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Thread: My Music Collection Update Daily! (Dance, Trance, Rock, Pop, Electronic, Jazz,..)

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    The Dave Brubeck Quartet - Jazz Impressions of Japan (1964/2019) [24bit FLAC]





    Artist: The Dave Brubeck Quartet
    Title: Jazz Impressions of Japan
    Year Of Release: 2019
    Label: Vinyl Me Please 180Gram / Vinyl
    Genre: Jazz
    Quality: 24bit-96kHz FLAC (tracks+artwork)
    Total Time: 35:06
    Total Size: 824 MB
    Tracklist:
    A1 Tokyo Traffic 5:48
    A2 Rising Sun 4:40
    A3 Toki´s Theme 2:07
    A4 Fujiyama 5:04
    B1 Zen Is When 2:47
    B2 The City Is Crying 6:00
    B3 Osaka Blues 5:11
    B4 Koto Song 3:00
    AllMusic Review by Thom Jurek
    Thirteen years into their tenure, the Dave Brubeck Quartet was still able to mine the creative vein for new means of expression. Despite the hits and popularity on college campuses, or perhaps because of it, Brubeck, Paul Desmond, Eugene Wright, and Joe Morello composed a restless band with a distinctive sound. These eight tracks, all based on a tour of Japan the year before, were, in a sense, Brubeck fulfilling a dictum from his teacher, the French composer Darius Milhaud, who exhorted him to "travel the world and keep your ears open." The sketches Brubeck and Desmond created all invoke the East, particularly the folk melodies of Japan directly, while still managing to use the Debussian impressionistic approach to jazz that kept them riding the charts and creating a body of music that, while playing into the exotica craze of the moment, was still jazz composed and played with integrity. The gorgeous modal blues that uses Eastern scale whole tones with Western harmonic notions -- chromatically -- that comprise the melody and solo frameworks for Desmond in "Fujiyama" are a beautiful contrast to the relatively straight-ahead ballad style featured on "Zen Is When," with its 4/4 time sling rhythm and simple melody -- extrapolated by Brubeck in purely Japanese whole tone scale on the harmony. Also, the shimmer and whisper of "The City Is Crying," where Desmond's solo is one of the most beautiful of his career, using arpeggios as half tones to reach down into the middle of his horn's register and play harmonically a counterpoint that is as painterly as it is poignant. On "Osaka Blues," Brubeck once again reaches for an oriental scale to play a modal blues Ã* la Miles Davis with Wynton Kelly; Desmond responds by playing straight post-bop Bluesology with even a squeak or two in his solo. In all, Jazz Impressions of Japan is one of the great forgotten Brubeck records. Its sweetness is tempered with musical adventure and the improvisational experience only a band that had been together 13 years could provide. It's truly wonderful.
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    The Campbell Brothers - Can You Feel It? (2005)





    Artist: The Campbell Brothers
    Title: Can You Feel It?
    Year Of Release: 2005
    Label: Ropeadope
    Genre: Gospel/Blues/Funk
    Quality: APE (*image + .cue,log)
    Total Time: 01:04:07
    Total Size: 365 mb (+5%rec.)
    Sacred steel has found its way into the consciousness of the music-listening public over the last few years, bringing the music of the House of God services to the masses. The real center of the genre lies in and around Rochester, NY, with the church of Charles Campbell being one of the focal points. Here, the children (and grandchildren) of the venerable Campbell elder pump out a series of pieces from in and out of the church. The idea in sacred steel is to make use of the wailing and moaning of steels to bridge the gap between blues and gospel in essence, with tinges of R&B, etc., thrown in for good measure. The brothers deliver on that goal quite well. The gamut from traditional songs ("Amazing Grace") to the works of Pops Staples and Sam Cooke is run ably, with the three front-line brothers putting together a volley technique of guitar playing that would make Lynyrd Skynyrd proud. The playing is quite good here, and -- perhaps more notably -- the recording quality is excellent, as opposed to many of the other sacred steel albums on the market. For new fans of sacred steel, this one's a sure pick. For those just looking into the genre, some of the compilations on Arhoolie may be better overviews.
    Tracks:
    01. Frammin' 4:59
    02. The Judgment 4:45
    03. Good All the Time 5:20
    04. A Change Is Gonna Come 5:19
    05. Power Lord 5:22
    06. Rally Time 3:32
    07. Amazing Grace 5:11
    08. Don't Let Nobody Turn You Around 6:26
    09. Don't Let the Devil Ride 6:33
    10. Native Praise 3:19
    11. No Mo' One Mo' 13:15
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    The Best Of Shattered Dreams (2019)





    Artist: Various Artist
    Title: The Best Of Shattered Dreams
    Year Of Release: 2019
    Label: Ace Records
    Genre: Blues
    Quality: flac lossless
    Total Time: 01:10:48
    Total Size: 404 mb
    Tracklist
    ---------
    01. Bad Understanding - Al King
    02. Cloudy Day - Finis Tasby
    03. Gimme Some of Your Lovin' - Arthur K Adams
    04. High Time - Smokey Wilson
    05. It Took A Long Time - Finis Tasby
    06. Mellow Together - Lowell Fulson
    07. The Whole World's Down On You - Larry Davis
    08. Welcome Home - Lowell Fulson
    09. You Shattered My Dreams - Smokey Wilson
    10. Tough Competition - Ray Agee
    11. Find Something Else To Do - Finis Tasby
    12. Getting' Down With The Game - Adolph Jacobs
    13. Getting Down - Obrey Wilson
    14. Go Go Train - Smokey Wilson
    15. Hey Little Girl - Tommy Youngblood
    16. I Want You - Smokey Wilson
    17. It's Real, Pt. 1 - Jimmy Robins
    18. Lovemaker - Lowell Fulson
    19. Sister Rose - Shakey Jake Harris
    20. Them Love Blues - Earl Wright
    21. Walk On - Finis Tasby
    22. You Upset Me Baby - Larry Davis
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    The Arock & Sylvia Soul Story (2013)





    Artist: Various Artist
    Title: The Arock & Sylvia Soul Story
    Year Of Release: 2013
    Label: Ace Records
    Genre: Soul
    Quality: flac lossless
    Total Time: 01:10:04
    Total Size: 255 mb
    Tracklist
    ---------
    01. A Victim Of Her Charms - The Corvairs
    02. He's A Lover - Tutti Hill
    03. Don't Do Me That Way - Joan Moody
    04. L O V E - Chet "Poison" Ivey
    05. Can't Stand Your Fooling Around - Gene Burks
    06. I Am A Witness - The Diplomats
    07. And I Never Knew - Junior Lewis
    08. Which Way - Junior Lewis
    09. A Day Or Two - Garrett Saunders
    10. Just To Make Me Cry - Sam Hawkins
    11. Deep Down Inside - Unknown Artist
    12. Later For Romance - Billy Washington
    13. Keep On - Sterling Magee
    14. We Must Be Doin' Something Right - Joan Moody
    15. Handful Of Memories - Tutti Hill
    16. Better Wait And See - Marie Knight & Junior Lewis
    17. My Life aka Do This Do That - Junior Lewis and group
    18. Tears On My Face - Freddy Solomon
    19. Where The World Begins - Sam Hawkins
    20. Where The River Meets The Sea - Sam Taylor
    21. Hey, Mr Taxi Driver - The Diplomats
    22. You're Supreme - Sterling Magee
    23. For The Love Of Money - The Larks
    24. Too Much - The D C Playboys
    25. Lend A Helping Heart - Joan Moody
    26. As Long As You Need Me (Want Me, Love Me) - Theola Kilgore
    27. Two Seconds of Love - Junior Lewis
    28. Come Tomorrow - Marie Knight
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    The Arock * Serock * Sylvia Soul Story Continued (2016)





    Artist: Various Artist
    Title: The Arock * Serock * Sylvia Soul Story Continued
    Year Of Release: 2016
    Label: Ace Records
    Genre: Soul, R&B
    Quality: flac lossless
    Total Time: 00:58:47
    Total Size: 193 mb
    Tracklist
    ---------
    01. Love Is Such a Good Thing - The Corvairs
    02. Get In My Arms Little Girlie - Sterling Magee
    03. Take My Hand - Gene Burks
    04. When the Going Gets Rough - Tutti Hill
    05. I Can't Stay Away - Joan Moody
    06. I'm Leavin' (For Parts Unknown) - Gary & Gary
    07. I Really Love You - The Diplomats
    08. I Keep Comin' Back for More - Garrett Saunders
    09. I Don't Care - Freddie Solomon
    10. Chained Am I - Ansler Montell
    11. Hey Officer - Vivian Collins
    12. This Is My Prayer - Theola Kilgore
    13. Nobody But Me - Sinner Strong
    14. It Ain't No Big Thing - Van McCoy
    15. You Were All I Needed - The D.C. Playboys
    16. Music To My Ears - Joan Moody
    17. I Wanna Come In - Billy Washington
    18. Something Else - Chet "Poison" Ivey and His Fabulous Avengers
    19. Nothing in the World - Marie Knight with Junior Lewis
    20. Easier Said Than Done - Garrett Saunders
    21. It Won't Work Out - Junior Lewis
    22. Where You Are - Junior Lewis
    23. Did You Hear - Don Covay
    24. Kindness, Love and Understanding - Eddie King
    25. Another Sleepless Night - The Larks
    In the mid-'60s, veteran saxophonist Al Sears ran the Arock and Sylvia labels, which put out a couple dozen or so obscure New York soul records. Typically, Kent manages to make a CD out of its catalog, the 28 tracks split about half between 1962-1966 singles and previously unissued sides. In fact, much of the unreleased material was sung by unidentified demo singers, and although Kent has identified a few of these with confidence, three cuts are for the time being ascribed to "unknown." Often this kind of thing is something that only die-hard genre specialists can hear in one sitting, but though it'll be those collectors that comprise this disc's listenership, it's better than the average such archival anthology. You have to stare long and hard at the track listing for any of these names to ring bells, though some might recognize two of the "demo singers," Marie Knight (who did the original of "Come Tomorrow," covered by Manfred Mann for a British Invasion hit) and Sam Hawkins (who had a 1965 Top Ten R&B hit with "Hold on Baby"). Sterling Magee, represented by pretty straight soul tunes, might be better known to latter-day listeners as half of the blues duo Satan & Adam, who had some indie success in the 1990s. The name of Van McCoy pops up too, as the singer and songwriter of "Too Much," a 1964 single credited to the DC Playboys. Still, despite the relative anonymity of the other contributors, there's some good period pop-soul here, sometimes with a gospel feel. The Corvairs sound halfway between the Drifters and Gene Pitney on "A Victim of Her Charms"; Tutti Hill sounds a lot like Mary Wells on the original version of "He's a Lover," which Wells herself covered in 1965; two of Joan Moody's tracks are pretty accurate Supremes imitations; Gene Burks sounds like an early Stax artist on "Can't Stand Your Fooling Around"; and Garrett Saunders' "A Day or Two" is an upfront imitation and rewrite of Chuck Jackson's "Any Day Now," if an enjoyable one. The numerous demos are as a whole considerably inferior to the singles in both production and the quality of the songs, but it's interesting to hear a sparse piano-voice-dominated demo of Knight's "Come Tomorrow," though the single from which Manfred Mann learned the song isn't here, as it came out on a different label. The Larks, who do the 1964 single "For the Love of Money" here, by the way, are a different Larks than the group who did the hit "Cool Jerk," though "For the Love of Money" isn't a bad tune all the same.
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    The Allen Toussaint Orchestra - Classic Rock Symphonies (1988)





    Artist: The Allen Toussaint Orchestra
    Title: Classic Rock Symphonies
    Year Of Release: 1988
    Label: Point Productions[2668252]
    Genre: Rock
    Quality: FLAC (image + .cue,log,scans) | MP3/320 kbps
    Total Time: 62:55
    Total Size: 367 MB(+3%) | 149 MB(+3%)
    Tracklist
    01. Layla
    02. Bohemian Rhapsody
    03. Another Brick in the Wall
    04. MacArtur Park
    05. Nights in White Satin
    06. A Whiter Shade of Pale
    07. I'm Not in Love
    08. Question
    09. Stairway to Haven
    10. A Day in the Life
    11. The eve of the War
    12. Don't Cry for me Argentina


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    Schwarz & Funk - The Beach House Sessions (2019)





    Artist: Schwarz & Funk
    Title: The Beach House Sessions
    Year Of Release: 2019
    Label: Boxberglounge
    Genre: Downtempo, Lounge, Chill House
    Quality: FLAC (tracks) / MP3
    Total Time: 2:02:10
    Total Size: 776 / 281 MB
    Tracklist:
    01. Deepluxe (Beach House Mix)
    02. As If It Was You (Beach House Mix)
    03. Atomic (Beach House Mix)
    04. Chudera (Beach House Mix)
    05. Nevada (Beach House Mix)
    06. Ocean solaire (Beach House Mix)
    07. Never Forgotten (Beach House Mix)
    08. Soul Devine (Beach House Mix)
    09. Absolute (Beach House Mix)
    10. Semi Century (Beach House Mix)
    11. Pinball (Beach House Mix)
    12. Sweetened (Beach House Mix)
    13. Looking for Love (Beach House Mix)
    14. Voices (Beach House Mix)
    15. Last Train (Beach House Mix)
    16. Walk Around (Beach House Mix)
    17. Off the Shore (Beach House Mix)
    18. Depart
    19. Bonjour Ibiza (Deep House Mix)
    20. Jolie (Club Mix)
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    The Allen Toussaint Orchestra - Beatles Songbook (1989) 320 kbps





    Artist: The Allen Toussaint Orchestra
    Title: Beatles Songbook
    Year Of Release: 1989
    Label: Point Productions[2668312]
    Genre: Classic Rock
    Quality: MP3/320 kbps
    Total Time: 73:51
    Total Size: 180 MB(+3%)
    Tracklist
    1. A Hard Day's Night
    2. Can't Buy Me Love
    3. I Feel Fine
    4. She Loves You
    5. I Want To Hold Your Hand
    6. Help !
    7. Ticket To Ride
    8. Yesterday
    9. We Can Work It Out
    10. Paperback Writer
    11. Michelle
    12. Hello, Goodbye
    13. A Day In The Life
    14. Strawberry Fields Forever
    15. Penny Lane
    16. Yellow Submarine
    17. Eleanor Rigby
    18. All You Need Is Love
    19. Hey Jude
    20. Lady Madona
    21. Come Together
    22. Something
    23. Get Back
    24. Let It Be
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    Tayrell - Shapes (2019) [Hi-Res]





    Artist: Tayrell
    Title: Shapes
    Year Of Release: 2019
    Label: Tayrell Music
    Genre: Electronic
    Quality: 16-bit/44.1kHz FLAC; 24-bit/48000 Hz (86.3%); 44100 Hz (13.7%) FLAC
    Total Time: 41:56
    Total Size: 274; 522 MB
    Shapes: La geometrÃ*a de la frescura pintada en acuarela.
    La geometrÃ*a es enemiga de las perspectivas, de la ambigüedad. Un prisma rectangular siempre será el mismo desde cualquier punto en que lo mires, no hay coyuntura a la interpretación, la precisión gana, algo como contradecir al método cientÃ*fico.
    Pero ¿qué pasa si desarmamos todo lo establecido por alguna regla o sistema y construimos un nuevo cuerpo hecho por muchos otros? Si tomamos un poco de algo, y otro poco de aquello, lo mezclamos aunque relativamente ese algo sea opuesto con lo otro, después lo acomodamos de manera que haya armonÃ*a en su aspecto, como la personalidad humana creada a partir de un sin número de influencias adquiridas. ¿Qué pasarÃ*a?
    Al final tendremos una creación propia, única, abierta a otras piezas que se puedan unir sobre la marcha. Todo este proceso muy a la Frankenstein es escrupulosamente dominado por los hermanos Galicia (Miguel y Hugo). La unión de sus fuerzas da como resultado Tayrell, un proyecto con un ya sólido palmarés que irrumpe en la escena para mostrar su más reciente producción titulada Shapes.
    Un álbum que sigue explorando las más grandes premisas del dúo de origen mexicano, como lo es el chillwave y el soul, pero agregando a la formula lÃ*ricas, algunos beats más densos y colaboraciones interesantes. Con una producción que lleva el sello de la casa esta placa pronto se empezará a posicionar en el gusto del escucha.
    Shapes da inicio con "Wind", un track plagado de ondas funky y lÃ*neas de bajo adornadas con espontáneos slaps, conservando un tempo moderado que invita a la relajación, a su vez evoca de inmediato aquellas aperturas de las pistas de baile en los clubes setenteros, en aquella década donde la música disco dominaba por completo la industria.
    Siguiendo con "Paycheck", donde puede notarse la nueva propuesta del proyecto nos encontramos con la voz de Maydien & Holy Brune, siendo este un acertado complemento que le da un toque más fiestero a la canción, el cual será factor en la mayorÃ*a de las piezas que conforman el álbum.
    El posible punto más fuerte de Shapes se da gracias a "Night Out", planteado como primer single - siendo este un gran acierto - por las melódicas voces que aportan las participaciones de Wynonna Stoové & Robin Yerah. Un track pensado para el dancefloor, y que a su vez se complementa con una joya de videoclip que puedes ver en cualquier momento en YouTube. LÃ*neas de bajo excitantes, puentes atractivos, producción de alta calidad, atmósfera de party. BINGO!
    La fantasÃ*a al ritmo de los sonidos de la lluvia descendiendo se convierte en placentera existencia con "Make It Real" en colaboración con Olive B, que si bien se apega un poco más a los inicios de Tayrell termina por ser una breve - pero efectiva - caricia al oÃ*do, ideal para una sesión de yoga o un arrullo para antes de dormir. Tú decides.
    Siendo la frescura el común denominador la conclusión de esta producción se da con "Memory", que cuenta con una interesante pista estilo trap, pero que va adquiriendo un plus gracias a Virginia Palms en las voces, dando como resultado una canción fuerte, idónea para un cierre con toda la energÃ*a restante. El paseo fue breve, pero como dicen por ahÃ*. De lo bueno, poco.
    En una breve reflexión hay que destacar que da gusto encontrarse con proyectos mexicanos sólidos y dispuestos a arriesgarse, ese es el valor agregado que ofrece Tayrell con Shapes, porque cualquiera puede armar un cubo, pero no cualquiera se atreve a crear una nueva figura. La atracción hacia el redescubrimiento y el valor al usar todos tus recursos es simplemente encontrar en un lienzo en blanco todas las posibilidades ya canalizadas que tu mente puede fabricar, tu tienes la última palabra con el curso que les des.
    01. Tayrell - Wind (3:37)
    02. Tayrell - My Luck (2:40)
    03. Tayrell - High in the Sky (3:26)
    04. Tayrell - Paycheck (3:08)
    05. Tayrell - Psique (3:48)
    06. Tayrell - Night Out (4:06)
    07. Tayrell - 3 Am (4:23)
    08. Tayrell - Stop By (3:03)
    09. Tayrell - Fond of Me (2:52)
    10. Tayrell - Sunlight (2:15)
    11. Tayrell - For You (2:41)
    12. Tayrell - Fantasies (2:46)
    13. Tayrell - Sharp Knives (3:10)
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    Fredrik Ullen - Liszt, Messiaen (2012)





    Artist: Fredrik Ullen
    Title: Liszt, Messiaen
    Year Of Release: 2012
    Label: BIS
    Genre: Classical
    Quality: FLAC (image+.cue,log,scans)
    Total Time: 01:12:07
    Total Size: 270 Mb
    Tracklist:
    LISZT, Ferenc (1811-86)
    01 Sancta Dorothea, S. 187 (1877) 3'08
    02 St. François d'Assise: La prédication aux oiseaux 9'36
    No. 1 of Deux Légendes, S. 175 (1863)
    MESSIAEN, Olivier (1908-92)
    from Petites esquisses d'oiseaux (1985) (Leduc)
    03 I. Le rouge-gorge (Erithacus rubecula) 2'31
    LISZT, Ferenc
    from Consolations, S. 172 (1844-50)
    04 I. Andante con moto 1'21
    MESSIAEN, Olivier
    from Petites esquisses d'oiseaux (Leduc)
    05 II. Le merle noir (Turdus merula) 2'34
    LISZT, Ferenc
    from Consolations
    06 II. Un poco più mosso 2'40
    MESSIAEN, Olivier
    from Petites esquisses d'oiseaux (Leduc)
    07 III. Le rouge-gorge (Erithacus rubecula) 2'40
    08 IV. La grive musicienne (Turdus ericetorum) 1'50
    LISZT, Ferenc
    from Consolations
    09 III. Lento placido 3'57
    10 IV. Quasi Adagio 2'34
    MESSIAEN, Olivier
    from Petites esquisses d'oiseaux (Leduc)
    11 V. Le rouge-gorge (Erithacus rubecula) 3'03
    12 VI. L'alouette des champs (Alauda arvensis) 2'20
    LISZT, Ferenc
    from Consolations
    13 V. Andantino 2'27
    14 VI. Allegretto sempre cantabile 3'10
    15 Unstern! Sinistre, disastro, S. 208 (1881) 5'21
    MESSIAEN, Olivier
    16 Cantéyodjayâ (1949) (Universal Edition) 11'55
    LISZT, Ferenc
    17 St. François de Paule marchant sur les flots 8'07
    No. 2 of Deux Légendes
    Performers:
    Fredrik Ullén (piano)
    Franz Liszt and Olivier Messiaen don't usually spring to mind as similar figures, let alone as an expected pairing for an album, since the former was the arch-Romantic virtuoso pianist and tone poet, while the latter was an influential modernist composer and organist. Yet both men were devout Roman Catholic musicians with mystical ideas that found expression in their works. To be sure, this disc by pianist Fredrik Ullén illustrates the differences between them by presenting their solo piano pieces in alternation, so the listener is never lulled by one style or the other but stays attentive throughout the program. There is no mistaking Liszt's placid, sometimes bland, tonality for Messiaen's dense, dissonant chromaticism, and the generally dreamy atmosphere of Liszt's meditations contrasts with Messiaen's spiky, percussive approach to the piano. But both composers were adept at creating trancendental meditations that carry the mind to other worlds, and their strains of mysticism color the listener's reception of the music, whether it is the peaceful, paradisiacal realm of Liszt's Consolations or the cosmic visions of Messiaen's Petites esquisses d'oiseaux. Ullén is best known for his recordings of avant-garde music, yet he possesses the technical skills and musicality to interpret pieces from the 19th century with equal conviction, so his abilities make the pairing of Liszt and Messiaen less unlikely and even more fascinating. BIS gives Ullén transparent audio, and the piano has credible presence with ample resonance.
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