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Thread: My Music Collection Update Daily! (Dance, Trance, Rock, Pop, Electronic, Jazz,..)

  1. #5431
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    Prophets Of The New Machine - Cenophobes (2018)





    Artist: Prophets Of The New Machine
    Title: Cenophobes
    Year Of Release: 2018
    Label: Anxious Android
    Genre: Electronic, Industrial, EBM
    Quality: 320 Kbps
    Total Time: 40:57 min
    Total Size: 94 MB
    Tracklist:
    01. Breathe Deep
    02. Exploit
    03. The End
    04. Mechanisms
    05. Barriers
    06. The Fall
    07. Observer
    08. Great Compromise
    09. Tactile

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  2. #5432
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    Adam Lastiwka - Travelers (Original Series Soundtrack) (2018)





    Artist: Adam Lastiwka
    Title: Travelers (Original Series Soundtrack)
    Year Of Release: 2018
    Label: Lakeshore Records
    Genre: Soundtrack
    Quality: AAC 256 Kbps
    Total Time: 57:52 min
    Total Size: 118 MB
    Tracklist:
    01. Protocol
    02. The Director
    03. Homodeus
    04. Phillucinating
    05. Posthuman
    06. Temporal Transmigration
    07. On Spiritual Machines
    08. Nexus
    09. Signatures of Time
    10. Framedrag
    11. Trevor Does Transdifferentiation
    12. The Future Ain't What It Used to Be
    13. Spectres and Vessels
    14. Tr3vlr326
    15. Bound
    16. Null and Void
    17. Can't Let Go
    18. Stand Down!
    19. Collider
    20. Recursive Eden
    21. Chronocide
    Adam Lastiwka is a prolific composer for film and television based in the mountains of the Pacific Northwest. He is best known for his work on the globally renowned Netflix series TRAVELERS from STARGATE Creator and Writer Brad Wright, as well as the Emmy Nominated series INTERRUPT THIS PROGRAM.
    Starting at the age of seventeen with a three-album record contract, Adam seated himself as a pioneer of the home-studio based recording movement, thriving within a complex and challenging industry. The raw, powerful, organic and unique arrangements he creates with his distinct musical palette garnered attention, at a very young age, from Producers and Directors worldwide, earning him a diverse range of internationally broadcasted series, and to this day has contributed music to more than five hundred (and counting) episodes of television, documentaries, feature films and advertisements.
    His fresh, unique and collaborative approach to scoring and composition always lends itself to a heightened final product in whatever context he's working. Adam believes in delivering the most custom tailored scores to all of his clients, and in keeping with that goal, he has dedicated himself to learning the widest variety of musical instruments from all corners of the globe. While he is definitely an advocate of technology and is happy to utilize it in his productions, the artificiality and staleness it can yields, as well as the lack of personalization to the client has made him utilize it only the most transparent capacity that is necessary.

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  3. #5433
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    Quentin Dujardin - Veloma (2007)





    Artist: Quentin Dujardin
    Title: Veloma
    Year Of Release: 2007
    Label: Agua Productions
    Genre: Etno, Jazz, Acoustic, Instrumental
    Quality: FLAC (tracks)
    Total Time: 00:50:04
    Total Size: 263 MB
    Tracklist:
    1 Veloma 5:25
    2 Where The Road Divides 3:58
    3 Rangahy Mitomagny 2:33
    4 Hayat 4:31
    5 El Gitano 6:35
    6 Sur Les Toits D'essaquira 6:09
    7 Toliara (Intro) 0:27
    8 Toliara 4:48
    9 Fanny 4:42
    10 Marchin Sous Le Soleil 5:07
    11 Child's Song 5:38

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  4. #5434
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    Funeral for a Friend - The Great Wide Open (2007)





    Artist: Funeral for a Friend
    Title: The Great Wide Open
    Year Of Release: 2007
    Label: Atlantic UK
    Genre: Rock, Hardcore, Emo
    Quality: FLAC (tracks+.cue)
    Total Time: 39:12
    Total Size: 277 MB
    Tracklist:
    01. The Great Wide Open (3:33)
    02. 10.45 Amsterdam Conversations (live) (4:14)
    03. Juneau (live) (4:11)
    04. Red Is the New Black (live) (6:00)
    05. The Art of American Football (live) (2:48)
    06. This Year's Most Open Heartbreak (live) (3:54)
    07. She Drove Me to Daytime Television (live) (4:52)
    08. Kiss and Makeup (All Bets Are Off) (live) (3:32)
    09. Escape Artists Never Die (live) (6:07)

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  5. #5435
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    Racey - The Best Of Racey (1993)





    Artist: Racey
    Title: The Best Of Racey
    Year Of Release: 1993
    Label: EMI
    Genre: Power Pop, Glam Rock
    Quality: Flac (tracks)
    Total Time: 57:42
    Total Size: 378 Mb



    Tracklist:
    01. Love's A Riot
    02. Such A Night
    03. There's A Party Going On
    04. Lay Your Cards On The Table
    05. She's A Winner
    06. Some Girls
    07. Lay Your Love On Me
    08. Kitty
    09. Rah Stateway
    10. Boy Oh Boy
    11. We are Racey
    12. Fighting Chance
    13. Sensational Buzz
    14. I Believed You
    15. Runaround Sue
    16. Hold Me Close
    17. Rest Of My Life
    18. Cry Baby Cry
    One of Mickie Most's numerous UK successes on the RAK Records label in the 70s, this pop outfit was formed in 1976 from the ashes of the unsuccessful Phoenix Press. The line-up featured Richard Gower (b. 1955, Hackney, London, England; vocals/keyboards), Phil Fursdon (vocals/guitar), Pete Miller (vocals/bass) and Clive Wilson (vocals/drums). After playing extensively round the pub circuits, an early supporter called Steve Matthews brought Racey to the attention of Most in London. He quickly signed them after hearing a demo, and they released their debut 'Baby It's You', written by Chris Norman and Pete Spencer of Smokie, which narrowly missed the charts. However, they got their hit with second single, 'Lay Your Love On Me' (written by Mike Chapman and Nicky Chinn), which rose to number 3 in the UK charts in early 1979. Another Chapman/Chinn composition 'Some Girls' went one place better in March, but after two more Top 30 hits, including a cover version of Dion's 'Runaround Sue', the race was over. Lead singer Richard Gower worked as a songwriter for RAK during the 80s before re-forming Racey in the early 90s. This line-up of the band recorded several new songs for 1995's Say Wow! Greatest & Latest. They remain a popular draw on the European nostalgia circuit.

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  6. #5436
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    Rachel Podger, Brecon Baroque - J.S. Bach: Violin Concertos (2010) [DSD64] DSF





    Artist: Rachel Podger, Brecon Baroque
    Title: J.S. Bach: Violin Concertos
    Year Of Release: 2010
    Label: Channel Classics Records
    Genre: Classical
    Quality: DSD64 (*dsf) 2.82MHz
    Total Time: 51:42
    Total Size: 1,25 GB (d.booklet)
    Recorded: May 2010, St John the Evangelist Church, Upper Norwood, London.
    It sometimes seems that many Baroque violinists never would have had careers as "normal" violinists--but this is certainly not the case with Rachel Podger. Although some of her work in music later than the Baroque period is less than convincing in its approach, there's no question that she's a top-notch musician, and she's never made a finer (or smarter) recording than this. It's a pleasure from first note to last.
    First of all, it's great seeing the two canonic Bach violin concertos not coupled with the usual "double" violin concerto (with the soloist playing both parts, of course). Instead, Podger offers transcriptions of two keyboard concertos, neither of which is usually thought to have been originally written for the violin. This makes less of a difference than you might think. The low tessitura of BWV 1055 may not offer Podger much of a technical challenge, but the sonorities recall the two strings-only Brandenburgs, and there are moments, such as her entry at the start of the finale, that are simply magical.
    Both this work and BWV 1056 were likely composed for oboe (or oboe d'amore), but again, the delicious pizzicato Largo of the G minor concerto sounds wonderfully fresh and charming with a violin as soloist, and I don't miss the honking and clicking of the usual Baroque oboe one bit. Which brings us to the next issue: Podger plays all of this music immaculately, with characterful ornamentation and (thank God) enough vibrato to achieve a distinctive cantabile tone, especially in the slow movements. Her moderate tempos in the allegros (the term means "lively"--not "like a bat out of hell", as some authenticists apparently think) allow her to phrase the melodies with confidence, interact with and play off of the orchestra, and prevent Bach's chugging rhythms from turning mechanical.
    Brecon Baroque numbers just six players aside from Podger, which means essentially one player to a part. Yet the result never sounds thin or dry, thanks in large part to Channel Classics' stunningly natural, warm SACD engineering (marvelous in regular stereo or multichannel formats). Also, and this really is a big deal, continuo player Christopher Bucknall uses a gentle, pleasant-toned instrument that never swamps the strings. The result is a true "chamber concerto" experience, an exquisite dialog that the players clearly relish while preserving the essential contrast between solo and tutti on which the concerto form depends. Highest recommendation.
    Tracklist:
    Johann Sebastian Bach (1685-1750)
    Concerto in A minor bwv 1041
    01 [Allegro] 3.47
    02 Andante 5.13
    03 Allegro assai 3.14
    Concerto in E major bwv 1042
    04Allegro 7.28
    05 Adagio 5.42
    06 Allegro assai 2.28
    Concerto in G minor after bwv 1056
    07 [Allegro] 3.25
    08 Largo 2.50
    09 [Presto] 3.09
    Concerto in A major after bwv 1055
    10 [Allegro] 4.13
    11 Larghetto 5.15
    12 Allegro ma non tanto 4.02
    *************************
    Rachel Podger, violin, director
    Bojan Čičić, violin
    Johannes Pramsohler, violin
    Jane Rodgers, viola
    Alison McGillivray, cello
    Jan Spencer, violone
    Christopher Bucknall, harpsichord

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  7. #5437
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    Ray Barretto - La Cuna (1981/2013) [DSD64] DSF + HDTracks





    Artist: Ray Barretto
    Title: La Cuna
    Year Of Release: 2013 (1981)
    Label: CTI Records, King Record Co., Ltd.
    Genre: Jazz, Soul Jazz, Fusion, Latin Jazz
    Quality: DSD64 (*dsf) 2.82MHz
    FLAC (tracks) [24Bit/88,2kHz]
    Total Time: 34:25
    Total Size: 992 MB
    633 MB
    Recorded: August 1979 at Van Gelder Studio, Englewood Cliffs, New Jersey.
    AllMusic Review by Alex Henderson:
    Producer Creed Taylor has inspired everything from praise to anger among jazz fans. His work has been brilliant at times, detrimental at others (his worst flaw being a tendency to overproduce). Taylor plays a mostly positive role on La Cuna, a jazz-oriented effort uniting Ray Barretto with such first-class talent as Tito Puente (timbales) and the late Joe Farrell (tenor & soprano sax, flute). As slick as things get at times on La Cuna, Taylor wisely gives the players room to blow on everything from the haunting "Doloroso" and the driving "Cocinando" (a piece by Carlos Franzetti that shouldn't be confused with Barretto's major salsa/cha-cha hit) to a somewhat Gato Barbieri-ish take on Mussorgsky's "The Old Castle." Barretto successfully moves into soul territory on Stevie Wonder's "Pastime Paradise" (which rapper Coolio recast as his hit "Gangsta's Paradise" in 1994). Barretto may hate the term "Latin jazz," but make no mistake: La Cuna is one of his most memorable contributions to that genre.
    Tracklist:
    1 La Cuna 5:14
    2 Doloroso 5:59
    3 Mambotango 5:56
    4 The Old Castle 8:42
    5 Pastime Paradise 8:34
    ************************
    Ray Barretto, congas, percussion
    Francisco Centeno, bass
    Suzanne Ciani, synthesizer
    Mark Craney, Steve Gadd, drums
    Joe Farrell, lute, alto, soprano, tenor sax
    Carlos Franzetti, piano
    Charlie Palmieri, percussion, piano
    Tito Puente, timbales
    Willie Torres, vocals
    John Tropea, guitar
    Jeremy Wall, arranger, conductor, synthesizer

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  8. #5438
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    Red Stoner Sun - The Wicked Witch of the West (2018)





    Artist: Red Stoner Sun
    Title: The Wicked Witch of the West
    Year Of Release: 2018
    Label: Timezone Records
    Genre: Psychedelic, Rock
    Quality: FLAC (tracks)
    Total Time: 1:48:11
    Total Size: 656.17 MB
    Tracklist:
    Disc 1 (38:44)
    1. One Eyed Monkey (15:29)
    2. Earth Moved Slowly (06:34)
    3. Am I Just a Robot? (04:51)
    4. Medusa (05:06)
    5. Satanic Spandex (MK 31) (03:09)
    6. Good Dog! (03:35)
    Disc 2 (01:09:19)
    1. Species-Specific (06:01)
    2. Delorean (06:50)
    3. King Kong Connection (04:07)
    4. Somewhere Under the Rainbow (12:28)
    5. Species-Specific (Reprise) (03:49)
    6. Space Gal Milky White (36:04)

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  9. #5439
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    Reiner Kirsten - Weil ich dich liebe (2018)





    Artist: Reiner Kirsten
    Title: Weil ich dich liebe
    Year Of Release: 2018
    Label: Mcp/Vm
    Genre: Schlager, Pop
    Quality: Mp3 320 kbps
    Total Time: 43:26
    Total Size: 101 MB
    Tracklist:
    01.Weil ich dich liebe
    02.Das mit dir ist unbeschreiblich
    03.Ich will die Nacht heute Nacht
    04.Einmal noch
    05.Der Sinn von diesem Leben
    06.Erzähl mir keine Märchen
    07.Dich hat der Himmel geschickt
    08.Nenn es wie du willst
    09.Zeit der Gefühle
    10.Deine Augen fangen mich ein
    11.Und dann kam sie in dein Leben
    12.In mein Herz fällt Regen
    13.Die Liebe war hier zu Haus

    [embed]https://www.youtube.com/embed/dOYLSCDAXZI?feature=oembed[/embed]

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  10. #5440
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    Anat Damon - Falling (2003) MP3





    Artist: Anat Damon
    Title: Falling
    Year Of Release: 2003
    Label: Anova Music
    Genre: Pop Rock
    Quality: MP3 320 Kbps
    Total Time: 43:40
    Total Size: 157 Mb
    Tracklist:
    01. Not Again
    02. For You
    03. Falling
    04. Magic
    05. Love Control
    06. Show Me The Pain
    07. Flowers Growing
    08. Lullaby?
    09. Naughty
    10. On Hold
    11. Three
    12. Pure Magic
    Falling is an impressive debut album, particularly for a singer/songwriter who didn't even start guitar lessons or writing songs until she was almost thirty. Most debuts are derivative of or at least readily comparable to bigger names, but it's hard to place Damon next to any convenient benchmarks. The confident layered production and mix of pop smarts with artiness recalls Kate Bush in sensibility, perhaps, though Damon's voice doesn't sound at all like Bush's, and her material is less pretentious. While the songs tend toward the gently melodic side and the lyrics toward the give-and-take struggles of romantic and sexual relationships, there's an uneasy kick to the way they're spun, perhaps influenced by her own extensive academic work in psychology. Her voice has an appealing shy sultriness, and while her foreign accent is noticeable, actually it sounds kind of cool, without impeding the vocal clarity. Her stance is one of offering intimacy that's both inviting and unsettling, the lyrics of "Naughty" in particular hinting at the dark side of attraction, plaintively asking "why is it hard to see the worst in me?" as if that's exactly what she wants to show off. Leaving aside the interpersonal dynamics of the compositions, on a sheer sonic level the production is quite pleasurable, gracefully blending in touches of orchestration, psychedelia, slide guitar, and quite late-'60s Beatles-ish strings. Some of the fresher indie rock of the early 2000s came from Israel, and this is an honorable entry into that field, yet more admirable in that (unlike some of the other better Israeli indie rock of the period) it doesn't lean heavily on retro- psychedelia or 1960s-indebted approaches.

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