1 Op. 22 - Presto Misterioso (2:27)
7. Alberto Ginastera - Sonata No. 1 Op. 22 - Adagio Molto Appassionato (4:01)
8. Alberto Ginastera - Sonata No. 1 Op. 22 - Ruvido Ed Ostinato (2:24)
9. Astor Piazzolla - Suite Troileana - Escolaso (4:24)
10. Sergio Assad - Saga Dos Migrantes - Retirantes (4:07)
11. Sergio Assad - Saga Dos Migrantes - Trem Da Ilusao (2:09)
12. Sergio Assad - Saga Dos Migrantes - Metropole (1:59)
13. Sergio Assad - Saga Dos Migrantes - Saudades (2:37)
14. Sergio Assad - Saga Dos Migrantes - Danca Antagonica (2:03)
15. Egberto Gismonti - Agua E Vinho (3:03)
16. Egberto Gismonti - Infancia (4:24)
Performers:
Sergio Assad - Guitar
Odair Assad - Guitar


The duo Assad pairs music from its native Brazil with works of Argentinian tango master Astor Piazzolla and Alberto Ginastera's Piano Sonata No. 1 on their fourth Nonesuch release. Showcasing the visceral energy, style, and sophistication of this music, Saga dos migrantes likewise holds up a mirror to the duo's remarkable brand of virtuosity, termed "irresistible" (CD Review); "profoundly musical" (Los Angeles Times); and "simply staggering" (Option).
Sérgio and Odair Assad began performing together 30 years ago, when they were 12 and 8, respectively. One experiences the uncanny result of this long partnership in the precise and seeming unconscious ensemble they bring to everything they play. From Bach and Scarlatti to original works by Sérgio Assad, the duo has been playing a wide range of music since their boyhoods outside São Paulo, where their first teacher was their father, a mandolinist. Their first public performance took place 6 months after their studies began; they have been performing almost exclusively as a duo ever since.
Bob Hurwitz, President of Nonesuch, discovered the Assad brothers at a New York concert 10 years ago, and recorded them the next day. That Latin Amercian recording was followed by Alma Brasiliera in 1988, after which the Duo relocated from Brazil to Brussels. In 1993, they released a collection of Baroque transcriptions which was hailed by Gramophone as "a seemingly effortless command of the instruments ... [T]hey are in as tight accord as the two hands of any keyboard player." (Source: Nonesuch Records web site)

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[Only registered and activated users can see links] Shakai
Title: Skittles
Year Of Release: 2018
Label: Shakai
Genre: Jazz, Fusion
Quality: 320 Kbps
Total Time: 35:25 min
Total Size: 81 MB

Tracklist:
01. Sidelines 4:13
02. Skittles 4:25
03. You 5:12
04. 'Til Tomorrow 6:29
05. Let Them 3:52
06. Kir 6:42
07. Funky Fresh 4:37
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[Only registered and activated users can see links] Shinya Kiyozuka
Title: Kiyozuka
Year Of Release: 2016
Label: Universal Classics
Genre: Classical, Piano
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:00:34
Total Size: 218 mb / 1.01 gb

Tracklist
---------
01. Kiyozuka: Daisho
02. Kiyozuka: Justice
03. Beethoven: Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest"-3. Allegretto
04. Kiyozuka: Baby, God Bless You
05. Matsutoya: Haru yo, Koi
06. Hisaishi: Summer
07. Kosma: Autumn Leaves
08. Sakamoto: Merry Christmas Mr. Lawrence
09. Rachmaninov: Piano Concerto No.2 in C Minor, Op.18-2. Adagio sostenuto (Piano Solo Version)
10. Debussy: Suite bergamasque, L.75-Clair de Lune
11. Kiyozuka: Hidamarino Aya
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[vandtal]

[Only registered and activated users can see links] Shogun
Title: You're The One
Year Of Release: 1980
Label: CBS/Son
Genre: Jazz, Rock, Funk, Soul
Quality: FLAC (tracks) [16/44,1] [Vinyl, LP]
Total Time: 35:05
Total Size: 206 MB

Tracklist:
A1. Living Without Your Love
A2. Sir Peer
A3. South On 101
A4. At The Zoo
B1. My Life Is Dedicated To My Music
B2. One On One(You're The One)
B3. Sammy's Theme
B4. Politician
B5. Under The Rainbow (Tilopa's Song)
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[vandtal]

[Only registered and activated users can see links] Shuvit
Title: We Lost the War
Year Of Release: 2018
Label: Knaster Records
Genre: Punk Rock, Alternative
Quality: 320 Kbps
Total Time: 28:08 min
Total Size: 64 MB

Tracklist:
01. Masquerade
02. Welcome to Suburbia
03. Seasons Change
04. You Owe Me a Ten-Second-Song
05. Alcohol & Bad Decisions (Plugged)
06. Democrazy
07. I Won't
08. No Love, No More (Anthem Pt. II)
09. Until We're All Dead
10. Rock Bottom
11. Konstapel Kaos
12. Heavy Hearts
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[vandtal]

[Only registered and activated users can see links] Simon Winse
Title: Dangada
Year Of Release: 2018
Label: Gigantonium
Genre: World, Africa
Quality: mp3 320 kbps / flac lossless
Total Time: 00:44:51
Total Size: 105 / 305 mb

Tracklist
---------
01. Ma Yerrenda Dabo
02. Malemaye
03. Molokoloba
04. Kabebafue
05. Dounia Lorame
06. Bemamendare
07. Labatombouri
08. Nangandeka
09. Logue
10. Noaga
11. Tchinenebamane
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[vandtal]

[Only registered and activated users can see links] Siva Six
Title: Nyx
Year Of Release: 2018
Label: Alfa Matrix
Genre: Electronic, EBM, Industrial, Dark Electro
Quality: 320 Kbps
Total Time: 92:39 min
Total Size: 212 MB

Tracklist:
01. Forever (Technolorgy Remix) 4:38
02. High on Low (C-Lekktor Remix) 4:33
03. Superstition (Wolfchild Remix) 4:08
04. Transcendence (Freakangel Remix) 4:01
05. Twenty Eight (Cyborgdrive Remix) 4:50
06. Until Death Reunites Us (Jimmy Tott Remix) 5:24
07. Forever (A7ie Remix) 4:40
08. Apocalypsis (Antibody Remix) 4:18
09. To the Light (Venal Flesh Remix) 6:02
10. Transcendence (Metroland Remix) 6:20
11. The Messenger (Unhuman Remix) 6:40
12. Forever (Christian Cambas Remix) 7:37
13. To the Light (In Misery Remix) 4:01
14. Nemesis (Anakin Lightning Remix) 4:41
15. Twenty Eight (The Dead for a While Remix) 4:45
16. Until Death Reunites Us (Sakis Darkface Remix) 5:20
17. High on Low (Anna Stereopoulou Remix) 10:50


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[vandtal]

[Only registered and activated users can see links] Sofra
Title: Not So Not Familiar
Year Of Release: 2018
Label: Derin Caglar
Genre: Jazz
Quality: 320 Kbps
Total Time: 29:27 min
Total Size: 68 MB

Tracklist:
01. Sofra - Summer Hymn (2:36)
02. Sofra - Bloom (feat. Sterling Duns & Qil) (6:02)
03. Sofra - Lighter Than a Feather (feat. Sterling Duns & Qil) (5:41)
04. Sofra - A Lot to Remember (5:30)
05. Sofra - Not so Not Familiar (feat. Sterling Duns & Qil) (5:58)
06. Sofra - Sunny Days (Appreciation) [feat. Rick Banks] (3:46)
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[vandtal]

[Only registered and activated users can see links] Soldiers Of Solace
Title: We Are Immortal
Year Of Release: 2018
Label: Rock N Growl
Genre: Hard Rock
Quality: 320 Kbps
Total Time: 41:59 min
Total Size: 96 MB

Tracklist:
01. Rude Awakening 3:33
02. We Are Immortal 2:41
03. Cold as a Stone 4:37
04. Naked Truth 3:31
05. Walk Tall 4:25
06. Circus Clown 3:42
07. Washed in Flames 4:59
08. Dear John, 3:45
09. Freedom's Children 5:44
10. Hannah 5:07
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[vandtal]

[Only registered and activated users can see links] Black Space Riders
Title: Amoretum, Vol. 1
Year Of Release: 2018
Label: Black Space Riders
Genre: Psychedelic Rock, Stoner Rock, Hard Rock
Quality: 320 Kbps
Total Time: 44:55 min
Total Size: 103 MB

Tracklist:
1. Lovely lovelie 04:09
2. Another sort of homecoming 03:54
3. Soul shelter (inside of me) 06:03
4. Movements 08:01
5. Come and follow 04:24
6. Friends are falling 05:02
7. Fire! Fire! (Death of a giant) 05:53
8. Fellow peacemakers 07:29


AMORETUM Vol. 1, the fifth BLACK SPACE RIDERS album, is here!
The internationally acclaimed predecessor REFUGEEUM brought the band renown with its mixture of thoughtful, sensitive themes and hard, atmospheric rock. Two years have passed since then, two years in which the world has not necessarily become a better place in the eyes of most people.
War, terror, displacement, destruction, rejection and nationalism dominate the headlines. Or, as a wise little green fellow once said: "Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering".
"All you need is love", countered the BEATLES in 1967. The response of BLACK SPACE RIDERS in 2018 is "AMORETUM", a made-up word comprising "amor" and "arboretum" to symbolize a protective garden and a germ seed of love. And so the new song cycle of BLACK SPACE RIDERS is all about the conflict between fear-hate-rejection-darkness on the one hand, and love-empathy-care-light on the other. For, how else should we overcome hate, if not with love?
Musically, this conflict is consistently put into practice by a band that beats its own path and is constantly developing. The electronic experiments of the BEYOND REFUGEEUM EP of 2016 have been reduced sonically and cleverly integrated into the powerfully sounding songs. Between fat, dirty riffs and trippy delays, everything that sounds good is allowed; the album is interspersed with a flowing groove throughout and an ever-present atmosphere that embraces the listener. Heavy, sometimes proggy, often psychedelic, always engaging and almost catchy and danceable, AMORETUM Vol. 1 takes us by the hand, shows us the dark side, and then wants to give us the hope back that we so often painfully miss.
The album flows from song to song as if from a single cast. The listener wonders after 45 minutes whether everything is really already over, and wants to go back to the beginning again immediately.
But of course everything is not over after 45 minutes in the world of BLACK SPACE RIDERS. The band also announces a second chapter for 2018 ... AMORETUM Vol. 2 is waiting for us, while we take pleasure from Vol. 1 and patiently wait for the further work.



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[vandtal]

[Only registered and activated users can see links] Sollado
Title: Sollado
Year Of Release: 2018
Label: Sollado
Genre: Pop, Latin, World
Quality: 320 Kbps
Total Time: 35:39 min
Total Size: 82 MB

Tracklist:
01. Para Todos os Efeitos 1:48
02. Seres 5:11
03. Terra Azul 5:52
04. A Procura Desse Som 5:14
05. E de Roubar a Sombra 4:23
06. Entre Buscas 2:43
07. Gostaria de Saber 3:03
08. Flutuai 3:30
09. Diferente Fim 4:00
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[vandtal]

[Only registered and activated users can see links] Isabelle Boulay
Title: Merci Serge Reggiani
Year Of Release: 2014
Label: Audiogram
Genre: Pop, Chanson
Quality: FLAC (tracks)
Total Time: 45:55
Total Size: 294 Mb

Tracklist:
01. Ma Solitude 2:15
02. Ma Fille 3:14
03. Il Suffirait De Presque Rien 2:27
04. Le Vieux Couple 4:04
05. De Quelles Amériques 2:56
06. Si Tu Me Payes Un Verre 2:37
07. Ma Liberté 2:30
08. L'Abscence 3:01
09. Les Mensonges D'Un Père A Son Fils 4:26
10. L'Italien 3:47
11. Le Petit Garçon 3:24
12. T'as L'Air D'Une Chanson 4:00
13. Les Amours Sans Importance 3:06
14. Le Déjeuner De Soleil 4:04
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[vandtal]

[Only registered and activated users can see links] Solveig Slettahjell
Title: Live At Victoria
Year Of Release: 2018
Label: Jazzland
Genre: Jazz, Vocal Jazz
Quality: 320 Kbps
Total Time: 46:59 min
Total Size: 107 MB

Tracklist:
01. 12th Of Never 3:23
02. How Long Has This Been Going On 5:18
03. Visit 3:25
04. Be Steady 5:29
05. Take It With Me 5:58
06. Outlet 3:02
07. Is My Living In Vain 5:33
08. Come Healing 6:37
09. I Don t Feel No Ways Tired 4:48
10. A Day 3:29


A singer, alone, at a piano is not an unusual sight. But when that singer is Solveig Slettahjell, the rarity of the moment becomes vivid, and the expectation of what this moment could deliver is amplified. And, on a September night in 2017, at Nasjonal Jazzscene in Victoria, Oslo, Solveig gave such a performance. "Magical moments guaranteed" ran the tagline, and - for once - it was not advertising hyperbole. Guests joined for some songs: PÃ¥l Hausken provided percussive accompaniment on some tracks, while the choir Safari appeared to provide a whole new ambience to proceedings. However, their sparing use adds colour and drama at just the right moments, never resorting to mere chorus build-up and repetition. Featuring a set made of standards, original material, and settings of poems by Emily Dickinson, Solveig's performance is a masterful blend of emotional honesty and technical brilliance. Her delivery of classics by the likes of Gershwin, or more recent creations by Tom Waits and Leonard Cohen is bold and forthright, and her interpretations retain the spirits of the originals while marking them clearly with her own stylistic thumbprint. Her Emily Dickinson interpretations are much more than mere exercises - they are charged with the energy of the original poetry, and often viewed through unexpected lenses, such as on "Visit" (where Solveig leaves the piano and is accompanied by PÃ¥l Hausken) which becomes a blues-washed chaingang song; "Outlet" again takes a view of the lyrics through a blues filter; and "A Day" presents an arrangement that Tom Waits at his Asylum Years best would be proud of. This Solveig's second release through Jazzland Recordings, the previous being "Tarpan Seasons" (2009), a studio album that introduced a number of the tracks in this live recordings, perhaps most notably her interpretations of Emily Dickinson "A Day" and "Visit". Personnel Solveig Slettahjell: Vocals, Piano PÃ¥l Hausken: Drums, Vocals Safari (Eirik Kaasa, Ã…shild Kristin Stensrud Kaasa, Martha Sofie Eide, Malin Byberg, Ã…shild Sandvik, Nora Nesbakken, Tone Ravndal, Christoffer Holten Gidske and Johan Helland): choir Daniel Mikael Wold: live sound and recording.

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[vandtal]

[Only registered and activated users can see links] Sophie Alour
Title: Time For Love
Year Of Release: 2018
Label: Music From Source
Genre: Jazz
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 00:47:49
Total Size: 273 / 981 mb

Tracklist
---------
01. Nos cendres
02. I Loves You, Porgy
03. The Second Time Around
04. Left Alone
05. Skylark
06. Ev'ry Time We Say Goodbye
07. Stars Fell on Alabama
08. Answer Me
09. I'm Old Fashioned
10. A Time for Love
11. Comptine
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[vandtal]

[Only registered and activated users can see links] Sophie Hernandez
Title: Avant L'etreinte
Year Of Release: 2018
Label: MELI-MEL'ART PROD
Genre: Pop
Quality: 320 Kbps
Total Time: 34:27 min
Total Size: 79 MB

Tracklist:
01. Je T'ecris 4:01
02. L'amour C'est Comme 3:21
03. Merci 3:58
04. Avant L'etreinte 3:55
05. L'amour Est Un Tout 3:52
06. Silence 4:32
07. L'ame Revee 4:11
08. Le Fil Du Temps 4:16
09. Avant Que Je Ne T'oublie 2:25
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[vandtal]

[Only registered and activated users can see links] Steve Green
Title: Hold Fast
Year Of Release: 2018
Label: Green Ministries
Genre: Pop, Worship
Quality: 320 Kbps
Total Time: 35:14 min
Total Size: 85 MB

Tracklist:
1. Psalm 113
2. Psalm 114
3. Psalm 115
4. Psalm 116:1,2
5. Low How a Rose E'er Blooming
6. Beautiful Savior
7. Will You Forgive
8. For the Bread
9. The Faith by Which We Stand


Gospel singer Steve Green began in the gospel industry during the mid-'70s, singing backup vocals and playing bass with Sandi Patti, White Heart and the Gaither Vocal Band. By the early '80s, he had gained a solo contract with Sparrow Records, and his self-titled debut album appeared in 1984. He averaged more than one album per year during the next dozen, with Spanish-language recordings (1987's Tienen Que Saber) and Christmas albums (1987's Joy to the World! and 1996's First Noel) in addition to his usual repertoire. Green has stayed on the Sparrow label for virtually every release, and also concentrates on videos and James Dobson's Focus on the Family as part of his musical ministry. Morning Light was released in 1999. Two years later, he and long-time friend/producer Phil Naish captured Green's personal reflection on Woven in Time. ~ John Bush.

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[vandtal]

[Only registered and activated users can see links] Strië
Title: Perpetual Journey
Year Of Release: 2018
Label: Serein
Genre: Electronic, Ambient
Quality: FLAC (tracks)
Total Time: 24:32 min
Total Size: 128 MB

Tracklist:
1. Capsule
2. Man With The Thick Glasses
3. Test For Ability
4. Unseen Weight
5. To Never Return Home
6. Perpetual Journey


Inspired by the true story of Laika, a stray dog sent into space by Soviet Russia in the fifties, Perpetual Journey speaks of the emotional journeys and strange fates that entangle our lives. An intoxicating ascent into the upper atmosphere and beyond, Strië's collagic style is profoundly felt on these six compositions; fragments of sound layer up to create an ever deepening sound stage, bound together with layers of static and hiss. Perpetual Journey is another irresistible invitation to spend time with Striē in the immersive, introspective world she inhabits.
Her music occupies a unique and dreamy sweet spot that takes inspiration from many different places. You feel the influence of contemporary modern classical music but without the airs and graces, she flirts with the notion of beat music, without ever introducing beats, there's an infatuation with sound design and a vintage tone which brings to mind some of the best musique concrète.
With this new release for Serein, Strië reveals her true identity - she is the Polish composer, producer and multi-instrumentalist Olga Wojciechowska. On previous outings as Strië, Olga remained anonymous, eschewing use of her given name and going instead by Iden Reinhart. If that's not clear, please refer to this handy formula: Olga Wojciechowska = Iden Reinhart = Strië.
Olga is just back from remix duty for Nathan Fake on the Providence Reworks (Part 2) EP released by Ninja Tune. Olga had four pieces featured on the record and, inevitably, garnered the positive attention of press and fans alike. On the back of such illustrious work, it's great to have Olga releasing with Serein once more.

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[vandtal]

[Only registered and activated users can see links] Stud
Title: September & Goodbye (Live At Command)
Year Of Release: 1972-73/2001
Label: Aziя Records
Genre: Blues Rock, Country Rock, Prog Rock
Quality: Flac (tracks, .cue, log)
Total Time: 01:18:37
Total Size: 526 Mb (scans)


[Only registered and activated users can see links] (1972):
1. Good Things 4:00
2. God Knows 6:03
3. Corner 1:50
4. Life Without Music 8 7:22
5. Samurai 2:21
6. Five To Mid-Day 6:05
7. Prelude 3:10
8. Bad Handling 3:30
9. Ocean Boogie 3:25
10. Red Wine 4:23
Goodbye (Live At Command) (1973):
11. Samurai 2:52
12. Big Bill's Banjo Band 1:17
13. Horizon No.2 18:51
14. Ocean Boogie 3:44
15. Harpo's Head No.2 9:59
Acoustic Guitar - Jim Cregan, Richard McCracken
Bass Guitar - Richard McCracken
Drums - John Wilson (3)
Guitar - John Weider
Lead Guitar - Jim Cregan
Lead Vocals - Jim Cregan
Percussion - John Wilson (3)
Piano - John Weider
Violin - John Weider
Vocals - John Weider


Re-issue 2001 Free Records Ex - Taste 2 original reords on 1 CD: -September (1971) -Goodbye (1972) UK group that at one time or another featured members of Taste, Them, Blossom Toes and Family. An interesting and eclectic mixture of melodic rural rock, blues, progressive rock and jazz fusion that sounds at times like the Mahavishnu Orchestra jamming with Caravan! These albums date from 1972 and 1973 respectively. Goodbye features some hot "in studio" jams.....

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[vandtal]

[Only registered and activated users can see links] La Santa Cecilia
Title: Buenaventura
Year Of Release: 2016
Label: Universal Music
Genre: Latin, Pop, Cumbia, Bossanova
Quality: FLAC (tracks)
Total Time: 38:38 min
Total Size: 265 MB

Tracklist:
01.La Santa Cecilia - Sacudo La Pereza
02.La Santa Cecilia - I Won't Cry For You
03.La Santa Cecilia - Calaverita
04.La Santa Cecilia - Nunca Más
05.La Santa Cecilia - Here We Go Again
06.La Santa Cecilia - Tragos de Amargo Licor (Feat. Enrique Bunbury)
07.La Santa Cecilia - Vámonos (Feat. Fito Páez)
08.La Santa Cecilia - Caminante Nocturno (Feat. Latino Arts String Program Of Milwaukee, Wisconsin)
09.La Santa Cecilia - Pa' Que Trabajar
10.La Santa Cecilia - Sucede
11.La Santa Cecilia - No Te Lloro Más
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[vandtal]

[Only registered and activated users can see links] Sway
Title: Mmm... Prepare To Be Swayed
Year Of Release: 1995
Label: MCA Records
Genre: Pop, Synth-pop
Quality: FLAC (image+.cue,log) / MP3 320 Kbps
Total Time: 43:39
Total Size: 301 Mb / 110 Mb

Tracklist:
1. Driven By The Devil
2. Yum Yum Gimme Some
3. Leather
4. Sweat
5. Bisexual Teens
6. Missing Her Then
7. The Last Day Of My Life
8. Blast Yer Brain
9. American Love
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[vandtal]

[Only registered and activated users can see links] Tai Shan
Title: Meet in the Middle
Year Of Release: 2018
Label: Tai Shan
Genre: Pop, Folk, Singer/Songwriter
Quality: FLAC (tracks)
MP3 / 320
Total Time: 46:53
Total Size: 287 MB
107 MB

Tracklist:
1. Meet in the Middle (03:58)
2. Last Thing on Your Mind (04:12)
3. Marys Song (04:49)
4. Love Is Changing Us (02:33)
5. Oldest Lullaby (04:46)
6. Before the Dawn (03:14)
7. Stubborn Girls (04:32)
8. Standing Outside the Fire (03:48)
9. Who Got Columbus High (03:20)
10. All I See Is You (05:10)
11. Out of the Frying Pan (02:34)
12. At Last (03:57)
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[vandtal]

[Only registered and activated users can see links] Tamar
Title: A Letter from the West
Year Of Release: 2018
Label: Pandorica Arts
Genre: Folk
Quality: flac lossless
Total Time: 00:54:03
Total Size: 303 mb

Tracklist
---------
01. Mayflower
02. Run River Run
03. The Ballad of William Pengelley
04. Why Do I Keep You Near
05. Please Don't Take My Home
06. Land of Granite Stone
07. Small Town Boy
08. The Bramley Tree (Wassail)
09. Buckland Fair
10. Wistmans Wood
11. Jonny and Clodagh
12. Ring the Bell
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[vandtal]

[Only registered and activated users can see links] Black Widow
Title: Return To The Sabbat
Year Of Release: 1969/1998
Label: Mystic Records
Genre: Prog Rock
Quality: Flac (image, .cue, log)
Total Time: 43:02
Total Size: 261 Mb (scans)


[Only registered and activated users can see links] In Ancient Days (9:27)
2. Way To Power (4:08)
3. Come To The Sabbat (4:10)
4. Conjuration (5:52)
5. Seduction (4:40)
6. Attack Of The Demon (3:56)
7. Sacrifice (10:49)
Jim Gannon - Lead guitar, vibes, spanish guitar
Zoot Taylor - Organ, piano
Kip Trevor - Lead Vocals
Kay Garret - Lead Vocals
Clive Jones - Flute, sax, clarinet
Bob Bond - Bass guitar
Clive Box - Drums & percussion


Few albums have undergone such a dramatic transformation in their fortunes as Black Widow's Sacrifice. Best known for so long on the strength of one track ("Come to the Sabbat") on an early-'70s CBS sampler, Sacrifice was for so long the guilty secret of a mere handful of prog fans that it felt like it might never be rediscovered. But it was and, today, no less than three full versions of the seven-song opus are available on CD, the original LP, a spellbinding live version recorded for German TV (with accompanying DVD!), and this, the band's initial 1969 demo. Cut while the group was still known as Pesky Gee!, and working toward the follow-up to its Exclamation Mark debut, it features additional vocalist Kay Garrett alongside the familiar Kip Trevor and, while the lyrics and arrangements are unchanged, there's an urgency to this performance that the vinyl simply cannot match. Added emphasis on sax and organ pushes things hard, while every song is taken just a few beats faster than listeners are accustomed to, to bring a delirium to the performance that is perfectly in keeping with the subject matter. Not even the presence of a little surface noise (the CD was mastered from acetate) can detract from the magnificence of the performance and, if you've spent the last however many years marveling at the Sacrifice that fans know and love, this one will take you even higher.

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[vandtal]

[Only registered and activated users can see links] Isabelle Boulay
Title: Nos lendemains
Year Of Release: 2008
Label: V2
Genre: Pop, Chanson
Quality: FLAC (image+.cue,log,scans)
Total Time: 44:59
Total Size: 305 Mb

Tracklist:
01. Dieu des amours (2:54)
02. Nos lendemains (3:10)
03. Ton histoire (3:31)
04. Où est ma vie ? (3:20)
05. Ne me dis pas qu'il faut sourire (3:19)
06. Coucouroucoucou Paloma (3:49)
07. L'amour d'un homme (3:12)
08. Juste une étoile (3:00)
09. N'aimer que t'aimer (3:59)
10. Reviens, reviens, reviens (3:01)
11. L'appuntamento (3:57)
12. Je ne t'en veux pas (3:41)
13. Vouloir t'aimer (3:58)
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[vandtal]

[Only registered and activated users can see links] Tamuz Nissim
Title: Echo Of A Heartbeat
Year Of Release: 2018
Label: Streetofstars
Genre: Jazz, Vocal Jazz
Quality: 320 Kbps
Total Time: 41:38 min
Total Size: 95 MB

Tracklist:
01. Time in a Bottle 5:52
02. Fried Bananas 3:41
03. My World 4:45
04. Just Squeeze Me 5:17
05. In the Melody's Shade 5:20
06. Groovin' High 4:14
07. Echo of a Heartbeat 4:26
08. What a Little Moonlight Can Do 3:44
09. Smile 4:24


NYC based- Israeli Jazz singer, composer and pianist Tamuz Nissim is described by Athens Digital as "a proof that jazz is a living art and that stars are still being born" . She is performing often in New York City Jazz clubs and in March 2017 she published her latest CD "Liquid Melodies" , a common project with guitarist George Nazos. The CD received great reviews from the press and was broadcasted in more than a hundred radio stations in the States and more around the world.
Her debut CD "The Music Stays in a Dream" (2013) featuring her original compositions was presented in radio stations world wide and in several festivals such as the Athens Technopolis Jazz Festival, the Preveza Jazz Festival, the Montofoli Festival and the Tinos Jazz Festival. Her performances won warm reactions from the audience and the press, describing Tamuz as a "very charismatic artist" (BHMagazino), "a voice that caresses your soul" and "a proof that jazz is a living art and that stars are still being born" (Athens Digital). "An extremely gifted jazz singer that is bringing in her debut album a lot of freshness." (Third Ear, Israel) Also her composition "Broken Promises" has been featured in the Greek Jazz & jazz magazine CD collection "Summer jazz Flirt ".
​Born in Tel Aviv ,Tamuz grew up in an artistic family; her mother is a dancer and a choreographer and her father is a writer. Both of them play an instrument and have a great love for classical and jazz music. She started playing classical piano at the age of 6; Started to sing when she was 14 and was accepted to the Jazz music department of the Ironi Alef High School of the Arts. Her high school band appeared twice at an open stage at the Tel Aviv Jazz Festival. At this time she won twice a scholarship from the American Israeli Art Foundation. By the age of 16, Israeli jazz giants such as Ofer Ganor, Amos Hofman and Shay Zelman had recognized her potential and performed with her. In 2005 she sang in the soundtrack of Ilan Heitner's movie 'Bruno in Love'
She moved to the Netherlands in 2007 to study at the prestigious Royal Conservatoire of Den Haag; from there she received a Bachelor's degree in Performing Arts, voice and side subject piano. In the Netherlands she met musicians from around the world and started collaborating with the guitarist Giorgos Nazos, the bassist Vassilis Stefanopoulos and the pianist Francesca Tandoi, with whom she later recorded her debut CD. In Holland besides many performances at the local Jazz clubs she also performed at the Amsterdam Israeli flm Festival "Filmisreal" 2011 and her composition 'Shir' was featured in the Record "Love, Live ,Listen 2 - The Hague playlist" . In 2013 she performed at Holon Women's Festival in Israel, a common project with singer Martha Mavroidi. In 2015 was chosen as a fnalist at "Riga Jazz Stage international vocal competition" and performed at "Riga Ritmis" International Jazz Festival in 2016.
​In 2015 Tamuz moved to New York City where she performs regularly at clubs such as Cornelia Street Cafe, Club Bonafde, The ShapeShifter Lab, Silvana, Cafe Vivaldi, Whynot Jazz Room, The Flatiron Room and many more. She was invited to participate in an International Jazz day concert as part of the Atlanta Jazz Festival 2017; She was also invited by artistic director and award wining pianist Ted Rosenthal to perform at the Riverdale Y theater in an event including Jazz giants bassist Harvie S, vibraphonist Mark Sherman and legendary drummer Louis Hayes. From this event he started a fruitful collaboration of performances with bassist Harvie S and a tour with him and with trombonist Willie Applewhite in Israel and Greece the Summer of 2017.

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[vandtal]

[Only registered and activated users can see links] Taurus
Title: Opus IV: Elevations
Year Of Release: 2014
Label: Mylodon Records
Genre: Progressive Rock
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 51:41
Total Size: 346.8 MB

Tracklist:
1. Movement I - Avernuss (9:30)
2. Movement II - Phlegra (4:07)
3. Movement III - Ceraunius (6:05)
4. Movement IV - Nepenthes (4:33)
5. Movement V - Tharsis (6:13)
6. Movement VI - Ortygia (3:58)
7. Movement VII - Deuteronilus (2:13)
8. Movement VIII - Euripus (5:00)
9. Movement IX - Zephyria (6:18)
10. Movement X - Arsia (3:44)
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[vandtal]

[Only registered and activated users can see links] Tea
Title: The Ship
Year Of Release: 1975/1998
Label: Spalax
Genre: Hard Rock, Krautrock
Quality: Flac (image, .cue, log)
Total Time: 40:08
Total Size: 285 Mb (scans)


[Only registered and activated users can see links] Breakdown 07:13
02. Through Scarlet 04:47
03. The Ship 06:49
04. See You Again 04:04
05. I'd Never Have Bothered 08:01
06. A Dog Called Joe 03:20
07. Crystal Rivers 02:50
08. Summer In The City 02:59
Rolf Eggli - drums, percussion
Philippe Keinholz - keyboards, vocals
Turo Paschayan - bass, choir
Armand Volker - guitars, vocals
Mark Storace - lead vocals, percussion
Tato Gomez - bass
Peter Herbolzheimer - orchestral arrangements
Santiago - choir


Out of a jam session in 1971 this Swiss supergroup was born. The three founders were Turo Pashayan (Ex-Sauterelles) on bass and vocals, Roli Eggli (Ex-Fact, Ex-Alaska Range) on drums and Armand Volker (Ex-New Hue, Ex-Tusk) on guitar. Taking the first initial of each of the founders' names, they named their band TEA. They toured Switzerland, Germany and the Netherlands and started to establish a name for themselves.
In 1972, Maltese singer Marc Storace (who would later become lead singer for the multi-platinum Swiss rock band Krokus) joined the trio. TEA then toured extensively in Switzerland and France.
In 1973, it was rare for Swiss rock bands to get exposure on television, however TEA showcased their talent on the Swiss TV Show "Hits-A-Gogo". In the summer of 1973 the band toured Italy extensively including five concerts in Florence at the "Space Electronic" Club. The highlight of the tour was headlining an 8,000 capacity festival in Naples. Later that year, a new member joins TEA to complete the line-up. Philippe Kienholz (Ex-New Hue, Ex-Tusk) joined on keyboards and shortly thereafter, the band signed a contract with Phonogram's progressive imprint, Vertigo. Towards the end of 1973, the band recorded their first album in Dieter Dierks' (Scorpions) recording studios in Stommeln, Germany.
In 1976, Swiss TV invited TEA to play as part of their "Rock Over Switzerland" broadcast. TEA played "Through Scarlet", from their 1975 release "The Ship". There were hardly any TV show opportunities for Swiss rock artists, however TEA clearly established themselves as #1 Swiss rock band. After the previous year's UK tour, TEA returned to Britain, this time headlining over 24 shows, including the legendary "Marquee Club" in London. In 1976, the third TEA album "Tax Exile" was released along with the single "Alexandra". Tours in support of the new album followed through Switzerland, Germany and Italy and at the end of the year, TEA played four concerts in Malta, Storace's country of origin.
In 1977, TEA played their last concert in Switzerland. Volker became a successful producer and owned a recording studio near Munich. Kienlholz and Pashayan worked on solo projects, Eggli founded his own company and Storace moved to London to form a band called "Eazy Money". They recorded a couple of songs, one of them was released on a "metal rock" cd sampler. In 1980 he joined Krokus.
Although TEA did not tour anymore, a "Best Of..." album was released in 1978. The album included a new, never before released songs called "Queen" and the flip side of the "Summer In The City" single release of 1975 called "Hold Me, Save Me". With the release of this album the musical legacy of TEA had turned full circle. Spanning over a period of 7 years, totaling 250 concerts, 150 of them abroad, TEA became part of Swiss rock history and the first Swiss band to conquer Europe. In 2009 TEA were mentioned in the report "Rockumentation - 50 years rock in Switzerland"[3]
Sometime in 2007, Eggli, Volker and Storace started entertaining the thought of a possible continuation of TEA. This all happened before Krokus decided to reunite in its original formation. With Krokus touring less but playing larger venues, Storace felt he could handle his involvement in both bands. Rehearsals started with this trio; Kienholz was invited to join but declined the offer to continue working on his own musical projects. Bassist Pashayan was nowhere to be found, despite the band's persistent search. This might be a result of the fact that Turo Pashayan was detained in Switzerland on the basis of false pretences as investigations have unveiled and he will be indemnified.
32 years after they played their last concert and 31 years after the "Best Of..." album release, TEA re-introduced themselves again with a CD release on November 4, 2009. TEA released their new cd "Reloaded", a retrospective of their previous work in the 70's.
On December 1, 2009, TEA played their first showcase concert since 1977 at the "Mascotte Club" in Zurich to a crowd of music lovers and press. They were well received and many were amazed, how good the band sounded after all these years. The TEA originals Volker, Eggli and Storace were joined by Chris Egger, who replaced Kienholz and Dan Allenspach on bass.

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[vandtal]

[Only registered and activated users can see links] Tee-Set
Title: In The Morning Of My Days (Expanded Edition) (Remastered)
Year Of Release: 2017
Label: Pseudonym
Genre: Pop/Rock/Oldies
Quality: Flac (tracks)/320 Kbps
Total Time: 1:21:34
Total Size: 594/196 MB

Tracklist:
1. She Likes Weeds (Remastered) (3:39)
2. In The Morning Of My Days (Remastered) (2:32)
3. You Turned My Green Light Red (Remastered) (3:32)
4. A Never Ending Melody (Remastered) (2:29)
5. Marie Claire (Remastered) (3:03)
6. A Perfect Way (Remastered) (3:19)
7. Walk On By (My Door) (Re-Recorded) (2:43)
8. Whole My Life Is In His Hands (Remastered) (2:28)
9. Now That You've Gone (Remastered) (2:45)
10. Black Gipsy Tambourine Girl (Remastered) (3:06)
11. If You Do Believe In Love (Re-Recorded) (2:29)
12. Ma Petite Bergere (Remastered) (4:02)
13. A Country Ride (Remastered) (2:32)
14. In Your Eyes (I Can See The Lies) (Remastered) (2:56)
15. You Keep Me Rockin' (Honey) (Remastered) (2:54)
16. Little Lady (Remastered) (2:49)
17. I Believe In You (Remastered) (2:37)
18. A Sunny Day In Greece (Remastered) (4:16)
19. So Long My Love (Remastered) (3:27)
20. Whole My Life Is In His Hands (Remastered) (2:36)
21. In The Morning Of My Days (Demo Version) (2:33)
22. A Never Ending Melody (Remastered Original Version) (2:28)
23. Marie Claire 2 (3:01)
24. A Perfect Way (Demo Version) (3:05)
25. Walk On By (My Door) (Demo Version) (2:42)
26. If You Do Believe In Love (Demo Version) (2:30)
27. In Your Eyes (I Can See The Lies) (Demo Version) (2:39)
28. Little Lady (Demo Version) (2:47)


The Tee Set -- Peter Tetteroo (vocals), Dill Dennink (guitar, flute, banjo), Joop Bloom (drums), Franklin Madjid (bass), and Hans Van Eijck (keyboards) -- was one of a handful of acts from Holland that made it onto the American charts in the late 1960s; others included the Shocking Blue ("Venus") and the George Baker Selection ("Little Green Bag"), both of whom had the same American representative, Jerry Ross. Recorded in 1969, "Ma Belle Amie" was a pleasant piece of pop/rock first issued in Holland, where it sold 100,000 copies (a major hit in the small Dutch market). "Ma Belle Amie" was heard by Ross and licensed for release in America, where it became their only major hit. ~ Bruce Eder

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[vandtal]

[Only registered and activated users can see links] Tellef Raabe
Title: idiographiX (Remixes)
Year Of Release: 2018
Label: Shapes Recordings
Genre: Electronic, Pop
Quality: 320 Kbps
Total Time: 39:19 min
Total Size: 90 MB

Tracklist:
01. Next to You (Burning God Little Remix) 3:13
02. Of Smiths Friends (Stockhaus Remix) 4:36
03. Flying on the Ground (Anana Remix) 3:08
04. Sister (Lysgaard Remix) 4:06
05. Dear Aphrodite (Hasta Remix) 3:02
06. Faye Dunaway (Junker Remix) 3:13
07. Collide (Living Remix) 6:03
08. Just Kids (Electric Eye Remix) 7:22
09. It's Stranger Than the Rest (Dunkelvolt Remix) 4:38
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[vandtal]

[Only registered and activated users can see links] Lager Band
Title: Find Another Road
Year Of Release: 2017
Label: Lager
Genre: Classic Rock, Hard Rock
Quality: 320 Kbps
Total Time: 39:51 min
Total Size: 93 MB

Tracklist:
1. The Road Is Over (04:31)
2. Save Me (04:59)
3. Safe Place (04:00)
4. The Price We Pay (05:38)
5. Drifter (06:10)
6. Rising Sun (03:53)
7. All I Wanted (04:59)
8. Sorrow (05:39)
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[vandtal]

[Only registered and activated users can see links] The Andy Sugg Group
Title: Tenorness
Year Of Release: 2018
Label: KelCD
Genre: Jazz
Quality: 320 Kbps
Total Time: 52:34 min
Total Size: 120 MB

Tracklist:
01. Out of the Office 6:06
02. Little Sparrow 8:42
03. The Truer Thing 4:32
04. Special K 7:39
05. Tenorness 7:39
06. Shimmy Hop 6:27
07. B22 3:28
08. Columbia 8:04
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[vandtal]

[Only registered and activated users can see links] The Avett Brothers
Title: I And Love And You
Year Of Release: 2009/2014
Label: American Recordings
Genre: Country, Indie, Folk
Quality: FLAC (tracks): 24/96
Total Time: 50:45
Total Size: 1.01 GB

Tracklist:
01. I And Love And You (5:00)
02. January Wedding (3:48)
03. Head Full Of Doubt / Road Full Of Promise (4:46)
04. And It Spread (4:06)
05. The Perfect Space (4:31)
06. Ten Thousand Words (5:40)
07. Kick Drum Heart (2:54)
08. Laundry Room (4:51)
09. Ill With Want (4:07)
10. Tin Man (3:06)
11. Slight Figure Of Speech (2:22)
12. It Goes On And On (2:56)
13. Incomplete And Insecure (2:38)
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[vandtal]

[Only registered and activated users can see links] The Blues Messengers
Title: Uncut
Year Of Release: 2018
Label: Styx Records
Genre: Electric Blues
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 51:38
Total Size: 291 MB
122 MB

Tracklist:
1. Devil's Gone Fishing (4:57)
2. Made Up My Mind (4:08)
3. Constant Natural High (4:20)
4. Drivin' Blues (5:11)
5. 21st Century Blues (3:30)
6. Life's A Wonder (5:48)
7. Back With A Bang (3:08)
8. Tumblin' (4:00)
9. Honeytrap (6:49)
10. Turn The Ship Around (5:30)
11. (She Was) Brave Enough (4:11)


At some point-in-time, they all go back. Back to the roots. Back to the Blues. Also, Oliver Mally is no exception, although he has never really moved far from the Blues. The Blues mean stories, atmosphere, "the true facts of life", as Willie Dixon once put it. These true facts have always manifested themselves in the songs of the "Sir". The ideal-typical composition here is "(She Was) Brave Enough". Who would deny the Blues reference to this singer/songwriter gem? Exactly! Moreover, with the ten-twelve beat intro, it's without question, maybe, apart from where "Sir" Oliver Mally distills his compelling, to-the-point intensity. There is no doubt about his decades of experience here, but this explanation would probably be too brief. When "Sir" Oliver Mally intones the Blues, he does not interpret them, he lives them, he has them, he breathes them. Blues is not a matter of age, that's true, but through experience over the years, he has become more complex, more universal, offering "the true facts of life". Oliver Mally and the Blues have always been companions, both quarreling and conciliatory. Both know what they testify to. Full of groovy conviction. The fact that the "Sir" has invited two more soul-brothers, Alex Meik and Peter Müller, to accompany him along this section of the trail adds to the tension. "The Blues Messengers", one could hardly describe these musical messengers more aptly and the title of the album hits the bullseye. "Uncut", unpolished, down-to-earth, honest. True facts indeed!

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[vandtal]

[Only registered and activated users can see links] The Cold Spells
Title: The Cold Spells
Year Of Release: 2018
Label: Gare Du Nord Records
Genre: Folk, Indie, Pop, Psychedelic
Quality: 320 Kbps
Total Time: 47:13 min
Total Size: 108 MB

Tracklist:
1. Introduction 01:04
2. Terry 05:25
3. Wooden Horse 05:35
4. Roll Me Over 05:06
5. The Ghosts of Them What Didn't Make It 06:00
6. Thomswood Hill 07:11
7. Twinkletoes 04:47
8. Same Old, Same Old 04:27
9. Maelstrom 07:38


It's not so much the ghost in the machine as the moss in the circuit board
Wrought from estuary accented lichen, scrabbled from brine and moss, love and loss, wheezing synths and knackered harmoniums; The Cold Spells' full length debut is a record for people who filter nature through distortion pedals.
The Cold Spells' eponymous full-length debut has been around four years in the making, crafted in bedrooms of the East London/Essex borders. These aren't songs of cities or of suburbia, but of that awkward in-between magick space strewn with psychic rubble, left to crumble amid a chattering low, static hum. It's a folkish record of outskirts, both geographically and in the sound's persistent interplay of traditional song-craft and layers of digital effect oddities.
It was in those not-quite-city-not-yet-suburban spaces that the little psychodramas that spawned these eight songs were born. Rendered through kitchen-sink psychedelia meets modern day folk, the joy of these songs lies in their simultaneous accessibility and ambiguity. The sea, the forest, the dark: these have long been powerful and poignant metaphors, but suddenly an abandoned mental hospital waste ground somewhere near Hainault takes on the same potency. Underneath it all, they mostly bubble down to sex and death - but then, what doesn't?
The Cold Spells is an album for the anti-shuffler - not linear exactly, but created for a compellingly holistic listen: even the soundcapes between the tracks offer subtle keys to their meaning. Such is the beauty of the record: each moment offers a snippet of narrative and meaning, but without smugness. There's no trying to catch you out - there's simplicity in the complexity. Even the sleeve design gestures to the record's mood: the cover's typography is structured in a triangular form that mimics the layout of traditional Abracadabra incantations.
To borrow from the title of the album's eerily comforting closer, The Cold Spells is a Maelstrom that twists universal and abstruse references - Cluster, Shirley Collins, Robert Wyatt, Penda's Fen, Riddley Walker, Nico, Martin Carthy, Numbers Stations, witch trials through the eyes of Aldous Huxley, Threads, Moondog, Play For Today, dissociation, the farthest eastern reaches of the District Line, losing your mind and finding it again slightly altered - into a beautiful, poignant whole.
Personnel:
Tim Ward (songs/vocals/guitars)
Michael Farmer (keyboards/vocals)
Catherine Plewa (bass guitar)

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[Only registered and activated users can see links] The Flying Burrito Brothers
Title: The Last Of The Red Hot Burritos
Year Of Release: 1972/1995
Label: Rebound Records
Genre: Country Rock
Quality: APE (image, .cue, log)
Total Time: 34:51
Total Size: 241 Mb (scans)


[Only registered and activated users can see links] Devil In Disguise (Christine's Tune)
02. Six Days On The Road
03. My Uncle
04. Dixie Breakdown
05. Don't Let Your Deal Go Down
06. Orange Blossom Special
07. Ain't That A Lot Of Love
08. High Fashion Queen
09. Don't Fight It
10. Hot Burrito #2
11. Losing Game
Al Perkins (pedal steel guitar)
Kenny Wertz (acoustic guitar, banjo)
Chriss Hillman (bass, mandolin)
Rick Roberts (rhythm guitar)
Michael Clarke (drums)
Byron Berline (fiddle)
Roger Bush (acoustic bass)


The fourth--and presumably last--album of the Flying Burrito Bros. is, as it were, a departure. Not only is this album live, it's also surprisingly energetic, considering the Burritos' previous country-gaited tempos. Last of the Red Hot Burritos is a fast, pounding rock & roll record from start to finish, as if the now-disbanded group wanted to go out with a bang instead of a twang.
Rather than simply re-cutting material they've recorded on their studio LPs, the group has chosen to fill most of the album with non-original, mostly well-known tunes. And not just the country staples, like "Six Days on the Road," that the Burritos had always done on stage. There's a tune here that carries the Wilson Pickett-Steve Cropper credit line, "Don't Fight It," and two others are straight rhythm and blues.
Not that these guys are complete strangers to R&B: when Burritto founders Gram Parsons and Chris Hillman were still Byrds, they recorded William Bell's "You Don't Miss Your Water," and on the Burrito's first great album, The Gilded Palace of Sin, they did a sexually confused and strangely moving version of the Aretha Franklin hit, "Do Right Woman."
But the approach on this album is strikingly different. Instead of countrifying the R&B, the Burritos hype up everything to a level just short of complete frenzy. The four original tunes previously recorded by the Burritos in their old-time country style get brand new streamlined treatments that are a lot closer to Memphis than Nashville. Even the straight country segment is speedy, since it features the lightning fast blue-grass fiddling of Byron Berline. There isn't a single moment of relief from the driven, frantic pace.
It's the impeccable bass playing of Chris Hillman, the only original member still in the group at the time this recording was made, that unites all those careening sounds. His "I'm a Man"-style bass on "Ain't That a Lot of Love" and the spare, percussive strut of "Don't Fight It" are particularly inspired. As always, Hillman plays only the notes that matter. With his playing and singing in the fore-front here (he sings eight of the nine leads on the LP), this is clearly Hillman's record. It's shocking to realize that this is the first time he's ever been the focal point of an album. Even the third Burrito LP, the one without Gram Parsons, wasn't Hillman's; new member Rick Roberts wrote almost all the original tunes and sang most of the leads. This time Rick has graciously stepped aside, enabling his partner to finally release all that energy he's kept bottled inside himself since 1965.
What Hillman has pulled together is the Burrito Bros.' most accessible and commercial record, the one they should have made two albums ago to ensure their survival. This one came too late, unfortunately, to do that. I shouldn't complain. After all, I have four awfully good, immensely playable Burrito Bros. albums (that's one more than I'd figured on having), and a too-big but official Burrito tee-shirt. Still, I can't help feeling disappointment--the Burritos have been my favorite American band the last couple years. They were too good to be forgotten. And Last of the Red Hot Burritos is too good to be ignored.

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[vandtal]

[Only registered and activated users can see links] Jambalaya Brass Band
Title: Habana To New Orleans
Year Of Release: 2018
Label: 890 West Musc, Inc.
Genre: Jazz
Quality: 320 Kbps
Total Time: 43:53 min
Total Size: 100 MB

Tracklist:
01. Congo Square 4:20
02. Tumbao 4:50
03. Gumbo Ya-Ya 4:33
04. The Raven 3:54
05. Miramar 4:02
06. Dr. Buzzard and the Bolito Man 4:21
07. Parkway Bakery 5:07
08. Magnolia Special 3:35
09. Here Dey Come 4:33
10. Still Walking Back 4:43
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[vandtal]

[Only registered and activated users can see links] Blake Shelton
Title: Red River Blue (Deluxe Version)
Year Of Release: 2011
Label: Warner Bros. Records
Genre: Country
Quality: flac lossless / flac 24bits - 88.2kHz
Total Time: 00:45:42
Total Size: 313 / 920 mb

Tracklist
---------
01. Honey Bee
02. Ready To Roll
03. God Gave Me You
04. Get Some
05. Drink On It
06. Good Ole Boys
07. I'm Sorry
08. Sunny In Seattle
09. Over
10. Hey
11. Red River Blue
12. Chill (Bonus Track)
13. Addicted (Bonus Track)
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[vandtal]

[Only registered and activated users can see links] The Forum Quorum
Title: The Forum Quorum
Year Of Release: 1968/2012
Label: Aurora
Genre: Garage Rock, Psychedelic Rock
Quality: Flac (tracks)
Total Time: 34:22
Total Size: 242 Mb (scans)


[Only registered and activated users can see links] Girl Make Up Your Mind (Roger Calleo, Sal Palazzolo, Sturg Pardalis) - 3:01
2. Monologue (Gus Pardalis) - 2:41
3. 51st Though (Sal Palazzolo) - 3:39
4. There's No Runnin' Away (Sturg Pardalis) - 2:58
5. A Summer's Day (Sturg Pardalis) - 2:22
6. Misery (Roger Calleo) - 2:36
7. Your Turn To Cry (Sal Palazzolo) - 2:42
8. No More Tears (From The Sagittarius Production "Mission Mars") (Gus Pardalis) - 2:55
9. (I Wanna) Testify (Darwin Taylor, George Clinton) - 4:49
10. Just The Same (Sturg Pardalis) - 2:40
11. Synopsis (Roger Calleo, Sturg Pardalis) - 3:53
Sturg Pardalis - Vocals, Electric Guitar, Electric Bouzouki
Sal Palazzolo - Rhythm Guitar
Roger Calleo - Organ, Flute
Brian Albano - Drums
Bobby Castaldo - Bass


Rare collectible 1968 original first pressing of interesting garage band that features mostly all original tunes with vaired styles from garagepunk to tuneful melodics and with psychy florishes. these guys were pretty good actually - think garagey Vanilla Fudge (1st Lp era) with a little more punk influence. The opening gem, "Girl, Make Up Your Mind" is a catchy nugget straight out of the Nuggets/Pebbles vein.
Despite a number of impressive accomplishments, the Forum Quorum today is largely forgotten. But how many other groups of the era can claim two appearances on the Mike Douglas Show, two motion picture soundtracks, numerous product jingle recordings, a Vox sponsorship, a national magazine cover, and two 45 singles and a full LP release? Indeed, due to their impressive track record, the Forum Quorum had their quest for the big time documented in a book titled "How To Form A Rock Group." After picking up a copy of the book on eBay, we did a quick Internet search and were fortunate enough to locate drummer Brian Albano, who graciously agreed to provide more information on the group and their various projects.
Excellent teen psych lp with swirling organ sounds and as you cn see on the pictures above bouzouki!Reminds me "Inner Mystique"-era Chocolate Watchband ,some hints of ? and the mysterians.Highly Recommended!...
Originally issued in November 1968, this fine garage-pop LP boasts (as its sleeve states) "an electrified bouzouki, the Greek classical guitar, plus an amplified flute for the shepherd's sound, over a driving rock beat." There's also plenty of moody pop songs and hints of acid-rock. It makes its long-awaited CD debut here, complete with background notes and rare pictures. Detailed liner notes included.

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[Only registered and activated users can see links] The Hobbits
Title: Down To Middle Earth
Year Of Release: 1967
Label: Decca
Genre: Sunshine Pop, Psychedeli Folk, Psychedelic Rock
Quality: Flac (tracks, 16/44,1)
Total Time: 27:59
Total Size: 181 Mb (scans)


[Only registered and activated users can see links] Down To Middle Earth (Alan Bernstein, Jerry Vance, Terry Philips) - 2:52
2. I'm Just A Young Man (Jimmy Curtiss) - 2:53
3. Daffodil Days (The Affection Song) (A. Bernstein, J. Vance, T. Philips) - 3:17
4. Break Away (J. Curtiss, L. Zerato) - 2:53
5. Treatsb (J. Vance, T. Philips) - 2:42
6. Hands And Knees (J. Curtiss, T. Faranda) - 2:48
7. Let Me Run My Fingers Through Your Mind (Buy Me Flowers) (A. Bernstein, J. Vance, T. Philips) - 2:48
8. Out Of My Mind (J. Curtiss) - 2:39
9. Clap Hands Til Daddy Comes Home (J. Curtiss, T. Philips) - 2:28
10. Sunny Day Girl (Jimmy Curtiss) - 2:32


Folk-rock outfit the Hobbits was the studio project of Queens, New York-born singer/songwriter Jimmy Curtiss, who ranks as one of the more interesting footnotes in the history of rock & roll -- the rare would-be teen idol who actually wrote his own material (and did so admirably), he later expanded his reach into psychedelia and harmony-laden folk-rock, but while the subject of a small cult following, none of his records ever made a commercial dent. Curtiss first surfaced in 1959 as a member of the doo wop combo the Enjays and issued his solo debut, "Without You," on United Artists in 1961 -- the label attempted to position him as a teen crooner in the mold of Bobby Vee or Paul Anka, but he failed to make a commercial impact. After a period working as a songwriter he dropped out of music to pursue a career in advertising before resurfacing in 1967 with the bubblegum cult classic "Psychedelic Situation," a major hit in Germany that attracted little attention at home. Curtiss then signed to Decca, collaborating with producers Jerry Vance and Terry Phillips and songwriter Marcia Hillman on the Hobbits -- despite borrowing their name from J.R.R. Tolkien's Lord of the Rings novels and titling their 1967 debut Down to Middle Earth, the Hobbits turned out relatively straightforward sunshine pop, and the album is much sought-after by soft-psych aficionados. The follow-up, Men and Doors: The Hobbits Communicate, appeared in 1968 -- like its predecessor, the record didn't sell, and Decca terminated the contract. Curtiss then formed his own label and production company, both dubbed Perception, and helmed an LP and three singles by the psychedelic soul act the Bag, members of which reportedly worked on the Hobbits project as well. Speaking of which, after rechristening the group the New Hobbits, Curtiss released 1969's Back From Middle Earth, essentially a solo effort. According to the liner notes in the second volume of the Soft Sounds for Gentle People series, he eventually ended up in San Francisco, going solely by the initials J.C. -- his current activities and whereabouts are unknown.

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[Only registered and activated users can see links] Steve Hackett
Title: Genesis Revisited
Year Of Release: 1996
Label: Mercury PHCR-1454
Genre: Symphonic Prog
Quality: FLAC (tracks+cue,log,scans) / 320 kbps
Total Time: 76:43
Total Size: 446/223 MB

Tracklist:
1. Watcher of the Skies (8:40)
2. Your Own Special Way (7:28)
3. Dance on a Volcano (6:29)
4. Valley of the Kings (5:53)
5. Deja Vu (9:39)
6. Riding the Colossus (3:02)
7. For Absent Friends (4:18)
8. Fountain of Salmacis (9:53)
9. Waiting Room Only (6:53)
10. I Know What I Like (5:37)
11. Firth of Fifth (8:51)


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[Only registered and activated users can see links] Larry Bright
Title: Shake That Thing!
Year Of Release: 1997
Label: Del-Fi Records
Genre: Rock & Roll, Blues Rock
Quality: FLAC (tracks)
MP3 320 kbps
Total Time: 42:01
Total Size: 252 MB
110 MB

Tracklist:
1. Bacon Fat (2:50)
2. Shake That Thing (2:37)
3. Maybelline (2:09)
4. New Orleans (2:28)
5. I'm A Man (3:11)
6. Got My Mojo Working (2:39)
7. When I Did The Mashed Potatoes Wi (2:52)
8. Surfin' Queen (2:09)
9. My Hands Are Tied (2:23)
10. One Ugly Child (2:49)
11. Mojo Workout (2:16)
12. Bloodhound (2:35)
13. Twinkie Lee (2:21)
14. (I'm A) Mojo Man (1:56)
15. Teenage Jailbreak (3:19)
16. Ugly American (1:06)
17. The Thing (2:12)


Del-Fi gives listeners, on one CD, sides from nearly half of Larry Bright's entire discography of singles. Five other non-released tracks are included. The sum is proof that voodoo-loving Bright was a talented and dynamic guitarist and vocalist. It would be a shame to see him forgotten in this era of CD revisitations. Listening to this collection, it is no surprise that Bright first charted at number one on the black music chart in 1960. The Texan-born musician soaked up the "chitlin circuit" sounds of the time and let their power shape his own style. Listen to him work through "Bacon Fat," "Maybelline," and "New Orleans." Apparently, one of the many strikes against this hard-drinking, superstitious performer was his own lack of confidence in covering songs. Nothing but surety and competence comes across on these tracks, though. His inspirations are apparent in his original material, too. Listen to "When I Did the Mashed Potatoes With You"; it is all about the Drifters' "Save the Last Dance for Me." Bright caught the shining sparks from the magic sounds of his day, and his music still works wonders. The effect was immediate. Many tracks are jumping with sax. This sounds like Wrecking Crew great Plas Johnson. The entire Bright story is told in Del-Fi's ten-page booklet. While his history is in the text, the compiled tracks are an exciting slice through the beginnings of rock & roll. His monkey paw may never have brought him wide fame and fortune, but his rockers are more than most guitar hands can conjure. ~by Tom Schulte

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[Only registered and activated users can see links] The Jack Bruce Band
Title: How's Tricks
Year Of Release: 1977
Label: RSO
Genre: Art Rock, Psychedelic Rock, Jazz-Rock, Prog Rock
Quality: FLAC (tracks) [24/96] [Vinyl, LP]
Total Time: 42:06
Total Size: 875 MB
[Only registered and activated users can see links]]Album Preview

Tracklist:
A1. Without A Word
A2. Johnny B '77
A3. Times
A4. Baby Jane
A5. Lost Inside A Song
B1. How's Tricks
B2. Madhouse
B3. Waiting For The Call
B4. Outsiders
B5. Something To Live For
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[Only registered and activated users can see links] The Leading Figures
Title: Sound And Movement
Year Of Release: 1967/2006
Label: Sunrise Records
Genre: Jazz-Pop, Funk, Soul, Easy Listening, Instrumental
Quality: Flac (tracks, .cue, log)
Total Time: 42:05
Total Size: 273 Mb (scans)


[Only registered and activated users can see links] Sunshine Superman (Donovan) 02:48
02. Working In The Coalmine (Toussaint) 02:09
03. I Can't Help Myself (E.& B.Holland, Dozier) 02:17
04. Sunny (Hebb) 03:08
05. High Time (Leander, Mills) 02:11
06. I've Got You Under My Skin (Porter) 02:46
07. How Sweet It Is (E.& B.Holland, Dozier) 02:49
08. You Can't Hurry Love (E.& B.Holland, Dozier) 02:56
09. Black Is Black (Hayes, Wadey, Grainger) 02:46
10. Stop! In The Name Of Love (E.& B.Holland, Dozier) 02:50
11. Semi-Detached Suburban Mr. James (Stephens, Carter) 02:35
12. Holy Cow (Toussaint) 02:16
13. God Only Knows (Wilson, Asher) 02:28
14. My Guy (Robinson) 02:53
15. My Mind's Eye (Marriott, Lane) 02:15
16. Reach Out I'll Be There (E.& B.Holland, Dozier) 02:59
Ray Davies, Tony Fisher, Eddie Blair - trumpets
Johnny Edwards, Maurice Pratt, Keith Christie - trombones
Bob Efford - tenor, oboe, flute
Don Honeywill - baritone
Jon Lord - organ
Art Greenslade - piano
Alan Parker - lead guitar
Joe Moretti - guitar and twelve-string
Vic Flick, Eric Ford - guitar
Ronnie Verrell, Dougie Wright - drums
Johnny Dean - percussion


A project lead by Art Greenslade, incl 16 instrumentals such as "Sunshine superman", "Sunny" and "Reach out I'll be there", with a strong horn section in front. But also featuring Jon Lord, pre DEEP PURPLE, on pianoand Joe Moretti on guitars. A possible psychedelic and groove soundtrack of he '67, produced by Mike Vernon.

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[Only registered and activated users can see links] The League of One
Title: Dispatch
Year Of Release: 2018
Label: Lil Eve Records
Genre: Hard Rock
Quality: 320 Kbps
Total Time: 47:46 min
Total Size: 109 MB

Tracklist:
01. Wax Museum
02. Plastic Crackhead
03. I Get Around
04. Koolaid and Bug Burgers
05. Antz
06. The Connoisseur
07. Bic Blister
08. Six
09. Dionysus
10. Working Man's Band
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[Only registered and activated users can see links] The London Haydn Quartet
Title: Joseph Haydn: String Quartets, Op. 20
Year Of Release: 2011
Label: Hyperion
Genre: Classical
Quality: FLAC (image+.cue,log,booklet)
Total Time: 160:18
Total Size: 757 Mb

Tracklist:
Joseph Haydn (1732-1809)
String Quartets
Opus 20 'Sun'
CD 1:
[1]-[4] No 1 in E flat major
[5]-[8] No 2 in C major
[9]-[12] No 3 in G minor
[1]-[4] No 4 in D major
[5]-[8] No 5 in F minor
[9]-[12] No 6 in A major
Performers:
The London Haydn Quartet
Catherine Manson, violin
Michael Gurevich, violin
James Boyd, viola
Richard Lester, cello


One can never own enough recordings or hear enough performances of the Haydn string quartets. Not only did Haydn invent the quartet form, he was composing, even early in his career, at a level that no one else could even come close to matching, according to Classical Era authority, Charles Rosen. These Opus 20 'Sun Quartets' (so-called because of the drawing of a sun on the title-page of the original published edition) were among the eighteen early quartets Haydn wrote around 1770 in which he made a huge advance on what had previously been a form more like a divertimento; in so doing he more or less invented 'high classicism'. The independence of voices, harmonic relationships, tight construction and layout of movements are all here, setting the example for what to expect in string quartets ever since. And they are gloriously beautiful works.
The Pellegrini Quartet, a modern-instrument group based in Freiburg, is better known for its performances of twentieth-century works, having recorded quartets by Morton Feldman, Ferruccio Busoni, Karl Amadeus Hartmann and Artur Schnabel. Indeed, I had never heard them play anything from the classical era. But I need not have had any fear that they would play these beloved works poorly. These are astonishingly beautiful performances. Not only do they respond sensitively to the nuances of Haydn's markings -- for instance, they understand and play with subtle ear-pleasing dynamic variation the sotto voce fugal finales of several of the quartets -- they are exceedingly alert to each other with hair-trigger responses to the spontaneous, sometimes seemingly improvised playing of their mates. Their playing is never exaggerated or crudely underlined and yet their sound is satisfyingly full-blooded. They manage the tricky accents of the alla zingarese third movement of the D major quartet with just the right amount of gypsy gusto. The adagio of the G Minor Quartet -- one of my favorite Haydn movements -- is played so magically that I had to repeat it immediately after first hearing it.
The extensive booklet notes by musicologist Matthias Thiemel are models of erudition and grace. Sound on this two-disc hybrid SACD set is luscious and true, both in plain stereo and SACD format.

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[Only registered and activated users can see links] The Make Up
Title: I Want Some
Year Of Release: 1999
Label: K. Records
Genre: Alternative Rock, Hardcore & Punk, Garage Punk
Quality: FLAC (tracks+.cue)
Total Time: 1:08:29
Total Size: 469 MB

Tracklist:
01. Pow! To the People (3:04)
02. I Want Some (2:43)
03. Walking on the Dune (3:35)
04. The Choice (3:33)
05. Born on the Floor (4:26)
06. Hey! Orpheus (2:28)
07. Grey Motorcycle (3:18)
08. Every Baby Cries the Same (4:20)
09. I am if... (4:01)
10. Little Black Book (3:47)
11. Blue is Beautiful (3:37)
12. Trans-Pleasant Express (2:15)
13. Type-U-Blood (3:13)
14. We're Having a Baby (1:54)
15. This is... Young Vulgarians (1:58)
16. R U A Believer (1:48)
17. Free Arthur Lee (3:02)
18. Untouchable Sound (1:56)
19. I Didn't Mean 2 Turn U On (2:30)
20. Made in the Water (2:44)
21. Substance Abuse (2:31)
22. Under the Impression (2:38)
23. Have U Heard the Tapes? (3:07)
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[Only registered and activated users can see links] The Poikonen Dynamic
Title: Searching For Bohemia
Year Of Release: 2018
Label: Nicholas Poikonen
Genre: Jazz, Rock, Fusion
Quality: 320 Kbps
Total Time: 39:58 min
Total Size: 91 MB

Tracklist:
01. Song for Big John 2:08
02. As the Leviathan Sleeps 3:30
03. Invisible Intentions 3:39
04. People Get Ready 3:24
05. Searching for Bohemia 3:57
06. Retweet Me 4:34
07. No Cameras 4:01
08. Putting on Miles 5:25
09. The Only Thing 3:18
10. Midnight Moonflight of My Favorite Ghost 4:29
11. Will the Circle Be Unbroken 1:35
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[Only registered and activated users can see links] All Above Me
Title: Return to the Battlefield
Year Of Release: 2018
Label: All Above Me
Genre: Punk Rock, Alternative
Quality: 320 Kbps
Total Time: 40:17 min
Total Size: 93 MB

Tracklist:
01. Return to.
02. The Battlefield
03. Wake Up
04. Labyrinth
05. Go
06. Saviour
07. King & Crown (feat. Kevin Young)
08. Liar
09. Christian Rock Heroes
10. Red Light
11. Sing to You
12. Yesterday


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[Only registered and activated users can see links] James Cotton
Title: Two Sides Of The Blues
Year Of Release: 1993
Label: Pilz
Genre: Chicago Blues, Harmonica Blues
Quality: FLAC (img+cue+log)
MP3 320 kbps
Total Time: 28:13
Total Size: 116 MB
74 MB

Tracklist:
1. Good Time Charlie (2:31)
2. There Is Something On Your Mind (3:48)
3. Turn Your Lovelight (2:23)
4. Jelly, Jelly (5:41)
5. South Side Boogie (2:38)
6. So Glad I'm Living (3:09)
7. Diggin' My Potatoes (2:10)
8. V-8 Ford Blues (4:00)
9. Polly Put The Kettle On (1:49)


Acoustic Material:
James Cotton: Harmonica, Vocals
Elvin Bishop: Guitar
Paul Butterfield: Harmonica
Billy Boy Arnold: Harmonica
Recorded in Chicago 1963.
Electric Material:
James Cotton: Harmonica, Vocals
Luther Tucker: Guitar
Alberto Gianquinto: Piano
Robert Anderson: Bass
Sam Lay: Drums
Delbert L. Hill: Tenor Sax
McKinley Easton: Baritone Sax
Louis E. Satterfield: Trombone
John M. Watson: Trombone
Recorded in Chicago 1967

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[vandtal]

[Only registered and activated users can see links] The Rippers
Title: Honesty
Year Of Release: 1968
Label: Saga
Genre: Beat, Psychedelic Rock, Garage Rock
Quality: Flac (tracks, 16/44,1)
Total Time: 32:57
Total Size: 208 Mb (scans)


[Only registered and activated users can see links] Honesty - 3:30
2. My Woman (Lutz Wolf) - 3:28
3. My Plight (Hans Enderle, Joachim (Jim) Gottescalk) - 3:23
4. The Night At the Lagoone - 2:36
5. Big Ben (Instrumental) - 3:33
6. Georgia (Joachim (Jim) Gottescalk, Fernando Rosell) - 3:50
7. All the Jumping People - 2:01
8. The Girl Whom I Adore - 3:53
9. Blues for Kasperek (Instrumental) (Hans Enderle) - 3:34
10. My Soul Is Wrong - 3:05
Hans Enderle - Keyboards
Joachim Gottescalk - Vocals, Lead Guitar
Peter Kempf - Drums, Percussion
Fernando Rosell - Bass, Vocals
Lutz Wolf - Vocals, Rhythm Guitar


There are many bands over the years who've gone by the name The Rippers; this version is the one-off psych-beat outfit from Germany, with only one album to their name, released only once by the UK budget label Saga. Noticeable influences range from Cream to The Doors to Detroit soul to California acid blues to pop ballads to Merseybeat to southern US gospel - while such diversity might make for a rambling journey, most tracks are nice imitations of the idols they emulate, and at least a handful of songs standout as comp-worthy gold for those on-going collections of rediscovered "nobodies" from the past. A lost castaway from the popsike glory days, this album has become a target for crate diggers & beat/psych/garage completists and is surely due for a remastered expanded version someday. Vinyl rip, never reissued on CD (or otherwise) as far as I can tell.

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[Only registered and activated users can see links] Blood Wolf
Title: Obsidian Mirror
Year Of Release: 2018
Label: Blood Wolf Music
Genre: Electronic, Darkwave, Witch House
Quality: 320 Kbps
Total Time: 36:27 min
Total Size: 84 MB

Tracklist:
01. Overthrow
02. Under Heavy Hooves
03. Sleeping Death
04. White Stag
05. Sharpen Your Teeth
06. Ashes
07. Last Ember
08. Marrow
09. Kodama
10. Chimaera
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